My Canon has colors grounded in deep blackberry tones with shades of lemon, anise and cherry ... with a back pallet of oakiness. It is low in tannin producing a smooth silky quality to the final image reminiscent of under-exposed Kodachrome ...
@Farhad 100% thought they were in the 8% 92% believed they were in the 8% But the point has been taken so we all understand what is the meaning of all this :)
Lol. I am more like cheap photo/video accessory hoarder. I keep buying stuff that I never use. But I WANT IT SO BAD until I get it. Dunno. I bought a full budget strobist setup and never really used it. Strobist would be so disappointed if he heard that. :D
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Good for you. No one's asking though.. Now shut up.
This is one of the best videos you have ever made. It's an older one and just by accident came back to rewatch it but independent of the topic and result of this video I just love the overall approach you take on gear in general. You just test, observe, throw the unfiltered information out there and always provide feedback on what you believe should be improved upon/changed. Very few youtube channels handle topics in this way.
while your statement is correct I have always thought that Fuji colour was better than Sony (jpeg) and I have Sony as a Minolta legacy and can not justify the cost to change mount or brand so I'm stuck on A-Mount but looking at a new film body to go with the lenses
The design of your study is brilliant. My field-epidemiology-is all about structuring studies to ascertain risk factors and causes of diseases. You think like an epidemiologist! This is really, really good science. Congratulations on a superb, first class scientific study.
What I fail to understand is that how can people judge on the "colour science" without being present at the scene of the shot. A photograph can be manipulated to any extent to tone down or tone up colours. I have seen seriously vivid sunsets that no camera can capture, (though I tried my best) yet most of my friends think whatever the camera captured is fake because of the colours. The picture looks like an HDR shot without actual HDR. Colour science should depend upon time of day, weather, indoor-outdoor, sunlight and its angle.. etc etc. And only the photographer will be able to bring colours closest to the actual place/person/skintone etc.
As a Fuji user i dont hate other camera brands. Heck , i love to use other brands too, learning their system and using them is a great learning curve for me. Also you should add the fact that many camera users can't buy many cameras because of this reason like me stick to one camera and fell in love with our only camera.
Mental note: Don't go round for dinner at Tony's. "Would you like a glass of wine?" … "Thanks, that would be lovely … Come on, Tony, put the blindfold away."
You pretty much ridicule your own reason for choosing a particular camera, however, having fun during shooting is probably one of the most important aspects about a camera. Because it influences what you actually do with it, which is something color science, sharpness etc really don't have the same impact on.
Having fun with Photography can actually be way more important then anything scientific about cameras. It'll reflect in your photos. Doesn't matter about what you are shooting with. It's about the actual photoshooting :) have fun out there!
Tony, thank you so much for the scientific test! However, I would be very interested to know which color science (brand) was chosen as best by the 8% of people that were consistent in choosing the best photo. Because those are the experts that I would love to know their opinion!! Please share that piece of information!!
This is so interesting. My first camera was a Nikon. I loved the images it produced. Moved to Olympus this year and I love it more. I'm not sure why. I hate over saturated images and go for a more natural edit. Olympus makes it so easy. So does Nikon.
Actual 'LOL' when Sony was on top and Canon on the bottom. As a Sony shooter, I often see people say they'd switch to Sony but hate the Sony colour science and love the Canon. I'm looking forward to reading the rage in the comments over the next few days.
@@JeremyGalloway lmao ok, I'd rather have 15 stop of dynamic range in video than marginally better photos. When UA-camrs compared the A7iii colors to the eos r, they weren't as far off as you'd think. Pre a9, a7riii, and A7iii they were awful sure, but everyone says the three new cameras are about 80% as good now.
@@leecason9468 So Sony has made strides in color reproduction with their latest cameras? From what I've seen and read over the years is that most of Sony's cameras produced cooler colors in JPEG which was a turnoff for me when looking at which mirrorless camera to get in 2013.
Sibir Lupus no, Andrew and Denae did a similar blind test and nobody could tell the difference. It’s all BS. My A7ii color was nice. My autofocus for fast moving subjects was not fine
You nailed it. I’ve always wondered how accurate “color science” is. Even, what it is really. Now I know we talk about it from a perceived point of view. We are not even really talking about accuracy. Accuracy would be how the close the camera reproduces the color compared to the actual color. But it looks like people are rating how the manufacturers interpret color. And, by the way, it doesn’t even matter because most photographers adjust colors anyway. Love it.
Why, because of the results. Because of the scientific value? Statistically significant? The target audience? The study population. Showing a few images out of billions produced each year? Never saw such a bad research.
@@aklaasvandalen207 I think you don't understand the whole thing behind this poll... Colour is just subjective that's it. Buying a camera (of a specific brand) only on that point is not a good way of choosing it. Just test the camera you want to buy, test another one, and another one and just keep the one you love the most. Argumenting on colour is like arguments on the taste of a wine, everyone perception is different. So when reviewers or youtubers tell you about colour science, just take it with a grain of salt. All cameras today are REALLY REALLY good :-)
@@jmiscischia I agree that all cameras nowadays are really good and that color is matter of taste. But it's not like different tastes are equally distributed. It's like with everything that is matter of taste, f.e. fashion etc.. There is always a majority which finds something appealing. And it can shift over decades but if you want to "please" the majority it's not that much matter of taste anymore.
Alex, I agree with your basic point. It is sometimes useful to remember that color toning had become a highly-developed part of the art world well before the camera was invented. During Picasso's blue period was he using better color science than during the rest of his career? Was, overall, the color treatment of Van Gogh scientifically better or worse than Picasso's? I think the reasonable answer is no. However, I think most art lovers would agree that all of those color tonings were better than what you often see in the decorative art department of Walmart or Bed, Bath, and Beyond.
Is it really interesting to know the outcome of your Jpegs? With your video test and the Nikon super green version, it surprised me a lot as I have seen beautiful videos from that camera and they don't look green at all, is that with the Nikon in-camera setting or how come? Isn't the actual image quality more important and how it manages the color grading? Check out Jared Polins test of the Z7 for example.
Max, I'm not convinced by this photo testing. I saw a video earlier today comparing the Nikon Z7 with the Sony A7III in an AF/eye-detect test. Nikon footage of a model was up first, then the Sony of the same model under the same conditions. The model looked very good in the Nikon footage (I've never owned one). But as soon as the Sony came up the difference in skin tone /texture was undeniable. The model's face was made very unattractive by the Sony footage--it wasn't skin color alone. It was something about tone and texture. I've done the same test with Fuji X-H1 and XT3 and the Sony. Same results. The Fuji skin tone/texture makes people's faces look much better. I have a Sony a7III, but, at least in video, it can't hold a candle to my Fujis. Maybe I could get it there with 1000 hours torturing those profiles--but why?!? Why should I spend all those hours when I've got it right out of the camera with my X-H1 and X-T3---and better bit rates?
Perhaps another valuable test would be to survey 1,500 NON-photographers to see which pictures they liked. No camera brands would be mentioned, because it wouldn't matter to consumers.
I did pull out the same of non-photographers, but so few participated that I didn't feel confident it was statistically significant. I tried really hard to get non-photographers to participate, but you can see who follows me...
It doesn't really matter because we adjust the color and change it anyway. It's not like we're color scientists in a lab, lol. It wouldn't matter which camera I used, I would still adjust it to what pleases my eye, with little regard to what is perfectly accurate color. Idk, maybe I'm doing it wrong, haha.
adamaj well said..but 99% of photographers or amateurs out there are just wankers and they love to wank over things a client and even them wouldnt notice in real life
Adamaj, I certainly agree. All I would like to add is that internally your camera generates an image with a color depth of roughly 12-15 bits. When you publish an image or give it to a customer, it is usually 8 bit JPEG or something else with a similar bit depth. To go from, say, 14 bits to 8 bits involves throwing away 63/64ths (98%) of the original color data. If you don't want unpleasant artifacts and other nasty surprises then you want to defer this as long as possible in your workflow. This is computer science, not color science.
Let's all keep in mind the "most accurate" color is not always the most PLEASING color. I happen to prefer the FUJI colors above all others, which kind of makes sense because Fuji has always been a film manufacturer, and understands something beyond just the "textbook" color science. But most dissatisfaction can be corrected anyhow with Photoshop and other utilities - - and using RAW. But if you're satisfied with just the average JPEG for your very own casual encounter personal photography, (rather than professional sales of your work), then I can't say no to FUJI. I have a Fuji, a Canon, and a Nikon. I rate my color preferences in the same order in which I listed my cameras - Meaning that Fuji reigns supreme, and Nikon is somewhat disappointing. Oh yes, and Canon is in the middle, duh? Fuji seriously knows color science! Great colors if you're a portrait photographer, whereas Nikon tends to make the skin of Caucasians look too red. But in the very final analysis, it's far more about personal opinion than it is about anything else, unless your specific purpose is to make it "scientific." Remember- I own cameras from all of the manufactures which I mentioned.
Love it... Best perceived color was Sony. That data point alone speaks volumes about our entire industry and how full of fan boys (myself included) it is.
Yeah and all you see people say online is that Canon color is the best and Sony color science sucks, or that it's "getting better" but still not as good as others.
What’s funny is I already had a canon Eos r and Nikon Z7 on the way to my house to do something similar (not this good) about “color science” and if anyone could tell the difference
color science is only for people who shoot jpeg. everyone who edits their raw always manipulate's the skintone to their liking, in this case it doesn't really matter. Hell, some people even use presets that turn the person in the photo and background into a sandstorm tan color and brag about color science after. Look at video, the pros use flat color profiles then color grade after.
Ain't nobody got time for that. The only time I want to dink with RAW is if I need to recover shadows in a high contrast situation. Beyond that, I save a bunch of time if I can get things right in-camera.
@@Ranblv why take 1500?? Shoot smarter, not spray and pray. Jared polin ,Tony, and literally almost every big photography UA-camr all say to not take so many photos.
Tony & Chelsea - social psychology Professor here - nice litttle study you did there ! Color has been studied by psychologists for some time and it can have effects on us without us ever realising it. Research shows, for example, that the colors used around the border of a web page can influence the way we perceive goods advertised on that web page. You label your video "color science" but really you are looking at "color perception". Perhaps what DXO measure when they look at sensors is closer to what we might call "color science". The brand effects are interesting but not surprising to me - we are tribal beings and will get tribal about all manner of things - brands, politics, foods, video games - things that to some seem trivial, can create tribalism amongst those heavily psychologically invested in them. Why the hate for Fuji? Perhaps Fuji represents some kind of psychological threat to traditiional DSLR users, who I imagine, are represented by your Canon and Nikon participants. Fuji represents non-traditional, it represents mirrorless. We tend to react to threats to our belief systems negatively. This is one of the things that drives prejudice.
Out of the 4 pictures with faked brand names, Fuji was the one with the way off overly warm tone. I've not been part of this test, so I don't know if there were any other images where the fuji label got to be on a more neutral (more similar to the other 2 non rose-yellow ones), but from those 4 examples, I would have picked "fujifilm" labeled image as my least favourite as well. This might explain why everyone hated on the fuji, it just drew the shittiest pic in that particular comparison.
And some of us are able to view hues correctly for one.(do a hue test and have a calibrated IPS display or dont bother talking at all!!) Be actually scientific instead of emotional.(which is much harder than it seems). There are sites that have calculated the delta errors of over 100 cameras. The Canons have by far the closest to actually hue. It is insane that 99.9% or more of people that make claims have never tested 2 cameras h2h scientifically. Yet have such strong(wrong) conclusions. I dont submit that Canon has the most pleasing colours, but most accurate, yes. That is what I prefer also. There is also no way with these youtube videos to show the quality of tonality either. Most people are as you say, tribal idiots.
@@jonastullock9220 I thought Tony summed up by saying that the people who care about accurate(color science) or whatever do what they want anyway, they all shot raw and would never use the in camera processed image at all as their final finished work. The discussion becomes a tail chasing gimic of some kind.
@@AConnect06 Hi Asili2tv, There are people who care about color and shoot RAW to create the colors they want. These people dont care about sensor accuracy as you are talking about. It is much harder to create accurate colors from memory(nearly impossible). Having a camera that has the lowest delta error ie: most accurate colors makes things much easier for people that want accurate color. Which is most Canon models. Again this is objective, not whichever brand gives the most pleasing colors = subjective. Also, every RAW program is using its own color science. But there is the Color Filter Array in every camera that dictates how strongly or weakly hues are picked up. Color quality is a huge deal and very real. This video was not getting into that. As far as the loony fanboys, they arnt worth replying to.
Great Tony, thanks. As a full time commercial photographer and Nikon shooter I have no choice but to carry a colour checker grey card for a test shot. Maybe old school but I would do that with all model cameras. Clients pay a lot of money for their branding and the colour must be perfect. I had a run with the Fuji X T3 with a 50-140 and loved it. Merry Christmas from OZ.
That's the same Petapixel trash article that I mentioned! Notice how the colour corrected image looks almost identical to the Sony image! The Canon colour is ridiculously pimped out to be too warm! Like I said, its colour ACCURACY that matters. Sony has it in spades.
I said 25% being wrong not right. And even if I accept your 26% it is still very good odds for winning. Do you know of any lottery, or casino game that gives better or at least the same odds?
@Alex Gowers It's true; but only if a percentage of the sample responded. The statement makes it implicit that everyone responded. And even if 25% didn't respond and only 75% of the sample responded then at least the 25% of the respondents in the sample would be wrong since mathematically the sample can not have more than 49% above above average in a binary test. It's not graded on a curve.
But the interesting result is: Brand loyality (as well as hate of competition) is the driving force in this psychology. We always may have suspected some influence, but the sheer power of this force is striking.
Thanks for the debunking, when people ask me about which cameras are the "best" I have always said what camera fits "your" ergonomics- can you reach the switches when holding the camera because you are more likely to enjoy using it. As for your images you can fix those in post.
For 35mm digital, Canon has the most accurate color capture of what's being photographed, which is what the "color science" is supposed to refer to, not what users prefer. No 35mm digital camera beats medium format in this area, but this test just proves people's bias to what they know, and that includes most camera reviewers who up until about a year ago, had little no no experience with medium format at all!
@@mrg6424 Canon is known to have over-saturated reds. Which is what people prefer in skintones. It's not at all the most accurate. Sony is in that regard simply more accurate then Canon.
Not sure if this is the article Tony was speaking about, but it backs up his results. www.pdnonline.com/gear/cameras/the-best-cameras-for-color-reproduction-ranked/
@@1barnet1 You're correct regarding Canon's reds, but over saturation is an easy fix, overall, they are the most accurate at the moment. Sony may have improved with the A7III, I haven't used it yet, but outside of sunlight, the A7RIII is pretty terrible determining color on it's own. I give Canon the nod because it requires the least amount of tweaking.
The behavioral psychology fits right in with studies in many other fields. There's so little objectively associated with human perception and everything is so colored by our social perception filters. It's simply the way our brains work and it's how we define what we consider to be important. Thanks for the lovely explanation.
Color science arguments only started to appear when Sony stepped up their game with the A7 series, funny thing is that I only hear mostly people who use canon rave about this. I never liked how canon over saturates and "over reds" everything, I remember a student of mine (who uses canon) editing a picture of a beautiful african girl taken on the studio with a black background, the background was completely yellow and the girl instead of having a beautiful brown color was yellow as well... I've edited photos from all "major" brands and each one has their tweaks, Canon over saturates and reds up everything, Nikon kicks in the yellows way to much sometimes, Fuji is quite unique more creative colors than "accurate ones", Sony seems more neutral of the bunch although sometimes I find a strange yellow cast on the skin tones when the person is in shade. In the end I have to edit all of them because designers and creative directors want certain types of tones (color grading) or want those perfect tones to clearly demonstrate the color of their clothes (grey card anyone?)
Indeed, Sony seems to really decided to improve its 'color science' - both my A6300 and RX100 mkIII reproduce deep blue skies irretrievably pale and green-tinted (and yes, they are pretty similar), whereas the new A7R3 nearly matches my Canon 1DX mk II - certainly close enough to match in LR. I say irretrievable because trying to fix the sky skin tone goes to crap. I'd be happy if someone has ideas on why sky particularly goes wrong.
Sony user here, honestly sony default profiles (not Sony color capability, Sony default profiles) are terrible for video until you tweak the settings and the colors aren’t flattering because they are too realistic. The reason canon people love their colors is because they’re lazy when it comes to color correction. I’ll be honest myself, I don’t have time to color correct for hours like photographers; I need that time for everything else in the editing. So I get the need for in-camera color, I’m lazy too haha. But it’s funny, I feel after using Sony for the last year and a half my eyes have gotten use to Sony colors and I really don’t like the new generation of canon cameras that are boosting so much red. Canon’s colors have been getting worse over time because of moving the default color temp position to more magenta tint.
i'm pretty surprised by the results. From what I have looked at Sony does tend to more realistic colours, but people do not usually like to see in their pictures realistic colour reproducibility. As you said earlier most people do like warmer pictures, especially of people. Much like you, it doesn't matter much to me since I change the colour balance of most pictures to match the "feeling" of the picture I want to convey. Since I use both Canon and Sony most of the time I do find that to get the same colour balance in shots from the same shoot I need to adjust both in different ways but it is just part of the RAW processing that I need to do. I liked you tests, and I think the biggest thing you did show was the bias towards what people wanted to see. Difficult thing is that everyone's monitor is likely not colour calibrated and what each of them saw on their computers was not consistent either. Almost impossible to get a test that reduces the variables to make an actual "scientific" conclusion.
The test was four images of the same scene from different cameras viewed on a single, constant monitor. The variables and constants were well controlled in this experiment. Except for the participant judges whose bias was well measured and more likely to have a better quality monitor than average.
I agree with your conclusions 100%. I have owned and used canon professionally for 10 years. I’m currently in the process of transitioning to Nikon. While I don’t use Sony or Fuji cameras I know some amateurs who do and their instagram acts have beautiful color accurate color. I will say that my 12 yr old Leaf 75s produces more accurate color than any of the 35mm cameras I’ve used. The one thing I think this video doesn’t address is lens coatings. I think a color test should be done using adapters to use the same lens.
I think it's best to have an accurate camera and then apply whatever color processing I want. Sometimes my goal is accuracy and only accuracy. Imaging Resource tests color accuracy but they use an inaccurate formula instead of Lab2000 so... I don't think those numbers mean much. Having watched people get defensive over a company they don't own is pretty funny. Brand loyalty was never really something I intuitively got behind. Tony, have you done a video describing the advantages or lack thereof for full frame when trying to achieve large depth of field like what is often achieved on smaller crop sensors?
Tbh I actually really loved my Pentax K20D’s colour ; it can record RGBY for every single pixel (Y being luminosity ☺️) I moved to Canon 5D3 / then 5D4 ... I often get complements on colour and the Pentax photos still stand up well on my website!
That's a really revealing investigation, Tony. Very interesting the results you got and the analysis you made. They show the whole nonsense of so many discussions and advertising slogans.
I'm a Nikon user. I have a friend who uses Sony. I have another friend who uses Fuji and several Canon users, too. When we get together, we all have fun of whoever has a Canon. Someone will introduce the Canon user (as if we didn't already know him) and finally add, "Poor guy, he uses a Canon." The rest of us will look down at the floor and say, "Poor guy," "What a shame..." "So sad..." "What a tragedy..." We've done this so many times yet it's still funny. We share one thought in common: The best camera is the one you can master and get the results that satisfy you. Whatever priority you have in choosing a camera, that's also called a personal choice and it doesn't have to matter to anyone else. "Poor Canon user..." (Hey it's a JOKE!)
I advocated for sony since they started their a7 series and argued with photographers all the time that brought up color science. And i would always say when you shoot raw sony sensors just work well. I shoot with Sony, Nikon and Canon.
Color Science is junk. I used to be a color matcher for an automotive paint manufacturer and worked there 19 years. Color is subjective and Color Science is more of a helpful tool for the manufacturer, but this is just my opinion.
And dependent on the quality of light its under, I've seen clients order product based off of show room light and then when it is under their horrible office lighting they think they received the wrong product
Years ago I walked into a garage. Where a guy had just spray painted the front quarter of a van. I asked him hey what are you doing. And he says what does it look like I'm doing. I said it looks like you're painting that van with the wrong shade of light blue. He said no way. I said come back here and look at it. He started cussing like an automotive mechanic. But. He was just about ready to remove all of his masking. So my timing was actually pretty good. Because all he had to do was get a new can of paint. They had sent him the right color name but the wrong year. Crazy. But the thing is he was looking at it up close. And could not see the different shade.
These types of videos are why I absolutely love this channel. Thank you for silencing the drove of moronic brand loyalist with nothing better to fault Sony and Fuji (who are absolutely handing them their asses lately) with than this hilarious claim on “Color Science.”
Funny thing's that a lot of Sony shooters (including me) think Canon has the best color science. I guess when something's repeated enough times, everybody just starts to take it as fact. Thanks for debunking this Tony!
Just because 1500 people don't like Canon's color science doesn't mean it is not objectively the best color science - assuming the measure of 'best' is 'accuracy.' This is a personal preference test, totally valid, but not as a test of color science. As Tony emphasizes, the test debunks the notion that brand loyalty = true perceived color preference.
Quite interesting results honestly. Sadly, I switched to Fujifilm because I liked the colors better lol. The thing is though, the Fujifilm camera allowed me to get the color I wanted a lot faster than the Nikon I had which saved me a lot of time in post, so for me it was worth it because I focus more on taking pictures instead of editing now.
Nicholas Erwin @Nicholas Erwin Switched to Fujifilm - Good choice ! I went step further and bought Fuji body keeping old Nikon D5000 with Nikkor lenses. So I have 2 systems to choose from. Adapter Nikon F -> Fuji X works OK. It is possible to achieve similar colors on Nikon with the cost of long hours of post processing with LightRoom. Fuji X has a lot more green shades inside than Nikon, son not all green tones you can recover from Nikon. Fuji [and probably Sony too] kills Nikon here. Doing wildlife and forests in mountains there is no comparisons for me - Fuji wins !
Same happen to me when i switch from Canon to Fuji. In fact, working with raws and Adobe neutral profile curve, I can achieve the same own colors from canon or Fuji, but the fuji simulations allows me to get a what I want a waaay faster. Lastly, I've found myself using more and more the camera jpegs and editing simply the exposure a little than editing raws.
Things I don’t care about (not that camera companies shouldn’t trying to improve upon them): color science, dynamic range, micro contrast, chromatic aberration, bits, rolling shutter, sharpness, to some extent...etc. Things I do care about: focus acquisition, battery life, back up sd card slot, button layout, flip out screen, better WiFi transferring/app....etc. The camera you have is much, MUCH better than all the masters of photography whose work that inspired you. The modern lenses have better sharpness, contrast, coating to reduce flare/CA than any lenses in the past...the money you want to spend on a brand new toy will be better spent on marketing...or a fun weekend in Vegas! 😂
Loved the video, I'm not a photographer, but wanted to add something. Depending on the screen that the viewer is looking at those pictures (Quality, OLED, LCD, etc) as well as the platform it's been shared (insta, twitter, .. ) the colors are different. Keep this up please
Love your findings and what others comment but it seemed everyone is forgetting something important. The same brand camera may produce a different colour output when match with a different brand lenses. The coating on the lens will vary the colour. A more ideal test would be to use the same exact lenses, same controlled lighting conditions, same settings to get a more accurate results. I like the point where you mentioned CS is not relevant for RAW shooter, spot on.
I have both Sony and Fuji. Both my wife and I prefer fuji color. We usually can tell which camera the photo comes from. I believe what you said is very truth, the AWB on fuji is very good. Also my wife doesn't like the extra details that produced by Sony, haha. It is too sharp she says. I pretty much use the Sony for landscaping and Fuji for everything else.
To me color science is what is the most pleasing. There is a youtuber, (gerald undone), who does an excellent job explaining the technical breakdown of color science. That with this video may get some to realize not to get hung up with who has the best color science incorporated into the camera and that you can pretty much tweak colors to your liking no matter what manufacturer you use.
Thanks Tony! Great video and the only one I’ve seen on colour science which is credible. I don’t get peoples attitudes towards colour science. It seems to imply one doesn’t edit their work.
@@jochenschrey2909 there is almost never such a thing as perfect SOOC, in my experience. Every photo or video I've released has been edited in some way and raw files give me the most latitude to do realise what I want to achieve. The difference between raw and jpeg is massive.
I agree WB is more important than CS. Wrong WB can skew all of the colors. I only recently began to bring along an 18% grey card to set the WB. It works great.
18:16 I think this is likely to be that people favour slightly higher saturation and brightness in an image mostly when watching from phones. Something to definitely think about. Not everything is a professional monitor or print
I believe when people praise Fuji colors, it's not the most realistic standard setting but the film simulations that they are most attracted to. Those aren't meant to be most realistic, but Fuji did a great job emulating their old film stock and it's definitely something else than a "saturated" setting or some Instagram-like art filter other brands might include. They are also not limited to JPEG but offer a great starting point in RAW converters that support them and not easy to achieve by adjusting some sliders. My camera has never been in "Provia"/Standard mode, the one probably used for comparison here, and I think it's outside of any objective test environment but simply a matter of taste. That said, I think Canon simply achieved the praise for the "color science" by having a warmer, more pleasing and skin friendly default jpeg setting, while Sony is a lot colder and more blueish/magentaish - which is as you said easily fixable.
14:00 Hahah I was thinking the same regarding bokeh and then you said it. Its why I dumped all my 1.2 and 1.4 lenses. None of my clients can see any difference, and the 1.8 lenses are far cheaper, focus faster and save my back.
Let's be honest, "color science" is a term incorrectly but frequently used to justify the increasingly smaller amount of "features" Canon users can say give their brand the advantage. I'm a Canon user but let's be realistic, blindly loving everything about a brand does nothing to push them towards being more competitive. Canon are a very different brand now to 10 years ago and it's partly the fault of those who will pay a premium for whatever lacking device Canon releases.
I think your right. The A7III is clearly better than the EOS R. Even my note 9 has a camera with an aperture of 1.5 and 4k 60 and 960fps slo motion. My only Sony gripe is they quit implementing the 180 degree flip up screen for apsc after the a5100 in 2014. Wish the a6500 had a fully articulating screen.
@@kefkafloyd Yes, the use of the term 'Color Science' here is terrible.....If you shoot jpg (with its defined colour space - actual color science!) with mixed daylight and domestic lighting you get terrible color!
First @10:13 That is something interesting. The photo who got the most color tone wrong (which was number 1 and labeled as Fujifilm in the photos) was actually Nikon Z7. And Nikon Z7 is currently the most hated mirrorless system. So by the end, people actually hate things just because they can, not because it is right. Hate is an illusion all along.
I don't think that they hate it because of colour, people hate it because they love their sony, canon, fuji, or nikon users that were expecting much more from the Z7 and Z6.
What are you even talking about? Nobody hates Z because of color. People disliked Z for 1 card slot, bad autofocus, bad lens selection etc. Nobody ever complained about color or image quality as it presumed to be the same as d850.
Thank you so much for this video (even though I’m getting to it very late). I have been letting the “canon colors” comments get in my head WAY too much because I started out with Sony. It’s the brand my husband uses so it’s what we had. BUT I will say this. I started out on the original A7 and had been going crazy trying to figure out why the colors were so hard to nail in editing. The skin was hard to work with, even with hours of trying to fix it. It was inconsistent, some parts of the face would be so yellow. Decided to try the A7iii after all this color science research I had been doing, and let me tell you, WORLD of difference. I really didn’t want to have to drop even more money to switch to canon and buy more lenses. With the newer generations from Sony, there really isn’t an argument now other than brand loyalty, like you said.
Even with the earlier ones: No issue at all. If Adobe doesn’t provide a suitable camera profile, create your own with ColorChecker. I have no color issues whatsoever with the 1st gen A7r.
The way you do polls is amazing, I remember another poll video you made a few months back, and the double blind tests results are always very interesting to see!
I’m a Fujifilm user and I don’t hate Sony. I have their Playstation and I like it. Never tried any of their cameras though, so I don’t know anything about using them. But reading reviews and comments on the internet, their cameras and especially the A7III seems to be the best camera in the world. Although I’m not sure about that 😁
That's because most people who purchased Sony cameras spend more of their time online attacking other makes, their not photographers their gear geeks:).
“Cameras and lenses are simply tools to place our unique vision on film. Concentrate on equipment and you’ll take technically good photographs. Concentrate on seeing the light’s magic colors and your images will stir the soul.” - Jack Dykinga
Tony went out to study color science and ended up instead learning about different aspects of human psychology. I've seen you guys do a lot of collaboration videos with fellow photographers but since you're in the education field as well I would be interested in seeing a collaboration with a youtuber from a psychology themed channel. I guarantee Canon, Nikon, Sony and Fuji invest money into understanding and leveraging this phenomenon to push their products, and on a more micro-scale successful photographers do as well. I can't be the only person who has been perplexed by seeing an objectively inferiorly skilled photographer crushing it from a business standpoint, and wondered what they are doing differently from everyone else. Anecdotally when my wife and I were shopping around for a photographer to shoot an engagement session (something that was important to us since we were living in Hawaii at the time, thousands of miles away from our nearest family members) we talked to several people and ended up spending our maximum budget on a lady who was spoken highly of, who had a great website for the time (2005), won my wife over the phone and that was booked out well in advance. This lady also had optimal weather and lighting conditions and only ended up getting 2 or 3 shots in-focus and when confronted she made the excuse that the photos weren't blurry they just had a soft-focus to make them more flattering, and she was so charismatic we believed her. A couple days later her charm wore off and a photographer friend of mine at home pointed out the obvious that the focus was off I confronted her and She refused to do a re-shoot or refund and after complaining to everyone I could about it I found out that a lot of the people who recommended her come to find out also didn't end up getting the high end product they were paying for, but they still somehow managed to buy into her excuses and really liked her despite delivering a sub-par product. Fortunately a friend of mine knew somebody who was dirt-cheap and available right away and even though their equipment wasn't as nice, it was raining throughout our shoot and we only had about 20 minutes of light in the day remaining we ended up with 30+ great pictures to choose from for our wedding announcements. In hind-sight the first lady won everyone over by looking and acting the part of a high-end photographer with so much charisma and confidence that for most people made them overlook the fact that she was actually not very good at the photography aspect of her job. I also think the pricetag inflated her customer's perception of the end-result too, but from a psychology perspective I have come to appreciate how unwittingly influenceable we all are and how very few people are objective enough to not get played.
Thank you very much for this very vivid reinforcement of just how easy it is to fool people into believing absolutely rubbish. And to raise some heat under the collar I'll state the big one directly: Abiogenesis with Darwinian Evolution.
I'm late to see this but this was exactly what I got just a few months ago lol. Basically I was shooting at my company's party and some guy I met a few times approached, checked my pics and told me how my colors are bad, then he took the camera and showed me how he would shoot. He changed the WB and completely destroyed the mood of the background. He did look like he was drunk, so I didn't take him seriously. But thanks to that I learned how his usual pictures all got ridiculous blown out highlight and not someone to be taken seriously, and also learned how not to teach people when you are far from being qualified for that.
Color science is total BS. I know you said this earlier in the video but I think this is the important message that got muddled when you showed a rating by brand. Thanks for taking the time to do such a detailed study.
What interests me most is the ability of the sensor to gather the greatest EV range without bracketing or HDR. I was a Zone VI guy, and we used to shoot for a particular value (zone 8 on zone 8, for example), then adjust development for the anticipated contrast. Something I used to do was to take two exact same exposures on each si< de of a 4x5 film holder. I would then develop one, see the results, and fine tune development on the other one. Doing this, I found I rarely had to burn or dodge when printing.
Gotta love the scientific approach! But I feel like I have to mention the fact that with Fujifilm, you can acutally work with their color science (film simulations, which are normally applied to out-of-camera JPEGs as you mentioned) during RAW post-processing. I guess that's what many people like about Fuji cameras. While other manufacturers only give you basically useless color profiles like "vivid", "portrait" etc., Fuji offers you their take on simulating film, precisely tuned for their sensors.
I'm glad you brought up that point. I'm shopping for a camera and it seems like it would be next to impossible to match Fuji's film simulations on other cameras. I like the xt20 and canons t7i in my price range.
Loved this thank you. Shot Canon for years, then Fuji, now Sony. To be honest, I loved the colors of the Fuji, but could not explain why. Years ago I learned the trick of warming the highlights in Lightroom and all bets were off. After I switched to Sony in 2015 my Canon friends queried the lack of lenses, being a toy, battery life, etc. Not any more.
My Canon has colors grounded in deep blackberry tones with shades of lemon, anise and cherry ... with a back pallet of oakiness. It is low in tannin producing a smooth silky quality to the final image reminiscent of under-exposed Kodachrome ...
your a fucking genius
I sold my Sony gear and bought a t3i after reading this. I'm in.
God tier level comment.
You should write bibles
I need some of your skills in writing my assignment...
16:23
100% of participants believe they are in the 8%.
Or maybe 92% of them do!
You mean 8% of participants believe they are in the 8%....
😂
Haha!
@Farhad
100% thought they were in the 8%
92% believed they were in the 8%
But the point has been taken so we all understand what is the meaning of all this :)
The experts are the intermediates, and the intermediates are experts. The dunning kruger effect!
Agreed
I would even dare to say some begginers picked expert 🤣
You should get an award for this research.
Indeed!!! awesome work!! Thumbs up!!
Yeah, I thought I was listening to a PhD viva presentation
I dont consider myself a photographer, i consider myself a gear acquirer
Lol. I am more like cheap photo/video accessory hoarder. I keep buying stuff that I never use. But I WANT IT SO BAD until I get it. Dunno. I bought a full budget strobist setup and never really used it. Strobist would be so disappointed if he heard that. :D
Good for you. No one's asking though.. Now shut up.
@ Well, at least he's funny. No one asked for your opinion, AND you're not funny. ¯\_(ツ)_/¯
Nothing wrong with being a gear whore, as long as you know it
Lmao
This is one of the best videos you have ever made. It's an older one and just by accident came back to rewatch it but independent of the topic and result of this video I just love the overall approach you take on gear in general. You just test, observe, throw the unfiltered information out there and always provide feedback on what you believe should be improved upon/changed. Very few youtube channels handle topics in this way.
I told my Nikon he didn't win. He's really upset about it. Now I need to remove Dramatic Abberation also.
Dramatic Chromatic Abberatic Abberation!
LOL
LMFAO, dramatic aberration. I'm officially altering my photography jargon.
A blind test is correct. People are blinded by brand loyalty.
The color science argument can finally be put to rest, or maybe not. Fanboys will find some way to justify their brand loyalty... 🤨
I am not blinded by brand loyalty, I just know Fujifilm is the best and Sony colour is similar to bogeys. :P
while your statement is correct I have always thought that Fuji colour was better than Sony (jpeg) and I have Sony as a Minolta legacy and can not justify the cost to change mount or brand so I'm stuck on A-Mount but looking at a new film body to go with the lenses
Joking aside, it really doesn't matter a huge amount in the end
Yes we are. (Loyal Canon user)
The design of your study is brilliant. My field-epidemiology-is all about structuring studies to ascertain risk factors and causes of diseases. You think like an epidemiologist! This is really, really good science. Congratulations on a superb, first class scientific study.
Thanks!
You must be busy right now :D
I was about to say this is a brilliant idea for an experiment. It never even crossed my mind. Credit to this guy for coming up with it.
Terrible poll, totally unscientific, garbage in - garbage out.
This experiment/poll is absolute GOLD!
I would say it was BLUE
@@krazyfrog 🤣🙏🏼
@@krazyfrog lol
Agree
Kodak Kodacolor Gold 400!
This is a great video, really shows that people are loyal to the brand, not the colour!
Exactly.
Is it brand loyalty or the narcissist in everyone coming out?
well said
What I fail to understand is that how can people judge on the "colour science" without being present at the scene of the shot. A photograph can be manipulated to any extent to tone down or tone up colours. I have seen seriously vivid sunsets that no camera can capture, (though I tried my best) yet most of my friends think whatever the camera captured is fake because of the colours. The picture looks like an HDR shot without actual HDR.
Colour science should depend upon time of day, weather, indoor-outdoor, sunlight and its angle.. etc etc. And only the photographer will be able to bring colours closest to the actual place/person/skintone etc.
Brand fidelity first, colour fidelity; not even close!
As a Fuji user i dont hate other camera brands. Heck , i love to use other brands too, learning their system and using them is a great learning curve for me. Also you should add the fact that many camera users can't buy many cameras because of this reason like me stick to one camera and fell in love with our only camera.
Mental note: Don't go round for dinner at Tony's. "Would you like a glass of wine?" … "Thanks, that would be lovely … Come on, Tony, put the blindfold away."
🤣 I was thinking that too.
😂
Tony bad boy ?
😆
Some people just like to watch the world burn. And Tony is just sitting back and laughing by showing the end results. Great video!
My takeaway from this video: If you put the Peak Design red/black thingy on top of a Sony, it looks like a Nikon if you squint!
So true!
Cannot unsee. Will put my peak design thingy (what are they called anyway) on my A7 now. Mainly because I regret buying one instead of a Nikon.
LOL! Good one!
just tried this and yes i can confirm for everyone too lazy to check for themselves.
I use Fuji just because the camera looks good🤷🏻♂️ and the dials bring me fun during shooting
It has that retro look and feel.
Fuji does have the best color science though in my opinion. Skin tones are super accurate and White and Reds are perfect.
Like most including me haha. Thats why most Fuji FB groups are just pics of peoples cameras instead of actual images taken with them.
You pretty much ridicule your own reason for choosing a particular camera, however, having fun during shooting is probably one of the most important aspects about a camera. Because it influences what you actually do with it, which is something color science, sharpness etc really don't have the same impact on.
Having fun with Photography can actually be way more important then anything scientific about cameras. It'll reflect in your photos. Doesn't matter about what you are shooting with. It's about the actual photoshooting :) have fun out there!
As a scientist I have one thing to say: I love you Tony! Lol well done!
I'm a scientist too and I approve this message.
Really well done.
Not a scientist, but I did stay at a Holiday Inn Express last night.
Would a scientist look at the Jpegs and the processing of those in camera first??
ottawamountainman - is that a subjective love balanced by the available evidence and no preconceived conclusions?
I hadn't watched Tony in a while and my gawd his rational mind is refreshing.
Plot twist: Yashica Y35 is the best.
I laughed so hard
LOL
It must have the best "color science" :) Who cares if everything is else is crap.
lol!
Ahh but depends on which film cartridge you use...... lmao!
I will be thinking about this and coming up with another test to add data. Thank you Tony
Thanks, Michael!
love your chanel Michael. wonderfull job.
Come on Michael i waiting your video
Michael and Tony some of the better ones out there!
Michael, love your channel. Your technical testing and reviews are the best photography science out there. You and Tony should do a video together.
Tony, thank you so much for the scientific test! However, I would be very interested to know which color science (brand) was chosen as best by the 8% of people that were consistent in choosing the best photo. Because those are the experts that I would love to know their opinion!! Please share that piece of information!!
But the best color is usually the most beloved color for everyone, it doesn’t matter how experts think
Most photographers are humble.
-Moose Peterson “hold my beer”
Manny Ortiz 😂🍺
That's bs, Manny.
Lmao! That was a cringey ass podcast
Awe cmon Steve just having a little fun 🤙
😂🤣😂
You have done some great videos before but this one is an amazing work! Great insights, almost like a scientific dissertation! Congrats!
He just did an M.Sc. In color science.
This is so interesting. My first camera was a Nikon. I loved the images it produced. Moved to Olympus this year and I love it more. I'm not sure why. I hate over saturated images and go for a more natural edit. Olympus makes it so easy. So does Nikon.
Actual 'LOL' when Sony was on top and Canon on the bottom. As a Sony shooter, I often see people say they'd switch to Sony but hate the Sony colour science and love the Canon.
I'm looking forward to reading the rage in the comments over the next few days.
Stinky Floata No rage. You’re absolutely right. Sony colors blow!! Especially for video. Bleh!
@@JeremyGalloway well it must be so if you say so, because after all, you are the globally respected pro on color.
@@JeremyGalloway lmao ok, I'd rather have 15 stop of dynamic range in video than marginally better photos. When UA-camrs compared the A7iii colors to the eos r, they weren't as far off as you'd think. Pre a9, a7riii, and A7iii they were awful sure, but everyone says the three new cameras are about 80% as good now.
@@leecason9468 So Sony has made strides in color reproduction with their latest cameras? From what I've seen and read over the years is that most of Sony's cameras produced cooler colors in JPEG which was a turnoff for me when looking at which mirrorless camera to get in 2013.
Sibir Lupus no, Andrew and Denae did a similar blind test and nobody could tell the difference. It’s all BS. My A7ii color was nice. My autofocus for fast moving subjects was not fine
Plot twist. These were all iphone pics with diffrent filters
Ahahahahahahahaha.
even bigger plot twist, they were all shot with a galaxy s3
Biggest plot twist: It was a Nokia 3310 (the original, not remake)
You nailed it. I’ve always wondered how accurate “color science” is. Even, what it is really. Now I know we talk about it from a perceived point of view. We are not even really talking about accuracy. Accuracy would be how the close the camera reproduces the color compared to the actual color. But it looks like people are rating how the manufacturers interpret color. And, by the way, it doesn’t even matter because most photographers adjust colors anyway. Love it.
This is an award winning review. Thanks alot Tony.
Why, because of the results. Because of the scientific value? Statistically significant? The target audience? The study population. Showing a few images out of billions produced each year? Never saw such a bad research.
@@aklaasvandalen207
@@aklaasvandalen207 I think you don't understand the whole thing behind this poll... Colour is just subjective that's it. Buying a camera (of a specific brand) only on that point is not a good way of choosing it. Just test the camera you want to buy, test another one, and another one and just keep the one you love the most. Argumenting on colour is like arguments on the taste of a wine, everyone perception is different. So when reviewers or youtubers tell you about colour science, just take it with a grain of salt. All cameras today are REALLY REALLY good :-)
@@jmiscischia I agree that all cameras nowadays are really good and that color is matter of taste. But it's not like different tastes are equally distributed. It's like with everything that is matter of taste, f.e. fashion etc.. There is always a majority which finds something appealing. And it can shift over decades but if you want to "please" the majority it's not that much matter of taste anymore.
Alex, I agree with your basic point. It is sometimes useful to remember that color toning had become a highly-developed part of the art world well before the camera was invented. During Picasso's blue period was he using better color science than during the rest of his career? Was, overall, the color treatment of Van Gogh scientifically better or worse than Picasso's? I think the reasonable answer is no. However, I think most art lovers would agree that all of those color tonings were better than what you often see in the decorative art department of Walmart or Bed, Bath, and Beyond.
Wow! So good Tony! I was shocked by the results just like you. I’ll be doing a video recording version of this. 👍👊
Wow that will be awesome!!! Thank you in advance, Max!
Maybe you want to make video like this. I waiting for you video about a7iii vs eos r
Is it really interesting to know the outcome of your Jpegs? With your video test and the Nikon super green version, it surprised me a lot as I have seen beautiful videos from that camera and they don't look green at all, is that with the Nikon in-camera setting or how come? Isn't the actual image quality more important and how it manages the color grading? Check out Jared Polins test of the Z7 for example.
Max, I'm not convinced by this photo testing. I saw a video earlier today comparing the Nikon Z7 with the Sony A7III in an AF/eye-detect test.
Nikon footage of a model was up first, then the Sony of the same model under the same conditions. The model looked very good in the Nikon footage (I've never owned one). But as soon as the Sony came up the difference in skin
tone /texture was undeniable. The model's face was made very unattractive by the Sony footage--it wasn't skin color alone. It was something about tone and texture.
I've done the same test with Fuji X-H1 and XT3 and the Sony. Same results. The Fuji skin tone/texture makes people's faces look much better.
I have a Sony a7III, but, at least in video, it can't hold a candle to my Fujis.
Maybe I could get it there with 1000 hours torturing those profiles--but why?!? Why should I spend all those hours when I've got it right out of the camera with my X-H1 and X-T3---and better bit rates?
woould watch it definitly !
“Color is like wine” - so true, individual taste is the ultimate decider.
Perhaps another valuable test would be to survey 1,500 NON-photographers to see which pictures they liked. No camera brands would be mentioned, because it wouldn't matter to consumers.
I did pull out the same of non-photographers, but so few participated that I didn't feel confident it was statistically significant. I tried really hard to get non-photographers to participate, but you can see who follows me...
@@TonyAndChelsea Understood. Of course, thank you for the significant amount of work you put in.
Everybody is a photographer today with their smartphones, but I understand your point.
I'm pretty sure non photographers would even more heavily be Canon biased to be honest.
@@Eihei true. Canon does the warm trick with the Reds. And as Tony alluded to, that's what people like
It doesn't really matter because we adjust the color and change it anyway. It's not like we're color scientists in a lab, lol. It wouldn't matter which camera I used, I would still adjust it to what pleases my eye, with little regard to what is perfectly accurate color. Idk, maybe I'm doing it wrong, haha.
And if it really bothers you you can create a preset/color profile with color adjustments that you like!
@fishhunter626 Exactly! Great point.
adamaj well said..but 99% of photographers or amateurs out there are just wankers and they love to wank over things a client and even them wouldnt notice in real life
Adamaj, I certainly agree. All I would like to add is that internally your camera generates an image with a color depth of roughly 12-15 bits. When you publish an image or give it to a customer, it is usually 8 bit JPEG or something else with a similar bit depth. To go from, say, 14 bits to 8 bits involves throwing away 63/64ths (98%) of the original color data. If you don't want unpleasant artifacts and other nasty surprises then you want to defer this as long as possible in your workflow. This is computer science, not color science.
big round of applause to Lightroom
Let's all keep in mind the "most accurate" color is not always the most PLEASING color. I happen to prefer the FUJI colors above all others, which kind of makes sense because Fuji has always been a film manufacturer, and understands something beyond just the "textbook" color science. But most dissatisfaction can be corrected anyhow with Photoshop and other utilities - - and using RAW.
But if you're satisfied with just the average JPEG for your very own casual encounter personal photography, (rather than professional sales of your work), then I can't say no to FUJI.
I have a Fuji, a Canon, and a Nikon. I rate my color preferences in the same order in which I listed my cameras - Meaning that Fuji reigns supreme, and Nikon is somewhat disappointing.
Oh yes, and Canon is in the middle, duh? Fuji seriously knows color science! Great colors if you're a portrait photographer, whereas Nikon tends to make the skin of Caucasians look too red.
But in the very final analysis, it's far more about personal opinion than it is about anything else, unless your specific purpose is to make it "scientific."
Remember- I own cameras from all of the manufactures which I mentioned.
Love it... Best perceived color was Sony. That data point alone speaks volumes about our entire industry and how full of fan boys (myself included) it is.
Yeah and all you see people say online is that Canon color is the best and Sony color science sucks, or that it's "getting better" but still not as good as others.
What’s funny is I already had a canon Eos r and Nikon Z7 on the way to my house to do something similar (not this good) about “color science” and if anyone could tell the difference
Try not to use your beautiful model wife for all the photos as all or no colors still look good on her. Cheers.
@@kinachahue Jesus, that was cringy..
Please still do it, love your work btw keep it up!
Just do it, Manny!
Manny Ortiz must be bored 😐
At 10:39 you said worst picture was taken Nikon Z7, but it was the photo taken by Fujifilm camera (image #1 in first set)
color science is only for people who shoot jpeg. everyone who edits their raw always manipulate's the skintone to their liking, in this case it doesn't really matter. Hell, some people even use presets that turn the person in the photo and background into a sandstorm tan color and brag about color science after. Look at video, the pros use flat color profiles then color grade after.
Ain't nobody got time for that. The only time I want to dink with RAW is if I need to recover shadows in a high contrast situation. Beyond that, I save a bunch of time if I can get things right in-camera.
@@RyanRuark wow yeah because all pros shoot jpeg everyone knows. Dude you just make any image better by shooting raw and editing
when you post process 1500 pics from an event you prefer the camera that you need 5 minutes process per pic than the one you need 7 minutes per pic.
@@Ranblv why take 1500?? Shoot smarter, not spray and pray. Jared polin ,Tony, and literally almost every big photography UA-camr all say to not take so many photos.
Lee Cason I agree to not spray and pray ..if I did I'd be worried about the buffer causing me to miss a great moment
Tony & Chelsea - social psychology Professor here - nice litttle study you did there ! Color has been studied by psychologists for some time and it can have effects on us without us ever realising it. Research shows, for example, that the colors used around the border of a web page can influence the way we perceive goods advertised on that web page. You label your video "color science" but really you are looking at "color perception". Perhaps what DXO measure when they look at sensors is closer to what we might call "color science". The brand effects are interesting but not surprising to me - we are tribal beings and will get tribal about all manner of things - brands, politics, foods, video games - things that to some seem trivial, can create tribalism amongst those heavily psychologically invested in them. Why the hate for Fuji? Perhaps Fuji represents some kind of psychological threat to traditiional DSLR users, who I imagine, are represented by your Canon and Nikon participants. Fuji represents non-traditional, it represents mirrorless. We tend to react to threats to our belief systems negatively. This is one of the things that drives prejudice.
Out of the 4 pictures with faked brand names, Fuji was the one with the way off overly warm tone. I've not been part of this test, so I don't know if there were any other images where the fuji label got to be on a more neutral (more similar to the other 2 non rose-yellow ones), but from those 4 examples, I would have picked "fujifilm" labeled image as my least favourite as well. This might explain why everyone hated on the fuji, it just drew the shittiest pic in that particular comparison.
AM UA-cam. But the picture labelled "Fujifilm" was ranked number one, when the label was not there ...
And some of us are able to view hues correctly for one.(do a hue test and have a calibrated IPS display or dont bother talking at all!!) Be actually scientific instead of emotional.(which is much harder than it seems). There are sites that have calculated the delta errors of over 100 cameras. The Canons have by far the closest to actually hue.
It is insane that 99.9% or more of people that make claims have never tested 2 cameras h2h scientifically. Yet have such strong(wrong) conclusions.
I dont submit that Canon has the most pleasing colours, but most accurate, yes. That is what I prefer also.
There is also no way with these youtube videos to show the quality of tonality either.
Most people are as you say, tribal idiots.
@@jonastullock9220 I thought Tony summed up by saying that the people who care about accurate(color science) or whatever do what they want anyway, they all shot raw and would never use the in camera processed image at all as their final finished work. The discussion becomes a tail chasing gimic of some kind.
@@AConnect06 Hi Asili2tv, There are people who care about color and shoot RAW to create the colors they want. These people dont care about sensor accuracy as you are talking about.
It is much harder to create accurate colors from memory(nearly impossible). Having a camera that has the lowest delta error ie: most accurate colors makes things much easier for people that want accurate color. Which is most Canon models.
Again this is objective, not whichever brand gives the most pleasing colors = subjective.
Also, every RAW program is using its own color science. But there is the Color Filter Array in every camera that dictates how strongly or weakly hues are picked up.
Color quality is a huge deal and very real. This video was not getting into that.
As far as the loony fanboys, they arnt worth replying to.
Great Tony, thanks. As a full time commercial photographer and Nikon shooter I have no choice but to carry a colour checker grey card for a test shot. Maybe old school but I would do that with all model cameras. Clients pay a lot of money for their branding and the colour must be perfect.
I had a run with the Fuji X T3 with a 50-140 and loved it. Merry Christmas from OZ.
Sean Tucker did a really interesting portrait colour science experiment a couple of weeks ago; Canon vs Sony - do check it out.
That's the same Petapixel trash article that I mentioned! Notice how the colour corrected image looks almost identical to the Sony image! The Canon colour is ridiculously pimped out to be too warm! Like I said, its colour ACCURACY that matters. Sony has it in spades.
That was an excellent video. That's where I learned about his method for actually calculating the CMY colors for skintones.
@@leticiali Sean Tucker was pissed at petapixel for using his video in their agenda
The results are not surprising. 75% of people believe they are higher than average!
Only 25% of them would be wrong :-)) Not bad odds :-))
@@dimitristsagdis7340 26% to be exact; and 26% is pretty bad odds for not winning anything at all! ;)
I said 25% being wrong not right. And even if I accept your 26% it is still very good odds for winning. Do you know of any lottery, or casino game that gives better or at least the same odds?
@@dimitristsagdis7340 You're probably right; but, outside table roulette odds, if I recall, are about 46% (Red vs. Black).
@Alex Gowers It's true; but only if a percentage of the sample responded. The statement makes it implicit that everyone responded. And even if 25% didn't respond and only 75% of the sample responded then at least the 25% of the respondents in the sample would be wrong since mathematically the sample can not have more than 49% above above average in a binary test. It's not graded on a curve.
Amazing video! Thanks for making this!
Summary: Color Science is an intensely personal, psychologically driven preference.
But the interesting result is: Brand loyality (as well as hate of competition) is the driving force in this psychology. We always may have suspected some influence, but the sheer power of this force is striking.
@@tubularificationed Well said!
True
We've seen consistent bias towards Sony, the conclusion is Sony has best color science.
PS: also I'm not saying that because I have a Sony.
Man, my shouts into the void saying this exact thin have finally been answered by a concrete test. thank you.
The concrete test would of been different if he used an a6000.
Thanks for the debunking, when people ask me about which cameras are the "best" I have always said what camera fits "your" ergonomics- can you reach the switches when holding the camera because you are more likely to enjoy using it. As for your images you can fix those in post.
Composition is everything. Color science is overrated.
pretty much when you have raw
+Roman
No, brand of SD card! Card science! Only newbs shoot with Leximax! Pros only use SmartSD cards! Let me link to a forum post from imrightdotcom
@Red black Not many people shoot Raw video
Few canon shooters talking here
Subject matter is king in my opinion. Then composition.
Color Science = Canon's only imaginary feature they still have that is competitive.
For 35mm digital, Canon has the most accurate color capture of what's being photographed, which is what the "color science" is supposed to refer to, not what users prefer. No 35mm digital camera beats medium format in this area, but this test just proves people's bias to what they know, and that includes most camera reviewers who up until about a year ago, had little no no experience with medium format at all!
@@mrg6424 Canon is known to have over-saturated reds. Which is what people prefer in skintones.
It's not at all the most accurate. Sony is in that regard simply more accurate then Canon.
@@mrg6424 Do you have any articles comparing their cinema line vs Red or any other brand to back that claim up?
Not sure if this is the article Tony was speaking about, but it backs up his results. www.pdnonline.com/gear/cameras/the-best-cameras-for-color-reproduction-ranked/
@@1barnet1 You're correct regarding Canon's reds, but over saturation is an easy fix, overall, they are the most accurate at the moment. Sony may have improved with the A7III, I haven't used it yet, but outside of sunlight, the A7RIII is pretty terrible determining color on it's own. I give Canon the nod because it requires the least amount of tweaking.
The behavioral psychology fits right in with studies in many other fields. There's so little objectively associated with human perception and everything is so colored by our social perception filters. It's simply the way our brains work and it's how we define what we consider to be important. Thanks for the lovely explanation.
Color science arguments only started to appear when Sony stepped up their game with the A7 series, funny thing is that I only hear mostly people who use canon rave about this. I never liked how canon over saturates and "over reds" everything, I remember a student of mine (who uses canon) editing a picture of a beautiful african girl taken on the studio with a black background, the background was completely yellow and the girl instead of having a beautiful brown color was yellow as well...
I've edited photos from all "major" brands and each one has their tweaks, Canon over saturates and reds up everything, Nikon kicks in the yellows way to much sometimes, Fuji is quite unique more creative colors than "accurate ones", Sony seems more neutral of the bunch although sometimes I find a strange yellow cast on the skin tones when the person is in shade. In the end I have to edit all of them because designers and creative directors want certain types of tones (color grading) or want those perfect tones to clearly demonstrate the color of their clothes (grey card anyone?)
Indeed, Sony seems to really decided to improve its 'color science' - both my A6300 and RX100 mkIII reproduce deep blue skies irretrievably pale and green-tinted (and yes, they are pretty similar), whereas the new A7R3 nearly matches my Canon 1DX mk II - certainly close enough to match in LR. I say irretrievable because trying to fix the sky skin tone goes to crap. I'd be happy if someone has ideas on why sky particularly goes wrong.
Yes, when I do street photography with my canon, the red color is so distracting eventhough its only a little part of my frame.
Surely you would just use the RAW files?
Sony user here, honestly sony default profiles (not Sony color capability, Sony default profiles) are terrible for video until you tweak the settings and the colors aren’t flattering because they are too realistic. The reason canon people love their colors is because they’re lazy when it comes to color correction. I’ll be honest myself, I don’t have time to color correct for hours like photographers; I need that time for everything else in the editing. So I get the need for in-camera color, I’m lazy too haha. But it’s funny, I feel after using Sony for the last year and a half my eyes have gotten use to Sony colors and I really don’t like the new generation of canon cameras that are boosting so much red. Canon’s colors have been getting worse over time because of moving the default color temp position to more magenta tint.
"Fujifilm has the best color science"
"Let me tell you about Acros" ;)
Yes. Love Acros.
i'm pretty surprised by the results. From what I have looked at Sony does tend to more realistic colours, but people do not usually like to see in their pictures realistic colour reproducibility. As you said earlier most people do like warmer pictures, especially of people. Much like you, it doesn't matter much to me since I change the colour balance of most pictures to match the "feeling" of the picture I want to convey. Since I use both Canon and Sony most of the time I do find that to get the same colour balance in shots from the same shoot I need to adjust both in different ways but it is just part of the RAW processing that I need to do. I liked you tests, and I think the biggest thing you did show was the bias towards what people wanted to see. Difficult thing is that everyone's monitor is likely not colour calibrated and what each of them saw on their computers was not consistent either. Almost impossible to get a test that reduces the variables to make an actual "scientific" conclusion.
The test was four images of the same scene from different cameras viewed on a single, constant monitor. The variables and constants were well controlled in this experiment. Except for the participant judges whose bias was well measured and more likely to have a better quality monitor than average.
Amazing work. Why I continue to love this channel. Keep up the great work!
I agree with your conclusions 100%.
I have owned and used canon professionally for 10 years. I’m currently in the process of transitioning to Nikon. While I don’t use Sony or Fuji cameras I know some amateurs who do and their instagram acts have beautiful color accurate color. I will say that my 12 yr old Leaf 75s produces more accurate color than any of the 35mm cameras I’ve used. The one thing I think this video doesn’t address is lens coatings. I think a color test should be done using adapters to use the same lens.
"You picked Sony!!!"
The honesty shock and disgust from Tony is just funny.
I think it's best to have an accurate camera and then apply whatever color processing I want. Sometimes my goal is accuracy and only accuracy. Imaging Resource tests color accuracy but they use an inaccurate formula instead of Lab2000 so... I don't think those numbers mean much. Having watched people get defensive over a company they don't own is pretty funny. Brand loyalty was never really something I intuitively got behind.
Tony, have you done a video describing the advantages or lack thereof for full frame when trying to achieve large depth of field like what is often achieved on smaller crop sensors?
Tbh I actually really loved my Pentax K20D’s colour ; it can record RGBY for every single pixel (Y being luminosity ☺️) I moved to Canon 5D3 / then 5D4 ... I often get complements on colour and the Pentax photos still stand up well on my website!
Funniest results ever! Sony first and Canon last. Camera nerds heads are exploding all over the interwebs
That's a really revealing investigation, Tony. Very interesting the results you got and the analysis you made. They show the whole nonsense of so many discussions and advertising slogans.
If I could just see all of the Sony Haters faces right now as they're looking at this video.... LMBO
LOL
Oh yeah...LOL 😂🤣
Meanwhile me, using both the most hated brand: Sony, and the most loved brand: Canon.
I'm a Nikon user. I have a friend who uses Sony. I have another friend who uses Fuji and several Canon users, too. When we get together, we all have fun of whoever has a Canon. Someone will introduce the Canon user (as if we didn't already know him) and finally add, "Poor guy, he uses a Canon." The rest of us will look down at the floor and say, "Poor guy," "What a shame..." "So sad..." "What a tragedy..." We've done this so many times yet it's still funny. We share one thought in common: The best camera is the one you can master and get the results that satisfy you. Whatever priority you have in choosing a camera, that's also called a personal choice and it doesn't have to matter to anyone else. "Poor Canon user..." (Hey it's a JOKE!)
I advocated for sony since they started their a7 series and argued with photographers all the time that brought up color science. And i would always say when you shoot raw sony sensors just work well. I shoot with Sony, Nikon and Canon.
Color Science is junk. I used to be a color matcher for an automotive paint manufacturer and worked there 19 years. Color is subjective and Color Science is more of a helpful tool for the manufacturer, but this is just my opinion.
And dependent on the quality of light its under, I've seen clients order product based off of show room light and then when it is under their horrible office lighting they think they received the wrong product
Years ago I walked into a garage. Where a guy had just spray painted the front quarter of a van. I asked him hey what are you doing. And he says what does it look like I'm doing. I said it looks like you're painting that van with the wrong shade of light blue. He said no way. I said come back here and look at it. He started cussing like an automotive mechanic. But. He was just about ready to remove all of his masking. So my timing was actually pretty good. Because all he had to do was get a new can of paint. They had sent him the right color name but the wrong year. Crazy. But the thing is he was looking at it up close. And could not see the different shade.
These types of videos are why I absolutely love this channel. Thank you for silencing the drove of moronic brand loyalist with nothing better to fault Sony and Fuji (who are absolutely handing them their asses lately) with than this hilarious claim on “Color Science.”
Which brand was Image # 1 at 3:24 ? I like that color the most. ❤️
Funny thing's that a lot of Sony shooters (including me) think Canon has the best color science. I guess when something's repeated enough times, everybody just starts to take it as fact. Thanks for debunking this Tony!
Just because 1500 people don't like Canon's color science doesn't mean it is not objectively the best color science - assuming the measure of 'best' is 'accuracy.' This is a personal preference test, totally valid, but not as a test of color science. As Tony emphasizes, the test debunks the notion that brand loyalty = true perceived color preference.
Quite interesting results honestly. Sadly, I switched to Fujifilm because I liked the colors better lol. The thing is though, the Fujifilm camera allowed me to get the color I wanted a lot faster than the Nikon I had which saved me a lot of time in post, so for me it was worth it because I focus more on taking pictures instead of editing now.
why are you so sad?
Nicholas Erwin
@Nicholas Erwin
Switched to Fujifilm - Good choice ! I went step further and bought Fuji body keeping old Nikon D5000 with Nikkor lenses. So I have 2 systems to choose from. Adapter Nikon F -> Fuji X works OK. It is possible to achieve similar colors on Nikon with the cost of long hours of post processing with LightRoom. Fuji X has a lot more green shades inside than Nikon, son not all green tones you can recover from Nikon. Fuji [and probably Sony too] kills Nikon here. Doing wildlife and forests in mountains there is no comparisons for me - Fuji wins !
Same happen to me when i switch from Canon to Fuji. In fact, working with raws and Adobe neutral profile curve, I can achieve the same own colors from canon or Fuji, but the fuji simulations allows me to get a what I want a waaay faster. Lastly, I've found myself using more and more the camera jpegs and editing simply the exposure a little than editing raws.
Accuracy color is most important. You can retouch later but the color that captured from camera is wrong is how can you fix it ?
Things I don’t care about (not that camera companies shouldn’t trying to improve upon them): color science, dynamic range, micro contrast, chromatic aberration, bits, rolling shutter, sharpness, to some extent...etc.
Things I do care about: focus acquisition, battery life, back up sd card slot, button layout, flip out screen, better WiFi transferring/app....etc.
The camera you have is much, MUCH better than all the masters of photography whose work that inspired you. The modern lenses have better sharpness, contrast, coating to reduce flare/CA than any lenses in the past...the money you want to spend on a brand new toy will be better spent on marketing...or a fun weekend in Vegas! 😂
This comparison is epic!!
Just loved the whole video
When you're trying to do a poll about color science and you accidentally make a psychology study
Taking everyone to school! I love this video so much!! The Northrups are Savage 🙌🏼🙌🏼🔥🔥
Tony, great seeing you leverage the viewership like this. Keep it up!
Loved the video, I'm not a photographer, but wanted to add something. Depending on the screen that the viewer is looking at those pictures (Quality, OLED, LCD, etc) as well as the platform it's been shared (insta, twitter, .. ) the colors are different. Keep this up please
and on whether one is controlling compression! I admittedly learned that the hard way with DA and Instagram, and it took me longer than I'm proud of
now, i will make a t-shirt "I SHOT JPEG WITH SONY!"
envy...
Work in APSC and you have a hit!
While I just SHOT RPG WITH CANNON
Love your findings and what others comment but it seemed everyone is forgetting something important. The same brand camera may produce a different colour output when match with a different brand lenses. The coating on the lens will vary the colour. A more ideal test would be to use the same exact lenses, same controlled lighting conditions, same settings to get a more accurate results.
I like the point where you mentioned CS is not relevant for RAW shooter, spot on.
I have both Sony and Fuji. Both my wife and I prefer fuji color. We usually can tell which camera the photo comes from. I believe what you said is very truth, the AWB on fuji is very good. Also my wife doesn't like the extra details that produced by Sony, haha. It is too sharp she says. I pretty much use the Sony for landscaping and Fuji for everything else.
To me color science is what is the most pleasing. There is a youtuber, (gerald undone), who does an excellent job explaining the technical breakdown of color science. That with this video may get some to realize not to get hung up with who has the best color science incorporated into the camera and that you can pretty much tweak colors to your liking no matter what manufacturer you use.
Thanks Tony! Great video and the only one I’ve seen on colour science which is credible. I don’t get peoples attitudes towards colour science. It seems to imply one doesn’t edit their work.
Feeling no need to edit would be great. - I'd like to have perfect SOOC JPEGs.
Exactly, so a JPG vs RAW Video again?😂
@@jochenschrey2909 there is almost never such a thing as perfect SOOC, in my experience. Every photo or video I've released has been edited in some way and raw files give me the most latitude to do realise what I want to achieve. The difference between raw and jpeg is massive.
B Kinkel my point is everyone who buys a camera of this level edits. They do.
I agree WB is more important than CS. Wrong WB can skew all of the colors. I only recently began to bring along an 18% grey card to set the WB. It works great.
just so we're clear the odds of randomly choosing right are 6.25%. so colour science is somewhere in that 2% discrepancy
LOL this is brilliant. Good point that I should have brought up.
@@TonyAndChelsea You could add it as an annotation at that point in the video.
Great comment!🤣🤣🤣
WB > CS
18:16 I think this is likely to be that people favour slightly higher saturation and brightness in an image mostly when watching from phones. Something to definitely think about. Not everything is a professional monitor or print
LOL this was a brilliant test. Bait everyone with a Color Test, then it was actually a Fanboyism test xD
I believe when people praise Fuji colors, it's not the most realistic standard setting but the film simulations that they are most attracted to. Those aren't meant to be most realistic, but Fuji did a great job emulating their old film stock and it's definitely something else than a "saturated" setting or some Instagram-like art filter other brands might include. They are also not limited to JPEG but offer a great starting point in RAW converters that support them and not easy to achieve by adjusting some sliders. My camera has never been in "Provia"/Standard mode, the one probably used for comparison here, and I think it's outside of any objective test environment but simply a matter of taste. That said, I think Canon simply achieved the praise for the "color science" by having a warmer, more pleasing and skin friendly default jpeg setting, while Sony is a lot colder and more blueish/magentaish - which is as you said easily fixable.
14:00 Hahah I was thinking the same regarding bokeh and then you said it. Its why I dumped all my 1.2 and 1.4 lenses. None of my clients can see any difference, and the 1.8 lenses are far cheaper, focus faster and save my back.
Let's be honest, "color science" is a term incorrectly but frequently used to justify the increasingly smaller amount of "features" Canon users can say give their brand the advantage. I'm a Canon user but let's be realistic, blindly loving everything about a brand does nothing to push them towards being more competitive. Canon are a very different brand now to 10 years ago and it's partly the fault of those who will pay a premium for whatever lacking device Canon releases.
Most of the people using the term "color science" don't know what 𝚫E is or haven't done a perceptual/relative colorimetric transform with actual math.
I think your right. The A7III is clearly better than the EOS R. Even my note 9 has a camera with an aperture of 1.5 and 4k 60 and 960fps slo motion. My only Sony gripe is they quit implementing the 180 degree flip up screen for apsc after the a5100 in 2014. Wish the a6500 had a fully articulating screen.
@@kefkafloyd Yes, the use of the term 'Color Science' here is terrible.....If you shoot jpg (with its defined colour space - actual color science!) with mixed daylight and domestic lighting you get terrible color!
This is hilarious and I'm a Canon user and love Canon's "color science" but maybe most of it is psychological, lol.
I'm a " Nikon guy" only bc I've invested a lot in their glass 🤷♂️, the big boys are basically the same cameras at this point
First
@10:13 That is something interesting.
The photo who got the most color tone wrong (which was number 1 and labeled as Fujifilm in the photos) was actually Nikon Z7.
And Nikon Z7 is currently the most hated mirrorless system.
So by the end, people actually hate things just because they can, not because it is right. Hate is an illusion all along.
I don't think that they hate it because of colour, people hate it because they love their sony, canon, fuji, or nikon users that were expecting much more from the Z7 and Z6.
What are you even talking about? Nobody hates Z because of color. People disliked Z for 1 card slot, bad autofocus, bad lens selection etc. Nobody ever complained about color or image quality as it presumed to be the same as d850.
I think reasons why Z7 is hated, using Ur own words, are not related to color science... Ur deduction is not fair.
I can sense emotions pouring first before logic here.
Kevin Army Nah, the most disliked camera is, in my impression, the new Canon and mostly because it’s overpriced considering what you get.
Thank you so much for this video (even though I’m getting to it very late). I have been letting the “canon colors” comments get in my head WAY too much because I started out with Sony. It’s the brand my husband uses so it’s what we had. BUT I will say this. I started out on the original A7 and had been going crazy trying to figure out why the colors were so hard to nail in editing. The skin was hard to work with, even with hours of trying to fix it. It was inconsistent, some parts of the face would be so yellow. Decided to try the A7iii after all this color science research I had been doing, and let me tell you, WORLD of difference. I really didn’t want to have to drop even more money to switch to canon and buy more lenses. With the newer generations from Sony, there really isn’t an argument now other than brand loyalty, like you said.
thanks
Even with the earlier ones: No issue at all. If Adobe doesn’t provide a suitable camera profile, create your own with ColorChecker. I have no color issues whatsoever with the 1st gen A7r.
The way you do polls is amazing, I remember another poll video you made a few months back, and the double blind tests results are always very interesting to see!
I’m a Fujifilm user and I don’t hate Sony. I have their Playstation and I like it. Never tried any of their cameras though, so I don’t know anything about using them. But reading reviews and comments on the internet, their cameras and especially the A7III seems to be the best camera in the world. Although I’m not sure about that 😁
😂😂😂😂😂
R S, this is actually a common thing, don't worry about it! Many Sony users began as Fuji users before they discovered Sony. I'm one of them. :D
That's because most people who purchased Sony cameras spend more of their time online attacking other makes, their not photographers their gear geeks:).
Ben Lunsford the other way for me. Started out as a Sony guy and then bought the X-Pro2 and never looked back.
Currently It is one of the best camera out there
“Cameras and lenses are simply tools to place our unique vision on film. Concentrate on equipment and you’ll take technically good photographs. Concentrate on seeing the light’s magic colors and your images will stir the soul.”
- Jack Dykinga
Wow this is the best video ever. Thank you Tony
Tony went out to study color science and ended up instead learning about different aspects of human psychology. I've seen you guys do a lot of collaboration videos with fellow photographers but since you're in the education field as well I would be interested in seeing a collaboration with a youtuber from a psychology themed channel. I guarantee Canon, Nikon, Sony and Fuji invest money into understanding and leveraging this phenomenon to push their products, and on a more micro-scale successful photographers do as well. I can't be the only person who has been perplexed by seeing an objectively inferiorly skilled photographer crushing it from a business standpoint, and wondered what they are doing differently from everyone else. Anecdotally when my wife and I were shopping around for a photographer to shoot an engagement session (something that was important to us since we were living in Hawaii at the time, thousands of miles away from our nearest family members) we talked to several people and ended up spending our maximum budget on a lady who was spoken highly of, who had a great website for the time (2005), won my wife over the phone and that was booked out well in advance. This lady also had optimal weather and lighting conditions and only ended up getting 2 or 3 shots in-focus and when confronted she made the excuse that the photos weren't blurry they just had a soft-focus to make them more flattering, and she was so charismatic we believed her. A couple days later her charm wore off and a photographer friend of mine at home pointed out the obvious that the focus was off I confronted her and She refused to do a re-shoot or refund and after complaining to everyone I could about it I found out that a lot of the people who recommended her come to find out also didn't end up getting the high end product they were paying for, but they still somehow managed to buy into her excuses and really liked her despite delivering a sub-par product. Fortunately a friend of mine knew somebody who was dirt-cheap and available right away and even though their equipment wasn't as nice, it was raining throughout our shoot and we only had about 20 minutes of light in the day remaining we ended up with 30+ great pictures to choose from for our wedding announcements. In hind-sight the first lady won everyone over by looking and acting the part of a high-end photographer with so much charisma and confidence that for most people made them overlook the fact that she was actually not very good at the photography aspect of her job. I also think the pricetag inflated her customer's perception of the end-result too, but from a psychology perspective I have come to appreciate how unwittingly influenceable we all are and how very few people are objective enough to not get played.
Thank you very much for this very vivid reinforcement of just how easy it is to fool people into believing absolutely rubbish. And to raise some heat under the collar I'll state the big one directly: Abiogenesis with Darwinian Evolution.
I'm a humble photographer until another one tries to tell me how to shoot a shot. Then all hell breaks loose. Lmaooo
I'm late to see this but this was exactly what I got just a few months ago lol. Basically I was shooting at my company's party and some guy I met a few times approached, checked my pics and told me how my colors are bad, then he took the camera and showed me how he would shoot. He changed the WB and completely destroyed the mood of the background. He did look like he was drunk, so I didn't take him seriously. But thanks to that I learned how his usual pictures all got ridiculous blown out highlight and not someone to be taken seriously, and also learned how not to teach people when you are far from being qualified for that.
Color science is total BS. I know you said this earlier in the video but I think this is the important message that got muddled when you showed a rating by brand. Thanks for taking the time to do such a detailed study.
I don’t know why a sat through this apart from brand loyalty to Tony because I am one of the 70% who can’t afford a new camera now anyway!
Aw, my heart, it bleeds
What interests me most is the ability of the sensor to gather the greatest EV range without bracketing or HDR. I was a Zone VI guy, and we used to shoot for a particular value (zone 8 on zone 8, for example), then adjust development for the anticipated contrast. Something I used to do was to take two exact same exposures on each si< de of a 4x5 film holder. I would then develop one, see the results, and fine tune development on the other one. Doing this, I found I rarely had to burn or dodge when printing.
This is why I love Tony's tests - science & analytics over emotion & opinion.
Gotta love the scientific approach! But I feel like I have to mention the fact that with Fujifilm, you can acutally work with their color science (film simulations, which are normally applied to out-of-camera JPEGs as you mentioned) during RAW post-processing. I guess that's what many people like about Fuji cameras. While other manufacturers only give you basically useless color profiles like "vivid", "portrait" etc., Fuji offers you their take on simulating film, precisely tuned for their sensors.
I'm glad you brought up that point. I'm shopping for a camera and it seems like it would be next to impossible to match Fuji's film simulations on other cameras. I like the xt20 and canons t7i in my price range.
Florida Hiker I had the X-T10 and it was a wonderful camera. I can imagine X-T20 would only be better, I would go for it if I was in your shoes. :)
@@j4kubk4dlec . Thanks
Some of us have no interest in simulating film. Options are good.
Eric Hensel you say that then you'll use it and you'll be blown away.
Loved this thank you. Shot Canon for years, then Fuji, now Sony. To be honest, I loved the colors of the Fuji, but could not explain why. Years ago I learned the trick of warming the highlights in Lightroom and all bets were off. After I switched to Sony in 2015 my Canon friends queried the lack of lenses, being a toy, battery life, etc. Not any more.
I have always shot Nikon, but have loved Canon's Color Science.
did you not watch the video?