Eiléan Ní Chuilleanáin - For James Connolly - A Poet's Rising

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  • Опубліковано 21 жов 2024
  • for James Connolly
    i
    When I think of all the false beginnings ...
    The man was a pair of hands,
    the woman another pair, to be had more cheaply,
    the wind blew, the children were thirsty -
    when he passed by the factory door he saw them,
    they were moving and then waiting, as many
    as the souls that crowded by Dante's boat
    that never settled in the water -
    what weight to ballast that ferry?
    They are there now, as many
    as the souls blown by the winds of their desire,
    the airs of love, not one of them weighing
    one ounce against the tornado
    that lifts the lids off houses, that spies
    where they crouch together inside
    until the wind sucks them out.
    It is only wind, but what braced muscle, what earthed foot
    can stand against it, what voice so loud
    as to be heard shouting Enough?
    ii
    He had driven the horse in the rubbish cart, he knew
    the strength in the neck under the swishing mane,
    he knew how to tell her to turn, to back or stand.
    He knew where the wind hailed from, he studied
    its language, it blew in spite of him.
    He got tired waiting for the wind to change,
    as we are exhausted waiting for that change,
    for the voices to shout Enough, for the hands
    that can swing the big lever and send the engine rolling
    away to the place we saw through the gap in the bone
    where there was a painted room, music and the young people
    dancing on the shore, and the Old Man of the Sea
    had been sunk in the wide calm sea.
    iii
    The sea moves under the wind and shows nothing
    - not where to begin. But look for the moment
    just before the wave of change crashes and
    goes into reverse. Remember the daft beginnings
    of a fatal century and their sad endings, but let's not
    hold back our hand from the lever. Remember James Connolly,
    who put his hand to the work, who saw suddenly
    how his life would end, and was content because
    men and women would succeed him, and his testament
    was there, he trusted them. It was not a bargain:
    in 1916 the printer locked the forme,
    he set it in print, the scribes can't alter an iota
    - then the reader comes, and it flowers again, like a painted room. Eiléan Ní Chuilleanáin
    Music by Colm Mac Con Iomaire
    Narrated by Mia Gallagher

КОМЕНТАРІ • 2

  • @LW91
    @LW91 10 місяців тому

    Che due balle