man i quit drums when i was 16 cos it was too hard and changed to guitar and 8 years later I'm having to do everything i needed to do on drums but now with the added layer of harmony talk about a bad decision
Nathan needs to chill with the perfectly timed content! He's been doing videos on the exact topics I want from JLV. I can't help but buy the pdfs. Great stuff!
Nathan Saw you in Austin, thanks again for being so nice (you were so incredibly nice (even though I said I don't like alto sax, and that I liked the sounds of Tenor better) ) non the Less, you guys sounded amazing. Have fun in New York , and Be safe.
Great Video, appreciate the detailed explanations of every choice you made in these lines. I wanted to discuss the groovin High move, I think its based on the flat3 dim as well, which you called a passing diminished. You can not only use it downwards, but use it in both directions connecting 2nd and 3rd degree. 3rd degree can function as a sub for the I. So actually you can play in the ii V I in C like this: D-7 Ebdim Cmaj, Clifford Brown played this often, Ebdim is the same chord as B7b9 in the Groovin High move, thats what I wanted to point out. We learned this in Barry Harris' class
On 7th sub that C# o dim before Dm7 I think its actually A 7 b9 as minor II to V for D m 7 ??? Can we take this route as well ? :) 😊 By the way I hope you like it my Gen Sax Ligature 😊
@@Steakfinger I'm kidding around. I'm playing off the fact that as far as i can tell sax players usually have a higher degree of theoretical understanding, and that it is more than my slightly jazz flavored RnB brain can handle. I've started poking around saxophone youtube channels as it seems there is some cool info out here that is less common in guitar lesson vids :)
my guitar teacher once referred to guitarists as "the village idiots of music theory" lmao. it's true BUT IN OUR DEFENSE the guitar is a weird instrument a lot of things about it make no sense it's hardly surprising we're confused!
@@MrAwesomeSaucesome I know loads of sax players that know very little about theory. Guitar is weird, but what this guy is talking about is music, not an instrument. It’s all mental. Music is in your mind, not your fingers. The instrument is just a tool to get the ideas out.
Use code "SUB5" for $5 off Nathan Graybeal's PDF resource "80 Substitution Licks!"
www.jazzlessonvideos.com/downloads
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Maybe I should play drums
man i quit drums when i was 16 cos it was too hard and changed to guitar and 8 years later I'm having to do everything i needed to do on drums but now with the added layer of harmony talk about a bad decision
i swear man😭😭😭
Nathan needs to chill with the perfectly timed content! He's been doing videos on the exact topics I want from JLV. I can't help but buy the pdfs. Great stuff!
Nathan Saw you in Austin, thanks again for being so nice (you were so incredibly nice (even though I said I don't like alto sax, and that I liked the sounds of Tenor better) ) non the Less, you guys sounded amazing. Have fun in New York , and Be safe.
Best Video Ever
Very good material, very well presented as usual! Thanks Nathan!
Awesome. Been waiting for this exact video.
Great Video, appreciate the detailed explanations of every choice you made in these lines. I wanted to discuss the groovin High move, I think its based on the flat3 dim as well, which you called a passing diminished. You can not only use it downwards, but use it in both directions connecting 2nd and 3rd degree. 3rd degree can function as a sub for the I. So actually you can play in the ii V I in C like this: D-7 Ebdim Cmaj, Clifford Brown played this often, Ebdim is the same chord as B7b9 in the Groovin High move, thats what I wanted to point out. We learned this in Barry Harris' class
Just great ! I'm a teacher also and this is clear and fun. Nice job. Will definitely recommend your book 👍🏻
Some of the best lessons on the internet. Watching from India btw
great Stuff!
Great video a load of really good information well done. Good luck with the book 😎
Thank you
Very nice as always Nathan !
Great work man!
Thanks for the video, what about Sus4 substitutions and all out sus4 colors, could you make a video about it
One day I'll start my own video "how to play Jazz" channel, but right now I'm still Ben Hogan.
Hi great Channel there. Have you already covered patterns like 1235..? Cheers
With the Coltrane sub can you do this if the rhythm section is comping a ii-7 V7 I? Or the walking and comping must do the Coltrane changes too?
On 7th sub that C# o dim before Dm7 I think its actually A 7 b9 as minor II to V for D m 7 ??? Can we take this route as well ? :) 😊 By the way I hope you like it my Gen Sax Ligature 😊
The app not working
Wasn’t this the one where you got scared by Chad ? Hhahaha
Guitar player here, I need an adult 😂
What do you need?
@@Steakfinger I'm kidding around. I'm playing off the fact that as far as i can tell sax players usually have a higher degree of theoretical understanding, and that it is more than my slightly jazz flavored RnB brain can handle. I've started poking around saxophone youtube channels as it seems there is some cool info out here that is less common in guitar lesson vids :)
my guitar teacher once referred to guitarists as "the village idiots of music theory" lmao. it's true BUT IN OUR DEFENSE the guitar is a weird instrument a lot of things about it make no sense it's hardly surprising we're confused!
@@MrAwesomeSaucesome I know loads of sax players that know very little about theory. Guitar is weird, but what this guy is talking about is music, not an instrument. It’s all mental. Music is in your mind, not your fingers. The instrument is just a tool to get the ideas out.
@Steakfinger well put :) well yea, I am certainly discovering some cool music ideas on the sax channels
Is he on some substance?
Yes he is on some sub
@@mahmoudkchaou1799 Right on ! 10 subs ! 😉
no, this is all real music theory lol