I've heard this piece performed by about seven pianists, and to my ears Lang Lang's version is undoubtedly the best. His playing here is impeccable, and he made it 'fun' in a very musical way. Very engaging.
Paulino Contreras so glad to hear, I have always, thought his playing was impeccable, and he still is, though not so many concerts since his injury, understandable, he has the LLIMF in his lie too!
Listened to this growing up on a ripped-off DVD of his Carnegie Hall concert, instantly became one of my favourite pieces. Rediscovered this recently and am seeing this magic in a new light. His light sparkly touch is unparalleled.
this is a breathtaking performance. he is so unified with the piano as no other pianist I know. the flow is so natural. He is "auf der suche nach der blauen blume" . He is looking for beauty. he makes music not just notes.
This is a great performance. This is one of the works I'm doing at the time and I can tell you it is super super fun to play! Though I think Lang Lang exaggerates a bit too much when he plays with his expressions (not just here) though that usually doesn't harm his playing.
Lang Lang performs Abegg Variations with flawless precision. One can observe the impressive dynamism in his fingers that evoke an intense, graceful and delightful musical tones.
Could someone explain me what's wrong about Lang Lang? I mean, when I listened his renditions in 2015 he was considered one of the most virtuossist pianist on our days. But now I've noticed there are people who don't like him or something related with his playing so I would like to understand what happens with him and people who don't like his renditions
As with every great performer in the performing arts, once you're at the top, some people will simply not like you because you're there. Many people want Lang Lang to conform to their ideas of how the music should go and he simply doesn't. It is the very same reason that make him popular in the first place. But now, they don't want to accept him for him. That's all.
Lang Lang is used to not respecting the original work of composers. As you can heard, he play way too much with rubato, so there is no more continuous line. We have the feeling of hearing a fragmented work and not a coherent whole. For example, in this performance, he does split octaves til the double bar (the end) in the Thema, which is not on the sheet. His originality is too lacking because he plays with too much freedom. Some music critics see him as an impostor but still some others appreciate his approach. Personally I don't.
@@pjbpiano I just brought an element of answer to the question asked. Beyond the specific characteristics and singularity of each pianist, one must keep in mind the composer's indications on the score, otherwise what good are they? Lang Lang is too careless, the breaths are not coherent, there is too much rubato and the nuances are sometimes too marked and out of place. Put it all together and you have a tasteless performance. Sorry to disappoint you, but in classical music, there are certain rules to respect like the interpretation indications on the score. Geniuses like Sokolov or Gould manage to break away from them completely and bring novelty and originality to the works. Other pianists also manage to reveal their personalities with finesse and lucidity, while Lang Lang is unrestrained, grotesque and unsightly. He is too much of a fantasist and leaves very little room for the homogeneity of the work. Contrary to what you imply, there are always things to be rediscovered in works that have been replayed many times (even if you respect the indications of the score). It takes time and a lot of listening to distinguish the subtlety of each performer because the piano is an instrument infinitely rich in sound possibilities.
Amazing performance. Complete mastership. But why is he repeating the first part in the first variation? Schumann consciously makes it 16 bars long without repetition and the second 8 whereas he repeats the second half. Makes perfectly sense regarding the structure of the subject. But he plays it as if the first half the subject is twice as long.
Роберт шуман влюбился в девушку..ее фамилия была Абегг .. ноты кроме привычных названий имеют буквенные обозначения cdefgah Он написал музыку ее фамилией.. Эти чистая правда .
I think Lang Lang is a genius, when he plays it's like he's painting on a canvas, the canvas is blank and by the end a master piece was painted ❤❤❤❤
I've heard this piece performed by about seven pianists, and to my ears Lang Lang's version is undoubtedly the best. His playing here is impeccable, and he made it 'fun' in a very musical way. Very engaging.
Schumann Papillon
I totally agree
日本語で失礼致します。
何かピアノと楽しんでいる感じがします。すごい幸せそうですね！
Say whatever you want about Lang Lang (I'm not a fan of some of his interpretations myself) but this was impeccable playing.
Paulino Contreras so glad to hear, I have always, thought his playing was impeccable, and he still is, though not so many concerts since his injury, understandable, he has the LLIMF in his lie too!
Наверно Ланг Ланг лучший пианист современности. Мне кажется он играет именно так как задумал автор.. Или максимально приближённо.
the guy is looking at his hands like someone else is playing and he's amazed at it
Yup
haha, he is amazed at his own performance
He owns this...Maybe the best version of this beautiful and charming work.
Listened to this growing up on a ripped-off DVD of his Carnegie Hall concert, instantly became one of my favourite pieces. Rediscovered this recently and am seeing this magic in a new light. His light sparkly touch is unparalleled.
He makes this piece sound effortless, where most pianists are trying to grab all the notes.
True
Probably the best performance of this incredible Masterpiece!!
ua-cam.com/video/mv7RCUXplY4/v-deo.html
This is beyond anything I've ever heard before. It was a journey made of music.
Lang Lang face in 1:12 the best
Haha
Such a marvelously clever and witty piece.
0:03 tema
0:57 var.1
2:13 var.2
3:20 var.3
4:10 cantabile
5:33 finale
j y 감사해용!!
연 두웅 🙃
오늘 저녁 추천 좀여 ㅎㅎㅎㅎ
이준서 불닭이요.
이준서 신전먹고싶죠? 신전이요.
this is a breathtaking performance. he is so unified with the piano as no other pianist I know. the flow is so natural. He is "auf der suche nach der blauen blume" . He is looking for beauty. he makes music not just notes.
This is a great performance. This is one of the works I'm doing at the time and I can tell you it is super super fun to play! Though I think Lang Lang exaggerates a bit too much when he plays with his expressions (not just here) though that usually doesn't harm his playing.
Beautiful !!!❤
2021 연세대 작곡과 화이팅
ㅋㅋㅋㅋㅋㅋ 매년 지정곡마다 있네
살려주세요
bravo love this!
beautiful music from a great German composer who had a life full of torment
Lang Lang performs Abegg Variations with flawless precision. One can observe the impressive dynamism in his fingers that evoke an intense, graceful and delightful musical tones.
A great musical history lesson, how Schubert leaves romantic themes that influences Schumann, yet in another romantic style.
4:05 - Never have I seen anyone so pleased at something they did then when Lang Lang makes this face here. Someone caption this.
와! 대학입시곡이었는데.. 넘 힘들고 넘 좋고 그랬는데.. 진짜 감회가 새롭네. 랑랑 pp는 가히 최고! 물론 템포도 테크닉도💖💖💖
Lang Lang you're very charming^^
the beauty of love
No... Thank you for uploading this.
美しい音色🎶
Thank you for the music 🎶🙏🏻
spettacolare
Abegg your pardon, but where did you learn to play the piano like that?
Partho Roy 😂
Cool joke 😝
目を閉じて聴くと７色の花火🎆や７色の虹🌈
が浮かびます弱音やトリルは繊細な線香花火🎇が浮かびま😌
Я получаю наслаждение не только от музыки, но и от того как исполняется эта музыка! Уже несколько раз прокручиваю это видео. Такие эмоции!!!
헐 뭐야 이거 랑랑이 연주한 적이 있었네
Didn't know schumann had this virtuosity
This was the romantic era.
Opus 1. A teen-age prank.
Величайший пианист.
Wow
슈만의 아베크 변주곡.
주제의 모티브 오른손 선율 A-B-E-G-G
Could someone explain me what's wrong about Lang Lang? I mean, when I listened his renditions in 2015 he was considered one of the most virtuossist pianist on our days. But now I've noticed there are people who don't like him or something related with his playing so I would like to understand what happens with him and people who don't like his renditions
As with every great performer in the performing arts, once you're at the top, some people will simply not like you because you're there. Many people want Lang Lang to conform to their ideas of how the music should go and he simply doesn't. It is the very same reason that make him popular in the first place. But now, they don't want to accept him for him. That's all.
Lang Lang is used to not respecting the original work of composers. As you can heard, he play way too much with rubato, so there is no more continuous line. We have the feeling of hearing a fragmented work and not a coherent whole. For example, in this performance, he does split octaves til the double bar (the end) in the Thema, which is not on the sheet. His originality is too lacking because he plays with too much freedom. Some music critics see him as an impostor but still some others appreciate his approach. Personally I don't.
@@alexrrd5512, if everyone followed the score, you will not need to hear more renditions of the same piece.
@@pjbpiano I just brought an element of answer to the question asked. Beyond the specific characteristics and singularity of each pianist, one must keep in mind the composer's indications on the score, otherwise what good are they? Lang Lang is too careless, the breaths are not coherent, there is too much rubato and the nuances are sometimes too marked and out of place. Put it all together and you have a tasteless performance.
Sorry to disappoint you, but in classical music, there are certain rules to respect like the interpretation indications on the score. Geniuses like Sokolov or Gould manage to break away from them completely and bring novelty and originality to the works. Other pianists also manage to reveal their personalities with finesse and lucidity, while Lang Lang is unrestrained, grotesque and unsightly. He is too much of a fantasist and leaves very little room for the homogeneity of the work. Contrary to what you imply, there are always things to be rediscovered in works that have been replayed many times (even if you respect the indications of the score). It takes time and a lot of listening to distinguish the subtlety of each performer because the piano is an instrument infinitely rich in sound possibilities.
@@alexrrd5512 respect to your opinion, but you still need to respect others. There is a reason why Lang is at the top and the critics aren't.
すごい😳
3:57 몸짓 어케저러지 관악인줄,,,
저 6학년인데 이곡 쳐서 계명대 콩쿨에서 1등했어요!
축하해요^^. 난 대학입시곡 중 하나였는데.. 참 지난 시간이 그립네. 꼭 훌륭한 피아니스트 되세요😊💜
오! 축하합니당🎉🎊
1:19
1:58
2:13
3:00
3:20
3:56
Amazing performance. Complete mastership. But why is he repeating the first part in the first variation? Schumann consciously makes it 16 bars long without repetition and the second 8 whereas he repeats the second half. Makes perfectly sense regarding the structure of the subject. But he plays it as if the first half the subject is twice as long.
very stinge applause
😊🙌❤️
아베그 변주곡
작곡가 슈만
시대 낭만
연주형태 독주기악곡
Sino ang nandito para sa mapeh? Hahha1
bravissimo, a parte i colori che Schumann non ha scritto. Va comunque detto che la parte A della prima variazione non ha il ritornello.
4:22
5:00
랑랑 젊었을때 ..
❤😂🎉😢😮😅❤😂🎉
0:56
2:13
3:20
4:10
i never knew the human orgasm could be triggered by playing an instrument!
Роберт шуман влюбился в девушку..ее фамилия была Абегг .. ноты кроме привычных названий имеют буквенные обозначения cdefgah
Он написал музыку ее фамилией..
Эти чистая правда .
ㅋㅋ아니 손보고싶은데 자꾸 얼굴 클로즈업하니까 부담스러워 ㅋㅋㅋㅋ
표정..ㅠㅠ 표정땜에 집중이 안된다..
이지현 넹ㅠㅠ근데 클래식은 꼭 저렇게까지 표정으로 뭔가를 표현하려 해야하나여??
혹시 깊은 뜻이 있는걸까요? 이해하고싶어여
@@송지은-x2w 음원이 아니라면 표정과 몸짓도 연주의 일부죠
@@송지은-x2w 감정이입해서 쳐야 더 좋은 음악이 나오지 않을까요?!
Ricoverati
???
???😊
I love the music but the way he smiles is kinda creepy to me.
Eppure qualcuno lo definisce solo un clown...
4:27
0:57
1:22
0:57