I dig the way you take grooves that I've known and archived and "Stantonized" them. The result is like instant gratification because it only takes a practice session or two to get these grooves to be useful (practical) in a playing situation. Thanks Stanton!
Such a useful groove with lots of musical mileage potential! Great lesson, Stanton! I learned the Steve Gadd Mozambique decades ago to play “Late in the Evening”! But after your lessons, I’ve been able to adapt it and use it in countless other settings and situations! Even put it in a cadence for my high school drum line! Awesome!
Kevin, very cool. I love how you've been putting useful, applicable ideas into the cadences. When the kids sit down at the kit, you can show them... "You you know that cadence you already know? Just do this with it!" and it blows their minds! So cool to see the lightbulbs go off!
@@stantonmooremusic Didn't expect a reply! Always loved your work in Galactic. I'm trying to remember who but you and I used to have a mutual friend. Keep on playing!
This video has some great variations on the classic Steve Gadd Mozambique. I just received my Stanton Moore pandeiro yesterday, so I'm having a blast incorporating it into my drum kit. After playing it for a while, my wife (in the next room) said to me that it sounded like a whole drum corps coming down the street (just like you said in a previous video)!
Thanks Stanton , was planning on teaching a student the classic gadd Mozambique but I’ll go ahead with your interpretation. Thanks a bunch , love your videos bought your book many moons ago .
I was there when you showed this at the Salzgitter online masterclass this weekend. I cant get over this. This is so beautiful. Thank you, Stanton sir :)
I tune it as low as it will possibly go, then I kneel on it to stretch the head. Then I mic it from underneath and turn all the highs and mids down and turn the lows up. The jingles are definitely still on it. Thanks for the great question!
Yes! Paul Simon’s “Late in the Evening” with Steve Gadd on drums and John Coltrane’s “A Love Supreme-Acknowledgement” with Elvin Jones on drums. Completely different approaches but the right hand pattern is basically the same.
Very cool, thanks a lot Stanton. What cowbell are you using here? And is that your 'standard cowbell that you would take to most gigs or just for this vid? It looks like the bell is taped on the top with a strip of gaffa. Is that correct?
Thank you. That is an LP ES-7. It is the cowbell that I have been using in main position for years. And yes, I do have gaff tape on it. I love it! It has my go to for years! Of course, I’ve had many, but it’s always an ES-7 in that position. 🙌🏼
Hey stanton loved the video just got one question. What is the pad looking thing your playing with your right hand at the beginning of you interpreted variations
Thanks for checking it out. With my right hand, I’m playing cowbell, snare or floor tom. But with my left hand, I’m playing my pandeiro over to the left of my hi hat... I hope that helps!
Brilliant stuff, thank you for this! Can I ask how you get your cowbell to sound so good? I have tried loads of different makes and sizes, but they all sound too piercing.
Thank you Stanton, great video! I have one question on the flams: Are they always right flams so that lRrlrrlr continues or do you also mix in left flams resulting in rLrlrrlr? For me - when putting the left hand on the snare - the left flam feels more natural. (Actually it happens when I do not pay close attention. ;^))
I’m always playing a left flam. Gadd is too and he really opens those flams up sometimes. So rLrlrrlr and sometimes even r…Lrlrrlr if that’s make sense. When you open those flams up, it makes the snare sounds really laid back and fat. I hope that helps. 🙌🏼
@@stantonmooremusic Perfect! That absolutely makes sence. And indeed, a wide open flam is really nice and dirty. - Thank you so much for your answer, Stanton! 🙂 Kind Regards, Frank
Thanks as ever for the inspirational video lessons . 🙏
@@paulstix1 thanks for tuning in!🙌🏼🥁👊🏼
Last one sounds like a go go beat. So cool!
Best explanation of the Mozambique. Love the new applications.
I dig the way you take grooves that I've known and archived and "Stantonized" them. The result is like instant gratification because it only takes a practice session or two to get these grooves to be useful (practical) in a playing situation. Thanks Stanton!
Thanks Erik! I'm glad to hear you're digging my approach. Thanks for reaching out!
Yeah, what Kevin said!! So many cool variations based on this legendary beat. One of my favorite SMDA lessons. Love it!! 😁
Such a useful groove with lots of musical mileage potential! Great lesson, Stanton! I learned the Steve Gadd Mozambique decades ago to play “Late in the Evening”! But after your lessons, I’ve been able to adapt it and use it in countless other settings and situations! Even put it in a cadence for my high school drum line! Awesome!
Kevin, very cool. I love how you've been putting useful, applicable ideas into the cadences. When the kids sit down at the kit, you can show them... "You you know that cadence you already know? Just do this with it!" and it blows their minds! So cool to see the lightbulbs go off!
Stanton Moore that is most definitely the idea!
Awesomeness, what a great break-down!
sweet groove man. I like what you did with it
Amazing Stanton, very inspirational. I like what you have done with it! I
Thank you! I’m glad you’re digging it! 🙏🏼🥁🙌🏼
Sick!
@@ryanlynch290 🙏🏼🥁🙌🏼
@@stantonmooremusic Didn't expect a reply!
Always loved your work in Galactic.
I'm trying to remember who but you and I used to have a mutual friend.
Keep on playing!
Fantastic! I have no music knowledge at all, but I know that this is wonderful. I will pray that someday I can find my way to play that way.
This video has some great variations on the classic Steve Gadd Mozambique. I just received my Stanton Moore pandeiro yesterday, so I'm having a blast incorporating it into my drum kit. After playing it for a while, my wife (in the next room) said to me that it sounded like a whole drum corps coming down the street (just like you said in a previous video)!
Thank you Paul! 🙏🏼 And I love that your wife noticed a difference when you added the Pandeiro. That’s what it’s all about! 🙌🏼
You nailed it on the whole "jumping into/starting the rhythm" thang. Thanks for the inspiring lesson today!
Thanks!
Nice work
Very well taught and easy to learn this way. Thanks Stanton!
Man this totally made my day!
Great job breaking that down. Just curious what size snare are u using for this song?
Marvelous cool groove
Sooooo Groovy Beautiful!!! Thanks and Blessings!!!
Thanks Stanton , was planning on teaching a student the classic gadd Mozambique but I’ll go ahead with your interpretation. Thanks a bunch , love your videos bought your book many moons ago .
This is soooo GOOD Stanton! Thanks and Blessings!!!
I was there when you showed this at the Salzgitter online masterclass this weekend. I cant get over this. This is so beautiful. Thank you, Stanton sir :)
Great explanation and execution from a passionate drummer.
Love the variations, so much mileage to be had from this cool groove. Thanks for posting!
Thank you! 🙏🏼🥁🙌🏼
it’s so magical grooves...
I love this groove and play it all the time.Recently i have been working on playing it with brushes, it's amazing all the things you can do with it!
Thanks for the video.I was wondering if you do any modifications to the Pandeiro drum. How do you get that sound out of it and are the jingles on it?
I tune it as low as it will possibly go, then I kneel on it to stretch the head. Then I mic it from underneath and turn all the highs and mids down and turn the lows up. The jingles are definitely still on it. Thanks for the great question!
That is a cool groove. Can somebody give me a song where the mosambique is played?
Yes! Paul Simon’s “Late in the Evening” with Steve Gadd on drums and John Coltrane’s “A Love Supreme-Acknowledgement” with Elvin Jones on drums. Completely different approaches but the right hand pattern is basically the same.
Very cool, thanks a lot Stanton. What cowbell are you using here? And is that your 'standard cowbell that you would take to most gigs or just for this vid? It looks like the bell is taped on the top with a strip of gaffa. Is that correct?
Thank you. That is an LP ES-7. It is the cowbell that I have been using in main position for years. And yes, I do have gaff tape on it. I love it! It has my go to for years! Of course, I’ve had many, but it’s always an ES-7 in that position. 🙌🏼
Hey stanton loved the video just got one question. What is the pad looking thing your playing with your right hand at the beginning of you interpreted variations
Thanks for checking it out. With my right hand, I’m playing cowbell, snare or floor tom. But with my left hand, I’m playing my pandeiro over to the left of my hi hat... I hope that helps!
@@stantonmooremusic sorry about the hand mix up bit yea that's awsome thanks
Brilliant stuff, thank you for this! Can I ask how you get your cowbell to sound so good? I have tried loads of different makes and sizes, but they all sound too piercing.
Thank you! I use an LP-ES7 which is pretty big. Then I wrap it with gaff tape all the way around about 2.5 times to muffle it. I hope that helps! 🙌🏼
@@stantonmooremusic yes it does, thank you very much 😊
cowbell sounds amazing, what type is it please?
Thank you Stanton, great video! I have one question on the flams: Are they always right flams so that lRrlrrlr continues or do you also mix in left flams resulting in rLrlrrlr? For me - when putting the left hand on the snare - the left flam feels more natural. (Actually it happens when I do not pay close attention. ;^))
I’m always playing a left flam.
Gadd is too and he really opens those flams up sometimes. So rLrlrrlr and sometimes even
r…Lrlrrlr if that’s make sense. When you open those flams up, it makes the snare sounds really laid back and fat. I hope that helps. 🙌🏼
@@stantonmooremusic Perfect! That absolutely makes sence. And indeed, a wide open flam is really nice and dirty. - Thank you so much for your answer, Stanton! 🙂 Kind Regards, Frank
@@frankdiekelle 🙌🏼
cool looking red sparkle drums, is that a Brooklyn set?
So simple.
🔥🔥🔥
I want a pandaro
🙌🏼
this is crazy
👌🏽🎶🔥
Killer