Making a high end music video on a budget
Вставка
- Опубліковано 9 лип 2024
- I shot a music video in collaboration with the artist RIKA and director Lewis Adams - here's a cinematography and lighting breakdown showing how we made it! This music video was shot on the RED Komodo (6K in MQ RAW) with the DZOFilm Vespids and SIRUI Night walkers.
Check out the full music video HERE: • RIKA - My Fellow Showm...
SUPPORT THIS CHANNEL! Drop me a tip or buy me a coffee! PayPal Donation here: www.paypal.com/donate/?hosted...
Follow me on IG: / prossered
Portfolio: www.edprosser.com
GEAR USED IN THIS PRODUCTION
DZOFILM Vespids - amzn.to/47njip8
SIRUI Night Walker lenses - amzn.to/3so3Qub
AMARAN Spotlight SE - amzn.to/3StH0fe
Aputure 600c -amzn.to/3sqfLrm
Colbor 220 - amzn.to/46cHTvH
Amaran 200x - amzn.to/3SzyxY6
Amaran F22C - amzn.to/3FTHcwE
RS3 Gimbal - amzn.to/3SzezMV
Tilta Nucleus Nano 2 - amzn.to/47qDmHb
Tilta Ring - amzn.to/3sh1Bc8
Vortex filters - amzn.to/3QSOIhy
Glimmer Glass filter - amzn.to/3Qy6AwR
My 7" monitor - amzn.to/3sAyS1P
My studio microphone - amzn.to/3tVxl6V
My vlogging camera - amzn.to/3ZeuIJ4
These are affiliate links, so I make a small amount of commission when you buy something - it costs you NOTHING extra!
BTS Photography / sanica.photos
CHAPTERS
00:00 - Intro
01:36 - Studio - Abstract lighting set ups
04:42 - Studio - Rainy window setup
06:51 - Studio - Broken mirror
08:12 - Studio - Wet down shots
09:42 - Studio - Rain shots
04:42 - Studio - Rainy window setup
11:26 - Studio - Rain close ups
12:58 - Outside - Early morning tracking shots
13:24 - Outside - Slow motion crowd performance
14:30 - Graffiti tunnel - tracking & mirror shots
15:08 - Graffiti tunnel - Shoulder mounted shots
15:27 - Colour grading overview
16:43 - Outro
This is a rad breakdown! Thank you for sharing your process Sir.
My pleasure thanks for checking it out
These videos are so valuable for someone like me! Thank you so much for ur hard work!!!!
no worries am so glad they're helpful many more in the works!
Dig the breakdown, the backlit rain shots are awesome
Thanks Keith it was a really fun project!
Every time I see a video from you I learn something new. Doing a setup for a music video is hard but also making the behind the scene also, it's on another level. Thank you for doing this for us! I always wonder if I'll ever be able to reach 10% of what you are doing.
Thanks George! and of course you will! We just planned out a shoot schedule, had some reference frames to work to and planned out in my head how to shoot everything before walking on set.
It's taken me about a year to get setup to be able to shoot BTS stuff on professional jobs - but it's so good to be able to bring people behind the scenes. The studio day was absolutely ferocious in terms of schedule I think 9am-7pm without stopping. The insta360 also came in "clutch" for wearing this on my hat for POV stuff.
Good job this is a very professional film 🎥 and explanation I’m Angel Joel from Puerto Rico 🇵🇷 I’ll be following you to learn more God Bless you
Thanks for checking it out and dropping a comment!
Awesome video- must be a very chill studio for them to let you soak it like that 😂
I’m shooting a music video next weekend and ordering a new light for it, so excited to apply some of this knowledge 👌
Yeah I probably didn't make it clear but it's an actual rain studio! So we used the handheld pump for the lying down shots then let the overhead sprinklers rip for the rest of it!
Good luck on your project!
i really love the way you lit this!
thanks, always learning!
ed!!!! thank you for sharing ur genius on this project!! so so dope!!! :)
My pleasure!!
Nice one!
thanks for checking it out!
Well done, big dog! Love the lighting tips and going over the overall vision. Great stuff.
Hey Jon! Nice to see you here, thanks for checking this out
Thank you again Ed, it's so amazing to see how you work, very insightful and inspiring!
Hope it helps in some way, was a fun project to work on, lots learnt and lots I'd do differently next time.
@@EdProsser definitely helps, the lighting setups and the grading especially very useful information.
Hey Ed, thanks so much for making this BTS video! I've learned so much from this especially with using colors and creative filters. I think many times I play too safe but you really showed how in the right scenarios these tools really can bring our filmmaking to another level.
Just curious, is there a reason why you chose to shoot on sticks for the studio shots and not shooting handheld all the way? Thanks again and keep up the awesome work!
We had a really tight schedule on the studio day and minimal crew so we figured it'd be easy to set camera on sticks and setup shots and lights around that. I think the illusion of some of the shots may have been broken by handheld, but perhaps we should have played it less safe with some of the rain stuff and got a few takes hand held.
The main issues are pulling / keeping focus on more dynamic shots... if we'd had more powerful lights we could have stopped down a bit more on the lens which would have helped for handheld work.