BABY TAKE ME IN YOUR ARMS--JEFFERSON (NEW ENHANCED SUPER STEREOVERSION) 1969
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- Опубліковано 17 жов 2024
- I got a request for this one last night and I just happen to have a clean digital stereo copy for the mainframe audio track so I worked on it today. Hope you like it!
When music was music.
Just brilliant and one of the songs which welcomed in the fabulous 70s so perfectly..
This is a long lost gem! I am so happy I found it!
Reminds me of driving the loop in Kennett, Missouri in 1969 with Teresa sitting close to me. Before going home we would go out on a dark country lane and park a while.
Junior High School memories !!!!!!
I was still living in Florida when this song came out in Middle School brings memories when songs had meaning. People wrote songs that touched your inner mind WOW
Also, Great for dancing!
Your mind and your heart, @John Mendez.
Great song from yesteryear! Remember it well! Love it!
I remember thid beautyful song in my neighbordood in 1970 in Monterrey Mex
I remember this song quite well.
Lots of Airplay on The Big 8.
CKLW.
Windsor/Detroit.
I grew up in northeast OH and sometimes I could get CKLW on my transistor radio. I can still remember their jingle, "CKLW, the Motor City."
LOVE IT Kenn ! It Sure Does Bring Back Many A Sweet Memory My Dear Friend .
I LOVE it, my friend....Such a beautiful, sweet song. You've put new life into it and for that I thank you. Special times....
Kept Top 40 radio going while doing homework at night when I was 11. I remember it well.
Being of the younger generation, I just can't get enough of these tunes. I feel like I grew up in the wrong era, but thank God for the internet and the various online streaming platforms -- Helping to keep this music alive and available for years to come...
If you had live at that time in history it was like a music explosion of biblical proportions. Starting with "I Want To Hold Your Hand" it was a revolution of talent the word had not see before or since. Artistic compositions and world class melodic themes were commonplace. There is nothing today that can compare. In fact--without exaggeration there is more musical talent in one
song of that era then all the combined trash on the airwaves today.
Songwriting talent and melodic themes aren't even required anymore.The mediocre and classless junk has been elevated to the same position that
was once occupied by world class musicians, song writers and performers.
What we have today from what I have heard on local radio stations are great pretenders and talent mocking buffoons. That is why I have established the music enhancement channel to bring back better sounding versions
of the great classics.
Do enjoy! 1965-1975. My favorite year was 1970. Favorite groups like The 5th Dimension, Mamas and Papas, Spank and Our Gang. Thanks.
Wonderful song and a really terrific remastering / enhancement job. Strong work!!! Thanks!!!
Always loved this song !
I never heard this song until about 4 years ago when I first heard it in Sirius radio. That just shows you how very little coverage this song has gotten in Phoenix, Buffalo, and Toronto over the past 25+ years.
I am from a little town Corunnam south of Sarnia. CKLW was a 50,000 watt AM station 60 miles south of us in Windsor (across from Detroit) that played great hits of the day. They broke many early Motown hits that I find many folks from my now home town of Toronto didn't hear on their big station CHUM 1040. I would sit by my radio on Monday nights listening to the top 30 and would write down the hits from 30 to 1. I started my singles record collection in 1968 and I had this Jefferson single on PYE from 1970. Great vocals and full orchestral arrangements for a classic pop love song.
sounds absolutely stunning, wowww
This is how I would have liked the original to sound but to get it to sound like that I had to use all kinds of unique instrument tracking that augmented the
original to push out the stereo imaging. Digital technology will allow you to do anything if you can harness it and direct it in a responsible way.PS, the original wave file has much better sound than what I hear played back on UA-cam.
UA-cam actually destroys many of my recordings!
THE MUSIC ENHANCEMENT CHANNEL Do you have the audio set to the high quality setting.?
Awesome Kenn Sounds great I couoldnt remember the artist I thought the title was Baby let me take you thanks for sharing
THE MUSIC ENHANCEMENT CHANNEL: ¡¡¡UUUUUUUUUUUYY!!!, cuánto tiempo, ¿quién nos iba a decir en esos tiempos que íbamos a tener computadoras, cel, intenet, teles hd? uuuuff. Un grandote abrazo
Absolutamente tio el futuro en aquellos tiempos eran guerras y viajar a la luna.
77 WABC NY
a big hit in 1970'' nice one .
Great song! I Love the time period I grew up in. Fun was the key word.
Have always loved this song, but previously thought, erroneously of course, that Jefferson was an African-American artist, by his voice, its marvelous range and power, and by the sheer passion of this song, which always sounded to me right out of Motown- and I suppose by the artist's name as well ...
The original version was done by The Paper Dolls in 1968.
Great song!!!!!
Such a Gary Puckett voice.
Diggin' this tune in '69 on The Big T KTSA in San Antonio, Texas!
Great stuff and wonderful quality !! Cheers mate!
Great job,,, real passion for music shows.
I have never heard this song....very nice !
1 word: WHOA!
Outstanding job....
robertwilson7569 yep, but slightly better(!) *explodes*
Sounds so much like the Grass Roots!
To me, sound a lot like Gary Puckett
How do you enhance so well. Im a retired Firemen and I make videos but I want a cleaner sound, Can you help??:) Not walkin so much now a days so I need to learn...
I use a Yamaha 1602 (16) track mixing console given to me by a friend. I bought a Sterling Pro Studio Microphone. The process goes something like this.(1)I start out with a clean digital audio file from a CD and do a RESTORATION from that MAGIX AUDIO CLEANING LAB (adjusting the 3 band compression/dynamics, EQ & brightness settings.
(2). Then I move that file over the MAGIX AUDIO STUDIO 7 (multitrack program) on my HP computer and place it as track 1 or the MAINFRAME TRACK. The microphone is plugged into the sound mixer and fed into the back of the computer by aux in audio channel so it can be picked up by the multitrack program.
(3) Then comes the critical task of deciding what instruments, percussion, vocals and keyboard might be needed to enhance the original. This is most critical job of all. There is no manual on doing this. You either know what you are doing or you do not. The TECHNIQUES change from song to song/artist to artist which is a real challenge. It helps first if you are a musician of some sort
and have a working knowledge of the genre of music you are working on
I do best with the songs of the era I grew up with 60's 70's era.
So to answer your question directly--the addition of any instrument, percussion or vocals you hear that were not in the original were added by me by strategically placing audio tracks on top of the original on both channels and mixing them down to make a better stereo version. Every song must be approached differently with a different set of rules. Enhancements are best
recognized and appreciated on songs that were only recorded in mono or poorly recorded in stereo.
It is paramount that you understand the MINDSET of the artist so as not to destroy the original. Not everyone agrees on this. Some people don't want anyone messing with the originals and others love it when I do it .More like it than don't. Hope this helps. Kenn
I use a Yamaha 1602 (16) track mixing console given to me by a friend. I bought a Sterling Pro Studio Microphone. The process goes something like this.(1)I start out with a clean digital audio file from a CD and do a RESTORATION from that MAGIX AUDIO CLEANING LAB (adjusting the 3 band compression/dynamics, EQ & brightness settings.
(2). Then I move that file over the MAGIX AUDIO STUDIO 7 (multitrack program) on my HP computer and place it as track 1 or the MAINFRAME TRACK. The microphone is plugged into the sound mixer and fed into the back of the computer by aux in audio channel so it can be picked up by the multitrack program.
(3) Then comes the critical task of deciding what instruments, percussion, vocals and keyboard might be needed to enhance the original. This is most critical job of all. There is no manual on doing this. You either know what you are doing or you do not. The TECHNIQUES change from song to song/artist to artist which is a real challenge. It helps first if you are a musician of some sort
and have a working knowledge of the genre of music you are working on
I do best with the songs of the era I grew up with 60's 70's era.
So to answer your question directly--the addition of any instrument, percussion or vocals you hear that were not in the original were added by me by strategically placing audio tracks on top of the original on both channels and mixing them down to make a better stereo version. Every song must be approached differently with a different set of rules. Enhancements are best
recognized and appreciated on songs that were only recorded in mono or poorly recorded in stereo.
It is paramount that you understand the MINDSET of the artist so as not to destroy the original. Not everyone agrees on this. Some people don't want anyone messing with the originals and others love it when I do it .More like it than don't. Hope this helps. Kenn
Wow!! Amazing!! How about other songs sung by Tony Burrows also.
I think he's backing vocal here
AWESOME
Thumbs up!!
😌
NIGHT.
A little too much top end maybe.
I hate this song, but it was nice getting an email that mentioned something beside "corona virus."