Post Rock_Fearless_Moonshake and Bark Psychosis in conversation with Jeanette Leech

Fearless - the making of post-rock at Waterstones, Selborne Walk With author Jeanette Leech, David Callahan and Mags Fiedler of Moonshake and Graham Sutton of Bark Psychosis.

[@garrettlemieux4620]

have been transfixed by Bark Psychosis's 'Hex' for so long. This is an invaluable insight into that period of time, thanks for putting all this together!

[@mnchls]

i love this so so so so much. everyone seems so warm and kind with each other, all relishing this trip down memory lane, all in good humor and spirits. what i'd GIVE for a full-length interview with just Graham (Bark Psychosis is just immeasurably important to me), but i love how sweet and enthusiastic and honest Mags and Dave are! i could watch another 90 minutes of these three!

[@trip_the_deep]

legendary! dont know how i missed this book but I now know what I'm doing with my weekend :)

[@laguapa2375]

48:17 spot-on words about the state of mind of being a musician and how it affects mental health

[@neilcheyney1927]

Just spotted this. Really like the book, and love pretty much every band covered. Thanks
(By the way, the Melody Maker article they discussed featured Laika, Main, Seefeel and Disco Inferno. I don't recall Scorn being mentioned in that article, but they were/are great too.)

[@waterliquidation8095]

thanks for uploading. this was a great listen :-)

[@lukerogers151]

Very very interesting video, thank you!

[@KommentarSpaltenKrieger]

Interesting. I wouldn't have thought that there was a book about post-rock. I got hooked by the 3rd wave variant, but now I'm travelling back in time and I think the early acts such as Bark Psychosis, Slint, Tortoise, Talk Talk and others represent a variety that should definitely be appreciated. I might give this book a try, even if it's just for the bands I don't know yet. The 90s stuff will remain important for the musical endeavors of this decade, as can be seen wrt new acts such as Black Country, New Road, even though they are more post-punk than post-rock. In fact, 2000 post-rock epigones such as Mogwai, Mono or God is an Astronaut already sound more "dated" to me than these classics, but that might just be my opinion.

[@nkogliaz]

I miss Boymerang the most.

[@SonicJaneStooge]

Who is that band from Cornwall that Jeanette mentioned? Talk a sade?

[@LorcaLoca]

If you are still interested, it is Chorchazade. Great find.

[@SonicJaneStooge]

thanks man

[@garrettlemieux4620]

what band are they talking about at 1:04:45?

[@waterliquidation8095]

Chorchazade

[@garrettlemieux4620]

@@waterliquidation8095 thank you so much!

[@markbooth7455]

Graham Sutton looks quite uncomfortable through most of this, body language etc. like his mind is elsewhere

[@amremorse]

I kind of wish I hadn’t seen this. Very snooty bunch. It’s cool you don’t like a bunch of bands but why dog them? Seems like a real teenage mindset. Sigur ros, blur, Godspeed, the police etc. the whole crew here took jabs. I suppose that’s what made them so bold musically.
Nonetheless it was a great peek into that era and its genre. Thank you for posting this.

[@theyearoftherat]

Saying something is post-rock is like calling some music music. The 'genre' is way, way, way too broad. It's all over the fucking place. But alas, people need labels.

[@maorf3381]

Yes that's the main misconception about it

[@skymanifest8339]

Yeah, man, labels are like cages, right? Don't follow the crowd, man, and be, like, an individual, man....

[@lesdisquesperseverance8017]

for me Moonshake is not a post rock band

[@lukerogers151]

They definitely were.

[@MrMHughes68]

@@lukerogers151 Absolutely. They’re one of the earliest documented examples too.