This interview like my entire channel is self funded. If you would like to see more content like this you can donate to my channel through this link on my website rickbeato.com/pages/donate For ongoing support consider becoming a member of the Beato Club. The Beato Club is exactly like Patreon.
Thanx for the interview. That was great. When John spoke about his Blues roots and approach I had to think about your argument that Rock had lost its importance due to the disintegration of the Blues. I think that is true. I love Jazz, Blues and 60s Rock. I can enjoy jazz intellectually and aesthetically, I love 60s rock for its energy but the blues is the most important and fundamental thing. Didn t B.B.King play 9th and Wes 13th? Man 15th is insane. Did Martino tune his guitar down like SRV? Some recommendations: R.L.Burnside "Come on in" from 1995. A blend of Blues end electric music but hard riffs like Sabbath. Top 5 record of the 90s. Harvey Mendel "Shangranade or Christo Redontor." Dave Brubeck "Two Generations of Brubeck". Muddy Waters "Electric Mud" and "After the rain". Miles Davis live recordings "Agharta" and "Pangaea".
Love your interviews but notice that there aren't many women. Perhaps Tal Wilkenfeld might have some interesting perspectives and history. She's young but started very young and has played with rock and jazz greats. And she's an Aussie! 🙃
You got more concrete details out of John than most interviewers I've heard. John, while being super smart, and big-hearted and open, sometimes seems to not want to bother or bore interviewers or readers/listeners with a lot of detail. He's got sort of an "aw shucks" personality, which is refreshing for someone of his level of fame and accomplishment, and sometimes interviewers aren't willing to dig a little with him and get him off his normal talking points. I'm sure he's done a zillion interviews with newspaper reporters who all ask the exact same shallow questions, and that must get tedious. Good job with your questions and follow-ups!
Think of how important Rick is. He is the ONLY person out there capturing these long-form oral history records of legendary musicians for posterity. I've been doing research for books using old deteriorating tape interviews that were, unfortunately, not preserved or transferred properly, so these kinds of historical linkages are very fragile and vulnerable. Luckily Rick is doing these in high quality digital on a large platform which helps guarantee their longevity.
There are actually some others - check out Pablo Held's "Investigates" series, and the NYU Steinhardt interview series. Scofield has done both, and there are many more with other great musicians in both series.
hes not the only one at all.. what about broken record or couch riffs podcast? but i agree that its absolutely wonderful and not many people are as qualified as rick to talk freely to these people without reading questions off of cards or just talking about whats written in their wikipedia article
Nearly 20 years ago when I was an exuberant young jazz student I saw Sco give a masterclass and asked him what he thought about when he played. He said, “where the 1 is.”
"If I don't practice I'm screwed." What a quote. So emblematic of John Scofield. So refreshing to hear a tall dog like him talking straight, not at all full of himself, completely grounded, humble and honest. Thank you, sir and thank you Rick for capturing this gem of an interview.
I sympathize with that big time. Some people who are really good are not actually naturals in the sense that they can pick up a guitar their instrument after not touching it in months and play great. They need constantly be grinding to keep up their skill. I get the impression that Scofield is more along the lines of that.
@@HiFiAwardTour Good advice! But I have to point out that it's "albums." They've done at least three together: A Go Go, Out Louder, and Juice. Plus a live album: MSMW Live: In Case the World Changes Its Mind.
Hi Rick, my dad was John Dougherty and he was the guy that invented the Mind' pick (Stone guitar pick) and Pat Martino endorsed them. Pat and my dad were good friends. It made my day to hear someone mention the pick, many people don't remember. When he passed away, he still had the same 2 picks from 1977. My sister has one I I have the other.
Hey, thank you for this comment. This interview is a beautiful link between life stories, people, musicians... your comment here is something precious! (I'm sorry for my poor English)
I met John Dougherty when I had my business, Picks and Stones-gemstone guitar picks. I was doing M'ind Pick copies for several of my custom clients, one of whom knew John. He had seen my copies and gave me his blessing as he was no longer making them. I closed my business years ago but I might still have one.
We listen to Scofield at dinner every night. My 4 year old son insists on it. He calls it "fancy dinner music". He always knows if i try to play something else. He knows Scofield when he hears it! Great interview Rick!
I thought nothing could top Rick's Peter Frampton and Pat Metheny interviews, but the Scofield interview ranks up there in the pantheon of music history gems. If Miles instructed Sco to "play with space", the key to Rick's interview chops is giving his subjects the space to tell the story. Outstanding job Rick! I tip my hat to you.
Bob: exactly right! There is a interview dude on YT who constantly jumps on his subjects lines, you can see their disappointment on their faces! Space, the key is to give them SPACE! Love you, Rick!
Not only is Scofield a worldclass artist - but his self awareness and humility is what was most inspiring. The remark about not wanting to come off as falsely humble was great. Even a musical giant knows to keep a watchful eye on the ego.
When people talk about someone with an 'ego problem', they usually mean that the person is arrogant, but just as much of an ego problem is someone that can't recognise or acknowledge their own strengths. I'm sick of every comments section being about 'humility' as if the all time greats don't have the right to say "I'm very good at this, you know it, I know it, we all know it". People who excell in one area are often very weak in another, nature is balanced like that. Everyone knows equality is a lie and a pipe dream, people can't and never will be equal, and that's how it is and should be. People that show too much false modesty are worse than people who confidently assert their skills.
I emailed him once about some material I saw him play live that I wanted to buy but I didn't know the title,, he answered me personally, cool dude. Signed "old man Sco"
I fuggin’ love this guy! He is one of the most unique guitarists ever. That feel, harmonic sense, choice of notes and placement, it’s the person he is. Our time with Miles showed me that John sounds so cool on guitar because he’s such a very cool fellow. I really admire him. Great interview!
True, true and true. Far and away my favorite guitarist. You hear it all in everything he plays, blues, funk, rock and roll, bebop. The hrythm, the lines, the feel, the note choices, the inflections....
Such a great interview. I saw you guys with Miles at the Rainbow Music Hall in Denver in '85. What an incredible show that was! One of the most memorable of my lifetime. Have been a huge Schofield fan ever since.
One of the greatest guitar players of all time and the finest interviewer on UA-cam today in the same room, it doesn't get any better than these two cool cats talking all things music. I love it. Thank you Rick for these amazing interviews with these legends and thank you John for continuing to give us so much beautiful music.
Couldn’t agree more, another stellar interview with another stellar guitarist/musician! Thank you Rick Beato and John. Keep up the great works. 🎶✨🎶 Stella-riffic 🎸
I agree about his tone, as far as his 80's stuff - early 90's, too. But, ever since he dropped the stereo chorus on "A Go Go," his tone has been as great as every other aspect of his playing - and he's been my favorite guitarist since the late '80's, so that's high praise.
I've been listening to John play for decades and this is the first time I've heard him speak at length. He is humourous, honest and humble. His stories are fascinating. I could easily sit through 10 hours of listening to him speak. And as usual, Rick is beyond brilliant with the questions he asks and his knowledge of his subject and contemporaries. Rick has a natural and seemingly effortless way to make these interviews flow so beautifully and the resulting interviews are pure magic. Thank you Rick Beato.
@@markvolstad9380 yes. This guy won't be remembered for "centuries". No one will. Maybe the name will be known in some way if you're amazing, and that's it.
Hi Rick, I'm a 47 years old from Switzerland, and I really want to thank you. You're interviewing all my "youth" heroes: from Di Meola, to Metheny to Scofield. Thank you so much. With your channel i feel like i can fullfill all my wishes about interviews and musical taste. Keep goin'!
Yes! And if you are able to get him, please ask him about the making of “Blues Dream”. It’s what got me into him and some parts of that album still give me goosebumps.
@@chrissterrmusic Same...god, that's a great record. And kudos to Rick for these interviews--these guys are my heros, from Sting to Metheny to Scofield to Ron Carter. It would be amazing to see Frisell on here. And if Rick could get Lionel Loueke, who I don't know if a lot of people know about, but should...Karibu is such a great record. That guy is one of a kind too.
Been a Scofield fan for 40+ years - I couldn't break away from this interview ... totally awesome. He's really just like the rest of us - work really hard and maybe you'll get somewhere ... imagine that. Rick - you bring out the best in your subjects ... you know, they know you know, but you let them tell the story. I'm an old newspaperman and that's how you get a good interview. Golden.
John Scofield: Probably the coolest guitar player on earth rn Rick Beato: The cool uncle we all wanted to have Amazing Interview Rick!!! Keep em coming!!
I’ll never forget discovering that record in a music store back in the 90s. I was already a fan of MMW but I had no idea they’d played with Sco. I had gone specifically to look for more Scofield albums, and then I find A Go Go and flip it over to see who the other players are, and I see John, Billy, and Chris’s names and just about fell on my ass in shock. I rushed to the counter to pay for the album just to get it home and listen to it as fast as possible. I knew it couldn’t help but be amazing with players of that caliber, but I never could’ve predicted how cohesive and complementary the four of them would sound together. They’re a match made in heaven, for sure.
@@superjay42 yes, I’ll Bluetooth it in the car & binge listen to it for weeks on end, stop for a bit then eventually return. Been a pattern since the CD era! Lol
I was actually raised on "Sco" growing up because Jazz and Jazz Fusion was really strong in my family. Appreciate this, and I will certainly cherish the interview, Rick.
"With guitar, we don't have to breath, do we?" -- a masterclass in one sentence. If what you are playing doesn't have any breaths in it, you may impress people today but no one will be humming that song to themself decades later.
Hey!!! How great this advice is! Been playing for 20 years and he basically changed everything for me when he said that. I picked up my guitar right after the interview with what he said in mind and I never sounded better.
This guy is amazing. 70 years on this planet and he remembers every one of them. What a life. He reminds me of The Dude if he was a great musician and could remember stuff.
I had the immense privilege of sitting about 5 feet away from John Scofield (and about 4 feet away from his amp) at the Kuumbwa jazz club in Santa Cruz almost 20 years ago. A transcendental experience.
I was at that show! The Kuumba is a very special gig. No matter where you are in the room, you're almost "5 feet away"! I saw Michel Petruccianni there in 1984 (I think?) with Dave Holland on bass - OH MY! That was extremely surreal. I also got to see Scofield with MMW for the A Go Go album at Yoshi's Oakland. THAT was a smokin' gig!
“I just want to play good” man i feel that. I feel like musicians, sort of like athletes, really feel time (both literally and figuratively). You are constantly riding time, having good nights, bad nights, great nights, always trying to be present and in the moment.
46:46 That one finger, Jazz Blues solo - and you can still hear John Scofield's feel and sound! Rick, Thank you for putting up these precious interviews!
I'll never forget the first time I saw John Scofield play live. It was at Estival Jazz in Lugano, Switzerland. I've always been a massive fan of the album Bump. I was studying abroad in Italy in 2007, and when I heard that Medeski, Scofield, Martin and Wood were playing this FREE jazz festival a couple train rides north, I instantly decided to go. It was incredible and kind of insane. The piazza was packed and you could barely move, but that was some of the coolest live music I've ever seen. We got there early enough to see them soundcheck. Lugano is one of the most beautiful places I've ever been, as well. The whole trip left an indelible mark in my psyche. I think John Scofield is the most inventive guitar player I've ever heard. He's my all-time favorite. Dude definitely BUMPS.
25 years ago I had heard of Scofield but not very familiar with his sound. When I got the opportunity to play with him during a jazz clinic in college I was so impressed with the variety of his playing I became an instant fan for life. Such a phenomenal musician.
This is the best thing ever happened on internet. I'm just an amateur musician but just listening to these giants, and your questions, always relevant.... a real treat. We need more of this. Thank you.
Rick, I have to say that this interview with John is probably one of the best. This is mostly due to the honesty, sincerity and humility that John is able to relate. I also enjoyed your conversation with Pat Metheny, especially when he mentioned that he used to visit the Corso and just hang by the bandstand (stage)and absorb the experience. I used to do the same thing in my late teens, I'm 73 years old now, and still love Latin Jazz. Congrats on your great interviews.
Top! One of those neverending interviews you never wanna stop. "You can bend STEEL!" 🤣 Living legend, he's got groove, funk, feel and...everything a guitarplayer need
These are valuable. Need to get these guys while they are still around. Players like Allan Holdsworth come to mind would have been great before he passed. How about Bill Nelson?
"You're a pussy unless you play 14's." Man, I almost fell out of my chair laughing! This is one of the greatest musician interviews ever. Loved every minute of it.
@@fingerstyling I'm sorry, I don't think this honest and open interview was meant for overly sensitive guys like you, Lucas. The comment I mention was made some time ago when things weren't so politically correct. I don't condone that kind of language but I still found it funny within the context of the conversation.
When the man himself John Scofield talked about P Funk I almost fell out my chair, when you think about it it makes perfect sense but it legit blew my mind away! so happy my favorites listened to my favorites 🙏🏾🤙🏾
Damn it Rick! Yesterday evening while falling asleep, I was thinking, maybe I should just write Rick Beato an E-Mail that he has to interview my hero! The next day… Tadaa! And man, what a great humble beautiful human being he is. Thank you so much! You made my dream come true. I bet that guitar sound was overwhelming. Lots of love from Germany. You made my day.
These interviews are some of the best I have ever heard, regardless of subject. Rick, your knowledge of the music, history and the work of those you speak with make these incredibly special. Your style of letting the musicians talk - playing the space - is just amazing and leaves us all with these gifts of insight and history. Thank you.
Please please please ask John back - I’ve loved his music forever and having seen this interview I also love his personality, humility and insight. Thank you sooo much!
John Scofield is such a wonderful player and seems like an all around nice guy. I had the privilege of picking John up once from his hotel to drive him to a session with Lee Ritenour. He was incredible friendly and we talked about different ways of using diminished triads against different chords. A real class act.
Fantastic interview! I love story time! My keyboard player writes tunes for the band, and the guitar charts say, “play like Scofield”. We always get a good laugh.
I got to see John play with Miles in Atlanta somewhere around 1983 (Marcus Miller on bass!). I was going to Ga St for their newly formed Jazz Guitar studies program and Pete Hennes said listen to Scofield's Rough House album. I had to work to like it. I also got to be intimidated by Sonny Emory in Jazz Lab for two years. I'm old. Love Sco!!
This gets my attention. Scofield, I’m crying 3/4 of the way through. With my guitar in hand. There is so much more communicated in the music medium than words alone.
An interview with Bill frisell would compliment this and the Metheny interview. These interviews give great insight to the history of the music and personalities of the interviewees. What a great resource to have for jazz fans and musicians. Keep up the great work Rick
This interview is gold!! I loved the part when John played the blues with one finger, mind blowing!! I always keep in mind I have to “sing” while improvising, feeling notes and not patterns, but this method is brilliant. You avoid finger patterns by simply deleting fingers from your phrasing. That’s how you create healthy stimulation
Incredible interview, Rick! Sco fan here since the mid 80's. Here's a good Sco/Metheny story; Hanging in The Village in 1991. 1am at NW corner of McDougal & W 3rd st at Visiones (now the Groove). Bill Stewart's jazz band is playing their last encore. It was killing! I turn around, and behind us standing inside the door is Metheny & Scofield together checking out the up & coming Stewart. I'll never forget it.
Not a huge jazz guy but i like some jazz adjacent music and absolutely love Scofield . Probably the most approachable jazz guy I'm aware of and has such a unique and creative sound. His Medeski Martin and Wood albums are some of my favorite.
Another great interview; I appreciate the fact that you let people talk, it is the equivalent of adding space to one’s playing. Thank you for bringing us insights on these fantastic musicians which don’t get the visibility they should.
Definitely one of my G.O.A.T.S. since the 80s! Rick, you obviously get closer to closing the circle with interviewing the greats on your channel. It´s like following you and your interview partner into the mines of making music - fascinating. This one calls for a follow up big time... the last 10 minutes - gold!!! John never stops being curious about what is currently happening on the scene -> Scary Goldings with MonoNeon, Larry and the marvellous Scary Pockets Duo... It´s obvious how much it means to you to have him on your show.
Met John downstairs at Finney Chapel, Oberlin College on the Blue Matter tour. That show, Dennis, Gary… It changed my life. Much time was spent in the conservatory checking out Scofield instruction on VHS. I’ve more Scofield cd’s than most of the guitarists in my collection. Thank you Mr. Scofield for all that you’ve shared with the world. Appreciate your humor as well. 😎🤙🏼 Kind regards, Daniel, Denver, CO
Wow, one of the greats for sure. Saw Scofield in Providence, RI at Lupo's Heartbreak Hotal sometime in the late 1990s. I have never seen anyone with as much dynamic control of guitar volume before or since. He was going from whispers to screams inside of a couple of seconds, and he was NOT using a volume pedal, he was doing it all via touch and the guitar volume knobs. He and the band were killer!
Wow…another great character…I had never seen an interview with Mr. Scofield before…An utterly charming interesting man. And so humble…Another great disciple of music. And he’s right…there is nothing like a night when the band of players enters that magic area when everything elevates and the music just soars. No other feeling like it. All the practice is worth those moments…and…he still practices! And is still learning. How cool is that?
I'm riding in a train from Lucerne to Zurich in 2013 and this nice young guitar player helps with directions. He is headed to a gig at a hotel and I asked what he played. He said in his accented English: "have you heard of John Scofield?" So awesome. Loved that Rick mentioned that younger players identified with his music. Great interview.
This interview is an amazing gift to us all. John Scofield is the north star in my constellation of guitar players I can listen to endlessly: Scofield, Steve Khan, Robin Trower, Joe Satriani, and Eddie Van Halen. Whether it’s his own albums or his collaborations with others (especially MM&W), I’ve pretty much worn out the CDs. And live… my, oh, my. Seeing him at Jazz Alley in Seattle was transformative. He was also incredibly kind when I asked him to sign his most recent CD-and we talked about strings (his high E was a 13 back then). Thank you, Rick. Thank you.
WOW! I somehow missed that this interview was happening! Not only do we get this marvelous insight & conversation from Sco, but I've been really wanting to know if artists such as Bill Frisell, John Medeski, and Joey Baron are on Rick's radar! Seems ridiculous to me now that I underestimated Mr. Beato. Great interview Rick! You are doing such a service to the music community as a whole with this channel.
I'm 100% sure that Rick has been aware of Frisell, Medeski, and Baron for years. I also understand why up until now he hasn't prioritized featuring living jazz artists from the last 30-40 years, given the way he grew his audience with breakdown videos of classic rock and 80s pop tunes. I'm excited that he's willing to move a bit in this direction now that he's got close to 3 million subscribers and his business is pretty solid. An hour-long or even half-hour video with Joey Baron (who I love! or..with Bill Stewart for that matter) would probably not be that captivating for a big chunk of Rick's audience, as jazz (and more particularly, jazz drumming), takes a few years to really get into. The Ron Carter interview video did pretty well for Rick, but it still only has half the viewers that a recent sit-down with Adam Neely has (and Neely is great...but Ron Carter!) But Metheny and Sco and figures like Christian McBride or Branford Marsalis, jazz players with a pretty high profile, I bet we see more of this as Rick goes forward.
@@jimdixon3470 You been under a rock? Rich has been doing jazz artist interviews and jazz song/album analyzations as long as he's been doing everything else. You must not have been paying attention.
Always heard of this man and seen a couple of things he did. But I never went deep in his music. But now I have a man crush on John! So humble and cool and so talented, wow!!! Tanks so much mr. Beato for this interview, I’m now ready to jump on the Scofield train!! Greetings from Montréal! Merci encore!!
Rick's interviews are a real gift to music lovers everywhere, such fantastic interviews with absolute Legends with a lifetime of experience under their belt. They all have so much to offer. There is only one John Scofield and he is an absolute gem.
I love John Scofield. He has always struck me as a musician of the highest caliber, but with the humility of someone who is always reaching to be better. Can't wait to see him here in Portland on the 23rd. One more thing, I love him talking about practicing..... "If I don't practice I'm screwed!". That's one of the same things that I liked about the Tommy Emmanuel interview. They don't hide that fact that there's a commitment required to being a good musician. So many times you hear musicians say things like, "well I just pick up the guitar now and then"... and if you're someone just starting out playing, that's the last thing you need to hear.
I’ve noticed that in all the great interviews with these great musicians Rick has done, listening to them talk about THEIR musical heroes growing up, and Rick being able to recognize and relate to their influences, as Rick has admired the same people, is priceless!! I’m like a little kid in my room with my guitar and albums all over again, when I watch these interviews!! God bless you, and thank you Rick!!
I love when Scofield goes into his funk mode; "Bump" is frequent go-to for me. Got to see him on a star-packed evening at Le Poisson, in NYC (think it was 2017 or 2018), playing with Medeski & Martin. Later on, that same evening, Billy Martin hosted Bill Frisell & Nels Cline. What a night.
John picks like he’s a horn player or a sax player. That’s what makes him amazing. His phrasing is definitely not typical. I had the opportunity to see you several times when I was younger in Chicago. John you have inspired so many musicians beyond what you’d expect. I hope you have many more healthy years ahead of you. Fantastic musician.
ARE YOU KIDDING ME?!?!?! My hero, John Scofield!!!! O, I can’t wait to see this! 😃❤️ O man, you had no idea how much I needed something like this to lift me up. Edit: I just finished watching the video. It was even better than I hoped for. Thank you Rick, thank you John! ❤️
John's parents lived across the street from me as retirees when I was a kid in the 70s and early 80s. The first I heard of Miles Davis was when Mrs. S. mentioned that John was playing with him, with justifiable pride.
Amazing interview, Rick, as always. I love Sco's comment near the end about how Wes had a family with kids and a day job and still learned to play the guitar like the master he was. Tal Farlow was the same, had his sign company I think for his whole career.
Thank you so much Rick and John. I have so many of John's albums and CDs I have literally lost count. Super interview! Rick please do a feature story on Emily Remler. I discovered her many years ago and have since collected all her original vinyl. Simply put, the world needs to know more about this incredible talent and sad loss to the world of jazz guitar. Thank you again!
So inspiring to watch one of the true masters being so humble and frank about his own struggles. It makes a nobody like me feel so much better about myself. Rick really gets the best out of his interviewees. So many interviews with famous artists can be soul crushing. They try to portray this image of being natural born geniuses that just picked up the instruments and became masters over night. I guess that is part of the narrative they want to push. The story of the mysterious superhuman wizard with magical abilities that few if any can reach. I guess it's less flattering to be open about all the hours they put in practicing and failing before they learned to master their instrument. That's why these interview are so refreshingly honest. You really see the human behind the instrument and behind the myths. You realize that no one is perfect. We all have strengths and weaknesses. We all struggle and just try to do the best with what we have been given by nature.
"Something happens when you stop and leave some air in there, and the whole band comes into focus for the listener and for YOU, and you're able to come back in, more in sync with the group." 🔑 One of many gems from John Scofield. Just last week I got into a Sco retrospective; my faves-his first eponymous LP, Rough House, Who's Who-and onwards to UA-cam videos of him. Then THIS interview came out. Rick Beato killed it again!
Rough house had some totally Burning playing, with Adam Nussbaum on drums. Who’s who is great to, Steve Jordan Anthony Jackson and The late great Kenny Kirkland…
I love listening to all the Berkeley references. My dad went to school with all these guys! And was asked to stay on as a professor for 2 more years. We spent 6 years in Boston. They'd come over and hang out after conservatory or a gig. Rick's got a great channel.
Man - such a great interview. Scofield has been my favourite guitarist since the early 90s when I sat downstairs from the entrance of a small club he played in Wellington. I couldn't afford the ticket but the bouncers let me sit with them and i could hear the show. I've since seen him live in Japan (to an audience of about 15 people - the A Go Go tour) and at the barbican to a couple thousand. I go and would watch him any time he was in the country
I saw Scofield in October 2018 at Blue Note in Greenwich and his band was absolutely fucking amazing. He is such a good musician, too, letting each member shine. He was really good, and still wanted his band to be the focal point. He's an idol of mine, used to listen to Blue Matter a lot when I was younger.
What a legend. Seen him several times, and it's always stuns me how many sides he has--one time it's the nastiest funk you've ever heard, then he comes back again, and plays a freaking Hall and Oates cover out of nowhere, then he comes back playing gospel stuff, it just goes on and on. Great interview.
This interview like my entire channel is self funded. If you would like to see more content like this you can donate to my channel through this link on my website rickbeato.com/pages/donate
For ongoing support consider becoming a member of the Beato Club. The Beato Club is exactly like Patreon.
Thanx for the interview. That was great. When John spoke about his Blues roots and approach I had to think about your argument that Rock had lost its importance due to the disintegration of the Blues. I think that is true.
I love Jazz, Blues and 60s Rock. I can enjoy jazz intellectually and aesthetically, I love 60s rock for its energy but the blues is the most important and fundamental thing.
Didn t B.B.King play 9th and Wes 13th? Man 15th is insane. Did Martino tune his guitar down like SRV?
Some recommendations:
R.L.Burnside "Come on in" from 1995. A blend of Blues end electric music but hard riffs like Sabbath. Top 5 record of the 90s.
Harvey Mendel "Shangranade or Christo Redontor."
Dave Brubeck "Two Generations of Brubeck".
Muddy Waters "Electric Mud" and "After the rain".
Miles Davis live recordings "Agharta" and "Pangaea".
Love your interviews but notice that there aren't many women. Perhaps Tal Wilkenfeld might have some interesting perspectives and history. She's young but started very young and has played with rock and jazz greats. And she's an Aussie! 🙃
You got more concrete details out of John than most interviewers I've heard. John, while being super smart, and big-hearted and open, sometimes seems to not want to bother or bore interviewers or readers/listeners with a lot of detail. He's got sort of an "aw shucks" personality, which is refreshing for someone of his level of fame and accomplishment, and sometimes interviewers aren't willing to dig a little with him and get him off his normal talking points. I'm sure he's done a zillion interviews with newspaper reporters who all ask the exact same shallow questions, and that must get tedious. Good job with your questions and follow-ups!
I love your videos Rick, you remind me of a musical Anthony Bourdain 🎸🎸
@@SteveGouldinSpain library of congress....yeah, great material for younger musicians
Think of how important Rick is. He is the ONLY person out there capturing these long-form oral history records of legendary musicians for posterity. I've been doing research for books using old deteriorating tape interviews that were, unfortunately, not preserved or transferred properly, so these kinds of historical linkages are very fragile and vulnerable. Luckily Rick is doing these in high quality digital on a large platform which helps guarantee their longevity.
What about Cory Wong's podcast. He interviewed Scott field too.
No he isn’t lmao
There are actually some others - check out Pablo Held's "Investigates" series, and the NYU Steinhardt interview series. Scofield has done both, and there are many more with other great musicians in both series.
I absolutely agree! Rick is a generational bridge for music appreciation and education across multiple genres and eras of music.
hes not the only one at all.. what about broken record or couch riffs podcast? but i agree that its absolutely wonderful and not many people are as qualified as rick to talk freely to these people without reading questions off of cards or just talking about whats written in their wikipedia article
John Scofield is a genius....and he sounds like a Jeff Bridges' character.
That's just like your opinion man
Great analogy!
Definitely getting Jeff bridges vibes. The guy is a snappy dresser as well.
The Dude Abides...
Jeff plays guitar as well, so if someone would conjure up a Scofield biopic script...
The humility of this guy is humbling.
Nearly 20 years ago when I was an exuberant young jazz student I saw Sco give a masterclass and asked him what he thought about when he played. He said, “where the 1 is.”
"If I don't practice I'm screwed." What a quote. So emblematic of John Scofield. So refreshing to hear a tall dog like him talking straight, not at all full of himself, completely grounded, humble and honest. Thank you, sir and thank you Rick for capturing this gem of an interview.
Check out his album with Medeski Martin and Wood.
I sympathize with that big time. Some people who are really good are not actually naturals in the sense that they can pick up a guitar their instrument after not touching it in months and play great. They need constantly be grinding to keep up their skill. I get the impression that Scofield is more along the lines of that.
Agreed
Any day not practicing is one day longer to be good Ben hogan
@@HiFiAwardTour Good advice! But I have to point out that it's "albums." They've done at least three together: A Go Go, Out Louder, and Juice. Plus a live album: MSMW Live: In Case the World Changes Its Mind.
Hi Rick, my dad was John Dougherty and he was the guy that invented the Mind' pick (Stone guitar pick) and Pat Martino endorsed them. Pat and my dad were good friends. It made my day to hear someone mention the pick, many people don't remember. When he passed away, he still had the same 2 picks from 1977. My sister has one I I have the other.
Hey, thank you for this comment. This interview is a beautiful link between life stories, people, musicians...
your comment here is something precious!
(I'm sorry for my poor English)
I remember the Mind’ picks and the ads in Guitar Player magazine.
I met John Dougherty when I had my business, Picks and Stones-gemstone guitar picks. I was doing M'ind Pick copies for several of my custom clients, one of whom knew John. He had seen my copies and gave me his blessing as he was no longer making them. I closed my business years ago but I might still have one.
We listen to Scofield at dinner every night. My 4 year old son insists on it. He calls it "fancy dinner music". He always knows if i try to play something else. He knows Scofield when he hears it!
Great interview Rick!
Gotta start them young!
That's so cute!
That’s a wonderful thing to hear!
@Kenny -- Dad of the Year!! :)
that's quite a kid you've got
I thought nothing could top Rick's Peter Frampton and Pat Metheny interviews, but the Scofield interview ranks up there in the pantheon of music history gems. If Miles instructed Sco to "play with space", the key to Rick's interview chops is giving his subjects the space to tell the story. Outstanding job Rick! I tip my hat to you.
Bob: exactly right! There is a interview dude on YT who constantly jumps on his subjects lines, you can see their disappointment on their faces! Space, the key is to give them SPACE! Love you, Rick!
Might be a philosophic point of view, but in the end, it's the space between the notes that creates the rhythm, the groove, the feel - the music.
Rick is excellent....encyclopedic.....the pat Matheny is priceless for me....priceless
I heard this compliment given to Steve Ferrone. That he left a lot of space for the musicians
Not only is Scofield a worldclass artist - but his self awareness and humility is what was most inspiring. The remark about not wanting to come off as falsely humble was great. Even a musical giant knows to keep a watchful eye on the ego.
When people talk about someone with an 'ego problem', they usually mean that the person is arrogant, but just as much of an ego problem is someone that can't recognise or acknowledge their own strengths. I'm sick of every comments section being about 'humility' as if the all time greats don't have the right to say "I'm very good at this, you know it, I know it, we all know it". People who excell in one area are often very weak in another, nature is balanced like that. Everyone knows equality is a lie and a pipe dream, people can't and never will be equal, and that's how it is and should be. People that show too much false modesty are worse than people who confidently assert their skills.
100% agree with your comment! Wonderful interview and what a great guy
I emailed him once about some material I saw him play live that I wanted to buy but I didn't know the title,, he answered me personally, cool dude. Signed "old man Sco"
@@vextract4662 Thats super cool :)
Not EVEN a….BECAUSE he is….
I fuggin’ love this guy! He is one of the most unique guitarists ever. That feel, harmonic sense, choice of notes and placement, it’s the person he is. Our time with Miles showed me that John sounds so cool on guitar because he’s such a very cool fellow. I really admire him. Great interview!
True, true and true. Far and away my favorite guitarist. You hear it all in everything he plays, blues, funk, rock and roll, bebop. The hrythm, the lines, the feel, the note choices, the inflections....
Legend!
Both of you!
Such a great interview. I saw you guys with Miles at the Rainbow Music Hall in Denver in '85. What an incredible show that was! One of the most memorable of my lifetime. Have been a huge Schofield fan ever since.
I agree!! I love John!!!!
John Scofield is a LEGEND
So is Rick doing all these LEGENDARY interviews!
The best!
Listening to him talk like a regular, down-to-earth cat, you’d never suspect what a total badass he is. Gotta love that genuine humility!
One of the greatest guitar players of all time and the finest interviewer on UA-cam today in the same room, it doesn't get any better than these two cool cats talking all things music. I love it. Thank you Rick for these amazing interviews with these legends and thank you John for continuing to give us so much beautiful music.
Couldn’t agree more, another stellar interview with another stellar guitarist/musician! Thank you Rick Beato and John. Keep up the great works. 🎶✨🎶
Stella-riffic 🎸
He doesn't think he gets a good guitar sound?! His guitar is one of the most distinct and identifiable sounds ever. Legend. Great interview Rick!
I'm not a fan of his tone on earlier recordings, but his tone in the last 15 years or so is as good as it gets.
I agree about his tone, as far as his 80's stuff - early 90's, too. But, ever since he dropped the stereo chorus on "A Go Go," his tone has been as great as every other aspect of his playing - and he's been my favorite guitarist since the late '80's, so that's high praise.
I've been listening to John play for decades and this is the first time I've heard him speak at length. He is humourous, honest and humble. His stories are fascinating. I could easily sit through 10 hours of listening to him speak. And as usual, Rick is beyond brilliant with the questions he asks and his knowledge of his subject and contemporaries. Rick has a natural and seemingly effortless way to make these interviews flow so beautifully and the resulting interviews are pure magic. Thank you Rick Beato.
These interviews will be a gold mine for musicologists in decades and centuries to come.
Have you ever read an interview with Mozart?
@@littlethuggie Sadly, no.
@@markvolstad9380 there ya go. Everyone is forgotten, even the best, within 50-100 years.
@@littlethuggie I don't understand your point. Are you suggesting that Mozart has been "forgotten"??
@@markvolstad9380 yes. This guy won't be remembered for "centuries". No one will. Maybe the name will be known in some way if you're amazing, and that's it.
Hi Rick, I'm a 47 years old from Switzerland, and I really want to thank you. You're interviewing all my "youth" heroes: from Di Meola, to Metheny to Scofield. Thank you so much. With your channel i feel like i can fullfill all my wishes about interviews and musical taste. Keep goin'!
this dude is just cool personified... remember when musicians were cool? i miss it
Now that we have Scofield we definitly need Frisell !
Antoine Boyer
Matteo Mancuso
@@intuneorange boyer is phenomenal classical gyspy jazz hybrid fusion..wow. superhuman .
@christopher
yes and check out his Scarlatti. !
Mancuso is very good at electric stuff also.
Yes! And if you are able to get him, please ask him about the making of “Blues Dream”. It’s what got me into him and some parts of that album still give me goosebumps.
@@chrissterrmusic Same...god, that's a great record. And kudos to Rick for these interviews--these guys are my heros, from Sting to Metheny to Scofield to Ron Carter. It would be amazing to see Frisell on here. And if Rick could get Lionel Loueke, who I don't know if a lot of people know about, but should...Karibu is such a great record. That guy is one of a kind too.
Been a Scofield fan for 40+ years - I couldn't break away from this interview ... totally awesome. He's really just like the rest of us - work really hard and maybe you'll get somewhere ... imagine that. Rick - you bring out the best in your subjects ... you know, they know you know, but you let them tell the story. I'm an old newspaperman and that's how you get a good interview. Golden.
John Scofield: Probably the coolest guitar player on earth rn
Rick Beato: The cool uncle we all wanted to have
Amazing Interview Rick!!! Keep em coming!!
Scofield’s “A go go” LP is a must. Fan-damn-tastic!
I’ll never forget discovering that record in a music store back in the 90s. I was already a fan of MMW but I had no idea they’d played with Sco. I had gone specifically to look for more Scofield albums, and then I find A Go Go and flip it over to see who the other players are, and I see John, Billy, and Chris’s names and just about fell on my ass in shock. I rushed to the counter to pay for the album just to get it home and listen to it as fast as possible. I knew it couldn’t help but be amazing with players of that caliber, but I never could’ve predicted how cohesive and complementary the four of them would sound together. They’re a match made in heaven, for sure.
@@superjay42 yes, I’ll Bluetooth it in the car & binge listen to it for weeks on end, stop for a bit then eventually return. Been a pattern since the CD era! Lol
Top tier collab
I was actually raised on "Sco" growing up because Jazz and Jazz Fusion was really strong in my family. Appreciate this, and I will certainly cherish the interview, Rick.
"With guitar, we don't have to breath, do we?" -- a masterclass in one sentence. If what you are playing doesn't have any breaths in it, you may impress people today but no one will be humming that song to themself decades later.
Hey!!! How great this advice is!
Been playing for 20 years and he basically changed everything for me when he said that. I picked up my guitar right after the interview with what he said in mind and I never sounded better.
This guy is amazing. 70 years on this planet and he remembers every one of them. What a life. He reminds me of The Dude if he was a great musician and could remember stuff.
I had the immense privilege of sitting about 5 feet away from John Scofield (and about 4 feet away from his amp) at the Kuumbwa jazz club in Santa Cruz almost 20 years ago. A transcendental experience.
I was at that show! The Kuumba is a very special gig. No matter where you are in the room, you're almost "5 feet away"! I saw Michel Petruccianni there in 1984 (I think?) with Dave Holland on bass - OH MY! That was extremely surreal. I also got to see Scofield with MMW for the A Go Go album at Yoshi's Oakland. THAT was a smokin' gig!
It sounds like you measured the distance
“I just want to play good” man i feel that. I feel like musicians, sort of like athletes, really feel time (both literally and figuratively). You are constantly riding time, having good nights, bad nights, great nights, always trying to be present and in the moment.
46:46 That one finger, Jazz Blues solo - and you can still hear John Scofield's feel and sound!
Rick, Thank you for putting up these precious interviews!
I had classes with John at the New School back in 1973. He was a great teacher.
I'll never forget the first time I saw John Scofield play live. It was at Estival Jazz in Lugano, Switzerland. I've always been a massive fan of the album Bump. I was studying abroad in Italy in 2007, and when I heard that Medeski, Scofield, Martin and Wood were playing this FREE jazz festival a couple train rides north, I instantly decided to go. It was incredible and kind of insane. The piazza was packed and you could barely move, but that was some of the coolest live music I've ever seen. We got there early enough to see them soundcheck. Lugano is one of the most beautiful places I've ever been, as well. The whole trip left an indelible mark in my psyche. I think John Scofield is the most inventive guitar player I've ever heard. He's my all-time favorite. Dude definitely BUMPS.
25 years ago I had heard of Scofield but not very familiar with his sound. When I got the opportunity to play with him during a jazz clinic in college I was so impressed with the variety of his playing I became an instant fan for life. Such a phenomenal musician.
This is the best thing ever happened on internet. I'm just an amateur musician but just listening to these giants, and your questions, always relevant.... a real treat. We need more of this. Thank you.
Rick, I have to say that this interview with John is probably one of the best. This is mostly due to the honesty, sincerity and humility that John is able to relate. I also enjoyed your conversation with Pat Metheny, especially when he mentioned that he used to visit the Corso and just hang by the bandstand (stage)and absorb the experience. I used to do the same thing in my late teens, I'm 73 years old now, and still love Latin Jazz. Congrats on your great interviews.
John is so humble, witty, great sense of humour. This interview was great Rick. Johns truly an originator, and fantastic artist.
His playing with MMW is sublime. The best live band in America for two decades and only a few knew. Scofield is the awesome. Thank you for this
Top! One of those neverending interviews you never wanna stop.
"You can bend STEEL!" 🤣
Living legend, he's got groove, funk, feel and...everything a guitarplayer need
Great interview! First Metheny, then DiMeola, now Scofield! All we need now is McLaughlin, Stern, and Frissel!
En Julian Lage
George Benson too
These are valuable. Need to get these guys while they are still around. Players like Allan Holdsworth come to mind would have been great before he passed. How about Bill Nelson?
@@ansiemusie I agree! And Kurt Rosenwinkel
"You're a pussy unless you play 14's." Man, I almost fell out of my chair laughing! This is one of the greatest musician interviews ever. Loved every minute of it.
@@fingerstyling I'm sorry, I don't think this honest and open interview was meant for overly sensitive guys like you, Lucas. The comment I mention was made some time ago when things weren't so politically correct. I don't condone that kind of language but I still found it funny within the context of the conversation.
@@boogeen1 Don’t apologize. 🙄
@@fingerstyling Stop being one.
@@fingerstyling "one man's belly laugh is another womans slap in the face" is that because both those things are very funny?
@@fingerstyling lol cringe
Sco has NO ego. Such a humble and down to earth guy (who just happens to be a monstrous legendary player).
When the man himself John Scofield talked about P Funk I almost fell out my chair, when you think about it it makes perfect sense but it legit blew my mind away! so happy my favorites listened to my favorites 🙏🏾🤙🏾
Damn it Rick! Yesterday evening while falling asleep, I was thinking, maybe I should just write Rick Beato an E-Mail that he has to interview my hero!
The next day… Tadaa!
And man, what a great humble beautiful human being he is. Thank you so much! You made my dream come true. I bet that guitar sound was overwhelming. Lots of love from Germany. You made my day.
John's personality matches his playing style. What a humble and good dude. Great interview!
Nice to see that Rick wore his finest Canadian Tuxedo to the Scofield interview. Can't wait to watch this one.
John Scofield is my favorite musician, ever. He is the one who taught me A LOT about guitar improvisation and music.
These interviews are some of the best I have ever heard, regardless of subject. Rick, your knowledge of the music, history and the work of those you speak with make these incredibly special. Your style of letting the musicians talk - playing the space - is just amazing and leaves us all with these gifts of insight and history. Thank you.
Please please please ask John back - I’ve loved his music forever and having seen this interview I also love his personality, humility and insight. Thank you sooo much!
“Play with space.” Best advice.
Great conversation! He’s a gem.
John Scofield is such a wonderful player and seems like an all around nice guy. I had the privilege of picking John up once from his hotel to drive him to a session with Lee Ritenour. He was incredible friendly and we talked about different ways of using diminished triads against different chords. A real class act.
He is just the man. Period.
Fantastic interview! I love story time! My keyboard player writes tunes for the band, and the guitar charts say, “play like Scofield”. We always get a good laugh.
I got to see John play with Miles in Atlanta somewhere around 1983 (Marcus Miller on bass!). I was going to Ga St for their newly formed Jazz Guitar studies program and Pete Hennes said listen to Scofield's Rough House album. I had to work to like it. I also got to be intimidated by Sonny Emory in Jazz Lab for two years. I'm old. Love Sco!!
This gets my attention. Scofield,
I’m crying 3/4 of the way through. With my guitar in hand. There is so much more communicated in the music medium than words alone.
An interview with Bill frisell would compliment this and the Metheny interview. These interviews give great insight to the history of the music and personalities of the interviewees. What a great resource to have for jazz fans and musicians. Keep up the great work Rick
This interview is gold!! I loved the part when John played the blues with one finger, mind blowing!! I always keep in mind I have to “sing” while improvising, feeling notes and not patterns, but this method is brilliant. You avoid finger patterns by simply deleting fingers from your phrasing. That’s how you create healthy stimulation
Incredible interview, Rick! Sco fan here since the mid 80's. Here's a good Sco/Metheny story; Hanging in The Village in 1991. 1am at NW corner of McDougal & W 3rd st at Visiones (now the Groove). Bill Stewart's jazz band is playing their last encore. It was killing! I turn around, and behind us standing inside the door is Metheny & Scofield together checking out the up & coming Stewart. I'll never forget it.
I used to see Sco at 55 Grand street, when Mike Stern Lived upstairs. He mentions it in the interview…
Not a huge jazz guy but i like some jazz adjacent music and absolutely love Scofield . Probably the most approachable jazz guy I'm aware of and has such a unique and creative sound. His Medeski Martin and Wood albums are some of my favorite.
‘Sound is probably everything, you know’ -John Scofield
The prototypical humble genius. I keep being fascinating with Scofield.
Another great interview; I appreciate the fact that you let people talk, it is the equivalent of adding space to one’s playing.
Thank you for bringing us insights on these fantastic musicians which don’t get the visibility they should.
I once heard him described as “ the most original guitarist since Hendrix.” Met him once too. It’s all true. Lovely man.
One of the most uniquely amazing guitarists around.
Definitely one of my G.O.A.T.S. since the 80s! Rick, you obviously get closer to closing the circle with interviewing the greats on your channel. It´s like following you and your interview partner into the mines of making music - fascinating. This one calls for a follow up big time... the last 10 minutes - gold!!!
John never stops being curious about what is currently happening on the scene -> Scary Goldings with MonoNeon, Larry and the marvellous Scary Pockets Duo... It´s obvious how much it means to you to have him on your show.
One of only a few guys with such a unique style I know who’s playing just from hearing two notes.
Met John downstairs at Finney Chapel, Oberlin College on the Blue Matter tour. That show, Dennis, Gary… It changed my life. Much time was spent in the conservatory checking out Scofield instruction on VHS. I’ve more Scofield cd’s than most of the guitarists in my collection. Thank you Mr. Scofield for all that you’ve shared with the world. Appreciate your humor as well. 😎🤙🏼 Kind regards, Daniel, Denver, CO
Wow, one of the greats for sure. Saw Scofield in Providence, RI at Lupo's Heartbreak Hotal sometime in the late 1990s. I have never seen anyone with as much dynamic control of guitar volume before or since. He was going from whispers to screams inside of a couple of seconds, and he was NOT using a volume pedal, he was doing it all via touch and the guitar volume knobs. He and the band were killer!
Wow…another great character…I had never seen an interview with Mr. Scofield before…An utterly charming interesting man. And so humble…Another great disciple of music. And he’s right…there is nothing like a night when the band of players enters that magic area when everything elevates and the music just soars. No other feeling like it. All the practice is worth those moments…and…he still practices! And is still learning. How cool is that?
Every note this man plays is a gem.
I'm riding in a train from Lucerne to Zurich in 2013 and this nice young guitar player helps with directions. He is headed to a gig at a hotel and I asked what he played. He said in his accented English: "have you heard of John Scofield?" So awesome. Loved that Rick mentioned that younger players identified with his music. Great interview.
John talked a lot about his strong blues-based characteristic, but I think that what sets him apart the most is how FUNKY his playing is.
Yep, there is a bunch of great blues influenced players, but most of them just don't give you stank face like Sco does.
Learned a LOT from Scofield's phrasing . It seems like he's late , but it works and builds the tension and the melody
@@roncondon4679 I usually describe Sco’s phrasing as “kind of slippery”, but in a good way of course.
@@roncondon4679 That quality of his phrasing plus his tone really make his playing magical. I never get tired of Sco.
He just swings and swings
This interview is an amazing gift to us all. John Scofield is the north star in my constellation of guitar players I can listen to endlessly: Scofield, Steve Khan, Robin Trower, Joe Satriani, and Eddie Van Halen. Whether it’s his own albums or his collaborations with others (especially MM&W), I’ve pretty much worn out the CDs. And live… my, oh, my. Seeing him at Jazz Alley in Seattle was transformative. He was also incredibly kind when I asked him to sign his most recent CD-and we talked about strings (his high E was a 13 back then). Thank you, Rick. Thank you.
WOW! I somehow missed that this interview was happening! Not only do we get this marvelous insight & conversation from Sco, but I've been really wanting to know if artists such as Bill Frisell, John Medeski, and Joey Baron are on Rick's radar! Seems ridiculous to me now that I underestimated Mr. Beato.
Great interview Rick! You are doing such a service to the music community as a whole with this channel.
I'm 100% sure that Rick has been aware of Frisell, Medeski, and Baron for years. I also understand why up until now he hasn't prioritized featuring living jazz artists from the last 30-40 years, given the way he grew his audience with breakdown videos of classic rock and 80s pop tunes. I'm excited that he's willing to move a bit in this direction now that he's got close to 3 million subscribers and his business is pretty solid. An hour-long or even half-hour video with Joey Baron (who I love! or..with Bill Stewart for that matter) would probably not be that captivating for a big chunk of Rick's audience, as jazz (and more particularly, jazz drumming), takes a few years to really get into. The Ron Carter interview video did pretty well for Rick, but it still only has half the viewers that a recent sit-down with Adam Neely has (and Neely is great...but Ron Carter!)
But Metheny and Sco and figures like Christian McBride or Branford Marsalis, jazz players with a pretty high profile, I bet we see more of this as Rick goes forward.
@@jimdixon3470 You been under a rock? Rich has been doing jazz artist interviews and jazz song/album analyzations as long as he's been doing everything else. You must not have been paying attention.
I would be incredibly excited to see a Joey Baron interview! What an amazing guy, what a phenomenal drummer.
OMG, Pat Matheney and now John Scofiel! Thank you Rick!!! I’m so happy!
Very very enjoyable from beginning to the very end of the interview!!! Thank you Rick Beato & John Scofield. 😄😄👍👍👍👍👍✨✨😍😍😍
Always heard of this man and seen a couple of things he did. But I never went deep in his music. But now I have a man crush on John! So humble and cool and so talented, wow!!! Tanks so much mr. Beato for this interview, I’m now ready to jump on the Scofield train!! Greetings from Montréal! Merci encore!!
Unbelievable. Thank you John and Rick for being who you are. I enjoyed this immensely. 🎸❤️🙏🏼🇺🇸
Rick's interviews are a real gift to music lovers everywhere, such fantastic interviews with absolute Legends with a lifetime of experience under their belt. They all have so much to offer. There is only one John Scofield and he is an absolute gem.
Oh my goodness, I am one of Scofield's biggest fans... I'm screaming at my computer right now!!! Yes!!! Can't wait to watch this!!
I love John Scofield. He has always struck me as a musician of the highest caliber, but with the humility of someone who is always reaching to be better. Can't wait to see him here in Portland on the 23rd.
One more thing, I love him talking about practicing..... "If I don't practice I'm screwed!". That's one of the same things that I liked about the Tommy Emmanuel interview. They don't hide that fact that there's a commitment required to being a good musician. So many times you hear musicians say things like, "well I just pick up the guitar now and then"... and if you're someone just starting out playing, that's the last thing you need to hear.
I’ve noticed that in all the great interviews with these great musicians Rick has done, listening to them talk about THEIR musical heroes growing up, and Rick being able to recognize and relate to their influences, as Rick has admired the same people, is priceless!! I’m like a little kid in my room with my guitar and albums all over again, when I watch these interviews!! God bless you, and thank you Rick!!
I love when Scofield goes into his funk mode; "Bump" is frequent go-to for me. Got to see him on a star-packed evening at Le Poisson, in NYC (think it was 2017 or 2018), playing with Medeski & Martin. Later on, that same evening, Billy Martin hosted Bill Frisell & Nels Cline. What a night.
John picks like he’s a horn player or a sax player. That’s what makes him amazing. His phrasing is definitely not typical. I had the opportunity to see you several times when I was younger in Chicago. John you have inspired so many musicians beyond what you’d expect. I hope you have many more healthy years ahead of you. Fantastic musician.
ARE YOU KIDDING ME?!?!?!
My hero, John Scofield!!!! O, I can’t wait to see this! 😃❤️
O man, you had no idea how much I needed something like this to lift me up.
Edit: I just finished watching the video. It was even better than I hoped for. Thank you Rick, thank you John! ❤️
John's parents lived across the street from me as retirees when I was a kid in the 70s and early 80s. The first I heard of Miles Davis was when Mrs. S. mentioned that John was playing with him, with justifiable pride.
I interviewed Sco as part of a class at Rutgers close to a decade ago. A favorite, and a very generous person.
The king of augmented funk.
I love that first question and how it got the interview rolling! So good Rick!!
Amazing interview, Rick, as always. I love Sco's comment near the end about how Wes had a family with kids and a day job and still learned to play the guitar like the master he was. Tal Farlow was the same, had his sign company I think for his whole career.
Tremendous interview! Get Bill Frisell on the show!🙏♥️
Rick is an amazing human repository of rock and pop history. He is an incredible teacher with wonderful youthful enthusiasm.
Thank you so much Rick and John. I have so many of John's albums and CDs I have literally lost count. Super interview! Rick please do a feature story on Emily Remler. I discovered her many years ago and have since collected all her original vinyl. Simply put, the world needs to know more about this incredible talent and sad loss to the world of jazz guitar. Thank you again!
Scofield is a treasure. Guys like him, Michael Schenker, man we are lucky to have them and they just keep getting better. Incredible.
So inspiring to watch one of the true masters being so humble and frank about his own struggles. It makes a nobody like me feel so much better about myself. Rick really gets the best out of his interviewees. So many interviews with famous artists can be soul crushing. They try to portray this image of being natural born geniuses that just picked up the instruments and became masters over night. I guess that is part of the narrative they want to push. The story of the mysterious superhuman wizard with magical abilities that few if any can reach. I guess it's less flattering to be open about all the hours they put in practicing and failing before they learned to master their instrument. That's why these interview are so refreshingly honest. You really see the human behind the instrument and behind the myths. You realize that no one is perfect. We all have strengths and weaknesses. We all struggle and just try to do the best with what we have been given by nature.
I love these discussions with true jazz legends. They let their guard down with Rick because he is one of them.
"Something happens when you stop and leave some air in there, and the whole band comes into focus for the listener and for YOU, and you're able to come back in, more in sync with the group." 🔑 One of many gems from John Scofield. Just last week I got into a Sco retrospective; my faves-his first eponymous LP, Rough House, Who's Who-and onwards to UA-cam videos of him. Then THIS interview came out. Rick Beato killed it again!
Rough house had some totally Burning playing, with Adam Nussbaum on drums. Who’s who is great to, Steve Jordan Anthony Jackson and The late great Kenny Kirkland…
I love listening to all the Berkeley references. My dad went to school with all these guys! And was asked to stay on as a professor for 2 more years.
We spent 6 years in Boston.
They'd come over and hang out after conservatory or a gig.
Rick's got a great channel.
I was always hoping this interview would happen. Scofield is one of the most original and creative musicians I've ever heard.
Man - such a great interview. Scofield has been my favourite guitarist since the early 90s when I sat downstairs from the entrance of a small club he played in Wellington. I couldn't afford the ticket but the bouncers let me sit with them and i could hear the show.
I've since seen him live in Japan (to an audience of about 15 people - the A Go Go tour) and at the barbican to a couple thousand. I go and would watch him any time he was in the country
I saw Scofield in October 2018 at Blue Note in Greenwich and his band was absolutely fucking amazing. He is such a good musician, too, letting each member shine. He was really good, and still wanted his band to be the focal point. He's an idol of mine, used to listen to Blue Matter a lot when I was younger.
What a legend. Seen him several times, and it's always stuns me how many sides he has--one time it's the nastiest funk you've ever heard, then he comes back again, and plays a freaking Hall and Oates cover out of nowhere, then he comes back playing gospel stuff, it just goes on and on. Great interview.