i made a full course on making music with bitwig, 6 hours of lessons & practical examples: www.udemy.com/course/bitwig-studio-ambient/?referralCode=438DCF1A5986793E21AD
I hadn't thought about a shortcut to open a device window, and this will be a great time and mouseclick saver for me! Snap to event, I had no idea. Thank you so much!
Love this kind of video. Those are all definitely pretty rare/unknown. Most things that I didn't really know or hadn't really thought about in that way. Good stuff
I really like the compressor time modulation idea, I'm gonna experiment with that!! I think I saw a seamlessr video about that like 5 years ago but it was too complicated for me at the time
@@TildeSounds maybe! I bet this is the kind of thing some of the style presets on Pro L/Pro C are doing under the hood. their docs don’t specify though. I know Pro L also does stuff with transients. so you could also use the modulator from the transient shaper to modulate the compressor knobs!
@@jshstuff just turned this into a shitty little video haha, this is atleast my understanding of what pro l does. seems like your theory for it is a little different, id be curious to see how you'd approach it
@@TildeSounds all morning I've been doing experiments with envelope followers & transient shapers to see what modulating the release knob can do. it's pretty interesting, you can get lots of different effects depending on which way you modulate release, as well as changing what triggers the modulation. transient shapers and level/envelope followers all give different results. manual automation too. this is a whole can of worms and I'm probably gonna need to ponder it for a few weeks or months as I make things. I thinking this technique will be super material-dependent, and I'll mostly want to use it when trying to target something reaaaally specific when compressing. at this point I don't really know what I'd do to recreate pro-l transient behavior. I have very little understanding of how pro-l behaves. and I'm still kind of trash at dialing in nuanced compressor settings. oh, but I found that old seamless video about variable release time. it's "Advanced Production 1: Variable Release Time Compression". check it out, it's neat.
i made a full course on making music with bitwig, 6 hours of lessons & practical examples:
www.udemy.com/course/bitwig-studio-ambient/?referralCode=438DCF1A5986793E21AD
This type of content is what bitwig really needs,great!
cheers, glad you enjoyed. bitwig really needs more coverage on youtube imo
I hadn't thought about a shortcut to open a device window, and this will be a great time and mouseclick saver for me! Snap to event, I had no idea. Thank you so much!
cheers, glad you found them helpful
perfect
Man you're on fire, so much quality content!
appreciate it, i kind of write these in advance and then go through bursts of recording
19 - ❤🔥
Love this kind of video. Those are all definitely pretty rare/unknown. Most things that I didn't really know or hadn't really thought about in that way. Good stuff
glad to hear that, i think the way bitwig is built allows for a lot of quite unique solutions to problems
Amazing collection of tips, thank you!
3:08 also works in the piano roll for easy tuplets. Gutes Tutorial!
good idea, never used that before, i should start. thanks!
I really like the compressor time modulation idea, I'm gonna experiment with that!! I think I saw a seamlessr video about that like 5 years ago but it was too complicated for me at the time
I gotta play with it myself more. I wonder if its something some analog emulations do, auto release must be something like this too right?
@@TildeSounds maybe! I bet this is the kind of thing some of the style presets on Pro L/Pro C are doing under the hood. their docs don’t specify though.
I know Pro L also does stuff with transients. so you could also use the modulator from the transient shaper to modulate the compressor knobs!
@@jshstuff yeah ive been thinking about rebuilding pro l before. I have some vague hunch of what it does, i may be far off tho
@@jshstuff just turned this into a shitty little video haha, this is atleast my understanding of what pro l does. seems like your theory for it is a little different, id be curious to see how you'd approach it
@@TildeSounds all morning I've been doing experiments with envelope followers & transient shapers to see what modulating the release knob can do. it's pretty interesting, you can get lots of different effects depending on which way you modulate release, as well as changing what triggers the modulation. transient shapers and level/envelope followers all give different results. manual automation too. this is a whole can of worms and I'm probably gonna need to ponder it for a few weeks or months as I make things. I thinking this technique will be super material-dependent, and I'll mostly want to use it when trying to target something reaaaally specific when compressing.
at this point I don't really know what I'd do to recreate pro-l transient behavior. I have very little understanding of how pro-l behaves. and I'm still kind of trash at dialing in nuanced compressor settings.
oh, but I found that old seamless video about variable release time. it's "Advanced Production 1: Variable Release Time Compression". check it out, it's neat.
Thank you! Very useful tips.
Good video, it's not needlessly long either, but I'd still recommend adding timestamps/chapters of videos in this format regardless
good idea yeah, i think if someone adds them in the comments youtube will add them to the video also. i couldnt be bothered yet
Very helpful thanks!
You are a KING
🤯🤯🤯 Thank you very much for this!
Excellent!
cheers mate
I'm a Reaper main and Maschine 2 user (with Maschine Studio) but hell I'm considering Bitwig Studio as it's 50% off!
imo just get the trial, then decide before the sale ends. thatll probably lead to the best decisions
nice
discord: discord.gg/zy8qRCUYWv
uiiii... that was a pretty clear short tipps collection. fine. Some I know, some not. Thank you.´
cheers, hope they serve you well