@@TastyShotshehe, seriously thanks a lot. yet still there are some problems to be solved. do you have any idea what's up with this problem? Since it's set to match the frame rate of the original file, can I use it for any other frame rate as well? 30, 60, 120 etc? cus right now I'm working with 59.9 fps and when I try to use the ingest that we just created, it says: "the selected preset does not support the media type of the clip..." I might have done something wrong though, cus when I select the ingest in premier, it doesn't add a H.265 format to choose. just "Custom", "264" and "QT". any ideas what the problem might be?
TKS, A LOT. I was having problems when shoting vertical, the basics premiere proxy presets was squezing the image, but now I configure a new proxy preset with the right resolution!
Since it's set to match the frame rate of the original file, can I use it for any other frame rate as well? 30, 60, 120 etc? cus right now I'm working with 59.9 fps and when I try to use the ingest that we just created, it says: "the selected preset does not support the media type of the clip..." I might have done something wrong though, cus when I select the ingest in premier, it doesn't add a H.265 format to choose. just "Custom", "264" and "QT". any ideas what the problem might be?
Hello! Thanks for sharing your wisdom! Perhaps I missed this in the video or other comments, but my issue- I shoot in 60fps with A7siii, then slow it down to 24fps in Pr, but can't get the proxies to also slow down. I tried creating a preset that is 24fps, but isn't slowing down the 60fps footage. Thanks for an insight!
re-watched and figured it out:) I was interpreting the footage. Funny, "interpreting" really sounds like the proper way to change the frame rate, but now I know. thx!
@@TastyShots Ir is interesting. But I tried your proxy settings for vertical video and somehow it didn't fix the problem. Will try once again. Maybe I clicked something wrong.
Thank you for this video... exactly what I needed to know. You have a new fan here... very impressed with all your work and THANK YOU for showing all the BTS.
I've been dealing with this issue for months with the Sony a7s3 filming in 120 fps and didn't realize that the proxy files was it doing it incorrectly I thought something was wrong with my computer even though my computer is powerful enough to handle a7s3 120 footage without proxies, I still like to use proxy files just to make the editing process a little bit more smoother. it got to the point where I hated working with 120 fps, so I'll stop working with it. I search everywhere typed in different keywords trying to figure this out, and for months I could not figure it out. I tried a lot of things, even tried doing custom proxies like you did but I guess I was doing it wrong. I was able to get it to do the correct frame rate, but I still have the same issues and the problem was is that it was changing it to a h.264 instead of a h.265 and that was the main problem because even though the proxy files was at the same frame rate the fact that it's which codex to H.264 instead of keeping it H.265 that's where my problems was. Your tutorial help me figure that out, thank you so much!!! Now I don't have to upgrade my computer cuz I thought I needed to..Thank God I came across your video!!!! thank you thank you thank you!!
@@FeechurPrezentations H264 works best for us, perhaps test both out for you? BTW if you check our shorts playlist, we just uploaded a new vertical video :)
Dammit, this seems to address some of what I'm dealing with but I'm using ProRes on a Mac and it doesn't give a lot of indication on whether to use some of the same procedures
Wonderful stuff! Question? If I have footage, 1080p and UHD 3840x and TRUE DCI/Cinema 4096x - Do I need to USE a different Proxy preset for each one, or will one Proxy Preset do? Thanks for your help.
I think the proxy will do, might just be slightly squeezed/expanded depending. If you want a 1:1 preview in the correct resolution, then you will have to make your own proxy presets and use the correct resolution :) And, if you want please share if you like it, helps us out a lot!
you can use it for 100, 120,200,240p :) slomo footage happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
So i shoot with a7siii some shots @ 4k120fps of course. Sometimes i use those shots for slow motion, sometimes i want to use some of those shots at regular speed. My timeline is always 23.976. So should i duplicate the files to use in both ways? I usually slow my 120fps footage down the way said NOT to, by interpreting the footage in the project. Then ill have a duplicate of that file not interpreted to use at regular speed. Hellllp!
If that works for you then your fine to do it. But often there are diplay issues with interpreting footag. If thats not the case with you, just do it :)
THANK YOU! your video is really EXCELLENT. I have some doubts, if you can answer me I would be very happy. I am recording on my sony a7s3 at 119.88 fps (120 but when I import in premiere it tells me that number) I want to play it at 24 fps 1- You mentioned that you do not have to interpret the footage at 24, but you have to do it from "speed". Why? can there be errors in the final render? I always did it by interpreting the footage at 24 and I am afraid that I am doing something wrong. I would appreciate a lot if you can explain a little more about this. 2- And on the other hand, if I have the material at 119.88 fps and I want to work it at 24fps ... in the "speed" menu, what percentage should I put? INFINITE THANKS!
Hi! from what I was testing, I got the following conclusion. if the sony records at 119.88 fps and we divide it by 5 it gives us exactly 23.976 Therefore the speed factor would be 20% because it is 100/5 Then I would be putting together a sequence at 23.976, making the proxies as explained in the video, but when putting the clips in the composition, the speed took it to 20% and it would be perfect. Correct me if you see that something in this logic is wrong please Thanks!!
Sorry. She showed you why interpreting footage is not correct nor is the intended way to create speed effects from over-cranked footage. It can cause errors in creating proxies. It is less of a problem if you do not collaborate with other editors or create proxies or transcodes.
mam i ve already created a proxy with quicktime - gopro cineform format... and i got issues with converting 120fps proxy ... now i created the proxy which u suggested in this video for that files ... the thing is my whole timeline looksa bit slow now :( can u please help
@@TastyShots No HEVC. Maybe because i have a cracked adobe program? i found this ua-cam.com/video/Dqlw4buAG7I/v-deo.html but its for 2019 version , not working with 2021. Maybe if i downgrade de version i solve the problem.
I have a question. For the last problem, was the input LUT applied from Browse, a custom LUT location, or did you install it in the Premiere Pro app package? If the latter, that is not the proper location and can cause such problems. Let me know and I'll point you to where you should be placing your Input and Creative LUTs. Another thing is that you can use ProRes proxies with Windows and can recommend it If not, try the DNx or Cineform ones. I really don't like H.264 proxies in that they are not performant, cannot carry multiple audio channels, - do not scrub or JKL very well. IMO. Hope to help you and others.
How come nobody seems to be using the proxies created within the camera? Something wrong with them??? Im gettin an fx3 tomorrow and want to use that option in all my shoots. I shoot everything in 50p and slow down to 25p.
When I get to the part at 5:05 it always says "custom" instead of H265 and it won't create the proxies once encoder opens because it says the file type isn't supported. I made sure to select H265 when creating the proxies in encoder originally. Also, your presets don't work -- Premiere says that they're both Encode presets, neither is an ingest.
There are 2 folders, one with ingest and one with encode. They definitly work, as I use them all the time when installing new PCs. Not quite sure where the problem lies with your case. Difficult to say without seeing it.
Thanks 😎📽🎬👍 because with 4k 100fps you can't create proxies internally. At least on the a7siii I have you can't. Or am I wrong? If ao please let me know how 😊😊😊👍
Thanks for your video - When I try to import the preset in PP I've got the following message " The selected preset has Match Source set for frame size and frame rate, which is not permitted for proxy generation. Please use a preset that transcode to a frame size or frame rate that is not set to Match Source." You leave frame rate as "match source," but PP is not taking the preset. Any feedback on this? Thanks!
hi any work around with the proxy for accidental vertical videos ? its totally unusable. i dont know why the camera senses that its a vertical video also when its not.
Hi! My proxy rendering always gets stuck. If I choose multiple, it stops at about half of the videos (at the beggining of one of them) and if I choose only one, it gets stuck at the beginning of that particular one. Anyone got any ideas? :/
Have you tried to record S&Q 120 to 25p All-Intra codec? Should be buttery smooth to edit without proxies (just no sound and you need a cf-express card)
S&Q is great for out-of-camera slomo footage but you if need to do speed ramping in your edit you can't do that with S&Q clips as the frame rate is locked.
Your channel is really helpful. However, I noticed a small error in this tutorial. While creating the encoding preset settings at 3:32, it seemed like you kept the width at 3840 and only changed the height to 720 then saved the settings. I know you eventually changed the width to 1280 because it shows that in the output preview of your media encoder at 5:16. No problem, just confused me for a second. Regardless, great content overall! Much appreciated.
The aspect ratio is locked so when she changed the height to 720 it automatically changed the width to 1280. You can toggle that setting using the lock icon right next to the aspect ratio (width/height).
I have to pick on you a little bit. There are many reasons to create proxy files and one of the biggest reasons is to use an editing codec to edit. Creating proxy files using H264 and H265 is almost counter-intuitive because the files coming off the camera are also H264 or H265. H264 and H265 are not editing codecs. They are playback, exhibition, or delivery codecs. You're not doing yourself any favors in this regard. Sure, I get needing proxy files of high frame rate clips but you're still using the same codecs to edit with.
Been a professional user of Premiere for over a decade. I hate how this stuff still happens. There are so many issues and things that should be obvious in user experience that just suck up so much time fussing.
Sorry you are having so much trouble. I don't have any of these issues. My dynamic link works fine, etc. That said, I'm a mac user and worked at Apple and Adobe. I'm very careful with configuring and maintaining gear. I also avoid H.264 footage like the plague.
you're a life saver. I was about to spend $3000 to upgrade to a 3970x CUP to be able to work with my footage hassle-free. but now it works just fine.
wow!!!! amazing to hear :) you can donate the 3000$ to us if you want HAHA... joking :) glad we could help!
@@TastyShotshehe, seriously thanks a lot. yet still there are some problems to be solved. do you have any idea what's up with this problem?
Since it's set to match the frame rate of the original file, can I use it for any other frame rate as well? 30, 60, 120 etc?
cus right now I'm working with 59.9 fps and when I try to use the ingest that we just created, it says:
"the selected preset does not support the media type of the clip..."
I might have done something wrong though, cus when I select the ingest in premier, it doesn't add a H.265 format to choose. just "Custom", "264" and "QT". any ideas what the problem might be?
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
Thank you! That works so much better!!
Very welcome 😍😎feel free to share... helps us out a lot 😍😎
this video turly saved my ass , thank you for making this video
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
TKS, A LOT. I was having problems when shoting vertical, the basics premiere proxy presets was squezing the image, but now I configure a new proxy preset with the right resolution!
This tut saved my life! I was searching for this solution over two days
Thank you so much!!!
Happy to have helped!!! Thanks :)
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
Are you having issues with creating proxies for your 4K slow motion footage (from Sony A7s iii, A1, FX3 or other camera)? let us know below!
Since it's set to match the frame rate of the original file, can I use it for any other frame rate as well? 30, 60, 120 etc?
cus right now I'm working with 59.9 fps and when I try to use the ingest that we just created, it says:
"the selected preset does not support the media type of the clip..."
I might have done something wrong though, cus when I select the ingest in premier, it doesn't add a H.265 format to choose. just "Custom", "264" and "QT". any ideas what the problem might be?
Hello! Thanks for sharing your wisdom! Perhaps I missed this in the video or other comments, but my issue- I shoot in 60fps with A7siii, then slow it down to 24fps in Pr, but can't get the proxies to also slow down. I tried creating a preset that is 24fps, but isn't slowing down the 60fps footage. Thanks for an insight!
re-watched and figured it out:) I was interpreting the footage. Funny, "interpreting" really sounds like the proper way to change the frame rate, but now I know. thx!
@@Bradcurran you are very welcome! Glad we could help! feel free to like, share and subscribe :) That helps us out a lot! Cheers mate, Vanessa.
Thank you very much!!! You solve my biggest problem with slowmo clips of my Sony in Premiere!! Thanks Thanks Thanks!!!
All my problems solved in one place!! Thanks !
yeah, that's what was missing us too, so we thought we'd make a tutorial ourselfes :) thanks for the feedback!
@@TastyShots Ir is interesting. But I tried your proxy settings for vertical video and somehow it didn't fix the problem. Will try once again. Maybe I clicked something wrong.
@@colorstaste6674 did you change the playback resolution?
@@TastyShots Yup tried that :/
@@colorstaste6674 what is the issue? if you check our shorts playlist, we just uploaded a new vertical video :)
Amazing so helpful 🙏🏾
very helpful, thank you!
very welcome! :)
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
My god, im so thankfull!! I have subscribed on your channel and gave it a thumbs up!🔥
Supercool 😎👍🎬📽 thank you! Glad it helps!
This was really really helpful! Great video :)
Thanks you! Glad to have helped!
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
Thank youuuu! So helpful 💚 great tutorial!
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
This video solved so many issues I was having. Thank you
Hehe thank you!!!!! 😎👍📽🎬
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
you saved my life thankkkkkkkkkkkkkkkk youuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuu
Welcome 😎👍 please share.. helps us out :)
Exactly what I needed, same camera! same issues! ty!!!
Thank you . Very glad it helped!!!
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
exactly what i needed for a project!!!!! thank you so much
Glad we could help :)
BTW if you check our shorts playlist, we just uploaded a new vertical video :)
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
Thank you so much! Saved my ass with this one!
you are very welcome! Glad we could help! feel free to like, share and subscribe :) That helps us out a lot! Cheers mate, Vanessa.
Thank you for this video... exactly what I needed to know. You have a new fan here... very impressed with all your work and THANK YOU for showing all the BTS.
Hehe thank you. Happy this helps and glad you like the bts 😎👍📽🎬😁 more coming very soon!
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
This is amazing and such a great resource. Thank you so much for creating and giving the presets as well for helping so many of us.
Saved so much annoying headaches! thank you so much! awesome video. Subbed and liked
Thanks!!! Glad to hear we could help :)
BTW if you check our shorts playlist, we just uploaded a new vertical video :)
Thank you so much sharing your presets !
great video this saved me thank you!
Ah!!! I adore you thank you so so much for this solution!!!
Very welcome, glad to help
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
Thank you!
thank you! Please share :) helps us a lot.
THANK YOU SO MUCH.. LOVE YOUUUUU
we love oyu too!!! :)
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
THAT SO COOL I WAS STUCK THERE BT NOW ITS LIKE CHESSE FOR ME ALL UR THANKS
Hehe nice!!! Glad to help and feel free to share your work
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
Didnt know, that h.264 only supports 60fps. H.265 works perfect! Thank you!
thank you, much appreciated.
I've been dealing with this issue for months with the Sony a7s3 filming in 120 fps and didn't realize that the proxy files was it doing it incorrectly I thought something was wrong with my computer even though my computer is powerful enough to handle a7s3 120 footage without proxies, I still like to use proxy files just to make the editing process a little bit more smoother.
it got to the point where I hated working with 120 fps, so I'll stop working with it. I search everywhere typed in different keywords trying to figure this out, and for months I could not figure it out. I tried a lot of things, even tried doing custom proxies like you did but I guess I was doing it wrong. I was able to get it to do the correct frame rate, but I still have the same issues and the problem was is that it was changing it to a h.264 instead of a h.265 and that was the main problem because even though the proxy files was at the same frame rate the fact that it's which codex to H.264 instead of keeping it H.265 that's where my problems was. Your tutorial help me figure that out, thank you so much!!! Now I don't have to upgrade my computer cuz I thought I needed to..Thank God I came across your video!!!! thank you thank you thank you!!
Thanks so much for this video. Its working great!
thanks for the feedback! Happy to help!
@@TastyShots on the export screen, do you leave format as H265, or change it to H264?
I’m sorry, I just seen it. I must have missed it first time around. Thank you again.
@@FeechurPrezentations H264 works best for us, perhaps test both out for you?
BTW if you check our shorts playlist, we just uploaded a new vertical video :)
@@FeechurPrezentations welcome :)
Thank you soo much !!
Welcome 😎😁😊📽🎬
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
You are amazing for this
Thaaaaank you so much!!!
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
JUST. DOPE.
Thanks 😁
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
TNX i had the same issue
Hi, thanks :) very welcome :) feel free to like and subscribe. It helps us a lot :)
Cheers Vanessa
Dammit, this seems to address some of what I'm dealing with but I'm using ProRes on a Mac and it doesn't give a lot of indication on whether to use some of the same procedures
Wonderful stuff! Question?
If I have footage, 1080p and UHD 3840x and TRUE DCI/Cinema 4096x - Do I need to USE a different Proxy preset for each one, or will one Proxy Preset do? Thanks for your help.
I think the proxy will do, might just be slightly squeezed/expanded depending. If you want a 1:1 preview in the correct resolution, then you will have to make your own proxy presets and use the correct resolution :)
And, if you want please share if you like it, helps us out a lot!
What if we record in H.264? Do we still select H.265 like you did or do we select H.264?
H265 if you usw higher framerates like 100 or 120 or 200 and 240
Thank you
very welcome :) please share if you like it :)
helps us out.
wait, is this for like overseas framerates 100 fps?
you can use it for 100, 120,200,240p :) slomo footage
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
my friend Daniel Coimbra loves you by this video
Thanks ❤️
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
thank you for the video, it's very helpful but i have one question.. which preset to use if i want to make a proxy for 4k 24 and 4k60 videos? Thanks
Hi you can use the basic ones in Premiere. Like H264 Medium Resolution :) with 60 fps there is no issue.
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
You are a Goddesss! thank you so much
You are so very welcome👍😎
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
So i shoot with a7siii some shots @ 4k120fps of course. Sometimes i use those shots for slow motion, sometimes i want to use some of those shots at regular speed. My timeline is always 23.976. So should i duplicate the files to use in both ways? I usually slow my 120fps footage down the way said NOT to, by interpreting the footage in the project. Then ill have a duplicate of that file not interpreted to use at regular speed. Hellllp!
If that works for you then your fine to do it. But often there are diplay issues with interpreting footag. If thats not the case with you, just do it :)
Hi Vanesa, cooles Video. Ich finde die Hintergrund Musik richtig cool. Wo kann ich die finden ? Lg
THANK YOU! your video is really EXCELLENT.
I have some doubts, if you can answer me I would be very happy.
I am recording on my sony a7s3 at 119.88 fps (120 but when I import in premiere it tells me that number)
I want to play it at 24 fps
1- You mentioned that you do not have to interpret the footage at 24, but you have to do it from "speed". Why? can there be errors in the final render? I always did it by interpreting the footage at 24 and I am afraid that I am doing something wrong. I would appreciate a lot if you can explain a little more about this.
2- And on the other hand, if I have the material at 119.88 fps and I want to work it at 24fps ... in the "speed" menu, what percentage should I put?
INFINITE THANKS!
Hi! from what I was testing, I got the following conclusion.
if the sony records at 119.88 fps and we divide it by 5 it gives us exactly 23.976
Therefore the speed factor would be 20% because it is 100/5
Then I would be putting together a sequence at 23.976, making the proxies as explained in the video, but when putting the clips in the composition, the speed took it to 20% and it would be perfect.
Correct me if you see that something in this logic is wrong please
Thanks!!
Sorry. She showed you why interpreting footage is not correct nor is the intended way to create speed effects from over-cranked footage. It can cause errors in creating proxies. It is less of a problem if you do not collaborate with other editors or create proxies or transcodes.
Can you please help🙏My video is vertical. When I make a proxy for smooth use, it's distorted in Premiere Pro. Please help me with this😊🙏
And at 8:45 min approx. the squashed issue with vertical: ua-cam.com/video/BuVKris8eKw/v-deo.html
@@ReefPatrol I DOWNLOADED THE PRESET🙏🙏👑THANK YOU SOOO MUCH🙏👑LIFE SAVER.
@Reef Patrol ♥️♥️
@@GilbertForbesJr very welcome!!!
@@ReefPatrol thanks for jumping in!
After export, my video came out choppy/laggy. Any advice? Thanks.
actually no, did you use our presets?
mam i ve already created a proxy with quicktime - gopro cineform format... and i got issues with converting 120fps proxy ... now i created the proxy which u suggested in this video for that files ... the thing is my whole timeline looksa bit slow now :( can u please help
Hm not really sure why? Try out alll the resolutions for the preview timeline. Sometimes there is an issue. Hard to say from a distancem
great Video thank you! I Can’t find HEVC H.265 codec in Adobe Media Encoder, any idea how to solve the problem? thank you in advance
Thanks!!! Please share, helps us a lot :)
what media encoder version are you on? Latest CC?
@@TastyShots media encoder 2021. Version 15.0
@@i_chabela very weird! you can click on system presets then there should be HEVC. Or click on format and choose the format.
@@TastyShots No HEVC. Maybe because i have a cracked adobe program? i found this ua-cam.com/video/Dqlw4buAG7I/v-deo.html but its for 2019 version , not working with 2021. Maybe if i downgrade de version i solve the problem.
I have a question. For the last problem, was the input LUT applied from Browse, a custom LUT location, or did you install it in the Premiere Pro app package? If the latter, that is not the proper location and can cause such problems. Let me know and I'll point you to where you should be placing your Input and Creative LUTs. Another thing is that you can use ProRes proxies with Windows and can recommend it If not, try the DNx or Cineform ones. I really don't like H.264 proxies in that they are not performant, cannot carry multiple audio channels, - do not scrub or JKL very well. IMO. Hope to help you and others.
How come nobody seems to be using the proxies created within the camera? Something wrong with them???
Im gettin an fx3 tomorrow and want to use that option in all my shoots. I shoot everything in 50p and slow down to 25p.
well this workflow is for high framrates 100/120/200/240p footage :) using 25p or 50p I agree! you can and should use internal proxies :) thanks!
When I get to the part at 5:05 it always says "custom" instead of H265 and it won't create the proxies once encoder opens because it says the file type isn't supported. I made sure to select H265 when creating the proxies in encoder originally.
Also, your presets don't work -- Premiere says that they're both Encode presets, neither is an ingest.
There are 2 folders, one with ingest and one with encode. They definitly work, as I use them all the time when installing new PCs. Not quite sure where the problem lies with your case. Difficult to say without seeing it.
Same problem, did you find any solution ?
Same problem, I did the same as you and encountered exactly the same problems. Did you find a solution? Thanks in advance.
thank you for this! Why you dont create the proxies internally with the camera while shooting?
Thanks 😎📽🎬👍 because with 4k 100fps you can't create proxies internally. At least on the a7siii I have you can't. Or am I wrong? If ao please let me know how 😊😊😊👍
@@TastyShots no no. You are right. Hahaha I have that one too. In that case you need to do it separately indeed. 😝 Sorry
@@TastyShots but is useful for 24 and all the way to 60 fps... Saves you time.
@@jacoriat hehe good 😊👍
@@jacoriat very true, thats what we do actually
I’m on a PC and I do ProRes Low Res proxy for my A7Siii.
Thanks for your video - When I try to import the preset in PP I've got the following message " The selected preset has Match Source set for frame size and frame rate, which is not permitted for proxy generation. Please use a preset that transcode to a frame size or frame rate that is not set to Match Source." You leave frame rate as "match source," but PP is not taking the preset. Any feedback on this? Thanks!
Hi,
You need to import it to ME :)
@@TastyShots That makes sense, I'll post here the results. Thanks a lot and thanks for all of your videos!
@@freddytoman9203 Hi, thanks :) very welcome :) feel free to like and subscribe. It helps us a lot :)
Cheers Vanessa
hi any work around with the proxy for accidental vertical videos ? its totally unusable. i dont know why the camera senses that its a vertical video also when its not.
Use the Sony Catalyst program for this purpose. There's videos explaining how to on UA-cam
Hi! My proxy rendering always gets stuck. If I choose multiple, it stops at about half of the videos (at the beggining of one of them) and if I choose only one, it gets stuck at the beginning of that particular one. Anyone got any ideas? :/
Guessing there is something wrong with that file. Render all the other ones first.
Have you tried to record S&Q 120 to 25p All-Intra codec? Should be buttery smooth to edit without proxies (just no sound and you need a cf-express card)
S&Q is great for out-of-camera slomo footage but you if need to do speed ramping in your edit you can't do that with S&Q clips as the frame rate is locked.
Your channel is really helpful. However, I noticed a small error in this tutorial.
While creating the encoding preset settings at 3:32, it seemed like you kept the width at 3840 and only changed the height to 720 then saved the settings. I know you eventually changed the width to 1280 because it shows that in the output preview of your media encoder at 5:16. No problem, just confused me for a second.
Regardless, great content overall! Much appreciated.
Thank you :) please share if you like it, helps us out a lot!
The aspect ratio is locked so when she changed the height to 720 it automatically changed the width to 1280. You can toggle that setting using the lock icon right next to the aspect ratio (width/height).
Do I have to do this for every shot I take at 4K 120fps?
Do what??? 😊
happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
If you want to slow it down...yes.
I have to pick on you a little bit. There are many reasons to create proxy files and one of the biggest reasons is to use an editing codec to edit. Creating proxy files using H264 and H265 is almost counter-intuitive because the files coming off the camera are also H264 or H265. H264 and H265 are not editing codecs. They are playback, exhibition, or delivery codecs. You're not doing yourself any favors in this regard. Sure, I get needing proxy files of high frame rate clips but you're still using the same codecs to edit with.
Been a professional user of Premiere for over a decade. I hate how this stuff still happens. There are so many issues and things that should be obvious in user experience that just suck up so much time fussing.
I know right?! This is sooooo bad... are you on PC?
@@TastyShots yes I'm on PC
Sorry you are having so much trouble. I don't have any of these issues. My dynamic link works fine, etc. That said, I'm a mac user and worked at Apple and Adobe. I'm very careful with configuring and maintaining gear. I also avoid H.264 footage like the plague.
WOW! CHEEERS!!!!
Thanks :) You are very welcome! Glad we could help! feel free to like, share and subscribe :) That helps us out a lot! Cheers mate, Vanessa.
WOW so helpful thanks so much!!
thank you! Great to hear! :=)
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happy to have helped :) feel free to leave a like & subscribe to support this channel :) Cheers Vanessa
Thank you so much!
THANK YOU!