DaVinci Resolve Power Windows - The Secret to Crafting Dynamic Scenes
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- Опубліковано 9 лип 2024
- In this video, I share how to utilize power windows in DaVinci Resolve to relight a scene, direct viewers attention, and create more dynamic and engaging shots. Power windows have many uses in Resolve, but one of the most powerful applications is to make localized exposure, contrast and saturation adjustments.
I'll cover how to set them up, how to make exposure adjustments, how to track windows onto a shot, and common mistakes to avoid when using them.
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00:00 - Intro
00:59 - Cinematic Decision Making
02:24 - Power Window Palette
04:59 - Parralel Nodes
05:43 - Shot 1
12:16 - Shot 2
22:11 - Shot 3
28:28 - Timeline Level Vignette
29:18 - Closing Thoughts
#davinciresolve #colorgrading
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Cinematic = Intentional. This is the best piece of advice any person working on video needs to hear. UA-cam has done a very bad job at portraying cinematic image as a genre or a technique but this is by far the best way to describe that word. Thank You
Yes, glad I could shed some light!
My DUDE! Thank you for not putting your knowledge behind a massive paywall. Your videos are inspiring and encouraging. Thanks for sharing
this is a masterclass that most places charge hundreds of dollars to watch. Exceptional! Thank you!
Incredible compliment! Appreciate it.
This video was so helpful! Thanks for taking us into your process!
Even for me as a total beginner colorist this makes perfect sense. Thanks for making it less scary!!
Thank you so much for this incredible information. I had been searching for how to use this power window for a very long time. I'm so glad that you taught us. Again, thank you a lot.❤
Me, with little experience, learned a lot. Especialy working with pivot and contrast this way is very interesting. Thank`s for this one.
It's nice to see good techiques from developing photography applied to cinematic material. Thanks for your Resolve tips. Greetings, Rob.
This was very well presented and executed. Thank you for this.
Thanks for all these few tricks about using power windows in a solid method
This is the best tutorial I've seen on Power windows! Thank you!
This was very informative for a new resolve user! This is appreciated!
Best video I have seen on this subject. Thank you and keep this content coming!
Thank you! Absolutely!
I've watched a lot of editing videos and haven't seen many use this technique. Thank you!! Great video!!
Absolutely! Thank you for watching!
Amazing discrimination very well structured and straight to the point kept them coming !❤
Absolutely, glad you liked it
I know I don't have time for this for my ordinary videos but if I do decide to produce something special, I will be back to referring to this. Amazing nuances! Really shows off the power of this amazing program we've come to love, Davinci Resolve. Thanks for sharing your artistry.
Absolutely! Glad it was helpful!
Thank you wizard, this approach certainly helps Anselize the process. I've made several attempts but the results were not what I wanted, this approach really helps with breadth of concept!
LOVE THIS VIDEO. The way you explain what and why you are doing things is brilliant. I am new to Davinci and this is one of my go to video reference when editing.
This was very helpful. I like your style. Thank you. Very good.
Thank you so much for this! Giving us the technics, alongside the purpose and reasons is very, very helpful. This is not a typical video “ hey you want cinematic do this with your footage and buy my LUTs” that’s it. This a real help for us beginners, thanks.
Glad it was helpful! Thanks for the nice comment.
This was a great watch!!! Very easy to follow man.
Happy to hear! Thanks for watching.
As User of Lightroom i now can work the same way in Davinci. Thanks for explaning your workflow with those windows.
Where were you all my life ;-) Sensational information!!! Just starting with DaVinci Resolve but your insights and adjustments including your understanding of how we look and should view images is super. Thanks! :-)
Happy to hear it was helpful to you! Hope you stick around for more.
Thank you so much for this amazing information, this one is a real masterpiece
You are great at explaining.Thank you.
This is crazy. Great job, Eavn!
Thanks man! Yeah it’s a fun technique!
Probably the best tutorial I've watched. Thank you!
Thanks so much!
Hey Evan, this is such a great video, thank you for creating it. One comment, I was able to use this same technique to fix a dynamic range issue on a blown out window behind my talent. The person magic mask just wasnt grabbing her, this helped me fix the window really fast. Just wanted to share this use case with you and your audience.
Awesome! Glad it was helpful. Thanks for sharing.
Amazing!!
This is so awesome, thank you for uploading this. Seriously this is your one stop shop for color grading. Excellent video!!
Thanks so much, I appreciate it!
very helpful video. I learned quite a bit about power windows. Thanks for creating it for us
Very good. Cinematic means intentional. This makes a lot of sense. So many people are throwing this word around without any idea what it means. I got the impression from those people that this term meant the look of the analog film age, as opposed to that of our digital era. I cannot accept their pursuit at all. Now with this new definition of “cinematic,” I have no problem with the idea behind this term any more. But I will simply say “intentional” instead of attempting anything that sounds more fancy and confusing.
I have watched a lot of videos on this topic. This was such a beautiful video with so much structured information. May God Bless you !
Glad it was helpful!
Thank you for this good examples.
Well said and we’ll done!
Great content! Thanks for sharing!
What a great video!!!
Very good tutorial brother!! thanks for this
Truly helpful. Thank you
Excellent. Very quick and usefull.
Great video Evan! Subscribed based on this video and the paint stroke cloning one!
Thank you!
Great work
Thank you for sharing this bro 👍🙌🏻
This is such an amazing tutorial. Thank you so much!
Absolutely! Glad you enjoyed it.
GENIUS😮
Absolutely brilliant video. I am still relatively new to Davinci Resolve and Videoing in general. Thank you so much for explaining everything so well. The results speak for them selves! I still a lot to learn …. but I am a willing student! 😊
Happy to hear! Thanks for the comment.
That was awesome, Evan. I subscribed. 🕺🏼
Thank you!
Really Good!! Thank you!
Excellent! Thanks!
I use premiere, and I saw this video and wow! Your explanation makes me want to learn Davinci, I’m subscribing ! 🙌🏼🙌🏼
that was _so_ helpful. didn't think i'd watch the full 30 min but loved it. saved it to my DR how-to's so that I can reference to make sure I'm getting it right. 👍
Happy to hear!
Perfect!
❤❤❤ just wow! You are so talented, thank you for this video 🎉🎉🎉
Absolutely!
Pretty cool! Thanks for sharing it. ✌️
Definitely! Thanks for watching
You took the time to mention what to do and why to do it. For me it was a strong plus. This was very good to me and i will follow you on UA-cam. Ok one more thing. Your tempo when talking was pleasing to me. Many on UA-cam ar talking as a machine guns - you did not. So, thanks a lot! Ola
Thanks for the nice comment, I appreciate it!
Seriously good - thank you Evan.
Thanks so much!
I like the teal and orange technique, made it easy for that landscape
Thanks! Yes definitely works well on that shot.
Fantastic explanation, thank you very much!
Glad it was helpful!
what a tutorial ! thank you so much for such informations.
Absolutely!
Oh man, such a juicy-info Tut. thanks 🙏
Absolutely!
great vid. thnx
Excellent pst mate! Love the way you take your time to explain the ins & outs without rushing through like if you were high on coke like most you tubers do which I find very childish and dumb! Also I like the fact you do all these corrections using mainly the Primary color wheels! I am loving Resolve, (coming from Premiere...) I 'd love to see a post about using all the different wheels in the color page and the difference between them: primaries, LOg.. HDR... and go through each specific slider within each... oh man that would be such an amazing post if you could! ;D Thanks again!
Thanks for the kind words, your feedback is very helpful! I'll definitely keep that in mind for a future video.
Watcehd many videos this one is totally worth it to watch Thank you i am beginner
Thank you, Evan, for that video
No worries!
EXCELLENT VIDEO
Thank you very much!
Sooo cool. These are burn and dodge on photos !
I just graded my first video, (Blue Danube). I didn't know power windows existed. I'm going to have to go back and redo the whole thing. Thanks for the introduction to this. I'm not surprised Resolve is the industry standard for color. I do like your definition of cinematic, by the way.
Have been using same feature in Photoshop a lot, did not know Resolve had it, thanks!
Definitely!
You are the best teacher
Thank you so much! Means a lot to me
thanks my brother .
I love this. As a photo editor struggling with transitioning to video this was the missing piece for me. I was wondering if you have shared the preset node tree so others can use it as a framework or reference to build off of?
very nice...gotta try this out....ty
Definitely 👍
Great❤
While he doesn't exactly say it . This video made me realize that .. while it doesn't apply to me personally, the average person NEEDS constant direction... And if we think about it.. it's true in all areas of their lives.. I create many things other then videos, and something I've had to learn is im not my target audience... For my contant to connect, I must think of the end user... This video
. While not saying it, it made that click in my head as it pertains to video... THANK YOU FOR THIS.
. Personally I can consume everything in the frame in real time.. and I have to remember this is not the case for most people
hey Evan - really good video that has really good perceptual explanations as to why and what a colorist does. So much better that a big percentage of the youTube tutorials. The only comment that I would add is that in an establishing shot like the mountain range ect. After neutralizing and setting the dodge and burn windows etc. the look needs to match the look of the film, which really makes it easier if you have a look. The look is even more evident in the establishing shot when the look is extreme. i.e. your look above would stand out as off putting if it was in Blade Runner or Dune - but would look great in a modern western. And the other consideration in some of these examples of the eyes of the viewer is enhancing focus by slightly blurring of softening the depth.
Anyway excellent content and great for coloring for anyone at any level which is a hard task as well.
Hey Jim, thanks for watching and appreciate the feedback. Yes, in the context of an entire scene or project, the creative decisions would be guided by the specific look and the hero shots I would choose to grade first. In this tutorial, I just went with what my gut was telling me to do and I'm not worrying about making all the examples cohesive with each other. I try to make these tutorials useful for as many different skill levels as possible, so I appreciate that you noticed that!
Fanfeckin'tastic. Your closing thoughts are exactly how I feel like I'm going to tackle grading now. I've subbed and rung that bell.
Just a thought, you could create groups reflecting the variations of vignetting and add them into these groups. I.e., "80% Vig", "60% Vig", and create nodes in the Post Clip tree, opposed to the timeline tree to not affect overall timeline. (Color Tab)
Thanks so much Evan, i have just watched your video till the end. I pay attention to your 'Look node', sometimes, i try to add LUT to that node, but the result is crazy. You bring down the effect of LUT in key windows. Does it really works?
Hi, thanks for watching. What color management mode are you working in? And what are your timeline and output colorspaces/gamma?
Great tutorial. I find that many Resolve instructors go way to fast to follow. You make it easier to listen to and absorb the information. Coming from a photography background it makes complete sense. The only recommendation I would have is to zoom in on some of the shots of the editing. It’s too hard to see exactly what your doing at times because I can’t read the text on your screen.
Glad it was helpful! Thank you for the feedback, I'll keep that in mind for future tutorials.
Please teach how to use Davinci ❤️. Love the vid 😊
Love the video tutorial and have now subscribed. Can you crerate these same effects using Magic Mask or is Magic Mask too general of a tool to do such specific effects?
Actually the opposite, Magic Mask is too specific of a tool to do these effects and in most cases overkill and wastes processing power. That tool is more useful for targeting a very specific color or tonal range to make extremely fine tuned adjustments.
coming back to see this post! So helpful and informative!!! Question: when using color management: it automatically corrects just the RAW footage correct, and which are the formats that we have to "input manually"? Log's, Proress, Proress Raw... anything else...? thanks!
If you're using automatic color management, yes it will read the camera metadata and apply the respective colorspace transform. If it can't read the metadata, then you will have to input it manually. This happens on most prosumer cameras like Sony, Canon, Fuji, etc. It's independent of the recording codec.
@@EvanSchneider Thanks! So... I suppose pro Res, Pro ress Raw... H265/64 need the "input" dialed...? thanks!
1st location at the beginning is in Kyiv, Ukraine. Nice to see my home town
Love it. The footage is stock licensed from Artgrid.
Nice video Evan! I really like the slow pace (something I feel youtube is lacking nowadays) and that you go through your thinking process. It would have been nice though to balance it out with some cons aswell to this workflow? I guess most seasoned colorists have gone down this rabbit hole of hey lets mask every single shot and then you realize that you actually havent made any progress. On a commercial project where you have one day for a short spot masking I would say is expected, but if you start doing this on a short or feature film, you just wont have time to finish it in time. Just a thought that popped up in my head! Good work!
Thanks for watching! Your assumptions are accurate. It can be very time consuming to go down the power window rabbit hole, especially if your client is in the room and starts to like the results haha. Some colorists keep some preset power windows in their preset node tree to make this process quicker. In my experience, I like to keep it simple as long as I can and only use windows as a last resort option, or save it until the end of my color passes and do what I can with the time remaining, especially on my commercial work.
All right, very interesting. But what if I want to remove all the adjustmensts before the end of the clip, i.e. at the end of the clip go back to how it was? How do i do that?
You would keyframe the power window’s gain in the key tab. Or more simply, you could duplicate the clip, remove the adjustments and then dissolve that one over the one with the adjustments and time it to your liking.
I subbed so quickly I punched thru the screen
Thanks for the video Evan. I am not able to draw or highlight anything using power window , in the view even though my power window is activated I don't see anything getting highlighted please help me
For the food shot - perhaps applying tracking as well with the moving camera??
One of the power windows is tracked with the moving camera. The vignette does not need to be tracked like that.
Great video, just what I was looking for. However, I notice on my version of Davinci, I don't get the highlight button and when I make the power window nothing seems to change when I make the adjustments. Most probably I haven't enable something, but I have followed your instruction as you show them. Any advice??
The icon has changed slightly in new versions of Resolve. In the top left of the viewer panel, there's a little icon with a square and a circle in it. Click that for "Highlight" when you have the power window node selected.
Wow great and very helpful video Evan, thanks for sharing!
I had some issues with tracking the face (like you did in the first part) because a random pedestrian crosses the camera. Do you have any advice on how to solve this?
Thanks a lot, have a great day!
You can track backwards from before and forwards from after, then keyframe the frames manually in between so that it doesn't get swiped off. Then you can create another power window on the same node, set it to intersect your first one and keyframe it to cover the person.
That makes sense, thanks for the answer Evan! :)@@EvanSchneider
I'm not a fan of those "dramatic" things, but overall; nice video! very helpful
thank you for the great contents❤ btw can you please explain why do u put ‘look’ node after the last rec709 CST? is the ‘look’ node is for LUT?
I put the look node after the CST in this tutorial because I find it faster and easier to build a look in Rec.709. Plus, my LUTs are built for Rec.709 Gamma 2.4, so the output of the CST feeds into the input of the LUT properly. Thanks for the question.
@@EvanSchneider Thanks! It helps a lot!!
Great work. Question: how can you create a node tree preset that you can use in all your projects?
You can grab a still and drag it into any of the PowerGrade bins on the left of your gallery. PowerGrade bins are visible from any project!
@@EvanSchneider Thank you a lot
❤❤
what's the shortcut for before and after (turning off the node and then turning back on)? Edit: found it, it's CTRL + D
Interesting vid. I often use Object Mask to fix underexposed people when there's a bright sky in the background but the people I filmed in the foreground are in the shade so they look way too dark. Would you in that situation also use Object mask or would you find power windows more fitting/practical in that situation?
In the case you're referring to, it really depends on the shot, how much brighter you want to make the subject and whether or not you can feather the window enough to hide the outline. I would still at least start with the basic power windows to see the results and maybe even work in a luma qualifier or use the curves or HDR color wheels to isolate the shadow region more from the bright background. I would only use Object Mask or Magic Mask in more extreme cases since it's more processor intensive and causes a pretty big speed bump in my workflow.
@@EvanSchneider Thanks, I just did your method for my first underexposed person shot and it seems to work very well. Much better than Object Mask because as you say that takes more time but also clogs up real-time playback. The results are also better as the feathering is less visible. With Object Mask there's flicker sometimes which can be hard to feather away when there's fiddly hair or things like that. Thanks again for this video ⭐⭐⭐⭐⭐
By the way, I only use the HDR Global Exposure slider to fix up underexposed parts of the image. I see you use a combination of them in the regular color wheels section. Is there a specific reason for that? Does that in your experience lead to better than just raising the HDR exposure slider?
Does it affect the first clip, when you changed the color management for the second clip?
Yes, it did. I changed it simply to illustrate the same methods in different color management environments, but I see how that caused confusion. You would choose the same color management mode for the entire project.
@@EvanSchneider Thank you.
hi, how can i make it so that a node only affects the previous node? example: i am in the color tab. node 1 is film grain and node 2 is blur. i only want to blur the grain, but not the entire video.
The workflow you're suggesting isn't possible. But it's also not how I would recommend going about softening a film grain effect. You should have controls for this (or something similar with the same result) in the Film Grain effect controls panel.
@@EvanSchneider davinci sux
are power windows and tracker available in free version?
Yes, they are
how to bring that layout
Resolve uses different layouts depending on your screen resolution.
You are talking about bright lights drawing the eye. Why do you have a white light in the corner of the frame taking my eye away from you face?
You’re watching a free 30 minute course on using power windows from a professional colorist. Why do you feel the need to complain about meaningless details?