Try Storyblocks TODAY! 👉 storyblocks.com/danielbatal 👉 Conquer the Color Page in DaVinci Resolve ▶️ ua-cam.com/video/SkosqJfzEs0/v-deo.htmlsi=262e92qm-o71pcoE
As always, this video is easy to follow and to understand! NOT like those videos in which they want you know everything of DVR in 5 minutes only saying "you do that and that and this" without saying why they do this or that and without giving exemples of what could happen if... That is why I love watching your tutos! You're simply one of the best teachers! Thanks for your great work Daniel!
Please make an ultimate cinematic color grading masterclass tutorial that emphasizes more on how to achieve various film looks. All options available apparently are too vague, you're easily the best teacher on UA-cam!
After watching all those videos about nodes, I didn't learn much, but after this video, I feel like I could give others a diploma in nodes! thanks Mr. Daniel
You sir are a fantastic teacher. You don't assume that we know what you are talking about, so you tell us WHY we do things. This is why I am a subscriber. I'm going to watch this again to see if I missed anything. Thanks.
Man, you and @JorisHermans are the only two DaVinci Resolve creators I keep coming back to. You both have a knack for explaining complex concepts in a simple, easy-to-understand way. Cheers!
Nice job, Daniel "Slightly" Batal. I'm not confident enough to click around in fusion, but your explanations here made me feel a little more competent in the color page (I'm good though to be dangerous). There's no lack of UA-cam videos explaining the same stuff, but the methodical pace you have here is uncommon (and much appreciated!).
Thanks, Jerry! As much as the Fusion Page can be a monster, I actually think the subtleties of the Color Page are equally as tricky to master. I love learning more about this part of Resolve.
Just getting into Davinci Resolve. Kind of intimidating but these videos have been just awesome. Easy to follow. Just a cool dude explaining things in a cool way. And in audio terms at times, that’s rad. Good stuff. Respect 🤘
Thanks for this video. You helped me understand the concept of the nodes and color correction. The color page and fusion page is gonna take me some time to grasp. This video helps me to grasp the concepts of color correction better. It’s really appreciated
I totally agree. Those two pages are the most difficult but high functioning pages to learn. I do find that the more you work with them the more they start to make sense.
Wow Daniel. It is great to see you reborn with Davinci Resolve. Love you new direction! DR is awesome! I got started editing with you using Filmora in 2019, but have since made money directly from Wondershare before moving back to Davinci Resolve (started with DR16). That said, my channel and content has grown because of you, sir. Thanks a ton. While I have mentioned consulting with you in the past regarding my channel, I WILL do it in 2025 because I just got a grip on things - I think. Talk to you next year and Happy Holidays and New Year. Peace - Ron
Hello Daniel. Great tutorial, easy to understand also for non english speaker. I like it very much. As well, I apreciate your video shorts, they are always easy to understand and to remember and always useful. Thank you!
Thank you thats amazing. Is it possible to as well as track a window, also change its curve or color values over time? For instance the camera is panning around as the sky has more saturation using the window, but as it pans around I need to change these color values.
Man, power windows really are absolutely game changing. Great video as usual. Daniel, I have a request...I recently color corrected a short film that had a few really long takes. I struggled with power windows because one shot was 1:15 seconds long, but I had masks that I only needed for the first few seconds, then another mask in the middle, then another mask in the end, all while the camera and the actors were moving. Tracking worked kinda but the tracker lost once the corner of the room started to go out of frame and the tracking was lost...I was able to make it work using keyframes and bringing in masks into frame where and when I needed it, but I was wondering if there's an easier way to bring in power windows and masks over a long, complicated take? I don't think I've seen a resolve educator go over this. Thanks and keep up the great work!
What a great question with not necessarily obvious or easy answers. Using keyframes was a really smart idea. Sometimes slicing the footage into separate sections and treating them individually can work. Maybe this is something we can cover in a future live stream ☮️
@@Daniel_Batal Yeah that was one solution I tried. I wish there was a way to set an in and an out on just a mask. Maybe for a future update? Thanks for the response!
Good suggestion. Just so you know, qualifiers just isolate specific colors without affecting the rest of the image. For example; Hue, saturation, and luminance (HSL) qualifier: Selects a color based on its hue, saturation, and luminance values 3D qualifier: Selects a color based on a 3D color cube, which can provide more precise color selection RGB qualifier: Selects a color based on its red, green, and blue values
After watching most DaVinci tutorials, I am still confused, however the videos on this channel are so well put together and explained that I always feel like I understand. I do have a question, probably simple, how do i search for clips from my hard drive inside of DaVinici? The way i do it now is to make DaVinci smaller, open my hard drive, then drag and drop into my media pool. There has to be an easier way. Thanks again, you videos have leveled me up rapidly in so many ways.
Right click up in the media pool and scroll down to “import media” and that will allow you find anything on your system. You can also bring in entire folders from your computer this way -> ua-cam.com/users/shortsLsXKuEldSCA?si=3LddWeBx9UqdZeNi
Great breakdown Daniel. I believe this video will hit for people. You've got a great way of stating what people may ask while you're instructing. I've seen your animation video, is that what you use for your animations as well?
@@Daniel_Batal It was a short perhaps, you where showing how to create the arrow animations on it. Was looking into using animations as well, but don't want to add too much to the edit time as you know how long that takes. Thanks!
Oh! The on-screen tutorial animations like arrows and circles? I use a mix of ones I create and ones I license through places like PRODUCTION CRATE ➡️ productioncrate.grsm.io/danielbatal2157 (affiliate)
Hello my artist friend. Thanks for the free tutorials you put on UA-cam. I have a question. How can I use animated arrows like the ones you used to point to icons in the tutorials? Do you use a special plugin? I am making a series of tutorial videos like you, I need to point out important objects...or draw animated boxes around objects...with DaVinci itself it is very difficult. What plugins can I use? Please guide me.
You can either license them from an asset house like production crate (productioncrate.grsm.io/danielbatal2157) Or you could create them yourself: ua-cam.com/users/shortsIujCG4KPqxY?si=9UFuVjtXXS3SyLB4
quick question and totally unrelated. I have a power bin that I keep things I regularly use. I forgot where I put the original folder on the computer. Is there an easy way to figure out where the original folder is? I tried searching my "C" drive but haven't located anything.
Power bins are not an actual systems folder. They are a ‘virtual container’. So, much like the way that you bring assets into your media pool, they never leave the original system folders that house them. Your power bin can actually be made up of hundreds of assets from dozens of folders all over your computer, depending on where it pulled the source file locations from.
Hi Daniel. Thanks for the video once again. It is really useful. I was wondering if you could help with my colour connected question? If I was to change multiple clips at once, how would you go about doing this. I tried using the control button to add more clips to the current one (as you would do if selecting files in windows. Even though I got this blurred red edge around further clips I selected, only the original clip responded when I changed brightness / colour etc. What am I missing? Something obvious I expect?? Thanks once again. Tim
There’s several ways to do this. Some of those methods include color, correcting one clip and then copy and pasting that to all the other clips: ua-cam.com/users/shortsMk6peo7W0Yc?si=RlpCNCKyg3oOljyg You could also use remote grades: ua-cam.com/users/shortssL7U13O8dVM?si=lUR6_tysLoUAikyH
Hey, Daniel! Will you be able to show how to make an audio visualizer that actually pulsates to the beat of the music in the free version of Da Vinci Resolve? :)
I’ve actually stopped showing people how to do that because a lot of Creators were using the technique to publish videos on UA-cam specifically to make videos using music they didn’t have the rights to use. As a former professional musician, that just didn’t sit well with me. I’m sure you can understand. There are lots of tutorials out there though! I’m sure you can find help on that topic ☮️
Hi @Daniel_Batal thanks for your awesome content about davinci! I've watched your map animation short a few minutes ago and that finally solves a problem I had with drawing in davinci. Besides that I have a question for another "davinci for noobs" maybe: I have a panoramafoto in my timeline where I am zoomed in pretty much so I don't have black borders above and below the image. I have created an animation with keyframes in the inspector to scroll the image from left to right all the way and the result is pretty ugly. It is veeeery choppy almost if I'm watching only 15fps in a 24fps timeline. Is there anyway to enhance the frames in these scrolling animations or another way to make it way smoother? I've tried optical flow with speed warp to increase the fps, and tried a few effects like deflicker, motion blur etc. but it stays ugly :/
If that choppiness is because of how far you are zoomed in, it's likely you may be seeing pixel distortion which is making it feel choppy. Try upscaling it. Keep in mind, that is a complete resource hog because you're effectively doubling or even quadrupling the quality (resolution) of the image. Render in place or Smart Render Cache will be your friend here.
@@Daniel_Batal thanks for your quick answer, but I don't think it's pixeldistortion what looks ugly and I've tried super scaling already without any success. The problem is, that the gaps between one frame and the next one are to big. On one frame a summit of a mountain is in the middle of the screen and on the next frame it is 1.5cm further to the side....there are just to few frames in between I think.
There is no single answer, Noah. It’s more about learning to grade what you see in your mind. Color tells a story just like audio does. The best thing to do is practice!
Bro, I really enjoyed your video; they're a great help. I'm trying to overlay a cat's face onto a video I'm editing and would love some help. Also, the video has been chopped up a lot, so the footage jumps frequently. I'll need the face to track across the clips. Thanks 👍
I have two questions: with which type of footage do I have the possibility to do such a grading? (Log, RAW,...) and secondly: Can I have the footage from your Video to practice these techniques?
You can color grade any footage once you’ve corrected for the color space. That’s probably a deeper conversation we’ll need to have that I haven’t really had so far. As for the footage, I licensed this from storyblocks so I can’t just give it away. But there’s a link to storyblocks in the pinned comment and in the description that you can go check them out if you’re interested ☮️
@ Until now? That sounds good in any case and sounds like something is coming from you again in this direction. I'm curious 😎 Thanks for the tip with the footage. I'll look around the platform
I'm having an Issue and can't find what am I doing wrong, I'm trying to export and audio directly from Fairlight available option, But the exported audio is completly clean, without the effects, and in order to get the audio with the effects I have to do it over the export/render tab. My question is what am I doing wrong, since if im not mistaken i used to be able to download the audio with the effect directly from Fairlight available Export audio Option.
@@Daniel_Batal As simple as possible, just cuz is faster. Just in case, without success, I try out with a regular audio again, then only added the reverb effect without any tunning and still got no reverb on export.
Don't frustrate yourself for no reason. Swap over to the Deliver Page and at the very top of the upper left Render Settings, slide over to the 'Audio Only' option. It'll get you there just as fast and give you plenty of control of the delivery.
Hi Daniel, Can you help me to get high quality video output while maintaining optimal file size ? I need them to make videos for social media and UA-cam
@Daniel_Batal I have been using handbrake for a few months, but somehow the output doesn't come out full screen. I mean, the video looks like it's playing in a mini player
Can you please create a video on replicating this thumbnail? Not sure what you used to create it, but if we can do this in DaVinci, I, and I think most viewers, would really benefit.
@@Daniel_Batal I'd love a tutorial if you can achieve the "person highlight (inner not outer)" with a free tool. Not a fan of Adobe, so if Affinity can do it, would love your take.
Try Storyblocks TODAY! 👉 storyblocks.com/danielbatal
👉 Conquer the Color Page in DaVinci Resolve ▶️ ua-cam.com/video/SkosqJfzEs0/v-deo.htmlsi=262e92qm-o71pcoE
@@Daniel_Batal hi sir tell me how to slow title speed
As always, this video is easy to follow and to understand! NOT like those videos in which they want you know everything of DVR in 5 minutes only saying "you do that and that and this" without saying why they do this or that and without giving exemples of what could happen if... That is why I love watching your tutos! You're simply one of the best teachers! Thanks for your great work Daniel!
Much appreciated, Franky! I hope this helps you level up your color grading skills ☮️
Please make an ultimate cinematic color grading masterclass tutorial that emphasizes more on how to achieve various film looks. All options available apparently are too vague, you're easily the best teacher on UA-cam!
58 hour tutorial 😅
@ Huge, huh! 😆 But I believe you can find a way to summarize it for intermediates.
After watching all those videos about nodes, I didn't learn much, but after this video, I feel like I could give others a diploma in nodes! thanks Mr. Daniel
I love hearing that! I’m really glad this made sense for you. ☮️❤️
Best fun and easiest tutorial. I love the way each step is explained in details, but still as simple as possible.
Glad you liked it! Definitely try to make some of these more complex topics a little easier to digest if possible
you are the only one who explains everything so nicely. Thank you.
I really hope this made sense for you, if you have any questions, feel free to ask
You sir are a fantastic teacher. You don't assume that we know what you are talking about, so you tell us WHY we do things. This is why I am a subscriber. I'm going to watch this again to see if I missed anything. Thanks.
If you have any questions, shout them out of the comment section and I’ll do my best to answer them ☮️🤔
Man, you and @JorisHermans are the only two DaVinci Resolve creators I keep coming back to. You both have a knack for explaining complex concepts in a simple, easy-to-understand way. Cheers!
Thank you very much! I appreciate the kind words ☮️
Thanks Daniel for this detailed explanation. I'm halfway through. I've bookmarked it to finish watching later when I'm off work.
I hope this makes you’re color grading process easier!
We missed you Daniel!
But as always, the best Davinci tutorials on youtube!!...Thank you!!
I’m right here 😁
Nice job, Daniel "Slightly" Batal. I'm not confident enough to click around in fusion, but your explanations here made me feel a little more competent in the color page (I'm good though to be dangerous).
There's no lack of UA-cam videos explaining the same stuff, but the methodical pace you have here is uncommon (and much appreciated!).
Thanks, Jerry!
As much as the Fusion Page can be a monster, I actually think the subtleties of the Color Page are equally as tricky to master.
I love learning more about this part of Resolve.
I just watched to the end, you are always a Great teacher thank you
My watch time thanks you!! 😁
just wanted to say loved the analogy between davinci and cooking. pretty spot on!
Glad you liked it!
I’m a serious fan of your work. Great explanation and detailed steps make your videos a must for anyone learning Resolve
Thanks a lot! ☮️
Iam from germany and i learn for a better english and color grading. I think this channel is perfect to learn both. Thank you Sir.
Danke sehr!
Just getting into Davinci Resolve. Kind of intimidating but these videos have been just awesome. Easy to follow. Just a cool dude explaining things in a cool way. And in audio terms at times, that’s rad. Good stuff. Respect 🤘
I’m glad you’re enjoying the content! 😎✌️
Excellent! Awesome solid fun educator!
👊😎☮️
Great as usual Daniel. I just love your videos. Even if it is something I already think I know, you always add a little to my knowledge.
Love hearing that.
Much appreciated, Dave ☮️
Another great tutorial pal. Really enjoy your videos. Explanations are so clear to understand. Have a great week from across the pond
Thanks, JP!
Great video man ! Subbed to your channel was confused with all the other nodes workflow videos. This makes more sense to me! Thanks again!
I’m happy to hear this video helped you out! 👌
Thanks for this video. You helped me understand the concept of the nodes and color correction. The color page and fusion page is gonna take me some time to grasp. This video helps me to grasp the concepts of color correction better. It’s really appreciated
I totally agree. Those two pages are the most difficult but high functioning pages to learn. I do find that the more you work with them the more they start to make sense.
Well Done! Extremely helpful explanations on features that I wasn't up to speed with. Do more please...
Thanks so much! More on the way ☮️❤️
Great tutorial Daniel, thanks for sharing, you ROCK!
Thanks, David!
Wow Daniel. It is great to see you reborn with Davinci Resolve. Love you new direction! DR is awesome! I got started editing with you using Filmora in 2019, but have since made money directly from Wondershare before moving back to Davinci Resolve (started with DR16). That said, my channel and content has grown because of you, sir. Thanks a ton. While I have mentioned consulting with you in the past regarding my channel, I WILL do it in 2025 because I just got a grip on things - I think. Talk to you next year and Happy Holidays and New Year. Peace - Ron
Thank, Ron!
I hope you have a fantastic holiday!
@@Daniel_Batal Thank you. Wishing you and yours the very best. Talk to you soon.
Very helpful and great tutorial, easy to understand. Thanks.
Thanks, Dom
fantastic video...clear and complete explanation as always... thanks for your work!
Glad you liked it!
You are an excellent instructor!!!
I appreciate that!
Hello Daniel. Great tutorial, easy to understand also for non english speaker. I like it very much. As well, I apreciate your video shorts, they are always easy to understand and to remember and always useful. Thank you!
👊😎☮️
Another video of so much learning - I love it!
Glad you enjoyed it! ☮️❤️
Fantastic da vinci tutorial!
Thanks, Yusuf!
Thank you for this great video Daniel. I have learned a lot. Greetings from the Netherlands. Ron.
Hey Ron! Glad it was helpful!
Another great video! Thank You Daniel!
Thanks! ☮️
Great job
Love the way you explained everything
👊😎☮️
Great Video Again Mr Daniel
Thanks, glad you liked it!
Dude, you're great. Thanks for this.
Thanks for the kind words!
Thank you thats amazing. Is it possible to as well as track a window, also change its curve or color values over time? For instance the camera is panning around as the sky has more saturation using the window, but as it pans around I need to change these color values.
Yes. You can animate your color grading--> ua-cam.com/users/shortsfSICO21CBRg?si=hgy9RpR8KvuHoekF
@@Daniel_Batal Thankyou, this software is getting better and better as I look for soultions.
Man, power windows really are absolutely game changing. Great video as usual.
Daniel, I have a request...I recently color corrected a short film that had a few really long takes. I struggled with power windows because one shot was 1:15 seconds long, but I had masks that I only needed for the first few seconds, then another mask in the middle, then another mask in the end, all while the camera and the actors were moving. Tracking worked kinda but the tracker lost once the corner of the room started to go out of frame and the tracking was lost...I was able to make it work using keyframes and bringing in masks into frame where and when I needed it, but I was wondering if there's an easier way to bring in power windows and masks over a long, complicated take? I don't think I've seen a resolve educator go over this. Thanks and keep up the great work!
What a great question with not necessarily obvious or easy answers.
Using keyframes was a really smart idea. Sometimes slicing the footage into separate sections and treating them individually can work.
Maybe this is something we can cover in a future live stream ☮️
@@Daniel_Batal Yeah that was one solution I tried. I wish there was a way to set an in and an out on just a mask. Maybe for a future update? Thanks for the response!
Hello great video information Daniel
Hey, thanks! 🙏
Awesome presentation. Love how you teach us - it all makes a heck of a lot more sense!! Thanks for the hours you spend for us too!!
If it helps you better understand Resolve end helps you edit, it’s all worth it. ☮️
Amazing video.... ve you made a video explaining the use of qualifiers?
Good suggestion.
Just so you know, qualifiers just isolate specific colors without affecting the rest of the image.
For example;
Hue, saturation, and luminance (HSL) qualifier: Selects a color based on its hue, saturation, and luminance values
3D qualifier: Selects a color based on a 3D color cube, which can provide more precise color selection
RGB qualifier: Selects a color based on its red, green, and blue values
@Daniel_Batal thank you sir... just let me know when you get a date scheduled for the live seminar...lol
Thank you Mr Daniel
You’re very welcome!
After watching most DaVinci tutorials, I am still confused, however the videos on this channel are so well put together and explained that I always feel like I understand. I do have a question, probably simple, how do i search for clips from my hard drive inside of DaVinici? The way i do it now is to make DaVinci smaller, open my hard drive, then drag and drop into my media pool. There has to be an easier way. Thanks again, you videos have leveled me up rapidly in so many ways.
Right click up in the media pool and scroll down to “import media” and that will allow you find anything on your system.
You can also bring in entire folders from your computer this way -> ua-cam.com/users/shortsLsXKuEldSCA?si=3LddWeBx9UqdZeNi
@@Daniel_Batal Awesome thank you. keep up the great work.
Thank you so much ! A master class !
You’re very welcome 🙏❤️
great explanation. thanks
You are welcome!
Great video! Thanks 😊
You are so welcome!
Great explanation, thanks
You are welcome!
Good presentation!
Thanks!
I'm glad you focus on productivity. I would hate to keyframe all my color correction
I only keyframe color grading when I need to animate it: ua-cam.com/users/shortsfSICO21CBRg?si=pd2GqhvXrLx0g2ZN
Great breakdown Daniel. I believe this video will hit for people. You've got a great way of stating what people may ask while you're instructing.
I've seen your animation video, is that what you use for your animations as well?
Which animation video were you referring to?
@@Daniel_Batal It was a short perhaps, you where showing how to create the arrow animations on it.
Was looking into using animations as well, but don't want to add too much to the edit time as you know how long that takes.
Thanks!
Oh! The on-screen tutorial animations like arrows and circles?
I use a mix of ones I create and ones I license through places like PRODUCTION CRATE ➡️ productioncrate.grsm.io/danielbatal2157 (affiliate)
@@Daniel_Batal That's what I was look for. Thanks for the reply. Keep up the content!!
I love your shirt 😊
Thanks!
I had a blast speaking at Ecamm’s Ceator Camp this year ☮️❤️
Nice tutorial sub
👊😎☮️
Love your videos Mr. Daniel honestly very helpful, can you maybe do a tutorial on how to create something like supernatural seasons 7 intro
hmmmm.... don't know that show! I'll have to take a peek
You the best!
☮️❤️
Great video
Thanks!
Hello my artist friend. Thanks for the free tutorials you put on UA-cam. I have a question. How can I use animated arrows like the ones you used to point to icons in the tutorials? Do you use a special plugin? I am making a series of tutorial videos like you, I need to point out important objects...or draw animated boxes around objects...with DaVinci itself it is very difficult. What plugins can I use? Please guide me.
You can either license them from an asset house like production crate (productioncrate.grsm.io/danielbatal2157)
Or you could create them yourself: ua-cam.com/users/shortsIujCG4KPqxY?si=9UFuVjtXXS3SyLB4
@@Daniel_Batal thanks brother ❤❤❤
quick question and totally unrelated.
I have a power bin that I keep things I regularly use.
I forgot where I put the original folder on the computer.
Is there an easy way to figure out where the original folder is?
I tried searching my "C" drive but haven't located anything.
Power bins are not an actual systems folder. They are a ‘virtual container’.
So, much like the way that you bring assets into your media pool, they never leave the original system folders that house them.
Your power bin can actually be made up of hundreds of assets from dozens of folders all over your computer, depending on where it pulled the source file locations from.
@@Daniel_Batal Thank you. I couldn't remember how I set that up. that makes sense
Thanks sir ❤❤❤❤
You’re very welcome! ☮️❤️
Hi Daniel. Thanks for the video once again. It is really useful. I was wondering if you could help with my colour connected question? If I was to change multiple clips at once, how would you go about doing this. I tried using the control button to add more clips to the current one (as you would do if selecting files in windows. Even though I got this blurred red edge around further clips I selected, only the original clip responded when I changed brightness / colour etc. What am I missing? Something obvious I expect?? Thanks once again. Tim
There’s several ways to do this.
Some of those methods include color, correcting one clip and then copy and pasting that to all the other clips: ua-cam.com/users/shortsMk6peo7W0Yc?si=RlpCNCKyg3oOljyg
You could also use remote grades: ua-cam.com/users/shortssL7U13O8dVM?si=lUR6_tysLoUAikyH
@@Daniel_Batal Thanks. That's brilliant. I will take a look at the attached videos and factor these methods into my work). Kind regards, Tim
Need a vidsummit davinci resolve workshop/ hangout next year!!
Haha!
Hey, you know they do have ResolveCon, right?
I might have to be a part of the next one.
Hey, Daniel!
Will you be able to show how to make an audio visualizer that actually pulsates to the beat of the music in the free version of Da Vinci Resolve? :)
I’ve actually stopped showing people how to do that because a lot of Creators were using the technique to publish videos on UA-cam specifically to make videos using music they didn’t have the rights to use.
As a former professional musician, that just didn’t sit well with me. I’m sure you can understand.
There are lots of tutorials out there though!
I’m sure you can find help on that topic ☮️
Hi @Daniel_Batal thanks for your awesome content about davinci! I've watched your map animation short a few minutes ago and that finally solves a problem I had with drawing in davinci. Besides that I have a question for another "davinci for noobs" maybe:
I have a panoramafoto in my timeline where I am zoomed in pretty much so I don't have black borders above and below the image. I have created an animation with keyframes in the inspector to scroll the image from left to right all the way and the result is pretty ugly. It is veeeery choppy almost if I'm watching only 15fps in a 24fps timeline. Is there anyway to enhance the frames in these scrolling animations or another way to make it way smoother? I've tried optical flow with speed warp to increase the fps, and tried a few effects like deflicker, motion blur etc. but it stays ugly :/
If that choppiness is because of how far you are zoomed in, it's likely you may be seeing pixel distortion which is making it feel choppy. Try upscaling it. Keep in mind, that is a complete resource hog because you're effectively doubling or even quadrupling the quality (resolution) of the image. Render in place or Smart Render Cache will be your friend here.
@@Daniel_Batal thanks for your quick answer, but I don't think it's pixeldistortion what looks ugly and I've tried super scaling already without any success.
The problem is, that the gaps between one frame and the next one are to big. On one frame a summit of a mountain is in the middle of the screen and on the next frame it is 1.5cm further to the side....there are just to few frames in between I think.
What's the best way to know what is the best color grade to match your content?
There is no single answer, Noah.
It’s more about learning to grade what you see in your mind.
Color tells a story just like audio does.
The best thing to do is practice!
Now this all makes sense.
Sweet! I was hoping to keep this as simple as possible
Bro, I really enjoyed your video; they're a great help. I'm trying to overlay a cat's face onto a video I'm editing and would love some help. Also, the video has been chopped up a lot, so the footage jumps frequently. I'll need the face to track across the clips. Thanks 👍
Might help to merge those clips first then try this-> ua-cam.com/users/shortsnA2yXzqY0No?si=4x0MZKHxMwCpWekS
@Daniel_Batal Hey Daniel super appreciate the reply you have a great day thank you.
I have two questions:
with which type of footage do I have the possibility to do such a grading? (Log, RAW,...)
and secondly:
Can I have the footage from your Video to practice these techniques?
You can color grade any footage once you’ve corrected for the color space.
That’s probably a deeper conversation we’ll need to have that I haven’t really had so far.
As for the footage, I licensed this from storyblocks so I can’t just give it away. But there’s a link to storyblocks in the pinned comment and in the description that you can go check them out if you’re interested ☮️
@ Until now? That sounds good in any case and sounds like something is coming from you again in this direction. I'm curious 😎
Thanks for the tip with the footage. I'll look around the platform
Can you make a video on how to remove reflections ?
What kind of reflections specifically?
Can you give me an exact project use case?
I'm having an Issue and can't find what am I doing wrong, I'm trying to export and audio directly from Fairlight available option, But the exported audio is completly clean, without the effects, and in order to get the audio with the effects I have to do it over the export/render tab.
My question is what am I doing wrong, since if im not mistaken i used to be able to download the audio with the effect directly from Fairlight available Export audio Option.
Hmmmm…. I’ve never had this issue, but before I spend a lot of time trying to replicate it, why not just export from the deliver page…? 🤔
@@Daniel_Batal As simple as possible, just cuz is faster.
Just in case, without success, I try out with a regular audio again, then only added the reverb effect without any tunning and still got no reverb on export.
Don't frustrate yourself for no reason.
Swap over to the Deliver Page and at the very top of the upper left Render Settings, slide over to the 'Audio Only' option.
It'll get you there just as fast and give you plenty of control of the delivery.
Great
Sir, how to do this, 'if we want to keyframe the mask after only when his face goes to dark area?'
In the lower right, switch from scopes to keyframes and now you can keyframe just about anything.
Thanks 😊
Hi Daniel,
Can you help me to get high quality video output while maintaining optimal file size ? I need them to make videos for social media and UA-cam
Export them at high res and then squash them with Handbrake afterwards-> ua-cam.com/video/NWJ2uA_NfzM/v-deo.htmlsi=IJOYQiuX629j_5Gw
@Daniel_Batal I have been using handbrake for a few months, but somehow the output doesn't come out full screen. I mean, the video looks like it's playing in a mini player
Thanks Tom Araya from Slayer!
You're welcome, adult rated avatar! 😁
Boss DS-1's show up in the strangest places :)
Ha! Had to go with on old bedroom rock star staple
❤❤❤
I am busy today i cannot commit early
Ha! Hearts and a comment. I appreciate it, my friend. ❤️
wait Filmora dude now landed on DaVinci Resolve?? ....
Yup! 😁
Can you please create a video on replicating this thumbnail? Not sure what you used to create it, but if we can do this in DaVinci, I, and I think most viewers, would really benefit.
Unfortunately, I don’t make thumbnails in Resolve.
I make them in Affinity Photo
@@Daniel_Batal I'd love a tutorial if you can achieve the "person highlight (inner not outer)" with a free tool. Not a fan of Adobe, so if Affinity can do it, would love your take.
Noted!
LOL.. so Filmora out of the window and now it's Davinci?
I outgrew Filmora and the way they treated this community and tried to take my channel down, it was time to talk about a Pro level editing software
@@Daniel_Batal I understand.
Nice!
Thanks!