ROBERTO DEVEREUX Edita Gruberova's stage farewell 27III19
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- Опубліковано 10 вер 2024
- Edita Gruberova's very last stage performance on 27 March 2019 including farewell speech
ROBERTO DEVEREUX
Tragedia lirica in tre atti von Gaetano Donizetti.
Libretto di Salvatore Cammarano.
Elisabetta, regina d’Inghilterra: Edita Gruberova
Sara, duchessa di Nottingham: Silvia Tro Santafé
Roberto Devereux, conte d’Essex: Charles Catronovo
Lord Duca di Nottingham: Vito Priante
Lord Cecil: Francesco Petrozzi
Sir Gualtiero Raleigh: Kristof Klorek
Un paggio: Boris Prýgl
Un familiare di Nottingham: Boris Prýgl
Friedrich Haider, conductor
27 March 2019
Rest in peace, Edita. We will never forget you.
I’M OVERWHELMED .
WE LOVE HER : UNIQUE !
UNRIVALED !! INIMITABLE !!!
G O D - G I V E N !!!!!!!
Thanks Edita ,
thank you so much for everything !!!
We will love you forever .
What a great and magic moments have been always given to her public by Edita Gruberova, this was one more than many. It is a really pity have to say goodbye to a GENIUS. Thanks Edita for all.
she is still singing
I had the privilege of enjoying this performance and meeting her after. RIP
And I can't still believe she's dead ...
@@operabilia me too. But why nobody tell us how it happens.
@@ullalange4430 She apparently hit her head by accident and died because of it...
Although I have since heard many versions of Elisabetta, Gruberova's was the one I first heard that had me fall in love with the role and the opera. For years after I'd listened to her in this role often, so much so that I think she owned it.
And it was almost a year after her death that I learnt of it only. I'm still in shock and grief. We have lost a lovely lady and a legendary artist. Rest in peace, Madame!
Discover Mariella Devia (Genova 2016) , with an outstanding scenography (on You Tube)
Grazie Edita per il dono che ci hai fatto del tuo durissimo lavoro nella musica , che hai svolto con umiltà fino alla fine per regalarci immense emozioni. Senza musica non hai più potuto vivere.
Reina absoluta!!!! Leyenda viviente!!! Emocionante todo!! Con esa edad enfrentar la ópera muestra su gran apego al trabajo y su enorme generosidad y grandeza!!! Un placer verla y escucharla! Su bravura y entrega arrebata los corazones!!! Emocionante todo! Gracias por compartir!!
Thank you so much for sharing. What a great evening ❤️❤️❤️
Sie hat den Münchner Opernhimmel verzaubert. Danke Edita, mögen Sie da oben weiter zaubern.
And this is how a HUGE career should end: Like Rysanek's and L Price's at the Met or Ludwig's at the Musikverein....Brava Edita...
I don’t think Madame Price would agree with you !
GRANDISSIMA EDITA GRUBEROVA! PURTROPPO NON SONO RIUSCITA A REALIZZARE IL SOGNO DI VEDERLA IN SCENA DAL VIVO :( UN GRAN PECCATO! :( UN GRANDE APPLAUSO PER IL BRAVISSIMO VITO PRIANTE BARITONO DALLA VOCE MORBIDA ED OMOGENEA CHE SFODERA UN SICURISSIMO SOL ACUTO NELLA SUA PRIMA CABALETTA.
I'm crying, I am just crying. I heard this in Hamburg as a concert by her - and she held the final tone perfectly! Than You, dear Editha!! Say Farewell to a great artist.
She can finally rest now. RIP.
Là, c'est carrément inouï ! La Grubé est décidément hors norme. Qui aujourd'hui est capable d'une telle intensité de jeux, vocale et scénique? Jusqu'au bout fascinante. 50 ans de bonheur. Merci Edita.
Excelso, inconmensurable ❤❤❤❤
Äusserst schade das man heutzutage in der Oper nur solche moderne Inszenierungen erlebt...nach einem langen Arbeitstag gehe ich ins Theater und sehe auf der Bühne praktisch wieder mein Arbeitsplatz und in den Sängern meine Vorgesetzen...für mich persönlich macht das nicht so Sinn...an diesem Punkt ziehe ich mich irgend eine beliebige Krimiserie oder ein Film rein...klar erlebe ich in der Oper immer noch Live die göttliche Musik eines Donizetti, Bellini, Rossini, Verdi...aber die wunderschöne Bühnenbilder und Kostüme der frühere Opernproduktionen fehlen mir sehr...ich bin schon dafür das man mal auch modern inszeniert und es für die Sängern sehr spannend sein kann und ein viel grösseres schauspielerischen können gefragt ist...Edita Gruberova macht es hier wirklich super und ebenfalls die anderen, deswegen auch Daume hoch..aber bitte nicht immer...RIP EDITA GRUBEROVA❤️
Phantastic that it was recorded! Immortal Edita...
How fortunate we have been to live in such a Belle Epoque for Opera.
I doubt our children or grandchildren will ever see/ hear such great art.
Not a single word can I understand.Anyway we will have her singng in her live performances. Thank you. Youhave made me move with your long career. Thank you very much indeed.Belcanto singing
Santiago of Chile
April 2020
R.I.P. Danke, dass Sie das aufgenommen haben.
Thanks for this 👍🏽
RIP. It is my great sadness I never saw your live.
Don’t worry bud you’re not alone. I wish wish wish I could’ve saw her too…..
Amazing.Isaw and herd her for the last time on a stage in Paris in Norma with Sophie Koch, she was outstanding and in Vienna with Pavol Breslik in her last Traviata.She is a stunning artist🌺💐🌷
It is awful and amazing at the same time, what an extraordinary woman with equally extraordinary fans.
72 years...impressive
May she rest in peace.
Danke für vielen unvergesslichen Momente, ruhen Sie in Frieden, Edita Gruberova❤️
I like how she did give her speech in the crazy gray wig.
I wonder why there hasn't been an opera farewell at the Wiener Staatsoper... After all, the Staatsoper has been her artistic home for 40 plus years...
there has been a last concert in vienna musikverein as well for her farewell
Grand respect à MMe Gruberova, impressionné par sa technique et sa longévité, mais ce que l'on voit ici, notamment la scène finale est grotesque stylistiquement et théâtralement, avec des alanguissements, des détimbrages, des écarts de justesse à glacer le sang. C'est épouvantable, en toute sincérité.
philippe clément y étiez vous ? Sûrement pas, car pour y être allé, je peux vous dire que cette captation « sauvage » ne rend pas du tout justice à l’ensemble de la production qui était d’un excellent niveau. Et Grubie a été magistrale, bien que sortant d’une méchante grippe qui lui avait fait annuler des dates à peine 3 semaines avant Munich.
@@oliviertrostanatomie-freea4376 je veux bien croire que l'enregistrement pirate n'offre pas le même rendu qu'en salle, mais je doute qu'un enregistrement pirate fasse baisser d'un demi ton (voire d'un ton parfois !) la voix... Ni ne change le jeu et les grimaces de la diva
Raphaël Pisano sans doute suis-je sourd, à l’instar de la salle qui c’est vrai, comptait plus de 50% de plus de 80 ans. 🙄
@@oliviertrostanatomie-freea4376 non, composée 100% de fans aveuglés (et "assourdis") par leur amour pour leur idole, qui chante faux depuis une bonne quinzaine d'années maintenant. Je trouve juste triste de ne pas s'avoir s'arrêter à temps ; ou alors si elle tient absolument à chanter encore, de ne pas chanter les rôles où elle a été très bonne aux grandes heures de sa carrière (Lucia...) et au souvenir desquels elle ne peut malheureusement pas se confronter
@@raphaelpisano5462 c'est votre opinion et elle est respectable. Toutefois, même avec ses moyens actuels, elle reste exceptionnelle. Mais elle n'a jamais été très populaire en France, contrairement au monde germanique.
My God! I am in tears ❤️
So great thanks for the video! Please can we have an English translation of her final speech? :)
@Girdwood Anderson She was just saying: "time is a strange thing" from Rosenkavalier, that it is time for her to leave the stage. She performed here in Munich for 45 years. Thanks the tjeatre, the audience, the wonderful cast of her last appearance. Something like that.
RIP Edita...
She was so healthy and singing well. So I am so shocked she tragically had passed away.
UNBELIEVABLE
Requiescat in pace.
実演聞いてびっくりしたけれど、かなり声小さいよね。
Santa subito!!!!!!
Se nace o no se nace con el don de la perfeccion vocal. Y ella lo tiene. Aca esta la prueba.😍
È un vero peccato che oggigiorno mettono in scena queste opere nello stile moderno...dopo una giornata di lavoro vado all'opera e mi rivedo sulla scena praticamente il mio posto di lavoro...ma che senso fa...allora a questo punto posso andare al cinema a vedermi un qualsiasi Film...certo che all'opera sento ancora la Divina Musica di un Donizetti, Bellini, Rossini o Verdi...ma a me mancano molto quelle bellissime produzioni del passato con scenografie e costumi stupendi...RIP EDITA GRUBEROVA❤️
Look at Roberto Devereux Genova 2016 with Marielle Devia .(on YT). They respect marvelously the Elizabethan era...
❤️🇱🇨!!!
What a legend she is. Alas who will take the place of great artists like her. Will she do masterclasses?
madonna che strazio dell'anima , piani e pianissimi fissi e calanti i sovracuti nemmenpo degli di questo nome la voce ridotta al lumicino ,le recite della gruberova degli ultimi 20 anni recano solo disonore a quella che era stata una voce e una cantante stellare,mi chiedo per completare l'opera non avevano un tenore sgangherato almeno pareggiavano ,povero castronovo
Cantante stellare? Forse volevi dire Tebaldi Zeani Ponselle Cigna Callas Steber Kirsten Flagstad Cebotari Gencer Muzio Deutekom Milanov Moser Verrett Sayao Bruna Rasa ecc. no sto scandalo qui.
OK, so what's the deal with showing a tenor in his underwear? I hate these "modern" productions.
Just be thankful it wasn't Pavarotti.
quando non ci sono piu le voci giuste per determinate opere meglio toglierle ,anche perchè i non esperti o igiovani che vanno a vedere questa roba giustamente si domandano ,ma donozetti ha scritto questa porcheria? teniamoci il ricordo della caballè della gencer e pochissime altre
Giorgio Villa non capisco neanche come mai ha scelto questo parte lungo e difficilissimo,poteva essere un concerto di qualche aria!
Is it real she broke her head falling in an empty swimming pool?
Such an unnecessary cause of death. Really tragic.
What can I say, fans are fans and they have to love their star under all circumstances, but from an objective point the voice has gone and her acting is as if she thinks she's in a silent movie. She should have had her stage farewell at least ten years ago!
You forget one thing. It was reproached to the the first actors in cinema to act as if there were on stage; the near presence of the camera couldn't support those opened eyes and mouths and so on. But here, we are on a theater stage and a great part the public seats twenty or thirty meters far from the singers. Of course, the spectacle is filmed but the artists play first for the public in theatre.
But that is the brilliance of Edita. In the silent era, actors did not need words. They had to use their entire body and face to express everything. In many ways, they were better than today's actors. But everything is explained in the oscar-nominated movie Sunset Boulevard from 1950. I bet Gloria Swonsen would be very proud of Edita's acting. Edita was one of the best opera singers-actress. She could act, act.
RIP
Never take off your wig, unless you have another wig underneath.
She has got another wig underneath !
Which opera house ?
Bayerische Staatsoper (München)
Oh dear. This Regie production is and was always silly. Gruberova , well the performance is camp, howled and the voice is entirely past it’s best . However, for her fans this kind of thing is gold for the complete sunset of a very long and yes amazing high lyric coloratura opera career. Die ende.
Daniel Raphael well it is better to end with a a little good performance than to do the Domingo way....
She shows that elder women can sing overwelming! What a pitty that the covid-19-crises ends her concert career. The concert she wanted to sing (october 2020), she canceled now.
Maybe she will sing Devereux in a concert version in December in Slovaquia (according to a well documented fan website). Just search « Gruberova schedule » on Google 😉
R I P
I must say she sounds better from a distance. Very good artist.
Nationaltheater, Munich,
Bayerisches Staatsorchester,
Bayerische Staatsoper chorus.
Brava Primadonna assoluta
purtroppo tremenda ….peccato a volte è meglio lasciare un ottimo ricordo invece di rimpianti
Se avesse fatto il suo concerto d'addio una quindicina d'anni prima avrebbe salvato da fine ignominiosa più di un'eroina donizettiana.
Non e' stata mai un granche' neanche quando era giovane.
@@eugeniogentili1048 A me non piace proprio il suo timbro lagnoso e, soprattutto, l'accento sempre esagitato qualsiasi cosa cantasse. Forse da giovane era un po' meglio nel repertorio buffo (ricordo una Rosina che non era malissimo) e nelle arie da concerto di Mozart, ma da che ha cominciato a "scoprire" il belcanto è stata una catastrofe per Donizetti e Bellini - il suo scopo era concludere l'aria con un sovracuto, e per il resto se ne andava in ciabatte. Menomale che ha smesso.
@@giant4692 Come soprano di coloratura ce ne sono state assai migliori come Moser Deutekom Popp Moffo Pons la Sutherland.
@@eugeniogentili1048 Sono d'accordo. Specie con la Moser al primo posto... :-)
@@giant4692 Edda Moser grande voce grande Regina della notte, forse la migliore.
On the whole, Edita's singing was still impressive in this performance. Unfortunately, her attempted high note at 35:22 proved to be a bridge too far. She was at least half a tone flat there. (Correct me if I'm wrong, but I refuse to believe that Donizetti would have written that passage with such a dissonant ending.)
After Dame Joan Sutherland the world greatest coloratur soprano ever!!!
Sutherland didn't come close.
Plötzlich verstorben