Відео

Veramente meravigliosa! Un cugino di Mozart!

Something about this performance sets it apart. Magnificent!

Thank you for posting this! Opening Announcements: 0:00 Overture: 0:57 Act 1: 09:26 Act 2: 41:33 Act 3: 1:15:59 Closing Announcements: 1:54:38

What I found humorous about the 1950s performances was that Arnold van Mill, who plays Titurel, is actually younger than his son Amfortas, played by the Legend George London, by about a year!

Great cast !!

A real rarity with two great Hungarian singers!! Thank you.

Alles gut und prächtig bei den Herren. Moser souverän, Grundheber schön-solide, Jane H., die ich oft in Berlin als Amme und Ortrud hörte, eine wahre Wuchtbrumme, Inga Nielsen kommt manchmal scharf daher und bei Luana de Vol verstört mancher Wobbler. Ihre berühmten Vorgängerinnen von Lehmann über Schech, Goltz, Borkh, Ludwig haben so etwas vermieden!

She has a really warm and powerful voice but in my opinion, totally lacks the vocal characterisation of Isolde. The last part is pretty disappointing because she sounds more like vocalising a lieder than an impassioned Isolde longing to be with her love. And the last note of Lust is a blasting fortissimo, which confuses me even more.

Cheryl Studer as a Flowermaiden???

C'est très bien dirigé, c'est vivant, l'orchestre s'en donne à cœur joie, les chanteurs sont au cordeau mais le tout sonne comme une musique de film Américain. C'est terriblement Hollywoodien... Un comble non? Mais cette œuvre est si riche et si difficile à mener à bien que je comprends pourquoi cette version est classée parmi les meilleures.

1:02:44

These transfers are really superb. Thank you for the endless work which brings endless pleasure.

Amazed by Frantz. Such vocal security and authority. Hotter who? 😅

This is exceptional! The sound quality you are offering is great, it gives me the feeling of being monsieur Taube himself. It is by far my favourite recording of this beautiful but difficult piece, combining the advantages of the two famous studio recordings under Sawallisch and Böhm. Thank you very much for bringing these great artists so close to us.

At 55.40 , 18 bars of the music is missing (at the beginning of the ensemble "Du kundest nun...")

Use to work for 1 year together with Sergei. He was such a warm soul person. Like a sunshine. Still can not accept he left us so early.. So many years passed.. Still like yesterday..

RIP dear Sergei........😥

Such an incredible cast. These voices no longer exist. Singing Verdi should be exactly like this. Thanks for posting this jewell!!!

Etwas störend der mitlaufende Sender mit Unterhaltungsmusik, der in leisen Passagen hörbar ist.

One of the greatest casts ever assembled ❤️

I saw it at ROH wonderful cast and production included N Gedda I think it's a great work I've just watched CT doing it in vienna on live stream

Absolutwr Seltenheitswert!

Klaus Schulz macht es genau richtig, indem er sich weitestgehend zurücknimmt, um diesen drei großen Damen die Bühne zu überlassen.

Nun ja, wohl eine eher durchschnittliche Aufführung.

Chausson must be Paolo

Was für eine Sängerin....

❤❤❤❤❤❤❤❤❤❤

Meraviglioso. Grazie Claudio!

Der Höhenstrahl Karl Friedrichs ist gewaltig, beispielsweise 41:35 oder 53:25 oder 1:07:04. Es war ja auch eine seiner Leibrollen. Schon bei der ersten Aufführung in Wien 1940 war er der Apollo gewesen, Strauss hat ihn darin bestimmt selbst noch erlebt.

Haushofmeister: Carlos Krause Monsieur Taupe: Alfred Vökt

Grazie

Great singing, great acting, real Diva... RIP...

Fascinating to hear it in german... 👍👍👍

My favorite recording of Lohengrin! Steber is perfect. Thank you.

Many thanks for this. There seems to be a problem with the 1Fichier file though

Piet Ferreira het gestuur

Ich war bei allen Vorstellungen in dieser Serie dabei, ich werde diese Serie nie vergessen, es war genial und großartig. Ich gehe als Nostalgie und Neugierde jetzt wieder hinein. Ich mag das Werk wirklich sehr und auch diese Inszenierung

Great. Thank You! 1:28:52 "Allein in dunkler Tiefe"

21:45 to 23:25 Quickly: "...I'll do what I can for all 3, but 'speciously'...(bites gold coin)...for Master Fenton." exquisitely heart rending.

Looking forward to Michael Spyres' debut as Palestrina at WSO.

Thank you for posting this! Act 1: 0:27 Act 2: 1:44:18 Act 3: 2:54:23 Closing Announcements: 3:25:54

A lot of starry voices here!

Thank you so much ... ☀️💎🌹

I always find the booing hilarious in live recordings... we'll probably never know what infuriated the audience between acts I and II :)

It's a great pleasure to hear this performance with some of the important Mozart-singers of the period! Thomas Moser was my favourite Mozart Tenor of this years as Tito, Idomeneo or Ottavio..! Thomas Moser had the ideal voice, musicality and was able to sing the difficult 'coloratura' amazingly. Carol Vaness and Ann Murray gave great interpretations, vocaly perfect, of their parts! Thanks for posting this beautiful evening under Maestro Rudel!

The finest phrasing and expression in “Es gibt ein Reich” (starts 1:00:58) I have heard. At the start anguish, then at “Du wirst mich befrein” (1:05:01) “(In growing ecstasy)” to quote the side note in the Boosey and Hawkes libretto. IMO only Schwarzkopf and Ludwig give full utterance from “Du wirst mich befrein” to the end of the aria.

This recording captures a lovely warmth in Grob-Prandl's voice. I still prefer her in the 1956 Vienna recording - she is even more girlish in the opening of Act II in that recording. Von Milinkovic (she can call herself what she likes) is in better voice at Vienna as well. Lorenz is infinitely preferable to Lustig at Vienna. Bravo as well to the orchestra - the opening of Act III is gorgeous and the shepherd's pipe solo is a dream.

Miren esa entrega sobre el escenario y aprendan!!! Tenia 74 años!!! Impresionante! Una vida dedicada a la ópera! Siempre estará

Sachs and Eva are the same as twenty years before on Karajan's Dresden record.

als Köln Weltklasse war ;)