The Theory (And Practice) Of Guitar PHRASING [With Tom Hess]

Want to sound good on guitar? Then you need to know guitar phrasing! Guitar phrasing is "how" you play something on guitar, as opposed to "what" you play it.
Today with our special guest Tom Hess we are going to dive deep into guitar phrasing, the theory behind it, and the practice too!
Don't miss this if you want to sound better on your guitar.
Get our free stuff:
- Get Tom Hess' "Fretboard Freedom Blueprint" here: tomhess.net/Fretboard-Freedom
- Get my FREE eBook “18 Tips To Make Your Pentatonic Solos Sound Professional” here: www.musictheoryforguitar.com/...

[@jeffrininger4075]

Two-Toms lessons are always superb, and I've never seen one better than this. Thank you !

[@ghfdt368]

Great lesson and really made me think of vibrato very differently in analytical way. I've been playing for almost 10 years and I think many of the things you both covered here I do pretty instinctively now such as when vibrato is applied to a note, the speed and width. However, you both got me to start thinking about it more because there are certain tools i'm not using or focusing on. You both also reminded me about Bend Vibrato! When I was first learning how to do it, many years ago I found it really really difficult, but I never realized that in of itself is very much a very personal technique players do differently. David Gilmour tends to have a very mid paced tight bend vibrato, Gary Moore mostly did a wider faster bend vibrato and then someone like Mike Bloomfield has a extremely fast wide almost out of control bend vibrato and Rory Gallagher really liked to use fast and tight bend vibrato. It's very fascinating.