Rosenkavalier Trio - Lott, von Otter, Bonney & Kleiber on the screen!
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- Опубліковано 30 січ 2009
- Richard Strauss (1864-1949)
DER ROSENKAVALIER
"Marie Theres'!... Hab' mir's gelobt"
Die Feldmarschallin - Felicity Lott
Octavian - Anne Sofie von Otter
Sophie - Barbara Bonney
Chor und Orchester der Wiener Staatsoper
(Vienna State Opera Chorus and Orchestra)
Carlos Kleiber
Vienna, 1994
This is the heaven of the history of opera.
This is a close to musical ecstasy as you can get.
+Deal Hudson, that is so very true! There's simply no way not get goosebumps while listening to this timeless masterpiece.
TRISTAN AND ISOLDE.
Secondo me, una delle più belle pagine di tutta la musica mai scritta!!!
I don't know much but this much I do know, this is just HEAVENLY music..... Kleiber just feels it, waving the stick, following his heart.....
One of those few things to show future civilizations the very best we were capable of. Goosebumps start to end. Thanks for uploading.
Yes !
This is the most miraculous realization I have ever witnessed. Carlos Kleiber overlooked nothing. ASTOUNDING.
Would that the opera world had more of Kleibers caliber. I was fortunate enough to sing this opera with these three remarkable ladies. Unforgettable.
I weep uncontrollably every time I hear the final trio from Der Rosenkavalier. Every . . . single . . . time. Music that touches the soul. Opera at its finest.
Thank God for the Bavarian Genius "Richard Strauss".
My favorite composer of that era--probably of all past eras.
i'd die a thousand times to see Kleiber conduct like this
or conduct at all. I regret being alive "after his time" as it were
I was there that evening. Heaven sent. Sublime! (Half of the audience were Japanese as this production with orchestra, singers, conductor went to Tokyo for a few performances later).
Mo Kleiber was and will stay forever the greatest conductor in the history of music. Period.
@@zelimircabraja7529 Indeed!!
I have seen this wonderful opera many times on stage or listened to many different recordings. But this here is unsurpassed. Magical moments of music.
This Richard Strauss opera is one of the best forms of opera.
Carlos Kleiber loved Japan. He not only came to Japan many times not only for the performances, but also privately. Thank you for uploading.
I saw Flott in this role (and as the "capriccio" countess!). She shines in all she does.
Gratitude to this 3 Beautiful voices. Maestro I love you
Um, hello, but look at Lott's acting! Spectacular
And then it finished, and I sat and waited in in silence. There was nothing that could make me stand up and put something else on, ...
Carlos Kleiber es un milagro. Y Strauss un ser divino. La música un don de dios.
Thank you thank you, dear Rodrigo! Kleiber definitely deserves that 20% of the screen space. :D
Aparte de las voces maravillosas de las intérpretes, el que está realmente grandioso es Carlos Kleiber, ¡que dominio y que gran director!.
Just 6 people have no idea of what great singing they are having the privilege of listening to.
Love the Kleibercam!
Ahh - after suffering SNL last night, I really really NEEDED THIS!
My god Von otter is superb
She is indeed!
But also Lott and Bonney are
Kindly play this recording at my funeral.
A dreamcast!
Hand picked by Carlos Klieber
Ist's ein Traum, kann nicht wirklich sein.....!
Sensational Opulent.....BRAVA from Acapulco!
absolutely breathtaking...
The amazing thing here is not the fine singing but how Kleiber coaxes the true and glorious proprietary Viennese (and echt Strausian) sound from this greatest of orchestras. Listen good because their specific sound and style are practically extinct.
Listen well... 👓🎓☺
What superb acting! The heartfelt sadness at 2:30, the approach and tender embrace at the conclusion - these women can do more than sing. Damn good at that, too. Thanks for this unique posting.
Wie wunderbar!!!
Autre moment magique!
ohhhhhhhh !!! Quel bonheur !! MERCI
Questo Trio accompagnò Richard Strauss all'ultima dimora.
The main value of this video lies in showing how the greatest ever conductor conducts. The trio is beautiful, too. Does anyone have a high definition video of this? Thanks, Richard, for sharing!
In Gottes Namen
Fantastico.......
Strauss- Kleiber......the Paradise!
sublime!
This unique performance, showing what Kleiber actually looked like to his singers, is the stuff of legend and revelation and hope. It is amazing that it even exists.
In his new book Barber talks about what the opera meant to his teacher, and how he used a kind of x-ray vision to probe far, far below its conventional surfaces. Hearing what Kleiber says about Rosenkavalier is fascinating. So too hearing from his singers, esp Barbara Bonney.
BTW, all of Act III with CK inserted is available.
Who, Barber, if you please? The title too? Thx!
@@mckavitt13 Charles Barber, Corresponding with Carlos
As far as I know the ORF did a broadcast of one performance where you could see Kleiber conducting. There's also a DVD about a rehersal to this production available.
All the best
Thank you!
Fabulous 😍❤️🌹
phenomannoly good 😍🙏
Dear Richard Wagner: listen and learn!
De las mejores versiones, si no la mejor
Wordless!
could you PLEASE give us the sodisfaction of allowing us to listen to this marvellous piece without it ending like waking up from the prettiest dream by splasing cold water in my face..! in the end you made me want more.
thanks for uploading it in the first place!
Splashing? 👓🎓☺
OK, I have egg on my face - big time! I thought I owned it, but I must have been watching too much of it on UA-cam. You are right, and I apologize for misleading you.
im Paradise
The greatest aria in all of opera?
Exceptionnel........
The most beautiful music performed by the bestsingers coached by the very best Condutor
Another triumvirate of sublime sopranos.
One is a Mezzo!
@@vernonflood2535 A mezzo-soprano.
@@mckavitt13 were any of these roles originally written for castrati in this opera? I genuinely don't know so curious. Did strauss ever have the high lines written for men in any of his operas? Would love to know thanks
L'ESPERIT DEL ÈXTASI.❤
You did not see Kleiber in the late 70s in New York, he did not appear at the MET until 1988
😍😍😍😍😍😍
How on Earth did you find this?
Is there any way to see more of Kleiber's conducting during the rest of the opera?
I would love to see that too
This: ua-cam.com/video/A9di4OoE7FE/v-deo.html (act 3)
Try Premier Opera, they have a DVD of Kliber conducting this with the voices in the background.
the cohesiveness at the start is so gracefully mesmerizing...but conductor moves through the final climax with unnecessary haste. -- When I'm at the peak of my aching, weeping for that very difficult choice of love between torn hearts, it . just. doesn't . rush . through . the . feeling . like . that.
Justin Froese I love Kleiber, but when I heard this, I had exactly the same reaction you did -- what is he doing? Then I looked at the score. Kleiber is doing EXACTLY what Strauss instructed, down to metronome markings. I was surprised, because I've never heard another conductor do this -- not Karajan, not Bernstein, not Abbado. But it's in the score -- check it out.
+Donald Allen A few years ago BBC Music Magazine polled contemporary conductors to name their bext and Kleiber came out top - this is why - attention to detail.
its by deutsche grammophon from 1994 in juli live from vienna..
Live from... 👓🎓☺
You can t get this edition on Amazon.. i mean with Kleiber on thre screen.. that s why i am so desperate.. i also asked the ORF in Austria but they can t give me a dvd of this edition..
Everybody who want's to see Kleiber conducting should visit MDWtristanfilms's channel, he/she posted 13 parts of Tristan und Isolde and Der Rosenkavalier.
Happy New Year to everyone
who wants (simple 3rd person singular verb).
Please.... Where can i get this complete DVD with Kleiber an the screen... I am getting mad because i cannot find it....
Suite score p.57~
Richard Strauss est un compositeur et chef d'orchestre allemand né à Munich le 11 juin 1864 et mort à Garmisch-Partenkirchen le 8 septembre 1949.
En 1933, Strauss accepte d'assurer la fonction de Président de la Reichsmusikkammer (Chambre de musique du Reich). Il justifiera vouloir préserver la musique allemande d'influences qu'il juge néfastes
Richard Strauss is a German composer and conductor born in Munich on 11 June 1864 and died in Garmisch-Partenkirchen on 8 September 1949.
In 1933 Strauss accepted the position of President of the Reichsmusikkammer (Reich Chamber of Music). He would justify wanting to preserve the German music of influences which it considers harmful
Richard Strauss ist ein deutscher Komponist und Dirigent, der am 11. Juni 1864 in München geboren wurde und am 8. September 1949 in Garmisch-Partenkirchen starb.
Im Jahre 1933 nahm Strauss die Position des Präsidenten der Reichsmusikkammer (Reichskammer der Musik) an. Er würde es rechtfertigen, die deutsche Musik vor Einflüssen zu bewahren, die er schädlich richtet
Flott looks so much as Hellen Mirren here it's crazy.
Ja, ich weiß, aber die KaufDVD hat Kleiber nicht eingeblendet... das ist ja meine Problem :-//
The singing is marvelous. Unfortunately, as much respect as I have for Kleiber, he's clocking in at 100 to the quarter note at Marschallin's "wird er so...", where Strauss specifies 88 to the quarter. For such a glorious moment, Kleiber is much too brisk.
muslit I totally disagree; it's building to a climax, the truly glorious moment hasn't happened yet. Furthermore, there is a LONG history of tempo modification in Romantic German music (it's pretty extensively documented in Brahms's case, and extends into the 20th century with Strauss and Mahler). Thank god for this video, because you can actually see Kleiber pushing the tempo; I think it would be insulting to say that Kleiber doesn't know what he's doing here. One of the conventions contemporary to Strauss synonomized speed with dynamic, crescendi with accelerandi, etc.-this is clearly heard. Yes, composers give metronome markings, but legendary conductor Bruno Walter (who is STEEPED in the Mahler/Strauss tradition) writes in his *Of Music and Music Making*:
“The composer, to be sure, tries his best to make us find the right tempo by his indications. But not even the apparently incontrovertible tempo indication by means of metronome numbers can give us a reliable idea of the speed. A marking such as half = 92 gives us a speed that may be right for the first few bars, but must needs lose its validity as soon as a change in expression demands a modification of speed.”
Not only was this appropriate, but it was expected. I think taking the passage more slowly would bog it down-totally prevent the accumulation of energy that, under Kleiber's baton, he launches skyward at the climax. Kleiber knows what he's doing, and I think it masterful.
bravo104
Try Amazon.
Conducting is NOT following from behind, just the opposite - inducing the performance, setting the flow in motion, creating the atmosphere of what you want the music to express.
Imo great conducting supersedes leading or following
The bottom line is this: I respect that you cherish this performance. But I'd hope you'd give me the same respect for my opinion. One doesn't have to agree. By the way, I played Traviata in Florence with Kleiber in the 80's and I thought it was great!
whatever - i thought it was way too fast, checked it out - sorry, too fast for me -
Sad followers
I don’t like the forced accelerando at all.
Apparently it’s right there in the score.
This is an overlong, unbearably boring opera - except for the moments like that, with female duos and trios. Someone needs to make a "greatest hits" record, cutting out all the drivel (90%, LOL) and only collecting the "moments". This is one of them, thanks for posting.
+john dow it's a point of view:) I love every note of Strauss's music. Glad you enjoyed this though
+TheMinisigi Maybe I need to listen more? That works at times.... we'll see.
Cannot agree. Not about this opera.
I would agree if you talked about Tristan und Isolde etc...but this opera is ...fun, greatest music and taking a historical glimpse into a time window of Maria Theresian era of Vienna that is so well caught! It is a masterpiece and well written, too, by von Hofmannsthal.