I like to put the analog on, with digital 8 bit, drive the input, put up the input discrete echoes and turn the tone down on output echoes with a large size...
@@Unders You can get so many different tones out of this i just prefer reverb dirty, like Valhalla Vintage im always using the dirty plate n dirty hall mode. Btw maybe the best reverb for that sound is Goodheartz Megaverb...fire
Right. But that is a bit flawed with something that 1 would live on a bus mostly and 2 will vary wildly based on settings. Each to their own n the end but I see no reason to go with inferior processors. I mean the track I used in the video is 150 channels deep, and runs fine.
I mean I got it just a cheap reverb to start my collection and it does take a lot of CPU. I was thinking of using it on a lot of tracks at a time but it’s just too heavy of a load for me. Some people just don’t have a super nice PC with awesome capabilities.
If you're highlighting the ER types why not crank the ER/TAIL control all the way left so we can actually hear what's happening? Think, man. Moreover, don't talk as you A/B different settings. Human auditory memory is too short.
@@Unders Sorry, dude, I have a bad habit of commenting while overtired and irritated. I could have made the same point without coming off as such a schmuck.
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Yes this and Audioritys Xenoverb are really all you need.
I like to put the analog on, with digital 8 bit, drive the input, put up the input discrete echoes and turn the tone down on output echoes with a large size...
That’s interesting 🤔 I always reach to H-delay for that kind of feel. Will try this out.
@@Unders
You can get so many different tones out of this i just prefer reverb dirty, like Valhalla Vintage im always using the dirty plate n dirty hall mode. Btw maybe the best reverb for that sound is Goodheartz Megaverb...fire
Oh! I hadn't realised before that Damping/Envelope/LFO were exclusive.
Not that I muck around a lot with reverb tails.
I'll have to go play ...
Reverse + LFO gives some gnarly effects
Great video! Thank you so much for the detail ❤️
Glad it was helpful!
Very informative. Thank you
Glad it was helpful!
nice tutorial and well delivered. You lost me when you dismissed the long reverbs from the get go. why?
CPU heavy, seldom needed in a mix unless you want like church bells ringing in a village vibe.
Nice but very scary sounding song.
😆
Ty bro
🙌
@@Unders appreciate a lot your time. For vocals I need to use the mono h reverb, right?
It's good but it's cpu hungry i rather use a free reverb
Never once noticed a CPU pull with it 🤷♂️
@@Unders it is CPU hungry i promise you that in i got 32 in studio one 4.6 i can see how which plugin pulls the most
Right. But that is a bit flawed with something that 1 would live on a bus mostly and 2 will vary wildly based on settings. Each to their own n the end but I see no reason to go with inferior processors. I mean the track I used in the video is 150 channels deep, and runs fine.
Unless ur using the longer tail version its really not cpu hungry at all, alot of free reverbs use way more cpu
I mean I got it just a cheap reverb to start my collection and it does take a lot of CPU. I was thinking of using it on a lot of tracks at a time but it’s just too heavy of a load for me. Some people just don’t have a super nice PC with awesome capabilities.
This sh! Uses so much cpu for me 🤧
unfortunate.
If you're highlighting the ER types why not crank the ER/TAIL control all the way left so we can actually hear what's happening? Think, man.
Moreover, don't talk as you A/B different settings. Human auditory memory is too short.
Okay.
@@Unders Sorry, dude, I have a bad habit of commenting while overtired and irritated. I could have made the same point without coming off as such a schmuck.