Rad piece. Insane, chaotic, brilliantly performed as expected from Miester Trifonov. Can't believe I just stumbled onto this. Thank mass of smart humans working for creating youtube and the library of brilliance so easily accessed.
I had the pleasure of being in Carnegie Hall for this scintillating performance. There was an electricity in the air that was mesmerizing; you could sense the audience sitting on the edge of their seats, hardly daring to breathe.
Trifonov is supremely aware that this was originally an orchestral piece for a ballet and in this amazing performance the piano truly becomes orchestral and the pianist becomes one of the marionettes in the ballet.
So full of life! I recently learned of him, and I can't believe what he is able to do! In college at Indiana University my piano teacher, Hans Graf (visiting from Vienna), performed this in 1972-ish, and I had never heard anything so thrilling. And now here's Daniil inspiring me like that after 45 yrs. and teaching piano 43. Love his rhythmic vitality, unusual interpretations, clarity, and variety. I'm amazed that anyone can have such a superhuman capacity! Makes me want to run to the piano with some of that energy. Ha! He lives in a whole other world than most of us pianists do. Thanks, Daniil!
I just saw Trifonov this evening with Sergey Babayan in a duo recital at Walt Disney Concert Hall. There wasn't any Petrushka, but there were two Rachmaninoff suites and a Rimsky-Korsakov encore. Trifonov is an exciting pianist. What a night!
I was in Bloomington about that time. Guest. Didn't get around at all. Some strange things happened. Very strange. I left. Chicken necks and puppy poop on walls and an amigo for a psychology department.
Hanna Stanfield Me too, am awed by this guy, only a recent discovery for myself, now one of my favorite pianists if not my top choice! Yes am inspired by his playing & do make me want to run to my piano after graduating from the American Conservatory of Music, Chicago in 1988!!
This Stravinsky I liked. I can imagine the poor sad puppet gyrating and flopping (even without Daniil's graphics). Beautifully rendered. Thank you very much Daniil. Cathy
Have you heard Yeol Eum Son's rendering of this seminal piece? It's very different Trifonov's. It's charming. It's not better or worse but it's just amazing to me how two musicians can play the same notes and produce something so different.
Trifonov does something quite extraordinary. He is not just a supreme virtuoso of the instrument, with a rigorously and sublimely developed musicality...he is channeling the composer, the composer's music, the piano, the acoustics in the hall....he is an artist for all time.
No other pianist I know has such an endearing conversation with the keys than Daniil! He plays like he doesn't believe the piano has limitations...warms my heart.
how lucky we are to be alive and hear Trifonov's playing. In an age when most pianists play music as if it's their daily routine, Trifonov always plays with such deeply-felt feelings that the only worry one has is that he might burn himself out too quick too early.
Wonderful wonderful, i see the puppet the moor and doll and all the characters come alive in this extremely exciting performance. He plays with every cell in his body. A gift.
Je ne pensais même pas que l on pouvait sortir de telles sonorités et dynamiques d un piano , c est vraiment génial et tellement immersif dans l univers Musical de Stravinsky , encore mille bravos !
The most characterful interpretation and exciting interpretation of this piece (or these three parts of it) that I've ever heard, whether in the piano arrangement or for orchestra. Bravo!
We just saw him, this afternoon, to perform in Chicago. It was an awesome performance (played Petrushka too) and other very difficult technical pieces - Schumann Toccata in C major, op.7, Shostakovich five Preludes and Fugues, op 87. His technique is mind-blowing. He has such a light, gentle touch. You should travels any miles to see and hear him.
Daniil Trifonov, the musical shining light of a thousand suns, realizes heretofore unheard clarity and virtuosity with the performance of this transcribed version of Stravinsky's Petrushka. He's able to make lightning fast changes in mood and character in his interpretations--simply brilliantly stunning.
Absolutes highlight of pianoperformances - ever !!! Incredible rhytmic presens and control-special in 3. mouv.! - its grooving and swinging realy like a Jazzpianist! ( sometimes like a offbeat :-) ...) And all the "original orchester- colors" he knows to creat at the piano! He is a wonder!!!!! I am speechless.... Thanx for shaering here!
Daniil Trifanov is one of the most electrifying pianists of such conviction, love and fire that i can't recall a single performance which fell flat. He is advancing into a position as potentially one of the greatest pianists of this era. God bless this wonderful pianist. 🌹 🎹
I love how he attacks the piano almost stands up to do it - the piano is after all a percussion instrument - Danill is dedicated to exploiting that exciting feature
@@republiccooper Her performance is an impressive technical feat, to play this piece with such light touch is impressive to say the least. Pollini's performance as you said is extremely controlled (rythm, evenness). Again, I'm extremely impressed, but not moved. What Yuja achieved is mostly due to the fact that the piece wasn't technically challenging enough for her, so she was able to focus on bringing out the orchestral origin of the piece. I was both impressed and moved. It's thematically a dramatic children's piece, it should move you.
@@LightSearch I am more impressed by Yeol Eum Son in this piece than Yuja Wang. Yuja does bring out that childlike playfulness but Yeol Eum brings out something mature and balletic. It's a fully staged ballet to me, with a lot of music thought. I think for Yuja it was in fact very easy which meant that some of the musical thoughtfulness that could have been wasn't. Needless to say I'm still very impressed by both of them. Pollini's performance doesn't move me as it once did but it is the most impressive.
Dopo l'esecuzione "storica" di Maurizio Pollini, che rende l'essenza pianistica di questo pezzo, non quella orchestrale, ecco apparire questa di Daniil Trifonov, che la trascende.
A match made in heaven. Surely the dedication would have been to Trifonov, not Rubinstein, had they been contemporaries. Would like to hear T. play the Agosti version of the Firebird.
To all who like Trifonov - His 2013 Carnegie Hall CD is one of the greatest ever made. For sheer bravura I'd put it up there with the Cliburn Moscow CD. Two sonatas (Liszt, Scriabin) precede Chopin's 24 preludes and Medtner's FairyTale no 2), The artistry and technique is beyond reproach. He NEVER speeds for the sake of speed. In this he is joined by the scantily clad (and incredible pianist) Yuja Wang. Kissin is great but it's been noted several times that he is far better recording than live due to his habit of blurring the notes from playing so fast (and missing a few). The old masters did not need to prove themselves speed demons.
It is the third time I listen to Triffonov and I still find Maurizio Pollini version better, I mean his dynamics are out of this world. He make it sound more natural, effortlessly.
Maurizio Pollini version is far better than Trivinov's . My favourite versions by modern pianists are in order of choice Yuja Wang, followed by Khatia Buniatishvili, then Yeol Eum Son and lastly Trifonov.
Bro that laughter Watching it again I don't think it was rude laughter. They probably couldn't help it. They seemed like they were just moved by the playing (like always with trifonov) and they were moved to laughter.
I just hope that Danil understands that playing this kind of music too often will eventually destroy his hands and wrists. This is fun to listen to. But we are in the process of watching a great artist destroy himself. Pianists can never go back from repetitive stress nerve and ligament damage. Sanjosemike (no longer in CA)
Rad piece. Insane, chaotic, brilliantly performed as expected from Miester Trifonov. Can't believe I just stumbled onto this. Thank mass of smart humans working for creating youtube and the library of brilliance so easily accessed.
I had the pleasure of being in Carnegie Hall for this scintillating performance. There was an electricity in the air that was mesmerizing; you could sense the audience sitting on the edge of their seats, hardly daring to breathe.
Drew Barnard, what happened at 2:42?
@@skrutten_ he did a weird thing
id have laughed too
@@skrutten_ Just typical american audience, they're just looking for a circus performer for fun. They want anything but music.
瀚叔叔 although, Trifonov is no circus performer..
@@skrutten_ the great tragedy of boomer humor
Trifonov is supremely aware that this was originally an orchestral piece for a ballet and in this amazing performance the piano truly becomes orchestral and the pianist becomes one of the marionettes in the ballet.
The Etruscan, He is a Performer per excellence in all its multi dimensions!
ooooooohhh.....
yes exactly!!!
Completely agree. He is very delicate and respects wholeheartedly that at its core, this piece is a dance.
So true!!! I was thinking the same and couldn't have said it better. The way he brings out all the characters... it's just remarkable!
So full of life! I recently learned of him, and I can't believe what he is able to do! In college at Indiana University my piano teacher, Hans Graf (visiting from Vienna), performed this in 1972-ish, and I had never heard anything so thrilling. And now here's Daniil inspiring me like that after 45 yrs. and teaching piano 43. Love his rhythmic vitality, unusual interpretations, clarity, and variety. I'm amazed that anyone can have such a superhuman capacity! Makes me want to run to the piano with some of that energy. Ha! He lives in a whole other world than most of us pianists do. Thanks, Daniil!
Il y a des gens comme cela qui sont de véritables OVNI dans le paysage musical. Tant mieux pour la musique.
I just saw Trifonov this evening with Sergey Babayan in a duo recital at Walt Disney Concert Hall. There wasn't any Petrushka, but there were two Rachmaninoff suites and a Rimsky-Korsakov encore. Trifonov is an exciting pianist. What a night!
I was in Bloomington about that time. Guest. Didn't get around at all. Some strange things happened. Very strange. I left. Chicken necks and puppy poop on walls and an amigo for a psychology department.
Oh, my papa. Slipping into darkness and leaving me there.
Hanna Stanfield Me too, am awed by this guy, only a recent discovery for myself, now one of my favorite pianists if not my top choice! Yes am inspired by his playing & do make me want to run to my piano after graduating from the American Conservatory of Music, Chicago in 1988!!
Pure genius! Taking risks in favor of the music... I hear a Russian soul, I hear Petrouchka! Bravo bravo bravo!!!
This Stravinsky I liked. I can imagine the poor sad puppet gyrating and flopping (even without Daniil's graphics). Beautifully rendered. Thank you very much Daniil. Cathy
Have you heard Yeol Eum Son's rendering of this seminal piece? It's very different Trifonov's. It's charming. It's not better or worse but it's just amazing to me how two musicians can play the same notes and produce something so different.
The brilliant music of Stravinsky and the brilliant performance of Trifonov
Композиторское мышление, абсолютное чувство ФОРМЫ!!! Все ,что бы он ни играл, и с кем,слушается ВСЕГДА на одном дыхании! Браво!
Bravo!!! What a fabulous performance! You can imagine clearly every character from the story while listening to him
Trifonov does something quite extraordinary. He is not just a supreme virtuoso of the instrument, with a rigorously and sublimely developed musicality...he is channeling the composer, the composer's music, the piano, the acoustics in the hall....he is an artist for all time.
YES
Я согласна, он артист на все времена! Петербург.
That performance was electrifying!!!
No other pianist I know has such an endearing conversation with the keys than Daniil! He plays like he doesn't believe the piano has limitations...warms my heart.
how lucky we are to be alive and hear Trifonov's playing. In an age when most pianists play music as if it's their daily routine, Trifonov always plays with such deeply-felt feelings that the only worry one has is that he might burn himself out too quick too early.
buulu poulou Heat! Hear!!
I mean hear! hear!
Wonderful wonderful, i see the puppet the moor and doll and all the characters come alive in this extremely exciting performance. He plays with every cell in his body. A gift.
Je ne pensais même pas que l on pouvait sortir de telles sonorités et dynamiques d un piano , c est vraiment génial et tellement immersif dans l univers Musical de Stravinsky , encore mille bravos !
The most characterful interpretation and exciting interpretation of this piece (or these three parts of it) that I've ever heard, whether in the piano arrangement or for orchestra. Bravo!
7:33 Pure magic. One of my favorite live piano performances so far.
Listen sung chan
Unique interpretation.. something new.. and Trifonov really imagine dat he is Petrushka when performed it
G lad I stumbled on this tonight. Think I’ll be listening to more of both Daniel and Stravinsky!
Trifonov is a magician.
When the pianist makes a piece like his own, you know they're not just playing around...Trifonov means business. His pianism is impressively 3D here.
We just saw him, this afternoon, to perform in Chicago. It was an awesome performance (played Petrushka too) and other very difficult technical pieces - Schumann Toccata in C major, op.7, Shostakovich five Preludes and Fugues, op 87. His technique is mind-blowing. He has such a light, gentle touch. You should travels any miles to see and hear him.
George Urban I heard him last night at the Kennedy Center in D.C, he was outstanding
George Urban Left Chicago 30 years ago! Wish I were back there to hear him, liked his playing a lot!
Fantastic! He seems to dance while playing the piano.
Mvt. I - 0:00
Mvt. II - 2:40
Mvt. III - 7:35
Thx
@@xoloszcheskilee30 mvt? XD
OMG thx I searched all the time for it..
7:30 Lol, I laughed hard about that.
same, i laughed hard in 7:30
@Taylor Jack Nobody cares. I'm not a creep who wants to gain access to other peoples Instagram.
4:24 Stravinsky always intrigued me by these magical melody
Seguramente que si Stravinski lo escucha, está feliz. Bravo Daniil!
Daniil Trifonov, the musical shining light of a thousand suns, realizes heretofore unheard clarity and virtuosity with the performance of this transcribed version of Stravinsky's Petrushka. He's able to make lightning fast changes in mood and character in his interpretations--simply brilliantly stunning.
What a totally over the top comment !!
Er hat alles : Raubtier, Gesang, Sinnlichkeit,Witz.Was für ein lebendiger Mensch!!!
Absolutes highlight of pianoperformances - ever !!!
Incredible rhytmic presens and control-special in 3. mouv.! - its grooving and swinging realy like a Jazzpianist! ( sometimes like a offbeat :-) ...) And all the "original orchester- colors" he knows to creat at the piano! He is a wonder!!!!! I am speechless.... Thanx for shaering here!
He is totally into the music...
16:39 back to the land of harmony :) amazingly beautiful transition & melodies, superb performance by the Master pianist
This is a frenetic composition folks incredibly demanding of the artist he's in a zone that we can only fantasize about.
I saw him play this live, it was an amazing performance.
Magnífico, espectacular como siempre querido Daniil ❤️🎼🎵
Ok - if there any questions - we are in the presence of genius.
Triifonov is able to reconnect to the source from where compositions arise and expresses it with maximum intensity
and balance, like kleiber
Every time he comes to San Francisco, I check him out. He's brilliant !
Daniil Trifanov is one of the most electrifying pianists of such conviction, love and fire that i can't recall a single performance which fell flat. He is advancing into a position as potentially one of the greatest pianists of this era. God bless this wonderful pianist. 🌹 🎹
Magnifique!!! Un feu d'artifice!! Que de couleurs dans son toucher!
I feel honoured by this performance. Thank you!
Btw, don't miss the Petrushka version that is on my chann
7:35 The most beautiful opening ever.
Wonderful idea
legendary... cannot believe why this performance only so far has 342 likes...
Brilliant performance of a supremely dramatic work.
Trifonov has - apart from his exqisite virtuosity - the most remakable imagination. Fascinating - and uplifting!
Это ГЕНИЙ пианизма !!!
I love how he attacks the piano almost stands up to do it - the piano is after all a percussion instrument - Danill is dedicated to exploiting that exciting feature
Jesus I can’t even fathom what this sheet music would look like.
monumental !! genius !! prodigieuse interprétation !
I dont know why but his interpretation actually makes me dance along
🙂
Absolute. Definitive.
C'est Magnifique! Brilliant performance
wonderful! Bravissimo
J'apprécie les commentaires dithyrambiques pour Trifonov, certes, mais écoutez aussi le Firebird par Piemontesi...
Here I hear a piano. In Yuja's Petrushka I hear a full orchestra. Love them both.
What do you hear with Yeol Eum Son's elegant performance and what do you think of Pollini's extremely in control performance?
@@republiccooper Her performance is an impressive technical feat, to play this piece with such light touch is impressive to say the least.
Pollini's performance as you said is extremely controlled (rythm, evenness). Again, I'm extremely impressed, but not moved.
What Yuja achieved is mostly due to the fact that the piece wasn't technically challenging enough for her, so she was able to focus on bringing out the orchestral origin of the piece. I was both impressed and moved.
It's thematically a dramatic children's piece, it should move you.
@@LightSearch I am more impressed by Yeol Eum Son in this piece than Yuja Wang. Yuja does bring out that childlike playfulness but Yeol Eum brings out something mature and balletic. It's a fully staged ballet to me, with a lot of music thought. I think for Yuja it was in fact very easy which meant that some of the musical thoughtfulness that could have been wasn't. Needless to say I'm still very impressed by both of them. Pollini's performance doesn't move me as it once did but it is the most impressive.
Это просто чудо.
With headphones on I can hear what I'm pretty sure are his heavy breaths, somehow makes this more intense.
and so, how great IS he? I'm a "groupie" when it comes to his artistic brilliance. Bien sur!
Dopo l'esecuzione "storica" di Maurizio Pollini, che rende l'essenza pianistica di questo pezzo, non quella orchestrale, ecco apparire questa di Daniil Trifonov, che la trascende.
His strong yet beautiful jaw line is hidden in that... beard. 😣😢😭
Hahaha I think that he looks much better with the beard
Спасибо. Восторг
LOVE THIS!
Genius!!! In ❤️ with Horowitz and Trifonov!
갈수록 자연인이 돼가네요...
A match made in heaven. Surely the dedication would have been to Trifonov, not Rubinstein, had they been contemporaries. Would like to hear T. play the Agosti version of the Firebird.
Say no more! He has recorded it for DG
트리포노프를 알게 되어 가슴 벅찬 감동을 느꼈답니다.
A performance for the ages!!!!
Восторг! Танец музыки
He just proved that a lighter slower Shrovetide Fair is possible.
Magicien
Genius.
To all who like Trifonov - His 2013 Carnegie Hall CD is one of the greatest ever made. For sheer bravura I'd put it up there with the Cliburn Moscow CD. Two sonatas (Liszt, Scriabin) precede Chopin's 24 preludes and Medtner's FairyTale no 2), The artistry and technique is beyond reproach. He NEVER speeds for the sake of speed. In this he is joined by the scantily clad (and incredible pianist) Yuja Wang. Kissin is great but it's been noted several times that he is far better recording than live due to his habit of blurring the notes from playing so fast (and missing a few). The old masters did not need to prove themselves speed demons.
Yuja and Evgeny both lack something in their performances that Daniil does not. Oh, yes, music.
@@Real_Scriabin_Official Written any new Sonatas lately, Alex?
t should be protected. his genius should be protected
PERFECTO
I wonder if Lisitsa uploads her playing of this piece. I bet she has a lot of cool stuff to show.
I missed his recent piano recital in hk and i regret
Come to Brazil
7:27 with his tremendous playing did the stool move back or the piano move forward ?
Heh
Маг, волшебник за роялем, браво.
It is the third time I listen to Triffonov and I still find Maurizio Pollini version better, I mean his dynamics are out of this world. He make it sound more natural, effortlessly.
Maurizio Pollini version is far better than Trivinov's . My favourite versions by modern pianists are in order of choice Yuja Wang, followed by Khatia Buniatishvili, then Yeol Eum Son and lastly Trifonov.
Try Won Kim's too. And Ulman, Weissenberg.
Extraordinário‼️ 👏 👏
congenial interpretation
Outstanding🌟🌟🌟🌟🌟🌟🌟
Grandioso,sublime!
Vadym Kholodenko is the best in this.
очень
Genius
He's wrestling with the piano...Amazing...
This piece and performance are brilliant
He's so funny!!
Formidable!!!
👍🏽👍🏽👍🏽
quite remarkable 👏
절제하는 연주! 엄청 연주 공부 많이 하는 연주자인가 봐요.연주곡들이 아주 다양하고 도전적인 연주자라고 생각했 습니다.?
I can see why stravinsky was a genius when this creepy Russian guy plays.
Was that a video glitch at 5:21 or can he move unnaturally quickly?
Time itself is too slow for him.
@@filippobellotti7898 It's OK! It was only a change in camera angles, done in the edit!
生命が吹き込まれている…。
Bro that laughter
Watching it again I don't think it was rude laughter. They probably couldn't help it. They seemed like they were just moved by the playing (like always with trifonov) and they were moved to laughter.
si bon....
I just hope that Danil understands that playing this kind of music too often will eventually destroy his hands and wrists.
This is fun to listen to. But we are in the process of watching a great artist destroy himself.
Pianists can never go back from repetitive stress nerve and ligament damage.
Sanjosemike (no longer in CA)