George didn’t really have the powerful, explosive rock voices Lennon and McCartney had, but his voice was just as beautiful. It was rough but gentle, mystical and the way he switch between chest, mixed and head voice was always so smooth
I believe George also hits an A4 chest note in Twist and Shout, during the middle eight with the "ah"s. After the "ah"s, all the beatles [except for Ringo :(] sort of do they're own vocal thing. You can distinctly hear Paul going up to that high A5, and John shouting "Whoa! Hey, well!..." However there is a third voice (most definitely George, although it may sound like John at first) that does another "ah", the same pitch as George's C#4 "ah" from the first set of "ah"s, and then goes on to match the note on the "well" that John sings, which is an A4. Listen to the song, you'll hear it (around the 1:25 mark in Twist and Shout)
This guy could go pretty deep when he wanted to. He sang the bulk of his early and mid Beatles songs in a high baritone register, but he sang the bulk of his later Beatles songs and his solo music in a low tenor register. 2:28 - We can't really hear George Harrison in the background, since his and John's background vocals are covered by Linda's background vocals. Though we get to hear his and John's background vocals in the Naked mix which omits the background vocals Linda provided.
@@GuajoloteGonzales Last I checked, John was definitely a lyric baritone with a good upper range. His timbre is too dark to be a tenor. But not by much. I find George's vocal to be at least deeper than Paul's. I know that George's vocal can appear weak compared to John and Paul's, but then I've always found George to have a more fragile vocal in general. Paul definitely appears to have more powerful low notes than George. But then I find him to have more powerful high notes as well.
@@c.syde65 That happens because is more a technical issue than to their register, the fact that George sounded lighter than Paul in Something makes him a full lyric tenor, but without enough technique to sing as high as Paul or even more, also John has the same overtones and harmonics of Mario del Monaco and Roy Orbison, both dramatic tenors, and is totally noticeable in the Besame Mucho version of the Get Back sessions that Paul is singing like an spinto and John as a dramatic one, the John's voice timbre is too light for a true baritone, by example, Jim Morrison was a true lyric baritone and sounded much darker and heavy than John, also a baritenor like David Freiberg (Quicksilver Messenger Service) sounds deeper and darker, while John sings more like Roy Orbison or John Fogerty.
George was underrated as a vocalist. Listen to Wah-Wah (2020 Remix), Beautiful Girl, Any Road, Stuck Inside A Cloud, Dear One, Dark Sweet Lady, Ooh Baby etc... He could sing baritone, tenor, falsetto, soft regular, clean, rough, with studio effects or not, breathy. All these songs have very good vocals.
TLMAP do you have videos of John Paul and Ringo's vocal range if they are blocked on UA-cam you can post them on Dailymotion they have less rules on copyright.
Danny Boy I used to, on an inactive collab channel, but I have lost them. I may be able to retrieve them though. Sorry for missing your reply for so long.
Yeah, there's no way George could have gone that high. Even Paul was struggling to reach the notes which was why he got Linda to overdub backing vocals on to "Let It Be".
George had the best voice in my opinion
The more time goes by the more I appreciate it.
I think Paul is the best and then comes George
@@agustinblanco5996 I think Paul was the best singer range wise, but there's just something about George's vocals that melt my heart.
@@ScarletVoodoo george really outdid himself so much. It was amazing
George didn’t really have the powerful, explosive rock voices Lennon and McCartney had, but his voice was just as beautiful. It was rough but gentle, mystical and the way he switch between chest, mixed and head voice was always so smooth
he definitely could sing powerfully
I love this man so much
I believe George also hits an A4 chest note in Twist and Shout, during the middle eight with the "ah"s.
After the "ah"s, all the beatles [except for Ringo :(] sort of do they're own vocal thing. You can distinctly hear Paul going up to that high A5, and John shouting "Whoa! Hey, well!..."
However there is a third voice (most definitely George, although it may sound like John at first) that does another "ah", the same pitch as George's C#4 "ah" from the first set of "ah"s, and then goes on to match the note on the "well" that John sings, which is an A4. Listen to the song, you'll hear it (around the 1:25 mark in Twist and Shout)
This guy could go pretty deep when he wanted to. He sang the bulk of his early and mid Beatles songs in a high baritone register, but he sang the bulk of his later Beatles songs and his solo music in a low tenor register.
2:28 - We can't really hear George Harrison in the background, since his and John's background vocals are covered by Linda's background vocals. Though we get to hear his and John's background vocals in the Naked mix which omits the background vocals Linda provided.
Actually, he was a lyric tenor and his lows are lighter and quite weak compared even with Paul's lows (he's a spinto), John was a dramatic tenor.
@@GuajoloteGonzales Last I checked, John was definitely a lyric baritone with a good upper range. His timbre is too dark to be a tenor. But not by much. I find George's vocal to be at least deeper than Paul's. I know that George's vocal can appear weak compared to John and Paul's, but then I've always found George to have a more fragile vocal in general. Paul definitely appears to have more powerful low notes than George. But then I find him to have more powerful high notes as well.
@@c.syde65 That happens because is more a technical issue than to their register, the fact that George sounded lighter than Paul in Something makes him a full lyric tenor, but without enough technique to sing as high as Paul or even more, also John has the same overtones and harmonics of Mario del Monaco and Roy Orbison, both dramatic tenors, and is totally noticeable in the Besame Mucho version of the Get Back sessions that Paul is singing like an spinto and John as a dramatic one, the John's voice timbre is too light for a true baritone, by example, Jim Morrison was a true lyric baritone and sounded much darker and heavy than John, also a baritenor like David Freiberg (Quicksilver Messenger Service) sounds deeper and darker, while John sings more like Roy Orbison or John Fogerty.
Also, you can check this video were you can compare the registers of the singers: watch?v=TFZaEjpWse8
Forever my favorite beatle
George was underrated as a vocalist. Listen to Wah-Wah (2020 Remix), Beautiful Girl, Any Road, Stuck Inside A Cloud, Dear One, Dark Sweet Lady, Ooh Baby etc... He could sing baritone, tenor, falsetto, soft regular, clean, rough, with studio effects or not, breathy. All these songs have very good vocals.
best beatle voice 🤭
hailey Paul
he is my favourite, but paul had by far the best voice
dulce flavia paul had the best voice technically, but it’s silly to compare them anyway so who cares which was the ‘best’
George tenía una voz mucho más dulce
I think George could hit a falsetto c6
Have you got an audio clip?
TLMAP do you have videos of John Paul and Ringo's vocal range if they are blocked on UA-cam you can post them on Dailymotion they have less rules on copyright.
Danny Boy I used to, on an inactive collab channel, but I have lost them. I may be able to retrieve them though. Sorry for missing your reply for so long.
@@stellafournodavlou can I see them
@@dannyboy141 I will put them up in the near future.
If you shifted George’s range up an octave, it would basically be mine! Except I can only hit Ab5
Would you classify George due to his timbre as a high baritone or low tenor? Thx
Blue Jay Way
Holy hell that first one sounded like Tom Petty
The C5 in Let it Be was by Linda McCartney. George has the lower most voice.
Also, the B4 on "Awaiting On You All" was performed by Bobby Whitlock.
Yeah, there's no way George could have gone that high. Even Paul was struggling to reach the notes which was why he got Linda to overdub backing vocals on to "Let It Be".
@@c.syde65 I wonder if her voice would still be on it if John had been there (he probably would have done the middle harmony)
@@elirosen1391 And what do you think George would have done?
@@c.syde65 he probably would have stayed on his own part.
Some. Songs are now t sung ny george but. Sung by paul and john i should know. Im familiar. With their voices im an avid. Fan of them
He never gave a bad vocal performance so what was the point of this??
Do you know its range? I don't know, it seems pretty obvious