Creating Proxies and Ingesting for Faster Editing - Learning Premiere Pro 2024 - Episode 18

In this episode, I show how to use the updated Ingest and Create Proxy workflow proprietary to Premiere Pro version 24. Creating proxies makes editing smoothing and faster, especially on slower machines.
00:00 - Start
00:11 - Introduction
01:13 - What's the point of creating Proxies?
02:04 - Ingest Settings: Create Proxies
02:49 - Creating Proxies
04:45 - Watermark
04:59 - Apple ProRes QuickTime Proxy Codec
05:22 - Choosing Proxy Location
06:07 - Media Encoder
06:31 - Proxy in the Metadata Display
07:41 - Proxies Attached
09:15 - Toggling between Proxies and Original Footage
11:12 - Conclusion

[@fionanokelly]

I was always struggling with jumpy videos as I edited. This is a great tutorial. Thank you once again.

[@elid377]

WELL DONE CHAN

[@user-rf4lw8yl7s]

شكرا❤️❤️

[@user-rf4lw8yl7s]

❤️❤️❤️

[@acdragonrider]

8:25: The workflow my editor and I did for a project was to create our proxies in resolve and we then outputted an ale and proxy xml from there. We imported the ale into premiere and then linked back to the proxy footage. That should be fine and different from what you’re explaining right?
It was for a vertical show and as we were ingesting our clips in resolve, we wanted to adjust all the clips collectively into vertical format so we did that first in resolve before exporting them out for premiere.

[@chinfat]

That's a similar workflow that I like to use with the XML. Creating proxies in Resolve is faster than in Premiere. But I prefer editing in Premiere. So I often round-trip from proxies in Resolve to editing in Premiere, then going back to Resolve for the color grade. This tutorial is for those who wish to stay in Premiere for the entire process.

[@acdragonrider]

@@chinfatMakes sense! Thanks man!