@@louiswolfe5012 Thats not up to me, please request it at Old Holland directly. When I post their email here, my post is being removed, but you can easily find it on the Old Holland website. Good Luck!
How would Raw Sienna differ from Yellow Ochre, would I need a Raw Sienna alongside Yellow Ochre or Mars Yellow? Is your Burnt Sienna PBr7 or PR101? I kinda like the orangey PR101 a bit more.
Today I learned that glazing is not just for pottery! The example at 0:28 is interesting. To me it still looks pretty opaque. Wouldn't applying this to a painting cover the layer underneath it?
@jeanbigboute, good to hear you learned something from the video! Thanks for your feedback. Glazing can be used in many different opacities, depending on your wishes. When applying a more opaque layer, so that the painting underneath is only just visible, the glazing layer is usually still worked wet on wet. With subtler glazing layers you can indeed work much more transparently and softly. Then it usually just involves adding a different color temperature or depth.
Absolutely love this video series. Thank you.
Thank you so much David, that is really good to hear!
Thank you for this series.
u are my favorite channel
Thank you ZahranJamil!
I really enjoyed this, thankyou
Thank you for your feedback Ashley
Thank you, it helps a lot!🌿
Thanx @rikkenielsen8678
awesome 👏
Thank you @nordicvolkan8589
Great video as usual from y’all
@Rockheadsling Thanx!
Pls upload more
Thank you @louiswolfe5012, we will do just that. But our pace is somewhat slow.
@@LennaertKoorman
Question
Can I be sent some stuff for a project pls
@@louiswolfe5012 Thats not up to me, please request it at Old Holland directly. When I post their email here, my post is being removed, but you can easily find it on the Old Holland website. Good Luck!
How would Raw Sienna differ from Yellow Ochre, would I need a Raw Sienna alongside Yellow Ochre or Mars Yellow?
Is your Burnt Sienna PBr7 or PR101? I kinda like the orangey PR101 a bit more.
Today I learned that glazing is not just for pottery! The example at 0:28 is interesting. To me it still looks pretty opaque. Wouldn't applying this to a painting cover the layer underneath it?
Not if you use some medium to thin it
@jeanbigboute, good to hear you learned something from the video! Thanks for your feedback. Glazing can be used in many different opacities, depending on your wishes. When applying a more opaque layer, so that the painting underneath is only just visible, the glazing layer is usually still worked wet on wet. With subtler glazing layers you can indeed work much more transparently and softly. Then it usually just involves adding a different color temperature or depth.
@@LennaertKoorman Thanks! I'll have to look out for all this next time I'm in a museum. So much going on "under the surface"...