Havana club.. ahhahahaha Greetings, you were my hero in Classical Guitar Festival in early 2000s in Volos! :D Thanks for everything! I remember one time you interrupted the masterclass when I entered the room to say Hi to me, I still remember this moment! :D
Qué sonido! Qué balance! Me parece que me voy a poner a estudiar un poco.. Muchas gracias por compartir tu conocimiento. Me dejas muchas cosas para reflexionar...
Hi Lawrence. Again and again se your comments. Thanks so much for your interest. Where do you live? let us meet somewhere soon with the guitars and drink some good wine...
Me parece muy interesante la perspectiva del "apoyando" y el "tirando". Sería muy interesante un vídeo en español o con traducción ( correcta) para los que no dominamos el inglés.
Marco Tamayo le pregunté a ricardo gallén una vez, que quién era el guitarrista que mas facilidad podría tener…. y me dijo que eras tú a partir de ahí te he seguido bastante, impresionas bastante sí jaja, lamentablemente creo que la técnica se tiene que coger a edad muy temprana, cuando pasas de 18, si estás limitado, estarás limitado, lo único que puedes hacer es contornear algo que ya de por sí no es brillante, un saludo Marco!!!
Mi gran amigo Ricardo. El dice que yo y yo digo que él. Nos queremos mucho y nos hemos ayudado mucho mutuamente. A veces, hasta sin saberlo. Bueno, he tenido estudiantes que empezaron con la guitarra clásica a los 17 años, y han ganado muchos concurso poco después y han hecho una muy buena carrera. Han aprendido por varios años lo que siempre he querido y disfruto enseñar, y tocan con musicalidad y técnica depurada. Ellos son los mejores ejemplos de lo que digo. Un gran saludo.
Simplemente asombrado, gracias por sus interpretaciones y consejos, el músico es más músico cuando no se guarda la enseñanza. De casualidad hay algún lugar donde pueda comprar la transcripción de bebé 1006a, esta pieza me cambio mi perspectiva de la guitarra, una pieza con grandes retos, Miles de digitaciones , es un universo musical.
+Marco Tamayo Dear Marco, thanks. Undoubtedly many students and pros alike would love to hear what you want to say/share about Guitar and Music in general but... what's the point of these videos? I've seen some, and got the impression that those are in a series of Technical Lectures "to be released soon"; but since these were made in 2016 and, so far, nothing had came out as a 'complete package', hence my question: what they're for, exactly? If your intention were to share it, then why to edit them short, offering only a 'preview'? If your intention were to sell it (maybe to paid members/subscribers), then why there's no mention of it at all in the Description above? Also, notice that if your intention was to be heard and clearly understood, then why your staff was so incompetent at recording and editing it properly? I can't tell you it all here, in public, but you really need to urgently upgrade your Video staff, as they're ruining it for you. If you use Skype and want to have a more direct contact, you can PM me and I'll get back to you asap. Those were my concerns about these unfinished videos that most (I guess) would like to see in its entirety. Other than that, my homage and due compliments on your exceptional technical skills, you were really gifted in this life. All the best for you and your family, always! Muchas Gracias desde Brasil!
HI! Thanks for your comments. The intention was and still is to create a line of teaching connected to the base of the guitar performance and supporting the musical charge of the compositions. Unfortunately I had not enough time to continue posting regularly as concert tours and teaching got lot of time of mine. However, I still have in mind to create a platform for teaching and to share my musical ideas. Thank you again for your advices and critics. We will take them into consideration. best regards!
apoyando vs tirando is a ghost discussion in classical guitar. full apoyando (with resting finger on the next string) is important for students to build up a standard for a full and round tone, but not even flamenco players use full ap. for their fast lines.
Hi Gerd, believe me, there is only either apoyando or not apoyando. Three basic movements in the right hand. Apoyando is the most natural for the hand, providing balance and relaxation. Indeed, that is why it is possible to play fast line and directional, and forte, and all desired if playing apoyando. We could meet somewhere and I can explain better what I mean. Flamencos does it full in their fast lines. Best regards!
Andres Batista, a well known player and teacher from Granada told me so (30 years ago). He exactly said : "there is no time to rest a finger anywhere. Start slowly with getting the finger to the next string. But playing real tempo, you will come in touch with that string casually, but not regulary or for resting a finger." Same for classical players in my opinion.
Hello Marco ! You are very good at showing tirando and apoyando, but have you ever talked about Legato ? I watched something on You tube and didn't find it .
Muy buen video Marco! Hace tiempo tengo una dificultad con el toque al aire (o tirando) que no me pasa al tocar apoyado. Como que apoyando los dedos tienen de por si una determinada presión que es mas complicada de lograr al aire, si quiero tocar tirando tengo que hacer mas esfuerzo y no tengo la misma velocidad y soltura que apoyando (ni hablar del volumen, pero creo que eso es algo natural). Sabes si es normal esto? Si ya de por si el toque al aire es mas complicado de dominar que el apoyado? Gracias
Interesting; to play rest stroke in the BWV 1006 prelude, at that speed, is quite a challenge. Is it musically justified and technically feasible for the entire length of the piece? Questionable, even when it is attempted by a great performer like Mr. Tamayo.
It is of course possible to play including apoyando throughout the whole work, which does not mean to play everything apoyando. There is nothing questionable here as apoyando is a sing of balance, not force or anything else. As a result of using it, we can have a strong sound and volume in some places where it si needed and tirando wouldn't -cannot provide us with that.
Hi Cliff Forrest. I am Marco Tamayo, and wish to thank you for your tolerance, respectful and encouraging comment. In change, I would like to invite you to my festival in Klagenfurt. I really take care fo the musicians and respect them as they deserve so. I brought Leo Brouwer, Edin Karamazov, Aniello Desiderio, Ricardo Gallén, Franz Halasz, Hu Bin, Tal Hurwitz, Zoran Duckic, Silfredo Pérez, Grisha Goryachev, Costas Cotsiolis, among great others. It would be a Honor to write your name in a roster like the mentioned before. Musicians shared a concert here so I propose you to share for the next time with Grisha, a tremendous Flamenco player. Please send me a video of your performances life at your soonest convenience. If possible, I would prefer slow music as, based on my experience, Grisha will provide the other side. Well, couple of fast passages would be appreciated as a contrast in your program. You can contact me either on Facebook or here. Feel free to send me the video public or private. I am much looking forward to share the stage with you. Yours sincerely, Marco Tamayo.
Wonderful lesson! I am currently making my way through the Prelude 1006. Do you have a version I can buy or download-- would love to use your fingerings.
Hi. I am on the work to do that... it is a lot to write there! As soon as we are ready to publish it, we will let everyone know. Thanks for your interest.
Dear Ed, thank you for your comment. If this is a show off, please give your face and show me how to do it then. I believe everyone can learn a lot from the others. You in stead, take your time to criticise performers. Looking forward to meet you face to face and share time playing guitar. Behind the curtain all is possible. Showing the face the story may change. Remember Platon: "Everyman can hurt others, but not everyone can do good" and another one: "The wise man will always want to be with someone who is better than him". All the best dear Ed Zmuda.
well, this once more, depend on the passage and the character of the music. It depend also on the technical demand of the passage. For directional and fast scales, apoyando is much balance there for louder and faster...
Marco damn it, give us a real close up of your nails after you finish them in a few different angles. Also give us a real good angle on your rapid playing and show it in real time, then show it in slow motion.
El libro de los principios (creo te refieres a ese) está aún por salir. En la editorial www.marcotamayoedition.com y yendo a la shop puedes encontrar artículos que explican un par de principios y ejercicios para aprender los ocho mov. básicos, además de partituras editadas con digitaciones explícitas.
Apoyando always sounds a bit more stakkato-ish to my ears, especially in fast runs. Similar to chicken picking in country-guitar. I'm not sure if I like it with baroque-style music. Maybe it is a matter of what you are used to hear.
Hello. Marco Tamayo here. Apoyando always existed also in Baroque music. Apoyando more or less staccato depends on the skills of the musician who porform it. It isn't fair to judge a technical procedure of this kind in that way, as it sounds different from hand to hand, according to the way it is done and the movement used for it. Best wishes!
Well explained with demo of both Apoyando and Tirando techniques, especially the Apoyando usage with different dynamic colours as required in a phrase of a piece and that is reasonably justifying I guess.. Good job dude.. God bless.. Warm cheers..siva..gtr..cbe.. India.. 😊🙏🎶🎸
Hi Cliff Forrest. I am Marco Tamayo, and wish to thank you for your tolerance, respectful and encouraging comment. In change, I would like to invite you to my festival in Klagenfurt. I really take care fo the musicians and respect them as they deserve so. I brought Leo Brouwer, Edin Karamazov, Aniello Desiderio, Ricardo Gallén, Franz Halasz, Hu Bin, Tal Hurwitz, Zoran Duckic, Silfredo Pérez, Grisha Goryachev, Costas Cotsiolis, among great others. It would be a Honor to write your name in a roster like the mentioned before. Musicians shared a concert here so I propose you to share for the next time with Grisha, a tremendous Flamenco player. Please send me a video of your performances life at your soonest convenience. If possible, I would prefer slow music as, based on my experience, Grisha will provide the other side. Well, couple of fast passages would be appreciated as a contrast in your program. You can contact me either on Facebook or here. Feel free to send me the video public or private. I am much looking forward to share the stage with you. Yours sincerely, Marco Tamayo.
Well, you don't have to agree. The history and the documents that we have of the lute players show that there is apoyando in the Baroque. Furthermore, it is clear that you understand both as really different things. I do not. Furthermore, Ying and Yang do not exist without each other. But even more, I can demonstrate that it works, that the combination of both solves many of the problems of yesteryear and current in the interpretation of Baroque music. Therefore, I encourage you to send or post a video of this work, the BWV 1006 Prelude, played by you. Then and more, All famous guitarists use both procedures in baroque music. And I do not have enough space or letters to give more examples. And the celebrities that I refer are not Spanish. And the famous Spaniards, for the most part, do not use apoyando on the baroque ... then? send me a video please. And thanks for your comment. You know my name and who I am. Could you give your face here too? Easy to write behind the curtain... right?
Apoyando and tirando combo always the best option tone wise! Nice work!
The most inspiring guitar instruction video I have come across since I watched Barney Kessel's Jazz guitar video. Muchas gracias/Many thanks, Maestro!
Havana club.. ahhahahaha Greetings, you were my hero in Classical Guitar Festival in early 2000s in Volos! :D Thanks for everything! I remember one time you interrupted the masterclass when I entered the room to say Hi to me, I still remember this moment! :D
Qué sonido! Qué balance! Me parece que me voy a poner a estudiar un poco.. Muchas gracias por compartir tu conocimiento. Me dejas muchas cosas para reflexionar...
speed is not the problem..must play JS Bach musically. start very slowly and speed to the normal speed as indicated in the score.
Hi Lawrence. Again and again se your comments. Thanks so much for your interest. Where do you live? let us meet somewhere soon with the guitars and drink some good wine...
Gracias Maestro por compartirnos tus conocimientos, saludos.
You are the best person to talk about this
Genial!! Gracias! Marco.Un Abrazo desde Corea.
Gracias! Abrazos para ti también desde Austria.
buen video lo estoy escuchando con auriculares y se escuchan como suenan los armonicos en la guitarra cuando hablas
A magnificent lesson.
I love how he said religious,rhetorical and geological!
jajajajajjajajaj
Que inspiración escucharte marco! Un abrazo!!
Un gran placer! publicaremos videos con regularidad, quizás cada semana uno... Un gran saludo amigo!
Gracias MARCO, excelente.
gracias amigo!
Ahora entiendo cuanta razón tiene el mi maestro Antonio A. Rodriguez.
Excelente video maestro Marco Tamayo!!
Muchas gracias Marcos. Como yo siempre digo, todas las obras son fáciles, o ninguna lo es. Un gran saludo.
Great video. Thank you!
Really inspiring. Thank you for this video
You are very welcome. We are all a bit community and the world is small. We need to share and work all together.
If you want to learn right hand watch THIS guy.
Me parece muy interesante la perspectiva del "apoyando" y el "tirando". Sería muy interesante un vídeo en español o con traducción ( correcta) para los que no dominamos el inglés.
Muchas gracias por su sugerencia. Así lo haré. Prometo el vídeo. Saludos.
@@12goodmusic por favor maestro muchas gracias
Menuda mano derecha madre mía!!
Gracias. Todo el mundo puede aprenderlo.
Marco Tamayo le pregunté a ricardo gallén una vez, que quién era el guitarrista que mas facilidad podría tener…. y me dijo que eras tú a partir de ahí te he seguido bastante, impresionas bastante sí jaja, lamentablemente creo que la técnica se tiene que coger a edad muy temprana, cuando pasas de 18, si estás limitado, estarás limitado, lo único que puedes hacer es contornear algo que ya de por sí no es brillante, un saludo Marco!!!
Mi gran amigo Ricardo. El dice que yo y yo digo que él. Nos queremos mucho y nos hemos ayudado mucho mutuamente. A veces, hasta sin saberlo. Bueno, he tenido estudiantes que empezaron con la guitarra clásica a los 17 años, y han ganado muchos concurso poco después y han hecho una muy buena carrera. Han aprendido por varios años lo que siempre he querido y disfruto enseñar, y tocan con musicalidad y técnica depurada. Ellos son los mejores ejemplos de lo que digo. Un gran saludo.
Wonderful
Gran tecnico.
Thanks a lot!!
Bravo!
Simplemente asombrado, gracias por sus interpretaciones y consejos, el músico es más músico cuando no se guarda la enseñanza. De casualidad hay algún lugar donde pueda comprar la transcripción de bebé 1006a, esta pieza me cambio mi perspectiva de la guitarra, una pieza con grandes retos, Miles de digitaciones , es un universo musical.
Genial mano derecha ,todo jeje ,felicitación.
+Marco Tamayo
Dear Marco, thanks. Undoubtedly many students and pros alike would love to hear what you want to say/share about Guitar and Music in general but... what's the point of these videos? I've seen some, and got the impression that those are in a series of Technical Lectures "to be released soon"; but since these were made in 2016 and, so far, nothing had came out as a 'complete package', hence my question: what they're for, exactly?
If your intention were to share it, then why to edit them short, offering only a 'preview'?
If your intention were to sell it (maybe to paid members/subscribers), then why there's no mention of it at all in the Description above?
Also, notice that if your intention was to be heard and clearly understood, then why your staff was so incompetent at recording and editing it properly?
I can't tell you it all here, in public, but you really need to urgently upgrade your Video staff, as they're ruining it for you. If you use Skype and want to have a more direct contact, you can PM me and I'll get back to you asap.
Those were my concerns about these unfinished videos that most (I guess) would like to see in its entirety.
Other than that, my homage and due compliments on your exceptional technical skills, you were really gifted in this life. All the best for you and your family, always!
Muchas Gracias desde Brasil!
HI! Thanks for your comments. The intention was and still is to create a line of teaching connected to the base of the guitar performance and supporting the musical charge of the compositions. Unfortunately I had not enough time to continue posting regularly as concert tours and teaching got lot of time of mine. However, I still have in mind to create a platform for teaching and to share my musical ideas. Thank you again for your advices and critics. We will take them into consideration. best regards!
apoyando vs tirando is a ghost discussion in classical guitar. full apoyando (with resting finger on the next string) is important for students to build up a standard for a full and round tone, but not even flamenco players use full ap. for their fast lines.
Hi Gerd, believe me, there is only either apoyando or not apoyando. Three basic movements in the right hand. Apoyando is the most natural for the hand, providing balance and relaxation. Indeed, that is why it is possible to play fast line and directional, and forte, and all desired if playing apoyando. We could meet somewhere and I can explain better what I mean. Flamencos does it full in their fast lines. Best regards!
Andres Batista, a well known player and teacher from Granada told me so (30 years ago). He exactly said : "there is no time to rest a finger anywhere. Start slowly with getting the finger to the next string. But playing real tempo, you will come in touch with that string casually, but not regulary or for resting a finger."
Same for classical players in my opinion.
@@albatrosseable very interesting. I can post a video here as answer. Would you mind?
no idea how to place a video as answer here... any suggestion?
load up to youtube and give a link.
Your right hand is incredible, do you have a method book in how to do this?
“Essential principles for the interpretation on the classical guitar“
Hello Marco ! You are very good at showing tirando and apoyando, but have you ever talked about Legato ? I watched something on You tube and didn't find it .
Muy bueno marcos.cuando pueda puede agregarle traducción al castellano?.saludoss
de acuerdo.
Muy buen video Marco! Hace tiempo tengo una dificultad con el toque al aire (o tirando) que no me pasa al tocar apoyado. Como que apoyando los dedos tienen de por si una determinada presión que es mas complicada de lograr al aire, si quiero tocar tirando tengo que hacer mas esfuerzo y no tengo la misma velocidad y soltura que apoyando (ni hablar del volumen, pero creo que eso es algo natural). Sabes si es normal esto? Si ya de por si el toque al aire es mas complicado de dominar que el apoyado? Gracias
Interesting; to play rest stroke in the BWV 1006 prelude, at that speed, is quite a challenge. Is it musically justified and technically feasible for the entire length of the piece? Questionable, even when it is attempted by a great performer like Mr. Tamayo.
It is of course possible to play including apoyando throughout the whole work, which does not mean to play everything apoyando. There is nothing questionable here as apoyando is a sing of balance, not force or anything else. As a result of using it, we can have a strong sound and volume in some places where it si needed and tirando wouldn't -cannot provide us with that.
Please make sure you've got sufficient volume on the recording if you're going to have a guy talking like this
??? The volume is fine. What are you talking about?
@@vikasuploader hard to hear on the laptop in a busy place.
Hi Cliff Forrest. I am Marco Tamayo, and wish to thank you for your tolerance, respectful and encouraging comment. In change, I would like to invite you to my festival in Klagenfurt. I really take care fo the musicians and respect them as they deserve so. I brought Leo Brouwer, Edin Karamazov, Aniello Desiderio, Ricardo Gallén, Franz Halasz, Hu Bin, Tal Hurwitz, Zoran Duckic, Silfredo Pérez, Grisha Goryachev, Costas Cotsiolis, among great others. It would be a Honor to write your name in a roster like the mentioned before. Musicians shared a concert here so I propose you to share for the next time with Grisha, a tremendous Flamenco player. Please send me a video of your performances life at your soonest convenience. If possible, I would prefer slow music as, based on my experience, Grisha will provide the other side. Well, couple of fast passages would be appreciated as a contrast in your program. You can contact me either on Facebook or here. Feel free to send me the video public or private. I am much looking forward to share the stage with you. Yours sincerely, Marco Tamayo.
Wonderful lesson! I am currently making my way through the Prelude 1006. Do you have a version I can buy or download-- would love to use your fingerings.
Hi. I am on the work to do that... it is a lot to write there! As soon as we are ready to publish it, we will let everyone know. Thanks for your interest.
Thanks for the reply :) Will look out for that in future for sure..
Show off!!
Dear Ed, thank you for your comment. If this is a show off, please give your face and show me how to do it then. I believe everyone can learn a lot from the others. You in stead, take your time to criticise performers. Looking forward to meet you face to face and share time playing guitar. Behind the curtain all is possible. Showing the face the story may change. Remember Platon: "Everyman can hurt others, but not everyone can do good" and another one: "The wise man will always want to be with someone who is better than him". All the best dear Ed Zmuda.
I wonder.When I wanna play fast piece. Do you recommend to use apoyando??
well, this once more, depend on the passage and the character of the music. It depend also on the technical demand of the passage. For directional and fast scales, apoyando is much balance there for louder and faster...
Marco damn it, give us a real close up of your nails after you finish them in a few different angles. Also give us a real good angle on your rapid playing and show it in real time, then show it in slow motion.
ok... as soon as I get few minutes I will do it.
watch at 1.5x speed. thank me later
Maestro de casualidad no tiene usted el preludio BWV 1006 digitales?
Aún no tengo escrita mis digitaciones de este preludio. Pero pronto publicaremos unas clases sobre el mismo.
When will this score be made? Would love to buy one
To The prelude from BWV 1006? Its online for free for sure, try freescores.com
En español por favor jeje
Olá Maestro,é possivel comprar os teus livros em pdf?? Digo porque,como vivo longe,já cheguei a pagar tanto de transporte como pelos livros...abraço.
you can find them online on his webpage- I got two technique books online ;)
Maestro por que no encuentro su libro acerca de los 8 movimientos?
pronto en nuestra editorial será publicado
Está por salir. Muy pronto finalmente! www.marcotamayoedition.com
O si se puede comprar, donde se puede?
El libro de los principios (creo te refieres a ese) está aún por salir. En la editorial www.marcotamayoedition.com y yendo a la shop puedes encontrar artículos que explican un par de principios y ejercicios para aprender los ocho mov. básicos, además de partituras editadas con digitaciones explícitas.
Apoyando always sounds a bit more stakkato-ish to my ears, especially in fast runs. Similar to chicken picking in country-guitar. I'm not sure if I like it with baroque-style music. Maybe it is a matter of what you are used to hear.
Hello. Marco Tamayo here. Apoyando always existed also in Baroque music. Apoyando more or less staccato depends on the skills of the musician who porform it. It isn't fair to judge a technical procedure of this kind in that way, as it sounds different from hand to hand, according to the way it is done and the movement used for it. Best wishes!
Well explained with demo of both Apoyando and Tirando techniques, especially the Apoyando usage with different dynamic colours as required in a phrase of a piece and that is reasonably justifying I guess.. Good job dude.. God bless.. Warm cheers..siva..gtr..cbe.. India.. 😊🙏🎶🎸
Why do guys have to play so fast????? He's showing off not playing Bach.
Hi Cliff Forrest. I am Marco Tamayo, and wish to thank you for your tolerance, respectful and encouraging comment. In change, I would like to invite you to my festival in Klagenfurt. I really take care fo the musicians and respect them as they deserve so. I brought Leo Brouwer, Edin Karamazov, Aniello Desiderio, Ricardo Gallén, Franz Halasz, Hu Bin, Tal Hurwitz, Zoran Duckic, Silfredo Pérez, Grisha Goryachev, Costas Cotsiolis, among great others. It would be a Honor to write your name in a roster like the mentioned before. Musicians shared a concert here so I propose you to share for the next time with Grisha, a tremendous Flamenco player. Please send me a video of your performances life at your soonest convenience. If possible, I would prefer slow music as, based on my experience, Grisha will provide the other side. Well, couple of fast passages would be appreciated as a contrast in your program. You can contact me either on Facebook or here. Feel free to send me the video public or private. I am much looking forward to share the stage with you. Yours sincerely, Marco Tamayo.
Fabulous technique.....I think he
would play even faster if he could!......far too robotic!
1006a vs Zyriab haha
No. Rest stroke has no place in Bach. Unless you're from Spain..
Well, you don't have to agree. The history and the documents that we have of the lute players show that there is apoyando in the Baroque. Furthermore, it is clear that you understand both as really different things. I do not. Furthermore, Ying and Yang do not exist without each other. But even more, I can demonstrate that it works, that the combination of both solves many of the problems of yesteryear and current in the interpretation of Baroque music. Therefore, I encourage you to send or post a video of this work, the BWV 1006 Prelude, played by you. Then and more, All famous guitarists use both procedures in baroque music. And I do not have enough space or letters to give more examples. And the celebrities that I refer are not Spanish. And the famous Spaniards, for the most part, do not use apoyando on the baroque ... then? send me a video please. And thanks for your comment. You know my name and who I am. Could you give your face here too? Easy to write behind the curtain... right?
Maestro de casualidad no tiene el preludio BWV 1006 digitado?
aún no todo escrito, pero pronto!