The "trick" with the Lift & Gain Crosshairs is mega satisfying!! You have should put it on the front of this video! This is nobody telling about on youtube!
I have also used the dropper in the upper left of the color wheel box (just under the "Primaries" title). In a lot of cases, this seems to do a pretty acceptable job of it. I have also done white balance in Fusion.
Thank you Casey, I recently switched from a decade with Premiere and was wondering where they hid the WB eyedropper in Resolve and I never would have guessed it was behind those crosshairs! Don't worry, I'll hit Lift, Gamma, and Gain first MOST of the time, ha! Thanks for the tutorial!
wow...that sky trick with desaturation is just excellent...I've totally run into that problem, and most of the time I just do sky replacement...but this is awesome...especially if the sky already looks decent, and especially if I'm on a time crunch...which is pretty much always lol...Thanks!
Are you using color management here to convert from log to rec.709? Or the transformation is entirely handled by your one node here? Great tutorial! Never knew about the white and black point pickers on lift and gain dials.
Nice edit Casey! For better or worse, you need to work in some parallel node action into these vids if you want to keep up with the competition…especially with these types of examples. Rip that adhesive bandage (aka Band-aid) off and crush it. With hope…🤞🏼 Great edit! 🥂
Why not use the "temp" and "tint" controls (just above the wheels) for overall white balance? This should generally have the same effect as white balance controls on the camera. Once you have that dialed in for overall white balance, you can use the wheels to tweak shadows/mids/highlights if needed.
there are many different ways to achieve results. if he used temp and tint im sure someone would ask "why not just use the balance pickers". there may be a reason for NOT using temp and tint, but I dont know for sure because I use color cards in camera as a frame of reference
@@flipnap2112 Sure, it definitely works to do it the way he has. However, if the goal is to make the same overall WB change to the entire image (like an in-camera WB control), then the temp/tint controls are much simpler and act like the camera controls. Changing one control affects the entire image, rather than having to eyeball it with 3 separate controls. If you actually want separate control of the different ranges, then it makes sense to use the primary wheels (or other controls).
@@dack42 tint cannot adjust for indirect color reflections (global illumination for the 3d nerds). WB isn't just a filter you throw onto an image. of course most people wouldn't notice but its technically not the best way for correct white balance
Waqas Qazi did a video on correcting color balance using temp+tint vs lift+gamma+gain vs offset. He suggests using offset first because it adjusts everything (including black/white point) in a linear way. Temp+tint doesn’t affect blackpoint equally to whitepoint. Nor does lift+gamma+gain. Not sure how much it matters in the end tho: Casey still gets good results. Maybe my untrained eyes just can’t tell the difference yet.
Hi Casey. I was hoping you would fix the shot in your thumbnail. My video is similar - orange and underexposed. I was hoping I could follow your example to fix orange-brown but underexposed video - a night shot with yellow LEDs everywhere. All suggestions are welcome.
Haha love your humor!! Amazing video! Oh and btw, can you please please make a tutorial on how to use the planar tracker to place an object on your face? Like how in WandaVision episode 9, (spoilers) Wanda gets her crown and it stays almost perfectly on her face. I saw the BTS of the scene, and she has 3 tracking markers on her forehead, but it didn't work too well for me. I already have a black screen of the crown btw. I tried using the planar tracker, but I'm sure it can be made much better if you make a tutorial.
you can use trackers in fusion and its super easy. dont let nodes fool you into being scared. Casey has a TON of beginner tutorials on Fusion. once you see how easy it is to track something in fusion you'll kick yourself for not jumping in earlier. and basic tracking like you mentioned can easily be achieved in the free version of resolve.
@@flipnap2112 Yeah i know, ive been using resolve for a little while now. I actually was able to do the effect with plaar trackers and trackers, but like i said, it can be much better. and lol im not scared of nodes at all theyre acc quite fun.
@@NeevTHM oh cool. yeah well tracking can and should be done according to the particular task. people will sometimes put small tracker marks on their faces. Track the dots then paint out the dots to remove them later. tracking usually works with contrast. skin doesnt usually have a lot of contrast, dark or light. another method is to use something like mocha or the (almost released) "lockdown", which will track a fee, make a mesh, then warp the face so it stays completely flat. then when your done with your composite/paint work you just "destabilize it" in other words, make it normal again and you've got a perfect track.
Damn...I hate gear snobs! Why not use the 2nd version as a starting point and teach how to adjust from there with the same basic explanation? Reiterating that it's not a perfect method. Still one of my preferred teachers
![DaVinci Resolve - The Fusion Crash Course [Perfect for Beginners!]](http://i.ytimg.com/vi/IxPaoQsjO50/mqdefault.jpg)
I've been editing on resolved for 6 months and yet I'm always learning something new about every single page. Thank you very much Casey Faris.
best tutorial I've watched today🔥🔥🔥🔥🔥🔥🔥🔥
The "trick" with the Lift & Gain Crosshairs is mega satisfying!! You have should put it on the front of this video! This is nobody telling about on youtube!
Just purchased the Master Resolve Course. It is AMAZING and DETAILED. Starting the journey..
You are outstanding. You stand out from the rest with your humor and teaching skills. Keep up the hard work. To a million subs and beyond!
Dude you have no idea how much time and money you've saved me! Thank you thank you thank you
Thanks Casey for this! I've been editing for 17 years and still learn new things.
Great voice, great dictation, great teaching, great video. Been pleasure to listen to.
Casey, you the man! You’ve been my teacher for the past few months;-) learned a lot- thanks amigo👍🏿👍🏿
Thank You for taking the time to show this!
I'm about to start my first edit with resolve ever! Keep em coming!
I have also used the dropper in the upper left of the color wheel box (just under the "Primaries" title). In a lot of cases, this seems to do a pretty acceptable job of it. I have also done white balance in Fusion.
This video single handedly fixed my life! :D Tx Pal!
Am always amazed by your videos. Every time something new in an understandable way... great work
Thank you Casey, I recently switched from a decade with Premiere and was wondering where they hid the WB eyedropper in Resolve and I never would have guessed it was behind those crosshairs! Don't worry, I'll hit Lift, Gamma, and Gain first MOST of the time, ha! Thanks for the tutorial!
Casey, that was really great instruction AND very helpful, Thank you.
Thank you for the video series you've put together! This is priceless for us newbs
Good video. You went in little deep 👌🏻 like correcting bright yellow Saturated sky 👌🏻
Thank you Casey.. really useful
Excellent!!! Thank you.
great explanation, thank you! will try it on my own video now, lets see if its as easy for me...:)
wow...that sky trick with desaturation is just excellent...I've totally run into that problem, and most of the time I just do sky replacement...but this is awesome...especially if the sky already looks decent, and especially if I'm on a time crunch...which is pretty much always lol...Thanks!
I like your sense of humour
Amazing tutorial Casey ! Thank you for sharing with us. It helps me a LOT 😁👍
Such an awesome tutorial! Thank you so much :D
Awesome stuff Casey, thanks man!
"And I Like to party....ugh no I don't, I know for a fact that i don't party, Dave's the party guy." LMAOO gained my like and sub
Nice video Casey. Thanks
Really good, Thank you very much 🙏
Are you using color management here to convert from log to rec.709? Or the transformation is entirely handled by your one node here?
Great tutorial! Never knew about the white and black point pickers on lift and gain dials.
Casey! You're a rocksta!
Fantastic tutorial! Thank you.
Nice edit Casey! For better or worse, you need to work in some parallel node action into these vids if you want to keep up with the competition…especially with these types of examples.
Rip that adhesive bandage (aka Band-aid) off and crush it. With hope…🤞🏼
Great edit! 🥂
Excellent video
Another great video. Take a bow!
Just found the channel!
Love it❤️
Mind blown.
Boy did I ever need this yesterday lol
Outstanding
This is very helpfull, thank you my guy.
Why not use the "temp" and "tint" controls (just above the wheels) for overall white balance? This should generally have the same effect as white balance controls on the camera. Once you have that dialed in for overall white balance, you can use the wheels to tweak shadows/mids/highlights if needed.
there are many different ways to achieve results. if he used temp and tint im sure someone would ask "why not just use the balance pickers". there may be a reason for NOT using temp and tint, but I dont know for sure because I use color cards in camera as a frame of reference
@@flipnap2112 Sure, it definitely works to do it the way he has. However, if the goal is to make the same overall WB change to the entire image (like an in-camera WB control), then the temp/tint controls are much simpler and act like the camera controls. Changing one control affects the entire image, rather than having to eyeball it with 3 separate controls. If you actually want separate control of the different ranges, then it makes sense to use the primary wheels (or other controls).
@@dack42 tint cannot adjust for indirect color reflections (global illumination for the 3d nerds). WB isn't just a filter you throw onto an image. of course most people wouldn't notice but its technically not the best way for correct white balance
Waqas Qazi did a video on correcting color balance using temp+tint vs lift+gamma+gain vs offset. He suggests using offset first because it adjusts everything (including black/white point) in a linear way. Temp+tint doesn’t affect blackpoint equally to whitepoint. Nor does lift+gamma+gain.
Not sure how much it matters in the end tho: Casey still gets good results. Maybe my untrained eyes just can’t tell the difference yet.
Amazing!!
excellent!
Hi Casey. I was hoping you would fix the shot in your thumbnail. My video is similar - orange and underexposed. I was hoping I could follow your example to fix orange-brown but underexposed video - a night shot with yellow LEDs everywhere. All suggestions are welcome.
I must ask how many hours have you edited overall?
Where did the magic T-shape "window" come from and how do you use it?
Haha love your humor!! Amazing video! Oh and btw, can you please please make a tutorial on how to use the planar tracker to place an object on your face? Like how in WandaVision episode 9, (spoilers) Wanda gets her crown and it stays almost perfectly on her face. I saw the BTS of the scene, and she has 3 tracking markers on her forehead, but it didn't work too well for me. I already have a black screen of the crown btw. I tried using the planar tracker, but I'm sure it can be made much better if you make a tutorial.
you can use trackers in fusion and its super easy. dont let nodes fool you into being scared. Casey has a TON of beginner tutorials on Fusion. once you see how easy it is to track something in fusion you'll kick yourself for not jumping in earlier. and basic tracking like you mentioned can easily be achieved in the free version of resolve.
@@flipnap2112 Yeah i know, ive been using resolve for a little while now. I actually was able to do the effect with plaar trackers and trackers, but like i said, it can be much better. and lol im not scared of nodes at all theyre acc quite fun.
@@NeevTHM oh cool. yeah well tracking can and should be done according to the particular task. people will sometimes put small tracker marks on their faces. Track the dots then paint out the dots to remove them later. tracking usually works with contrast. skin doesnt usually have a lot of contrast, dark or light. another method is to use something like mocha or the (almost released) "lockdown", which will track a fee, make a mesh, then warp the face so it stays completely flat. then when your done with your composite/paint work you just "destabilize it" in other words, make it normal again and you've got a perfect track.
I’m here for the color correction party. Can someone point me to the kool-aid jammers?
Hey can you create a tutorial on lightning/ thunder effect in fusion. I am only able to find such effects in after effects
niiiiiiiiiiiccceeee onnneee.
how did you create your intro its bit confusing
Good
Can I use the pick white point on a video color passport?
Damn...I hate gear snobs! Why not use the 2nd version as a starting point and teach how to adjust from there with the same basic explanation? Reiterating that it's not a perfect method. Still one of my preferred teachers
❤️
8:55 what you mean worm? it was shot on Mexico.
casey faris 你好，谷歌识别到你的语言为越南语。。。导致自动翻译也出现了错误。。。。有点痛苦。。。
Are you serious?!
In Photoshop ist's just one click.