@@TekedixXx when I was studying film in college (can't believe I wasted my time doing that), none of my classes discussed how important white balance is and why we should use a card or piece of white paper to get it right. UA-cam is vastly showing how pointless a lot of classes in college are
It's honestly very refreshing to see this perspective. When a guy with expensive equipment say you don't need it I tend to believe it. Got me looking at photo and videography with a brand new perspective. I used to learn shooting in manual at media school and at some point it took the fun out of it. Now I am looking at this all different and feel excited about it again. Especially the part about shooting JPEG. I didn't really know this was a thing. I believed RAW was a must even when I was satisfied with JPEG. Now I just want to spend my energy to create. When I asked to reccomend between an exensive pocket camera and camcorder (around $1200) he reccomended me 2 cheaper camcorders based on what I need it for. I really enjoy this approach and I think you will discover what you need when you stop obsessing over potential limitations. An artist can make anything work. Markus really helps me to prioritize the artistic perspective in my video and photography. With this newfound knowledge I am now looking to stop relying on my phone all the time to capture beauty.
@@SaintElvardielSHMD So many youtubers are guilty of this. They'll say gear doesn't matter and pull out their rigged out RED Komodos. If you wanted to prove that gear doesn't matter use equipment that the any man can afford
I would agree, but I can't say I've witnessed someone with this amount of gear make such a statement. Rather they sound very much in sync regarding their favorite camera. I think a lot of UA-cam videoes look very similar. Yes it's a very good quality -- I do not disagree. However Markus is making me interested in making films for fun. Where the camera is just a tool. Perhaps too many people focus on the quality of their resolution on screen -- and forget the quality of the person within. That is the distinct quality I would rather capture. And in my personal case a handycam would be a great companion. I can only attest to my brief experience with Markus, but he pointed me in the direction of fun and convenience, rather than the highest specs. Remember a lot of pro level stuff has a learning curve. To just bring a camcorder and a DJI mic is easy. I like to make movies for myself that I don't post on UA-cam. I would rather have the footage than to worry so much and loose the shot. That's why my phone has been so great and I will continue using it. Yet my love for cameras have been renewed partly thanks to Markus. I would rather have a library of videos even if they are not 4K. And I feel inspired to go out and get some beautiful pictures with my old Canon 700d and 24mm lens.
German old school diligence, precision and efficiency + American communication skills= Marcus Pix Seriously, every time Mr Pix makes one of these videos he reminds me of my best teacher, who were actually more master craftsmen than modern teachers.
I'm the audiovisual supervisor at my church and we are definitely not shooting in raw lol White balancing for correct colors ahead of time is KEYYYYY. I didn't need to be told this because I already knew, But a wise person in my life always says to me" We don't always need to be told what to do sometimes we just simply need to be reminded" I truly appreciate your videos my friend!! Have an incredible day!
man... I am giving you all my respect. I am a photographer form Taiwan, and your vidos always inspire me a lot. Just wanna say thank you. You are the best!
He popped up in my feed, so I decided to watch. In ten minutes, I've learned more from this guy than the majority of UA-cam photographers claiming to be professionals. He says a lot in so little time, and it's clear and succinct, making him easy to follow with full attention. Nice work.
I've been shooting for 46 years. EVERY time I watch one of your videos, I learn something. I use the ColorChecker Passport, but in the off chance I forget to bring it, the crumpled paper is brilliant!
I would rather have this video than winning any of the camera giveaways. This is why Markus is the BEST and a LEGEND - incredibly useful info AND you're guaranteed to learn something new when not expecting, great entertainment production every time, and I can nerd out and enjoy all the technical science being broken down... THANK YOU Markus!!
The amount of random equipment you have is staggering and incredibly awesome. Thanks for all the nuggets of knowledge and promoting something else than the newest equipment.
You are brilliant!! I have been praising the need to white balance to my pro photo clients for 25 years now. Marcus you are the KING! I am now white balancing my video studio with crumpled printer paper hung below my xrite color card. Brilliant, your logic is perfect. Changed my game, thank you! And a story. years ago one of my clients was doing a shoot of a clothing store owner. Vanity shots of her on a white background, in about 20 clothing changes. he didn't believe me about the need to white balance with each new clothing change. In the night of the store opening, he had the 20 shots up and framed in the store. He invited me saying he needed to show me something.... Guest what, her clothing changes changed the color temperature of his little white studio in each shot! Her dress changed the color temperature of the room. And as a result her skin tone was a different color tone in each shot. We stood there together with the evidence on full display, looking at each other and saying......YUP.
You are the best teacher in the world, even though I already feel like a professional, I follow your channel with so much enthusiasm because you are so excellent at teaching.
My subscription to your channel has helped a 77-year-old man with near zero camera experience put a three-camera podcast room together with Godox lighting, and my camera settings in three Sony's make what people say is perfect video and high-quality audio across the first fifty videos. I learned almost everything from you and the little paper booklets that come from equipment. Thanks.
Thank you. I've been shooting everything for years, and white balance is as simple as the crumpled paper. Spent most of the 80s in gyms, shooting basketball and white balancing off my white tennis shoes. As for people, white balance off your key and let everything else fall into place. If the skin tone is correct, no one gives a shit about some blue and green and whatever else goofing with the frame. I'm with you. Hate fixing in post. Do it right in the camera. God, back in the film days, you didn't know what you had until it came back from the lab, so you learned to get it right the first time...
Those over-the-lens diffusers for WB, you need to hold the camera where the subject is, while pointing the camera at the empty tripod, where you will be recording from. Then it works every time and you measure the lighting on the subject. Where they are neat, is if you don't have someone to hold up a white sheet, or you need to do a survey at a location to figure out how the color temp changes at different spots.
@@memathews I find them useful when working alone, though it is always an icebreaker, to ask the subjects to hold up a white piece of cloth, coffee tray or what else white is at hand.
Digging your outlook regarding shooting Raw - Post - Jpeg - Keep it simple. My sentiments exactly. Nothing worse than spending hours behind a computer editing when I could be having a beer. I cant wait to try your crumpled paper method. Thank you.
So funny how you bring those things we all think about but ignore because we see “sophisticated” and expensive products for anything and then we think is better. Thanks for reassuring and remind us that we need to use common sense and experiment!
I love it! I’ve always believed in “getting it right in the camera” but most UA-cam videos are all about adjusting in Lightroom. I thought I was taking crazy pills.
Greetings from the UK, Markus :) This is absolutely brilliant! Thank you again - you explain things so clearly and cut through the BS every time. You are a hero!
I’ve been looking at getting a grey card. The more I’ve looked the complicated and expensive it’s seemed but I think this video has sorted that out for me. Thank you. 👍
Much better video on this topic. The fact you point out that getting the correct exposure is equally important is the crucial issue with flat white paper, because if they're over exposed that's when the paper could potentially clip; however the crumpled paper is a fantastic solution to almost all issues so long as the exposure is correct. Lots of great information, tips and tricks. Big thumbs up this time. 😊
Omg.. it’s that simple.. !!!! Am not scared of videos as much as I did before .. thank you 😊.. I do event photography .. 90% composition is on the spot .. white balance on Auto.. I change the tone.. color/tint/white balance in post if they turn out to be yellow.. and it’s bulk editing so takes few secs longer..
As more of a hobbyist photographer who likes the look of film photography, I usually just use 5800k or Cloudy setting to replicate the fact that film had fixed white balance (and brands, especially Kodak, liked to give their photos a warmer tint). I then embrace the color imperfections that result from various lighting conditions as "preserving the ambience". I'll sometimes go with Tungsten/3000k for indoor work to represent tungsten-balanced film stocks. Yes, yes I know that professional photographers and cinematographers, even in the era of film, used filters and other means to adjust white balance, either when shooting or in post. But most people shooting photos of their trips or family didn't, that's the look I like.
Stumbled across this thanks to UA-cam algorithm. A pleasure to watch, engaging and informative, and habit changing. I'm gonna try crumpled paper tomorrow. Now for some sleep, perchance to dream ... of perfect white balance! Thank you Markus.
Great video Markus! I appreciate you taking the time to make this. One of my favorite white balances was using a full roll of toilet paper. The talent found it so funny holding it in front of their face, instantly got them relaxed.
Some papers do have special dyes that make it look "whiter than white" (actually blueish). Those papers "glow" under UV light - this is how to test the paper. Bad for white balance. But the idea to use crumbled paper is a good one. Just having a folded-up sheet of a suitable paper in some pocket sounds like a really good idea (and cheap solution).
A side point: Sunlight and incandescent sources can be reliably specified by color temperature because the spectrum they produce is the natural product of their temperature. 'Higher temperature' has more blue and less red, but it's consistent and predictable. LEDs, fluorescents, etc. emit light in specific bands but do NOT have a natural color temperature distribution though it may be good enough for our eyes and our cameras (both of which really only see 3 colors anyhow). An extreme example are those 'daylight' automobile headlights which list things like 6000K. Looking at them through a spectroscope, however, shows this to an illusion caused by artificially dumping a lot of blue light on top of the main beam (and it does little actually improve vision). Bottom line is, as much as possible, use sunlight, incandescent, or LEDs meant specifically for photography to get consistent color.
The magic behind white balance is quite simple. Your camera has three sets of sensors integrated into the sensor chip. Red, Green and Blue. Pure white has equal parts of all colors. White balance adjusts the scaling factors for each of the three color so that the values are equal. Voilà, you have white balance. Simple math can calculate the color temperature from these three values. I was surprised when I learned how simple the technology behind white balance is
GREAT video and helpful. I’ve done the flat piece of paper but I appreciate the review of the color panel items and why crumpled paper can help. Thank you.
ALWAYS use white if you want to white balance. We carried a perfectly white sheet when we went mobile, and Markus' has a video about zooming in at your actual focal length- it is good and basically SOP for pro video. BUT: if you shoot full color performance stages like at Casinos with mixes of robos and handheld, we always use AUTO WB. Why? Well, if you balance for the band specials (Lekos, etc), which are usually 3200 as Markus explains about tungsten glow worms, when the moving lights and follow spots come on at 6k+, your balance is gone anyway. AUTO WB is so good on modern cameras it's good enough for anything except portraits or interviews where nothing ever changes. Try AUTO more, you'll dig it.
I totally missed this one! Dude, I love how you show us the importance of the simple things. Like a piece of white paper. Thank you! I'm actually putting this knowledge to work today. Can't wait to see how it goes.
Thanks for the tricks! I find the diffuser style white balance tools work well when you take the measurement from the subject's position facing towards the shooting position/lights. Much like using the incident mode of a light meter. Helps get a good average.
Just an opinion on the topic of RAW. I 100% agree one should always attempt to get things right in camera before snapping the shutter or recording the video; however, mistakes happen, particularly when more people and gear enter the equation. RAW, color bit depth and log afford one more recovery potential or flexibility to adjust elements if something were to go slightly wrong during the actual shoot. While for personal stuff it's not necessary, it's a great safety net on commercial shooting where the loss of a take could mean the need for a reshoot, and even then random elements will never be quite the same. As an example on this very channel a few months ago there was a video where the white balance was off. For the purposes of the information in the video it didn't impact it, and as this is your personal channel the only individual you had to satisfy was yourself, but if it had been a paying client then that issue could have been solved had it been shot in RAW. It's simply a question of deciding what trade offs are more important for the given situation more than one being inherently better than the other. I love the fact you promote the idea of getting it right so one doesn't need post work or to rely on those steps all the time because they certainly can add to the overall time. Personally I'm a fan of Blackmagic's RAW over other similar solutions because one can apply the corrective LUT in camera and it moves with the resulting file while remaining a relatively small RAW format. Thus I wind up with something that looks like it does in camera without a lot of the extra work associated with other RAW formats while retaining the corrective potential of a RAW format just in case it's needed at the end. The obvious issue is one is either stuck using a Blackmagic camera or an external monitor/recorder for it making the rig cumbersome and clunky and not tiny and small. I keep hoping someday Blackmagic will come out with a camera similar in size to their original pocket cinema camera or let someone like Sigma use it internally in something like the Sigma FP. Anyhow just my 2 cents on that.
Outstanding! I’ve had my A7IV since March 2022 and it never occurred to me to look at Sony’s Custom White Balance Capture feature. The Peasants Rejoice!
Thank you for the great video. I really like how you ocasionally go back to basics and explain them again. Good for people who have recently or not so recently joined your channel. Thanks!
Great video Mark. When I first started shooting video I always wondered why my skin tones always looked off and why my video had weird green or magenta tints till I bought one of those white/grey portable charts that you showed in the video. After I use it for WB my video in camera, it made color grading and post work so much easier. They're super cheap on Amazon as well to where I have 4 of them and keep one in all my bags and my car. It really is an indispensable tool. Its not a sexy topic, much like how people don't talk about having good tripods, but it is something I tell all my fellow photographers and videographers to use. The crumpled white paper trick is also one I used to use for years, but since getting more gigs you have to keep up the appearance of being "professional", so I use those foldable grey card things. Ironically it makes clients feel more impressed. Keep up the great work.
New Canon cameras, R6II, R7, R8, R10, R50, R100 - white balance is set the same as on Sony and Panasonic. You select the white balance, press the button and press take photo, the camera sets the white balance and shows the result - then press any button and you get to the normal mode. You have to press three buttons. Maybe a little more than in Panasonic, but about as fast.
This is such a helpful tip. It's so frustrating to see people say to fix the WB in post, because often you can't get it right. Auto WB in Lightroom is hit or miss, and the presets are awful for my Panasonics, they are always way too magenta. I don't want to spend 20 minutes tweaking the sliders to get them exact so getting the WB right the first time fixes everything.
This such a simple and great idea, its stuff like this is why I love watching this channel. Thanks for all the great uploads, looking forward to the next one.
On Nikon DSLR press and hold WB button, scroll to "White Balance Presets", release WB button and then press again until "Pre" flashes in the viewfinder, press the shutter button to record WB to the selected preset (you can store up to 9). In Liveview it's the same procedure except you get the benefit of being able to zoom in before recording a WB. The camera doesn't record a photo to the SD card but it stores a tiny thumbnail in the WB menu. You can fine tune the WB, add a comment etc.
I rarely need to change WB on my Nikon (it's set at AWB-A0) -- it's usually correct, but still looks pleasant even when slightly off. With my Sony ACii, the AWB is always wrong. I even added a shift in AWB White setting to make it less orangy, and it's still unsatisfactory. I'm ready to dump Sony on ebay, because nothing I do makes the pictures look as pleasant as Nikon.
Brilliant as always. You know, i got way too caught up thinking i needed the best, or close to the best gear. Sure its nice having beautiful equipment don't get me wrong. Although, you can easily get side tracked and lose focus when your wrapped up in the proces instead of just enjoying the moment and taking pictures. So a big thanks Markus, for your time and straight forward, easy to understand way you explain things :)
Markkus I have enjoy your videos Exposure and White balance I think I have learned a lot simple explanation and well very detailed, the bells are ringing
I wholeheartedly agree with - just because we have all the modern tech features and post, doesn't mean you should get sloppy and not try for the best results, even before post. As if you were shooting on film. And often, it does save time.
Markus!!! Thank you so much for your videos. I didn't know squat about filming but after watching some of your videos I got two old cheap Canon HD video cameras and am getting great results for UA-cam promo of my gigging. Thanks!
This is so good to know. I use to use auto white balance but when I was recording in a church with stained glass the light colors change a decent amount when it goes to cloudy and the ceiling lights become more noticeable make it too warm.
Markus, I've been in search of camera after camera and lens after lens for making short films with my family. I've got some great stuff now. But you inspired me to get a camcorder. I picked up a Canon HF R600 at a real good deal and have had more fun with that than anything. Like you always say, just open the screen and record. Thanks man!
I film outdoors and the Sony 405 on auto seems to be ok as it is... 😻 I like the crinkley paper.. I was watching a YT video by 'Professor Simon' about cave paintings yesterday.. seems they made use of the bumpy surface in combination with the light from a flickering flame to create a sort of animation. They also animated a gold disc 1000s of years old, with 12 faces on it.
How many multi-millionaires would take the time to teach the masses such simple techniques to make their lives better ? You are one of a kind Markus !
And it's real valuable info. I paid a lot of money in college to hear someone explain this in a worse way.
@@TekedixXx when I was studying film in college (can't believe I wasted my time doing that), none of my classes discussed how important white balance is and why we should use a card or piece of white paper to get it right. UA-cam is vastly showing how pointless a lot of classes in college are
Markus is as knowledgeable as he is generous!
@@chickenpasta7359Colleges have been intellectual ghettos for some time now teaching people what to think instead of how to think.
Yeah he for sure is a legend! Must be protected at all cost. ALWAYS
Most UA-camrs: "use $200 item I get 3% commission"
Markus: "use crumpled white paper"
It's honestly very refreshing to see this perspective. When a guy with expensive equipment say you don't need it I tend to believe it. Got me looking at photo and videography with a brand new perspective. I used to learn shooting in manual at media school and at some point it took the fun out of it. Now I am looking at this all different and feel excited about it again. Especially the part about shooting JPEG. I didn't really know this was a thing. I believed RAW was a must even when I was satisfied with JPEG. Now I just want to spend my energy to create. When I asked to reccomend between an exensive pocket camera and camcorder (around $1200) he reccomended me 2 cheaper camcorders based on what I need it for. I really enjoy this approach and I think you will discover what you need when you stop obsessing over potential limitations. An artist can make anything work. Markus really helps me to prioritize the artistic perspective in my video and photography. With this newfound knowledge I am now looking to stop relying on my phone all the time to capture beauty.
Im a canon owner 😂 darn it!!
@@SaintElvardielSHMD So many youtubers are guilty of this. They'll say gear doesn't matter and pull out their rigged out RED Komodos. If you wanted to prove that gear doesn't matter use equipment that the any man can afford
He gets 3% of a penny.😂
I would agree, but I can't say I've witnessed someone with this amount of gear make such a statement. Rather they sound very much in sync regarding their favorite camera. I think a lot of UA-cam videoes look very similar. Yes it's a very good quality -- I do not disagree. However Markus is making me interested in making films for fun. Where the camera is just a tool. Perhaps too many people focus on the quality of their resolution on screen -- and forget the quality of the person within. That is the distinct quality I would rather capture. And in my personal case a handycam would be a great companion. I can only attest to my brief experience with Markus, but he pointed me in the direction of fun and convenience, rather than the highest specs. Remember a lot of pro level stuff has a learning curve. To just bring a camcorder and a DJI mic is easy. I like to make movies for myself that I don't post on UA-cam. I would rather have the footage than to worry so much and loose the shot. That's why my phone has been so great and I will continue using it. Yet my love for cameras have been renewed partly thanks to Markus. I would rather have a library of videos even if they are not 4K. And I feel inspired to go out and get some beautiful pictures with my old Canon 700d and 24mm lens.
German old school diligence, precision and efficiency + American communication skills= Marcus Pix
Seriously, every time Mr Pix makes one of these videos he reminds me of my best teacher, who were actually more master craftsmen than modern teachers.
You mean he has good skills in communicating in the English language. If he would have American communication skills he would be screaming.
@@marcel9568I don’t scream.
Crumpled paper is so shockingly simple. Thank you Markus!
I was shocked too. He is so smart!
bro got more experience than I've ever lived.
It’s about time someone actually shows us how to set white balance after 40 years of guessing
Paper Towels work great as well. No reflections. Bounty the quicker picker upper- absorbs light perfectly.
❤️
I'm the audiovisual supervisor at my church and we are definitely not shooting in raw lol White balancing for correct colors ahead of time is KEYYYYY.
I didn't need to be told this because I already knew, But a wise person in my life always says to me" We don't always need to be told what to do sometimes we just simply need to be reminded"
I truly appreciate your videos my friend!! Have an incredible day!
I've been into photography for 5+ years now and this is the first time someone has explained white balancing to me in a way that I actually get it.
This is what is great about UA-cam, knowledge you didn't know you needed.
Because I get deep knowledge on UA-cam; I already knew I needed it but never someone make a video of this quality on the subject.
I watch photography videos every day. This is the first time I've actually seen someone do a white balance reading, in real time, on video.
My lord. I’m in awe of this man’s passion to teach and help us.
And make our lives easier and more happy. Thank you Marcus. 🥰
man... I am giving you all my respect. I am a photographer form Taiwan, and your vidos always inspire me a lot. Just wanna say thank you. You are the best!
Thank you! 😊
@desertfox-fz6qe man where did u bought or earned all the respect from😂
我也這在台灣，要一起拍照嗎
He popped up in my feed, so I decided to watch. In ten minutes, I've learned more from this guy than the majority of UA-cam photographers claiming to be professionals. He says a lot in so little time, and it's clear and succinct, making him easy to follow with full attention. Nice work.
I've been shooting for 46 years. EVERY time I watch one of your videos, I learn something. I use the ColorChecker Passport, but in the off chance I forget to bring it, the crumpled paper is brilliant!
46 is impressive
This guy gives some of the most straight forward, practical advice and tips I've ever seen on youtube.
Markus I just realized you’re the rich McGayver of UA-cam camera gear world! Thank you! Never stop doing what you do!
I would rather have this video than winning any of the camera giveaways. This is why Markus is the BEST and a LEGEND - incredibly useful info AND you're guaranteed to learn something new when not expecting, great entertainment production every time, and I can nerd out and enjoy all the technical science being broken down... THANK YOU Markus!!
You're so insanely knowledgeable
The amount of random equipment you have is staggering and incredibly awesome. Thanks for all the nuggets of knowledge and promoting something else than the newest equipment.
So agree with you, get it right in camera! That's the art!
You are brilliant!! I have been praising the need to white balance to my pro photo clients for 25 years now. Marcus you are the KING! I am now white balancing my video studio with crumpled printer paper hung below my xrite color card. Brilliant, your logic is perfect. Changed my game, thank you!
And a story. years ago one of my clients was doing a shoot of a clothing store owner. Vanity shots of her on a white background, in about 20 clothing changes. he didn't believe me about the need to white balance with each new clothing change. In the night of the store opening, he had the 20 shots up and framed in the store. He invited me saying he needed to show me something.... Guest what, her clothing changes changed the color temperature of his little white studio in each shot! Her dress changed the color temperature of the room. And as a result her skin tone was a different color tone in each shot. We stood there together with the evidence on full display, looking at each other and saying......YUP.
You are the best teacher in the world, even though I already feel like a professional, I follow your channel with so much enthusiasm because you are so excellent at teaching.
My subscription to your channel has helped a 77-year-old man with near zero camera experience put a three-camera podcast room together with Godox lighting, and my camera settings in three Sony's make what people say is perfect video and high-quality audio across the first fifty videos. I learned almost everything from you and the little paper booklets that come from equipment. Thanks.
Thank you. I've been shooting everything for years, and white balance is as simple as the crumpled paper. Spent most of the 80s in gyms, shooting basketball and white balancing off my white tennis shoes. As for people, white balance off your key and let everything else fall into place. If the skin tone is correct, no one gives a shit about some blue and green and whatever else goofing with the frame. I'm with you. Hate fixing in post. Do it right in the camera. God, back in the film days, you didn't know what you had until it came back from the lab, so you learned to get it right the first time...
Perfect Markus! Your comprehensive explanation is worth more than a university volume. 👍
Those over-the-lens diffusers for WB, you need to hold the camera where the subject is, while pointing the camera at the empty tripod, where you will be recording from. Then it works every time and you measure the lighting on the subject. Where they are neat, is if you don't have someone to hold up a white sheet, or you need to do a survey at a location to figure out how the color temp changes at different spots.
Yes that's true.
Yeah, like an incident meter instead of the typical reflective meter.
@@memathews I find them useful when working alone, though it is always an icebreaker, to ask the subjects to hold up a white piece of cloth, coffee tray or what else white is at hand.
Digging your outlook regarding shooting Raw - Post - Jpeg - Keep it simple. My sentiments exactly. Nothing worse than spending hours behind a computer editing when I could be having a beer. I cant wait to try your crumpled paper method. Thank you.
ua-cam.com/video/yzcEG_JoVuo/v-deo.html
Haha love it 🤣@@MarkusPix
So funny how you bring those things we all think about but ignore because we see “sophisticated” and expensive products for anything and then we think is better. Thanks for reassuring and remind us that we need to use common sense and experiment!
Shooting jpeg for my new job has given me a lot more appreciation for getting photos right in camera the first time. This is such good info!
I love it! I’ve always believed in “getting it right in the camera” but most UA-cam videos are all about adjusting in Lightroom. I thought I was taking crazy pills.
Thanks for the passion and simplicity to generate an efficient white balance.
Greetings from the UK, Markus :) This is absolutely brilliant! Thank you again - you explain things so clearly and cut through the BS every time. You are a hero!
I’ve been looking at getting a grey card.
The more I’ve looked the complicated and expensive it’s seemed but I think this video has sorted that out for me.
Thank you. 👍
I must admit, I do just use a piece of white paper; BUT, I never though about it being crumpled!! Thanks for that.
Much better video on this topic. The fact you point out that getting the correct exposure is equally important is the crucial issue with flat white paper, because if they're over exposed that's when the paper could potentially clip; however the crumpled paper is a fantastic solution to almost all issues so long as the exposure is correct. Lots of great information, tips and tricks. Big thumbs up this time. 😊
Great tip, thanks! I tried to correct with a paper towel in the kitchen today. What a difference! Thanks for a great explanation.
Markus, this kind of advice should be declared for an official currency. Thank you so much!
The crumbled paper sheet is a genius tip !
I'll try this when I'll shoot my next concert event.
Omg.. it’s that simple.. !!!! Am not scared of videos as much as I did before .. thank you 😊.. I do event photography .. 90% composition is on the spot .. white balance on Auto.. I change the tone.. color/tint/white balance in post if they turn out to be yellow.. and it’s bulk editing so takes few secs longer..
As more of a hobbyist photographer who likes the look of film photography, I usually just use 5800k or Cloudy setting to replicate the fact that film had fixed white balance (and brands, especially Kodak, liked to give their photos a warmer tint). I then embrace the color imperfections that result from various lighting conditions as "preserving the ambience". I'll sometimes go with Tungsten/3000k for indoor work to represent tungsten-balanced film stocks.
Yes, yes I know that professional photographers and cinematographers, even in the era of film, used filters and other means to adjust white balance, either when shooting or in post. But most people shooting photos of their trips or family didn't, that's the look I like.
Crumpled white paper. Excellent idea. The paper people run quality control on the paper whiteness.
This knoledge
ALL IS GOLD. Thank you
Stumbled across this thanks to UA-cam algorithm. A pleasure to watch, engaging and informative, and habit changing. I'm gonna try crumpled paper tomorrow. Now for some sleep, perchance to dream ... of perfect white balance! Thank you Markus.
It’s wild you’re doing this video right now as I’ve been shopping for vectorscopes recently
Great video Markus! I appreciate you taking the time to make this. One of my favorite white balances was using a full roll of toilet paper. The talent found it so funny holding it in front of their face, instantly got them relaxed.
Some papers do have special dyes that make it look "whiter than white" (actually blueish). Those papers "glow" under UV light - this is how to test the paper. Bad for white balance. But the idea to use crumbled paper is a good one. Just having a folded-up sheet of a suitable paper in some pocket sounds like a really good idea (and cheap solution).
A side point:
Sunlight and incandescent sources can be reliably specified by color temperature because the spectrum they produce is the natural product of their temperature. 'Higher temperature' has more blue and less red, but it's consistent and predictable.
LEDs, fluorescents, etc. emit light in specific bands but do NOT have a natural color temperature distribution though it may be good enough for our eyes and our cameras (both of which really only see 3 colors anyhow). An extreme example are those 'daylight' automobile headlights which list things like 6000K. Looking at them through a spectroscope, however, shows this to an illusion caused by artificially dumping a lot of blue light on top of the main beam (and it does little actually improve vision).
Bottom line is, as much as possible, use sunlight, incandescent, or LEDs meant specifically for photography to get consistent color.
I love this kind of content --
Bacic Photography (How to)
Thanks, Markus ❕
I learn something almost every time and when I don’t I just enjoy you! Thanks for doing YT!
I find your channel so useful! I’ve gain some excellent advice to improve my pictures. I love your get it right in the camera!!!
I have a lot of paper, I'd love to crumple it, thanks Markus!
The magic behind white balance is quite simple. Your camera has three sets of sensors integrated into the sensor chip. Red, Green and Blue. Pure white has equal parts of all colors. White balance adjusts the scaling factors for each of the three color so that the values are equal. Voilà, you have white balance. Simple math can calculate the color temperature from these three values.
I was surprised when I learned how simple the technology behind white balance is
GREAT video and helpful. I’ve done the flat piece of paper but I appreciate the review of the color panel items and why crumpled paper can help. Thank you.
Brilliant Video Markus! Always an amazing source of top-class knowledge.
Always a pleasure watching you❤
ALWAYS use white if you want to white balance. We carried a perfectly white sheet when we went mobile, and Markus' has a video about zooming in at your actual focal length- it is good and basically SOP for pro video. BUT: if you shoot full color performance stages like at Casinos with mixes of robos and handheld, we always use AUTO WB. Why? Well, if you balance for the band specials (Lekos, etc), which are usually 3200 as Markus explains about tungsten glow worms, when the moving lights and follow spots come on at 6k+, your balance is gone anyway. AUTO WB is so good on modern cameras it's good enough for anything except portraits or interviews where nothing ever changes. Try AUTO more, you'll dig it.
Thanks, Markus. Working on a budget, I use a WhiBal card. It's always worked great for me. i really like the crumbled paper idea.
Your attitude is refreshing and your info is always clear and helpful!!
This guy is a true legend
I totally missed this one! Dude, I love how you show us the importance of the simple things. Like a piece of white paper. Thank you! I'm actually putting this knowledge to work today. Can't wait to see how it goes.
Thanks for the tricks! I find the diffuser style white balance tools work well when you take the measurement from the subject's position facing towards the shooting position/lights. Much like using the incident mode of a light meter. Helps get a good average.
Yes
Appreciate the great advice. I'll have to add a crumpled papper to my bag.
Great information I am just getting into Photography
wow, after so much time wasted to learn, you explained it so simple and smart in the same time
thank you
i agree white paper is my go to !! i love it and thanks for showing us markus
Just an opinion on the topic of RAW. I 100% agree one should always attempt to get things right in camera before snapping the shutter or recording the video; however, mistakes happen, particularly when more people and gear enter the equation. RAW, color bit depth and log afford one more recovery potential or flexibility to adjust elements if something were to go slightly wrong during the actual shoot. While for personal stuff it's not necessary, it's a great safety net on commercial shooting where the loss of a take could mean the need for a reshoot, and even then random elements will never be quite the same. As an example on this very channel a few months ago there was a video where the white balance was off. For the purposes of the information in the video it didn't impact it, and as this is your personal channel the only individual you had to satisfy was yourself, but if it had been a paying client then that issue could have been solved had it been shot in RAW. It's simply a question of deciding what trade offs are more important for the given situation more than one being inherently better than the other. I love the fact you promote the idea of getting it right so one doesn't need post work or to rely on those steps all the time because they certainly can add to the overall time. Personally I'm a fan of Blackmagic's RAW over other similar solutions because one can apply the corrective LUT in camera and it moves with the resulting file while remaining a relatively small RAW format. Thus I wind up with something that looks like it does in camera without a lot of the extra work associated with other RAW formats while retaining the corrective potential of a RAW format just in case it's needed at the end. The obvious issue is one is either stuck using a Blackmagic camera or an external monitor/recorder for it making the rig cumbersome and clunky and not tiny and small. I keep hoping someday Blackmagic will come out with a camera similar in size to their original pocket cinema camera or let someone like Sigma use it internally in something like the Sigma FP. Anyhow just my 2 cents on that.
It is such a joy to watch Markus and so educational! Always waiting for his new video! Thank you, Markus!
Outstanding! I’ve had my A7IV since March 2022 and it never occurred to me to look at Sony’s Custom White Balance Capture feature. The Peasants Rejoice!
Thank you for the great video. I really like how you ocasionally go back to basics and explain them again. Good for people who have recently or not so recently joined your channel. Thanks!
Thank you so much for these videos you’re going to help me pass my college photography class which has been boggling my mind! 🙏🏻🙏🏻🙏🏻
Good luck!
Markus is just the absolute best! Thank you for sharing your knowledge with the rest of us.
Great video Mark. When I first started shooting video I always wondered why my skin tones always looked off and why my video had weird green or magenta tints till I bought one of those white/grey portable charts that you showed in the video. After I use it for WB my video in camera, it made color grading and post work so much easier. They're super cheap on Amazon as well to where I have 4 of them and keep one in all my bags and my car. It really is an indispensable tool. Its not a sexy topic, much like how people don't talk about having good tripods, but it is something I tell all my fellow photographers and videographers to use. The crumpled white paper trick is also one I used to use for years, but since getting more gigs you have to keep up the appearance of being "professional", so I use those foldable grey card things. Ironically it makes clients feel more impressed. Keep up the great work.
Crumpled piece of white paper - epic! I love your philosphy Markus! Thanks for sharing this gem! 🔥🙏
Thank you for this, I never knew I needed this lesson in my years of taking Photos.
Dude, I love your energy and perspective. I can't wait to try this! Thank you for your expertise!
I knew about the paper sheet but I didn't knew about the crumpled one, that one is awesome, thanks!
He's simply the best in teaching photography
New Canon cameras, R6II, R7, R8, R10, R50, R100 - white balance is set the same as on Sony and Panasonic. You select the white balance, press the button and press take photo, the camera sets the white balance and shows the result - then press any button and you get to the normal mode. You have to press three buttons. Maybe a little more than in Panasonic, but about as fast.
"Get it Right!" Forget fixing in post. Amen! Yeah! 100% on your side of the chalk line. 😎😎
This is such a helpful tip. It's so frustrating to see people say to fix the WB in post, because often you can't get it right. Auto WB in Lightroom is hit or miss, and the presets are awful for my Panasonics, they are always way too magenta. I don't want to spend 20 minutes tweaking the sliders to get them exact so getting the WB right the first time fixes everything.
This such a simple and great idea, its stuff like this is why I love watching this channel. Thanks for all the great uploads, looking forward to the next one.
On Nikon DSLR press and hold WB button, scroll to "White Balance Presets", release WB button and then press again until "Pre" flashes in the viewfinder, press the shutter button to record WB to the selected preset (you can store up to 9).
In Liveview it's the same procedure except you get the benefit of being able to zoom in before recording a WB.
The camera doesn't record a photo to the SD card but it stores a tiny thumbnail in the WB menu. You can fine tune the WB, add a comment etc.
Still way more convoluted than Sony and I’ve got both systems 🙂
@@dylansalt1Dude the process is almost exactly the same for Sony.
I rarely need to change WB on my Nikon (it's set at AWB-A0) -- it's usually correct, but still looks pleasant even when slightly off. With my Sony ACii, the AWB is always wrong. I even added a shift in AWB White setting to make it less orangy, and it's still unsatisfactory. I'm ready to dump Sony on ebay, because nothing I do makes the pictures look as pleasant as Nikon.
man .. why i found this guy so late.. what a great teaching .. thank you so much
Awesome advice! I've been using custom white balance lately and it saves sooooo much time. Thank you as always. 🔥👊🏻
Great to hear!
Brilliant as always. You know, i got way too caught up thinking i needed the best, or close to the best gear. Sure its nice having beautiful equipment don't get me wrong. Although, you can easily get side tracked and lose focus when your wrapped up in the proces instead of just enjoying the moment and taking pictures. So a big thanks Markus, for your time and straight forward, easy to understand way you explain things :)
Markkus I have enjoy your videos Exposure and White balance I think I have learned a lot simple explanation and well very detailed, the bells are ringing
I love these types of videos! Never too old to learn something.
I wholeheartedly agree with - just because we have all the modern tech features and post, doesn't mean you should get sloppy and not try for the best results, even before post. As if you were shooting on film. And often, it does save time.
Markus!!! Thank you so much for your videos. I didn't know squat about filming but after watching some of your videos I got two old cheap Canon HD video cameras and am getting great results for UA-cam promo of my gigging. Thanks!
Amaaaaaaaazin, love this quick tutorial on such an important thing.
This is so good to know. I use to use auto white balance but when I was recording in a church with stained glass the light colors change a decent amount when it goes to cloudy and the ceiling lights become more noticeable make it too warm.
Yes! I've been using a sheet of paper for years! Never tried to crumple but it makes sense. Will be trying this out. Cheers
Markus, I've been in search of camera after camera and lens after lens for making short films with my family. I've got some great stuff now. But you inspired me to get a camcorder. I picked up a Canon HF R600 at a real good deal and have had more fun with that than anything. Like you always say, just open the screen and record. Thanks man!
As usual...great stuff Genius...
I film outdoors and the Sony 405 on auto seems to be ok as it is... 😻
I like the crinkley paper.. I was watching a YT video by
'Professor Simon' about cave paintings yesterday.. seems they made use of the bumpy surface in combination with the light from a flickering flame to create a sort of animation. They also animated a gold disc 1000s of years old, with 12 faces on it.
Extremely well worth the watch for photographers, and filmmakers. Your videos are great, Markus. Thanks so much. God bless!
I appreciate that!
A lot of thanks for making and sharing your video!!
Genius tips, Markus!
👏👏👏👏👏👏👏
I absolutely LOVE you and your approach. Thank you for your presentation and energy!!
Love this video about White Balance! I switched to an old GH5 in 2024 cause the menus are just so easy to use vs Sony.