Those trainings have definitely helped me get to where I am today haha, and this project has 100% improved my motivation and skills, can’t wait to show you the finished OST for this mod 😁
Wow, it sounds so good with the VSTs! thanks for taking the time to show your process. Those chromatic grace notes at 22:48 really give me Gascoigne's theme vibes
Super insightful, and very interesting taking a deeper dive into the production of this mods sound development. Thanks for taking the time to make this as it has truly given me so much more perspective on what it takes to add the level of immersion for the Bloodborne universe feeling. Looking forward to seeing future content, keep up the amazing work!
Amazing video!!! Love seeing your insight on the track and it sounds fierce and deadly in the final result. And I can certainly hear the callback to the original track. As to your question about why harmonic minor sounds cooler than natural minor: Many might be tempted to say that's an impossible question as they simply sound different, and it's up each person to decide what is coolest to their ears. However, that's quite a boring answer! I think there are 2 reasons it sounds cooler, both related to the is the particular cluster of intervals that is created by harmonic minor that is not found in natural minor. Let's use A minor as an example. There are two tritones in A harmonic minor, as opposed to just one in A minor, and we know how evil they sound. B-F is found in both, but A harmonic minor also has G# D. We also have the two half step intervals separated by a whole step (G# A and B C), which sounds devilish on its own and is not found in natural minor. Thirdly, in classical music the major V is almost always used in minor keys, and that includes the raised seventh and is basically 'dipping' into harmonic minor for a moment. And our ears have been trained to find that sound cool since classical music is awesome and badass.
YESSS thank you so much for the explanation ahaha, these points make awesome sense! I always forget how to put this stuff into words, and appreciate you watching homie
They picked the right man for the job
Wow that's really great
Thank you my friend 😁
Dude this is so sick!!! You’ve been making fan stuff for awhile, so this is top tier stuff.
Those trainings have definitely helped me get to where I am today haha, and this project has 100% improved my motivation and skills, can’t wait to show you the finished OST for this mod 😁
Can’t wait! ☺️
Wow, it sounds so good with the VSTs! thanks for taking the time to show your process. Those chromatic grace notes at 22:48 really give me Gascoigne's theme vibes
Thanks a bunch brother! Ikkk I loved that section, can’t wait to show what I have cooking for gascoignes theme >:)
@@dyroth I’m sure it’s great, I love that theme :D looking forward to hearing it!
Super insightful, and very interesting taking a deeper dive into the production of this mods sound development. Thanks for taking the time to make this as it has truly given me so much more perspective on what it takes to add the level of immersion for the Bloodborne universe feeling. Looking forward to seeing future content, keep up the amazing work!
Thank you for this comment, really appreciate this!
Amazing video!!! Love seeing your insight on the track and it sounds fierce and deadly in the final result. And I can certainly hear the callback to the original track.
As to your question about why harmonic minor sounds cooler than natural minor: Many might be tempted to say that's an impossible question as they simply sound different, and it's up each person to decide what is coolest to their ears. However, that's quite a boring answer!
I think there are 2 reasons it sounds cooler, both related to the is the particular cluster of intervals that is created by harmonic minor that is not found in natural minor. Let's use A minor as an example. There are two tritones in A harmonic minor, as opposed to just one in A minor, and we know how evil they sound. B-F is found in both, but A harmonic minor also has G# D.
We also have the two half step intervals separated by a whole step (G# A and B C), which sounds devilish on its own and is not found in natural minor.
Thirdly, in classical music the major V is almost always used in minor keys, and that includes the raised seventh and is basically 'dipping' into harmonic minor for a moment. And our ears have been trained to find that sound cool since classical music is awesome and badass.
YESSS thank you so much for the explanation ahaha, these points make awesome sense! I always forget how to put this stuff into words, and appreciate you watching homie
Hey! Great job! Could you tell me what do you use for crescendos/swells/clusters?
There's no vst list in description :)
You’re so right I forgot to add this haha, check back in like 5 minutes
All in there now, main vst that had the swells I wanted are in red room orchestral fx palette and Vivace
@@dyroth nice! Thanks for the answer c:
Cool!
Have you ever had an placment in the game music industry?
I have not, currently practicing and building up a portfolio before applying 😁
@@dyroth I think your music is "good enough":). Goodluck!