It going through that then into the last song is very direct in what it mean i can actually think of it as a good thing, why am I here, I just found out am not needed
"Discourse: The ARG" ...You know, I didn't anticipate it turning out like that when I got into this, but it kind of ends up being like that sometimes huh? In retrospect maybe that should have been inevitable given the main themes of morality and lots of people being encouraged to judge people from all different walks of life in such overly simple, binary terms as "innocent/guilty" or forgiven/not forgiven".
THE WAY THE LYRICS SORT OF PLAY INTO THE NEXT SONG IN EACH TRANSITION IS ACTUALLY CRAZY OH MY GOD... going so insane I love Milgram. Happy 3rd anniversary!!
I wonder if they ended with Muu sort of on purpose since her voting for season 2 just ended.. either way Milgram never fails to impress me wow!! not to mention the music and animations thank you so much for creating such a crazy, interesting and interactive project 🙏
The part around 2:35 to 2:40 where Kotoko says "I want to be drowning in the knowledge that I am right.", and it shows Haruka floating underneath the water, was pretty cool. : D
I love the transitions and the specific phrases for each transition. Time to overanalyze it!! Starting with a reminder as to what MILGRAM really is. Undercover > "I wonder. Can you really say INNOCENT?" > Harrow "Let's end this!" Because Kotoko jumped to conclusions very quickly about those initially guilty, basically saying "no" to that question. Harrow "I want to be drowning in the knowledge that I am right" > Weakness "Tell me, why are you drifting away from me. Tell me, why do you say it's my fault?" Because after the second trial, Haruka was all about saying "I wasn't wrong, I wasn't wrong." This also has to do with him wanting to be pitied, to be told "it's NOT your fault". Both want to be acknowledged as 'correct', to be praised for their actions, but Kotoko wants that verdict in order to execute her duties, while Haruka just wants to be loved again by that person. Weakness-> "It's broken right away. The things that aren't here, and the unneeded things. Is it still living somewhere?" > TIHTBILWY "Do you really think you know what love is? [...] The things that I only want to say to you, and the things that I want from you: is love." I think this is a little trickier? I expected Yuno because she fits that theme of getting rid of what's unneeded. The first part relates to the mentioned 'break-up ritual' she and her partner have. I think the rest has to do with Mahiru needing nothing but the ability to love someone, yet her partner is suffering because of her incessant love and need to share everything with them. Everything else-- a social life outside of her love (apart from her hairdresser), hobbies that she doesn't share with her love, etc, are unneeded and discarded. This doesn't bode well with her partner, who still wanted things 'living' apart from their relationship. From reading some replies and comments-- they also both want to be loved and have their love for others accepted. also, this trio seems to match with the theme of being 'loved'/'approval' for their actions. Almost like 3 different love languages: seeking validation to keep going, being loved despite weaknesses (hah), and having your love accepted. This is How to Be in Love With You > "Ring ring, I’m calling you in the middle of the night" > Umbilical "I feel a little weird. [...] I can't get you out of my head." This is also difficult. I think Yuno must've had similar situations to Mahiru's late lover: midnight calls, times when she doesn't like the person she's being a callgirl for, but otherwise I can't think of much. Umbilical "I messed up. I found out" > Half "The curse of reuniting with you puts a dagger in my heart" (I really love how Umbilical slows down before transitioning) Ok this is really obvious. This can go for both Kazui and his wife. Kazui always says how he regrets being honest and should've kept lying, "messing up", and "found out" just how badly he messed up likely right after his wife probably died. Funnily enough, Yuno also answered a question and said that Kazui would be the prisoner most like herself. I saw somewhere that they are both liars, which is genius and something we only found out after trial 2. Yuno has a 'bubbly personality' and puts on facades for her dates, all which 'warm her up'. She has some fun with her lies, makes money, and she knows she's loved by her family and friends, so she doesn't have many problems with it. Kazui, meanwhile lives alongside his lies and said his family must be embarrassed by him. Yuno is 'normal' until she lies, and Kazui is 'normal' because of his lies. Half "Please tell me what I should do, feelings shrouded in lies will float away and disappear" > Throw Down ""NO" in my dream. I am making you cry again, I am being blamed." In a way, Kazui and Shidou are opposites but also the same?? Kazui wasn't sure what to do, teetering on a fence before eventually regretting the 'right' decision, but still being kinda meh towards being forgiven or not. Shidou was 100% certain in his endeavors of (presumably) killing off patients and maybe organ harvesting, only to want to call it off after losing his family forever, and heading into MILGRAM like "make me guilty". Both can relate to the "feelings shrouded in lies", though one is lying to his wife and the other is lying to patients for his wife and family. I find it interesting too that Kazui uses lying as almost a lifestyle while Shidou lied to protect/ruin the lives of others. this trio seems to have to do with 'lies'. Lying for strangers which ended up with an unwanted life, lying to keep living, lying so others may die for another to live Throw Down > "Please don’t forgive me. That’s why I want this to end. “Throw down”" > Bring It On "Found one...! Countdown till I make you say sorry." (I love the snapping while it transitions) Shidou very obviously wants (wanted) to be unforgiven, to end everything as karma for all the killing he's done. Meanwhile, Futa sounds like he's judging him, finding another 'sinner' to bring down. Bring It On > "It’s going great, We’re gonna punish you until you cry. If you get off now, you're a traitor. Now let’s be reasonable. x4" > Magic "This happy pinky promise hurts to break." THIS IS SO GOOD. The almost condescending lines from Futa (especially saying "Now, let's be reasonable.") while Amane is literally in a cult that punishes her if she ever disagrees, disguising it as "love". The only difference is that the cult is more manipulative. Futa doesn't want to redeem the people he punishes, he just wants to deliver justice and be seen as a good guy. Meanwhile, the cult still wants to lure Amane in-- and she also wants to be accepted by them. Thus, "let's be reasonable." even if WE know the cult isn't reasonable at all. Magic > "But it’s not scary at all, because it’s love. I can really think it’s great. See, isn’t it a great thing?" > MeMe "If I could laugh. If I could go back. I’d play dead even though I’m alive right?" (I like how it speeds up a little, almost as though growing more desperate) I think these words, in some way, are from Mikoto's alter who tries to 'protect' Mikoto. In the same way Mikoto's alter is likely the violent one, he tries to convince US by acting like "it isn't scary that I'm making myself a criminal, because I'm doing this out of the love and will to protect 'me'." At the same time, I think the lines Mikoto says could apply to Amane. She doesn't know the cult is brainwashing her-- but if she were to realize how harmful it is, she wouldn't be as happy as she currently seems while in the cult. (Also, I find it hilarious that Amane is sandwiched between arguably the most expressively violent songs in this-- other than Kotoko, of course. Really shows how messed up her situation is objectively) now this trio is a little bit more difficult?? i want to say its 'righteousness'. Being 'right' because you're backed by a bunch of people, being 'right' because you've a cult backing you, and being 'right' because you don't know what happened/are protecting 'yourself'. Alternatively, it could be 'justifications' (which is kinda the same thing) MeMe > "The truth will come to reveal itself. I wonʼt forgive you if this is happening to me even though Iʼm right." > After Pain "If I were gone." I LOVE that it hard cuts to Mu's song after "Even though I'm right." Because even if After Pain painted her as strictly a victim, we as the audience now know how that isn't the case, and how quickly Mu switched into a mindset similar to Haruka: "I'm right, the truth will reveal itself." This line also kind of relates back to Mu saying that she hopes we won't doubt our forgiveness for her and to not look for the scars "after" pain. The truth that was revealed to us, though, was she also took part in bullying in the past, but she thought the truth was that she was right all along, that she was to be forgiven and pitied. Finally, "I found out how much I’m not needed" is such a chilling line to end off of. In a way, I think it sort of links that to Es? Es is simply a vessel for us, the audience, to make our judgments. It could have been anybody-- it just happened to be Es. At the same time that they are essential for us to actually execute our judgements, Es is also easily replaceable (supposedly), because their attitude is mostly based off of US, the audience. While I do think the writers might subvert this expectation (as Es DOES have their own personality-- just not in terms of judgements), the 'Guard' could technically be anyone with no backstory (yet), no memories (yet): a completely blank slate for us to dump our opinions on to express to the prisoners.
He was told this by Shidou how horrible it is to make a child do this an Muu later tells him way not just stop hurting yourself by thinking of all this "Who are you talking about" is the first time Es panicked
Haruka to Mahiru makes more sense if you pay attention to the " I guess this feeling is happiness but I can't help but feel like something is missing", she's wonder if the happiness is still "living somewhere"
@@senritsujumpsuit6021 Also they both want attention from es. Haruka's whole motive for murder was wanting attention and even liked being slapped by Es in his first VD while Mahiru gets extremely happy when told Es will be watching over here
THE WAY THEY MADE THE TRANSITIONS BETWEEN EACH SONG MEANINGFUL OH MY GOSH 💖 HAPPY ANNIVERSARY MILGRAM!! 💕✨ Edit: Okay since I’m enjoying the transitions way too much, here’s a a compilation of all the lyrics that overlapped to another song’s instrumental: 1:13 HARROW x Undercover 2:30 HARROW x Weakness 3:35 Weakness x This is How To Be In Love With You 4:54 This is How To Be In Love With You x Umbilical 10:43 Bring It On x Magic 11:57 Magic x MeMe 13:09 After Pain x MeMe
I see themes with the transitions, like the first one with ES and Kotoko Both of them are people who are representations of justice. ES who is judging everyone here, Kotoko acting on whatever ES decides a vigalante who doesn't wait to punish the supposed guilty which she believes is right. Haruka and Mahiru wanting love. Haruka wanting the pity type of parental love and Mahiru wanting to share her overwhelming feelings. Yuno and Kazui are people who had masks on. The Yuno we see in S1 is the fake personality she uses for in the outside but we see the real Yuno later on, who has much more going on. Kazui is seen wearing a mask in his MV. Shidou always searching for something, being mysterious and unhappy, who himself thinks he is the bad guy while Futa another justice vigalante but who wants to be known as the good guy. Shidou and Futa essentially being oppposites. Amane, Mikoto and Mu the manipulative/manipulated trio. Amane the manipulated by the cult. Mikoto being manipulated by himself. Mu manipulating the whole world. This might be complete nonsense but or the obvious facts but I wanted to point out how masterful everything is made. Milgram is amazing and I can't comprehend how much effort is behind each character. Also the transitions in the remix are so cool. Congrats for 3 years! I'm so excited for the future story.
I'd like to correct the last one. I believe mikoto and muu don't share manipulative behavior, but they both seem to struggle with finding themselves and their self steem. mikoto is always seen as being a bit too miserable when he's at his job and when he arrives home, and muu is just... constantly miserable in her mv, except for when she's being given attention and praise. plus the DID and the implications of BPD w muu,, i think the connection was supposed to be between kazui and shidou, too, as their partners were the victim and there's a theme of lying with them both, and fuuta was supposed to be matching with amane in the sheep/cult themes. fuuta bashes anyone who breaks the rules, and amane is the one who broke the rule.
THIS IS ONE OF THE BEST THINGS THEY COULD DO FOR THEIR ANNIVERSARY ‼️‼️‼️ HAPPY THIRD ANNIVERSARY TO MILGRAM, I am so glad to have followed this project from the beginning! All of the characters are so fleshed out with just the little information we have on them, it's hard not to get attached!!! To think Deco can produce such great songs at a consistent pace alongside his main channel is crazy! Thank you to TeddyLoid for the remix!!! I love this series so much and can't wait to continue supporting Deco*27 on his journey♡♡♡
Timestamps: 0:01 UNDERCOVER 1:14 HARROW 2:32 Weakness 3:46 This Is How To Be In Love With You 4:51 Umbilical 6:33 half 7:57 Throw Down 9:17 Bring It On 10:44 Magic 11:57 MeMe 13:10 After Pain
W a w teddyloid is on board! WAIT HAHAHAH AMANE GETS THESE LYRICS BEFORE HER PART 10:48 😭😭😭 Oh and then Amane sings her part on top of Mikoto's intro so that's just pure gold
I'm just not over how TeddyLoid was able to cleanly transition in & out of Magic with 2 of the heaviest instrumentals of the season. I'm not shocked they are able to because it's TeddyLoid but goddamn those were clean.
One thing I'm wondering is- On the Side TVs, each prisoner either appears on the left or the right TV. I thought it just went back and forth without a pattern, but when it gets to Yuno and Kazui, both of them appear on the TV on the right. In the end, the prisoners appear as such: RIGHT TV: Es, Haruka, Yuno, Kazui, Fuuta, Mikoto LEFT TV: Kotoko, Mahiru, Shidou, Amane, Mu Am I just overthinking things, or is there maybe some sorta pattern here? I think it's odd for Yuno and Kazui to be on the same side instead of continuing to switch back and forth... (On Kazui, too, the other TV's static changes in pattern from covering the whole TV to being more sparse for some reason...)
I have two guesses (neither of them fully fit) but thinking maybe deaths caused indirectly vs directly, or the total of forgiven to not forgiven votes) Es's presence confused the whole set up and it isn't a perfect guess even if they weren't there, but this is all I got.
Maybe premeditated crimes vs spur of the moment crimes? One could argue that Kotoko wasn't looking to kill the person she was investigating and just got caught up in the emotions of it all and accidentally beat the guy a little TOO hard... Kazui kind of doesn't make much sense but it could come to light he was planning on forcing a divorce and got a different result.
@@shadowsneak100 if it were that then it wouldn't make sense for fuuta to be on a different side compared to kotoko, since he wasn't planning on killing either. Unless I'm getting something confused? edit: grammar
A bit late but maybe it's an easter egg maybe? Maybe these were predictions of the team on who they think would be voted innocent and guilty? To be honest i only thought this because every other thought i had didn't fit
I HAVE ANOTHER THEORY THAT JUST OCCURED TO ME AFTER ONE SIDE OF MY EARBUDS DAMPENED maybe its just which side the vocal portion of the audio is playing through
THIS LITERALLY GIVE ME CHILL OMG THE TRANSITION????? AND HOW THE LYRICS ARE SOMEHOW CAN RELATE TO EACH OTHER?!?$!$(#!$! Milgram fans are being fed so well 😭😭🙏🏻🙏🏻🙏🏻 Happy 3rd anniversary, MILGRAM project!!! Can't wait for the rest of trial 2 MVs!!
WOAH. This is really good! Love the transitions from one song to another, I never thought doing it that smoothly was possible. (Fuuta singing about traitors and punishment as the song was transitioning to Amane the cult member’s song… was actually pretty funny, in a dark way.)
- Undercover "Kirai" tai "OK" no kyoukaisen wo Wagamama no mama owatte ii no? Subete wo shitta anata wa chanto Yuruseru ka na? Andaa yurusu nara kyouhansha Hitoribocchi ai wo choudai Andaa nanika ga tarinai nda Motomeau kimari nantoka shitai fyuuchaa Andaa tsumi kara no kakurenbo Saa shippo maite damatte douzo Andaa kowareta haato motte Itai no wa itsu made tsuzuku no ka na Ubaiai "doushite" no seishin kaibou Machigai sagashi no enchousen wo Dareka o shitte ai de shibatte Sabakeru ka na? "Kirai" tai "OK" no kyoukaisen wo Wagamama no mama owatte ii no? Subete wo shitta anata wa chanto Yuruseru ka na? - HARROW Owaraseyou HARROW HARROW Damatte tsuyosa ni naku nante Yarusenai yarasenai watashi mou chikattanda Dore kurai HARROW HARROW Kuratte dareka no yume ga iki wo tomeru nara Kono kiba de eguru yo Somatta kanjou kachimake wa dokoka Moetsukinai you ni esa wo kuratteiru Mata kura kura ni nari muchakucha ni naru Motometa seijou ga uyamuya ni nari shinde iku tabi Kokoro wa motto susunde iku Nikunderun da kowaresou da yo Doku darake no houimou Owara seyou HARROW HARROW Damatte tsuyosa ni naku nante Yarusenai yarasenai watashi mou chikattanda Dore kurai HARROW HARROW Kuratte dareka no yume ga tomacchattecchaten nara Kono kiba de eguru yo Tadashisa ni oboreteitai -Weakness Doushite hanareteku no? Nee doushite boku no sei na no? Iou to shita kotoba ga "hikyou da ne" tte boku wo warau Doushite kowareteku no? Nee doushite kawaranaide yo iou toshite yametara "dame da ne" tte okoru kuse ni Daredemo dekiru koto boku ni mo dekitara na Chigatteta hazu no mirai wa fubyoudou ni koi wo shita Himei wo shiteita, himei wo shiteita Aisareru jakusha ni naritakatta Hitei wo shiteita, hitei wo shiteita Doushitemo tashikamete mitakatta Ahaha, boku ni kizuite Ahaha, dareka kizuite yo Machigatteita no wa boku datta Sou, boku datta nda Hitotsu futatsu kasaneta tte mata sugu kuzusarete Inai mono iranai mono dokoka de ikiteru no? -This Is How To Be In Love With You Suki tte kimochi wakatta tsumori? Nara kono mama futari overheat de Kimi dake ni tsutaetai koto mo kimi dake ni moraitai koto mo Ai nan desu yo Aa maa kono kanji wo shiawase tte iechaun darou kedo saa Dounimo tarinai nanika sonzai shiteiru ki ga shitenaranai naa Nee dou? Kikarete komaru koto nante juujuu shouchi no ue nan dakedo Sono kao mitakute tsui icchaun da gomen ne? Dakishimete kure nakucha kokoro made hanarete shimauyo Iiko no furi wo shita "Daijoubu" nante kirai da Sukitte kimochi wakatta tsumori? Nara kono mama futari overheat de Kimi dake ni tsutaetai koto mo kimi dake ni moraitai koto mo Ai nan desu yo Iyatte hodo ni Shibatte mitari Mada fuan ni naru no douka yurushite ne Kimi no koto tameshichau toki mo tamani aru wakare no gishiki mo Ai nan desu yo Purururu yonaka ni kimi ni Calling -Umbilical Nanka hen da yo ne mada narenai na Kimi no koto ga ki ni natchatteru dare ni mo naisho ne Nande iru no ka na sukoshi iya ni naru Umaku waraenaku natchatta no kimi no sei dakara Ashita tte yasumi dakke? Maa, demo ikka asa wo mezashimasho Ohayo tte oyasumi tte Nando datte aitaku naru yo ne Futaribocchi chotto ii kanji Suki to suki ga rinku suru Hitoribocchi satteiku ondo Yasashisa wo riroodo shiyou Dame na no ka na? Kotaenaide Nani shitai no? Oshiete hoshii Yatchatta nda, shitchatta nda Yatchatta nda, shitchatta nda Yatchatta nda, shitchatta nda Yatchatta nda, shitchatta nda -Half Mata aeru noroi ga mune wo shibaru "Mata ne" ga "owari" tte kikoeta ki ga shita n da Anata no kokoro ga kawattekuretara nante arienai Omoi wa ukande kieru Tashikamete kurushimu naraba kono mama de anata no soba ni ite Waraiai kata wo narabete kono kyori ga shiawase no misuriido Doko de machigaeta no ka hajime kara darou Mata aeru noroi ga mune wo shibaru "Mata ne" ga "owari" tte kikoeta ki ga shita n da Anata no kokoro ga kawattekuretara nante arienai Tadashisa wo oshiete yo uso ni somatta omoi wa ukande kieru -Throw Down NO yume no naka de Mata nakarete iru semerarete iru Oh NO koroshita mayoi ga Iki wo hisomete uso wo kaide iru Ah toku toku, toku toku, toku toku yuu no Koko ni itatte ii riyuu wo tomattatte kienai sa Sanzan nai chatte sorya sou da kimerunda Masa ni ichido kiri no sono ikikata wo Suroo daun dareka no dareka ni Tsunagu anata wa ikite iru Suroo daun modorenai shoutai wo Damashite iru kibou ni okikaete Suroo daun Mou ii yo mou ii yo Dou shitatte hanarenai Douka yurusanai de kure Dakara owari ga hoshii yo Suroo daun -Bring It On Hakken gomen e no kauntodaun Ikuze shousha no koushin dan-da-dan Kama se hissatsu shirakiri nante yurusanee Kyouki wa omaeda ban-ba-ban Aa mou yada machigaetara tadashisa no saki made Hora itte kure yo inga no ou No ho Aa mou muri kitanaikara kirei ni shinakucha dameda Kikitai no wa kokoro no oku no himei Waruikoto shitara gomennasai kotoba yori saki ni narau yo na? Mujun darake no akuma wa subekaraku horobu bekidaro Iwaseru made yamene zo Saa hajimeyou usotsuki karida Hakken gomen e no kauntodaun Ikuze shousha no koushin dan-da-dan Kama se hissatsu shirakiri nante yurusanee Kyouki wa omaeda ban-ba-ban Douse kidzuiten darou? Dousunda Jihen jotoda seigi wa kono yubi tomare Joudan janai hiirou sa Hihou sunzenda seigi wa kono yubi tomare Ii kanjida naki dasu made sabaki wo kudashite yarou ze Tochuu gesha wa uragiri to shite ikou Saa douri wo -Magic Ano shiawase no yubikiri wa yaburuto totemo itai Iya tte hodo ni shitekuremashita Gomennasai no omajinai wo Demo zenzen kowakunai desu yo ai dakara Gyaku ni ii kanji tte omoemasu hora suteki deshou? Kamisama konnan datte ii desu ka Watashi mo amaechatte ii desu ka Chikaimasu yabucchauda nante warui ko wa me! Da yo Sorry datte iemasu yo Watashi datte kibou wa aru n da yo Chikaimasu mou ii ko ni naru shikanai! Desu yo Demo zenzen kowakunai desu yo ai dakara Gyaku ni ii kanji tte omoemasu hora suteki deshou? -MeMe Waraetara, modoreta nara Ikita mama shinda furi shiteiru n darou? Owaretara, tomareta nara Kono yume wa itsu made tsuzuku n darou Tamekonde kakusanakute ii Boku ga boku wo sukutteagemashō Dakiatte kyō wa oyasumi Kawaribanko nō wo yurase Nande boku ga koko ni iru no, machigai janai no? Sō da boku wo tashikamete yo chanto mitsukeru Made Kitto hontō ga wakaru yo, uso nara kimi no koto yurusanai yo -After Pain Watashi ga inakunareba kiereba yokatta no Mou kiichatta shicchatta Konna ni mo watashi wa iranai Tokubetsu imi wa nai no hazure wo hiita no Mou kiichatta shicchatta Konna ni mo watashi wa iranai Nee nande ita-ita-itai no yamete kurenai no? Kawaichatte doushitara Gomen no mahou wa kitto kikiakichattanda ne Demo tabun watashi mo warui tokoro wa aru kara sa Kore de kitto ii no kamo "Ikiteru" wo kanjitai yo iki shite mo ii no kana Oshiete "Gomennasai" wa todokanai yo (Itsuka todoku kana) "Gomennasai" wa todokanai yo (Itsuka todoku kana) "Gomennasai" wa todokanai yo (Itsuka todoku kana) "Gomennasai" wa todokanai yo Watashi ga inakunareba kiereba yokatta no Mou kiichatta shicchatta Konna ni mo watashi wa iranai
i just noticed.. the background looks like the video is being projected on the walls of what seems like the inside of a prison cell. Plus, the video is playing on the tv screen.. I wonder if this represents what Es is seeing when MILGRAM 'extracts' each prisoner's video?? edit -- also it would be interesting to note that Es' cover is presented in a similar fashion.. also projected on the cell walls like the other prisoners..
the way the last few transitions puts them on the same space on a fuked up game of life in how they all speak Worth, Promise, \Self preservation, Loneliness
Happy 3rd anniversary to Milgram project! I'm glad I have found this project as it's truly one of the best interactive music project I've participated in! Keep up the good work! ❤
HOLY THIS IS CRAZY I LOVE THIS AND THE THROW DOWN TRANSITIONING TO BRING IT ON WAS SO AAAAA TEDDYLOID YOU GOD THIS IS SUCH A COOL WAY TO CELEBRATE 3RD ANNIVERSARY GOD I LOVE THIS PROJECT HAPPY 3RD ANNIVERSARY TO MILGRAM‼️‼️‼️
@@jl8417 wait actually????? That's so weird . I'm guessing it had something to do with the second trial and wanting to make lyrics more poetic sounding???
I think it’s changed to match the audio dramas a bit more (especially the newer ones like Mu) for the English viewers that don’t listen to them so they get information more accurate to the character rather than being symbolic or whatever
![MILGRAM / Mikoto - MeMe [The First Trial Music Video]](http://i.ytimg.com/vi/nwpNaqTd54k/mqdefault.jpg)
![MILGRAM / Shidou - Throw Down [The First Trial Music Video]](/img/n.gif)
“We’re gonna punish you till you cry”
“If you get off now, you’re a traitor”
* transitions to a song about being in a cult *
The cult that punishes you for not following their teachings.
I just find it funny they added a cutesy song next to Futa's angry vocals jxksjskasjsjs
My mood at all times
"I've found out" transitioned into a song about cheating
*chef kiss*
@@kwiilunn6047 or how it transitions into metal/rock lmao
The transition between Haruka and Mahiru's song is INSANE
IKR!!??
RIGHT???
I like the pfp lil bruh 😈
FOR REAL
599 likes
that transition from Amane to Mikoto was fucking insane....
It going through that then into the last song is very direct in what it mean
i can actually think of it as a good thing, why am I here, I just found out am not needed
it was like going into battle, crazy
嘘つきな大人二人組のあとにフータくんぶつけてくるのやばいし、おまじないをバックに「道理を」を繰り返してて最高だし、そのあとのMeMeへの繋ぎも神 いや悪魔
「でも全然怖くないですよ 愛だから 本当いい感じって思えます ほら素敵でしょう？」で次は「神様」になるだけどここでMeMeに切り替わってミコトくんが持ってるタロットカードは「悪魔」なのがねもう……
アンダーカバーで「約束を破る道理などない」で出てくるアマネをフータの事変上等の「さあ道理を」のとこで繋げてくるのパンチ効きすぎて瀕死
ミコトの『嘘なら君のこと許さないよ』から
ムウの『私がいなくなれば、消えれば良かったの』に変わるのなんか心臓にグッとくる
エスの「全てを知ったあなたはちゃんと許せるかな」でコトコから囚人たちの曲スタートするの、遊園地とかのアトラクションの「いってらっしゃーい」されたみたいですき
あとみんな自分の曲のとき後ろにずっと影うつってると思ってたけどエスは最初一瞬だけなのなんかあるのかな
単純に看守だからってだけ……？
Everyone, it's been a pleasure partaking in Discourse: The ARG with all of you. Here's to another year of bops and character analysis!
…I think “Discourse: The ARG” gave me psychic damage. Not because you’re wrong, but because you’re right and I don’t like it.
I also like to call MILGRAM "vegan true crime"
"Discourse: The ARG" ...You know, I didn't anticipate it turning out like that when I got into this, but it kind of ends up being like that sometimes huh? In retrospect maybe that should have been inevitable given the main themes of morality and lots of people being encouraged to judge people from all different walks of life in such overly simple, binary terms as "innocent/guilty" or forgiven/not forgiven".
ive always called milgram an ARG haha
What in God's name is Discourse
I love how the MeMe section ends on Mikoto saying how he was in the right and it IMMEDIATELY hard cuts to Mu’s song. So good!
considering the true translated line is "if you lie to me, I won't forgive you" it hits harder now that muu got voted guilty.
ちょっと………シドウ→フータ、フータ→アマネのバトンタッチが好きすぎて………繋げ方上手すぎないか………
シドウ→フータはシドウさんがさっと後ろに下がってフータが一気に主役になってて、
フータ→アマネはフータの世界観残しながらバックで「おまじない」流してライトな雰囲気に変えて丁寧にバトンタッチしてるの好き。
THE WAY THE LYRICS SORT OF PLAY INTO THE NEXT SONG IN EACH TRANSITION IS ACTUALLY CRAZY OH MY GOD... going so insane I love Milgram. Happy 3rd anniversary!!
I wonder if they ended with Muu sort of on purpose since her voting for season 2 just ended.. either way Milgram never fails to impress me wow!! not to mention the music and animations thank you so much for creating such a crazy, interesting and interactive project 🙏
@@thefallenblue oh gosh she got voted guilty?? i’m super worried for haruka now, he’s my favourite character lol.
こうして振り返ると当初聴いてた感じと全く違って聞こえるな(歌詞)「ごめんなさい」とか「赦さないで」もどういうつもりだったんだろうって、人が変わりすぎて…ほぼ全部怖い曲に聞こえたわ。自分こそが正しいと思いこんで動く人間ってこんなに怖いと思わんかったわ
10:44
事変上等からおまじないへのつなぎ方まじ良すぎる
「嘘なら許さないよ」→アフターペインの流れ天才すぎ
I love how Bring It On just burst in like 'Thanks for saving me Shidou but it's my time to shine"
That Bring It On transtion to Magic to MEME???? THAT WAS SO GOOD!!
Yeah, for some reason that transition was actually really good!😂
TeddyLoid popped off fr
Right??? So awesome!
繋げ方凄すぎてあっという間の15分弱だった…
個人的にはフータ→アマネ→ミコトで、激しめの曲調からかわいくなってまたロック調になる感じ好きだな
アマネ、ムゥの3人の曲通常より圧倒的テンポゆっくりなの……
なんというか裏がある2人とゆうか……
自分は幸せ者なんだって言うアマネ、一審の曲だと被害者な感じでてるムゥだけど一審時点、裏になにかありそうな2人だからかテンポゆっくりだとちょっと怖く(?)感じるの……
考えすぎかな……
ひとまず繋げ方神すぎませんか
個人的に「終わりが欲しい」シドウの後に終わりを下してきたフータの流れ好き
The part around 2:35 to 2:40 where Kotoko says "I want to be drowning in the knowledge that I am right.", and it shows Haruka floating underneath the water, was pretty cool. : D
"its going great, we're gonna punish you untill you cry" being overlayed over magic sure is something !!!!!
the transitions are all . wow. just wow.
I love the transitions and the specific phrases for each transition. Time to overanalyze it!!
Starting with a reminder as to what MILGRAM really is.
Undercover > "I wonder. Can you really say INNOCENT?" > Harrow "Let's end this!" Because Kotoko jumped to conclusions very quickly about those initially guilty, basically saying "no" to that question.
Harrow "I want to be drowning in the knowledge that I am right" > Weakness "Tell me, why are you drifting away from me. Tell me, why do you say it's my fault?" Because after the second trial, Haruka was all about saying "I wasn't wrong, I wasn't wrong." This also has to do with him wanting to be pitied, to be told "it's NOT your fault". Both want to be acknowledged as 'correct', to be praised for their actions, but Kotoko wants that verdict in order to execute her duties, while Haruka just wants to be loved again by that person.
Weakness-> "It's broken right away. The things that aren't here, and the unneeded things. Is it still living somewhere?" > TIHTBILWY "Do you really think you know what love is? [...] The things that I only want to say to you, and the things that I want from you: is love." I think this is a little trickier? I expected Yuno because she fits that theme of getting rid of what's unneeded. The first part relates to the mentioned 'break-up ritual' she and her partner have. I think the rest has to do with Mahiru needing nothing but the ability to love someone, yet her partner is suffering because of her incessant love and need to share everything with them. Everything else-- a social life outside of her love (apart from her hairdresser), hobbies that she doesn't share with her love, etc, are unneeded and discarded. This doesn't bode well with her partner, who still wanted things 'living' apart from their relationship. From reading some replies and comments-- they also both want to be loved and have their love for others accepted.
also, this trio seems to match with the theme of being 'loved'/'approval' for their actions. Almost like 3 different love languages: seeking validation to keep going, being loved despite weaknesses (hah), and having your love accepted.
This is How to Be in Love With You > "Ring ring, I’m calling you in the middle of the night" > Umbilical "I feel a little weird. [...] I can't get you out of my head." This is also difficult. I think Yuno must've had similar situations to Mahiru's late lover: midnight calls, times when she doesn't like the person she's being a callgirl for, but otherwise I can't think of much.
Umbilical "I messed up. I found out" > Half "The curse of reuniting with you puts a dagger in my heart" (I really love how Umbilical slows down before transitioning) Ok this is really obvious. This can go for both Kazui and his wife. Kazui always says how he regrets being honest and should've kept lying, "messing up", and "found out" just how badly he messed up likely right after his wife probably died. Funnily enough, Yuno also answered a question and said that Kazui would be the prisoner most like herself. I saw somewhere that they are both liars, which is genius and something we only found out after trial 2. Yuno has a 'bubbly personality' and puts on facades for her dates, all which 'warm her up'. She has some fun with her lies, makes money, and she knows she's loved by her family and friends, so she doesn't have many problems with it. Kazui, meanwhile lives alongside his lies and said his family must be embarrassed by him. Yuno is 'normal' until she lies, and Kazui is 'normal' because of his lies.
Half "Please tell me what I should do, feelings shrouded in lies will float away and disappear" > Throw Down ""NO" in my dream. I am making you cry again, I am being blamed." In a way, Kazui and Shidou are opposites but also the same?? Kazui wasn't sure what to do, teetering on a fence before eventually regretting the 'right' decision, but still being kinda meh towards being forgiven or not. Shidou was 100% certain in his endeavors of (presumably) killing off patients and maybe organ harvesting, only to want to call it off after losing his family forever, and heading into MILGRAM like "make me guilty". Both can relate to the "feelings shrouded in lies", though one is lying to his wife and the other is lying to patients for his wife and family. I find it interesting too that Kazui uses lying as almost a lifestyle while Shidou lied to protect/ruin the lives of others.
this trio seems to have to do with 'lies'. Lying for strangers which ended up with an unwanted life, lying to keep living, lying so others may die for another to live
Throw Down > "Please don’t forgive me. That’s why I want this to end. “Throw down”" > Bring It On "Found one...! Countdown till I make you say sorry." (I love the snapping while it transitions) Shidou very obviously wants (wanted) to be unforgiven, to end everything as karma for all the killing he's done. Meanwhile, Futa sounds like he's judging him, finding another 'sinner' to bring down.
Bring It On > "It’s going great, We’re gonna punish you until you cry. If you get off now, you're a traitor. Now let’s be reasonable. x4" > Magic "This happy pinky promise hurts to break." THIS IS SO GOOD. The almost condescending lines from Futa (especially saying "Now, let's be reasonable.") while Amane is literally in a cult that punishes her if she ever disagrees, disguising it as "love". The only difference is that the cult is more manipulative. Futa doesn't want to redeem the people he punishes, he just wants to deliver justice and be seen as a good guy. Meanwhile, the cult still wants to lure Amane in-- and she also wants to be accepted by them. Thus, "let's be reasonable." even if WE know the cult isn't reasonable at all.
Magic > "But it’s not scary at all, because it’s love. I can really think it’s great. See, isn’t it a great thing?" > MeMe "If I could laugh. If I could go back. I’d play dead even though I’m alive right?" (I like how it speeds up a little, almost as though growing more desperate) I think these words, in some way, are from Mikoto's alter who tries to 'protect' Mikoto. In the same way Mikoto's alter is likely the violent one, he tries to convince US by acting like "it isn't scary that I'm making myself a criminal, because I'm doing this out of the love and will to protect 'me'." At the same time, I think the lines Mikoto says could apply to Amane. She doesn't know the cult is brainwashing her-- but if she were to realize how harmful it is, she wouldn't be as happy as she currently seems while in the cult.
(Also, I find it hilarious that Amane is sandwiched between arguably the most expressively violent songs in this-- other than Kotoko, of course. Really shows how messed up her situation is objectively)
now this trio is a little bit more difficult?? i want to say its 'righteousness'. Being 'right' because you're backed by a bunch of people, being 'right' because you've a cult backing you, and being 'right' because you don't know what happened/are protecting 'yourself'. Alternatively, it could be 'justifications' (which is kinda the same thing)
MeMe > "The truth will come to reveal itself. I wonʼt forgive you if this is happening to me even though Iʼm right." > After Pain "If I were gone." I LOVE that it hard cuts to Mu's song after "Even though I'm right." Because even if After Pain painted her as strictly a victim, we as the audience now know how that isn't the case, and how quickly Mu switched into a mindset similar to Haruka: "I'm right, the truth will reveal itself." This line also kind of relates back to Mu saying that she hopes we won't doubt our forgiveness for her and to not look for the scars "after" pain. The truth that was revealed to us, though, was she also took part in bullying in the past, but she thought the truth was that she was right all along, that she was to be forgiven and pitied.
Finally, "I found out how much I’m not needed" is such a chilling line to end off of. In a way, I think it sort of links that to Es? Es is simply a vessel for us, the audience, to make our judgments. It could have been anybody-- it just happened to be Es. At the same time that they are essential for us to actually execute our judgements, Es is also easily replaceable (supposedly), because their attitude is mostly based off of US, the audience. While I do think the writers might subvert this expectation (as Es DOES have their own personality-- just not in terms of judgements), the 'Guard' could technically be anyone with no backstory (yet), no memories (yet): a completely blank slate for us to dump our opinions on to express to the prisoners.
He was told this by Shidou how horrible it is to make a child do this
an Muu later tells him way not just stop hurting yourself by thinking of all this
"Who are you talking about" is the first time Es panicked
Haruka to Mahiru makes more sense if you pay attention to the " I guess this feeling is happiness but I can't help but feel like something is missing", she's wonder if the happiness is still "living somewhere"
@@couldyounotdude3168 Haruka wants care and Mahiru is dedicated to a certain sense of love makes sense
@@senritsujumpsuit6021 Also they both want attention from es. Haruka's whole motive for murder was wanting attention and even liked being slapped by Es in his first VD while Mahiru gets extremely happy when told Es will be watching over here
you cooking hard🔥🔥
HELP AMANE SINGING INTO THE SCREAMING FROM MEME WAS HILARIOUS?!?!?!
its fitting when I look at her Trial two artwork I can just hear he screaming in her Audio drama
歌っているのは「あなた」, 字幕では「僕」なの細かすぎる
愛なんですよ→アンビリカルの繋ぎ方が好きすぎてリピートしてる
THE WAY THEY MADE THE TRANSITIONS BETWEEN EACH SONG MEANINGFUL OH MY GOSH 💖 HAPPY ANNIVERSARY MILGRAM!! 💕✨
Edit: Okay since I’m enjoying the transitions way too much, here’s a a compilation of all the lyrics that overlapped to another song’s instrumental:
1:13 HARROW x Undercover
2:30 HARROW x Weakness
3:35 Weakness x This is How To Be In Love With You
4:54 This is How To Be In Love With You x Umbilical
10:43 Bring It On x Magic
11:57 Magic x MeMe
13:09 After Pain x MeMe
Magic X Meme HUG ME IM SCARED
I see themes with the transitions, like the first one with ES and Kotoko Both of them are people who are representations of justice. ES who is judging everyone here, Kotoko acting on whatever ES decides a vigalante who doesn't wait to punish the supposed guilty which she believes is right. Haruka and Mahiru wanting love. Haruka wanting the pity type of parental love and Mahiru wanting to share her overwhelming feelings. Yuno and Kazui are people who had masks on. The Yuno we see in S1 is the fake personality she uses for in the outside but we see the real Yuno later on, who has much more going on. Kazui is seen wearing a mask in his MV. Shidou always searching for something, being mysterious and unhappy, who himself thinks he is the bad guy while Futa another justice vigalante but who wants to be known as the good guy. Shidou and Futa essentially being oppposites. Amane, Mikoto and Mu the manipulative/manipulated trio. Amane the manipulated by the cult. Mikoto being manipulated by himself. Mu manipulating the whole world.
This might be complete nonsense but or the obvious facts but I wanted to point out how masterful everything is made. Milgram is amazing and I can't comprehend how much effort is behind each character. Also the transitions in the remix are so cool. Congrats for 3 years! I'm so excited for the future story.
your not wrong
I'd like to correct the last one. I believe mikoto and muu don't share manipulative behavior, but they both seem to struggle with finding themselves and their self steem. mikoto is always seen as being a bit too miserable when he's at his job and when he arrives home, and muu is just... constantly miserable in her mv, except for when she's being given attention and praise. plus the DID and the implications of BPD w muu,,
i think the connection was supposed to be between kazui and shidou, too, as their partners were the victim and there's a theme of lying with them both, and fuuta was supposed to be matching with amane in the sheep/cult themes. fuuta bashes anyone who breaks the rules, and amane is the one who broke the rule.
@@whizkeysh0t fair
No one is talking about the transition from Mikoto to Muu????? ✨️ that shit was fire 🔥 😩 ❤
Tbh EVERY transition was fire-
THE SONGS GO SO HARD HELLO? EVERYONE SAY THANK YOU TEDDYLOID
THANK YOU TEDDYLOID
THANK YOU TEDDYLOID
THANK YOU TEDDYLOID
THANK YOU TEDDYLOID
THANK YOU TEDDYLOID
Futa transitioning into Amane hits even harder after reading the recent timeline updates...
THIS IS ONE OF THE BEST THINGS THEY COULD DO FOR THEIR ANNIVERSARY ‼️‼️‼️ HAPPY THIRD ANNIVERSARY TO MILGRAM, I am so glad to have followed this project from the beginning! All of the characters are so fleshed out with just the little information we have on them, it's hard not to get attached!!! To think Deco can produce such great songs at a consistent pace alongside his main channel is crazy! Thank you to TeddyLoid for the remix!!! I love this series so much and can't wait to continue supporting Deco*27 on his journey♡♡♡
THAT TRANSITION FROM KOTOKO TO HARUKA’S SONG WAS TOO CLEAN WHY ISNT IT GETTING MORE ATTENTION
NAH FR
Timestamps:
0:01 UNDERCOVER
1:14 HARROW
2:32 Weakness
3:46 This Is How To Be In Love With You
4:51 Umbilical
6:33 half
7:57 Throw Down
9:17 Bring It On
10:44 Magic
11:57 MeMe
13:10 After Pain
the transition out of umbilical to half???? like i had to replay that one a few times damn that hit
それぞれの囚人の監獄の形になってるの細部まで凝ってて好き
コトコ→ハルカ 2:31
ハルカ→マヒル 3:35
フータ→アマネ 10:43
アマネ→ミコト 11:56
第二審終了後ここの関係性に何かしらの変化があると予想（深読みニキ）
マジで勝手な妄想やけどハルカくんとマヒルさんに関しては
現在ムウハルという共依存関係で成立しているけど
もしの話ですがムウに見捨てられお母さんという認識が無くなったその時マヒルさんがハルカくんの事や心を癒して癒しまくり愛してあげていくうちに
今度はマヒルさんの事を
「お母さん」となり甘えに甘えて次の路線はマヒハルの共依存関係になるんじゃないかと我ながらに恐ろしい考えだなと考えています
フータくんとアマネちゃんは少々難しいですね…
ただ今年のフータくんバースデータイムラインで
アマネちゃんがフータくんのことを一種の洗脳？みたいな神の囁きと歓迎している雰囲気でフータくんを道連れな感じで言っていたシーンがありましたので
第三審でこの二人の関係性が生まれるんじゃないかと考察しています
ただしミコトくんとアマネちゃん ハルカくんとコトコさんはムズいな…
想像がつかないけど気になる…
@@helloex-6767 アマネ→ミコトはわかりやすい関係性今のところないですよね。
ハルカ→コトコは分かりやすく怯えていますが…。
アマネちゃん、ミコトも勧誘して宗教を作る…とか…まさかね…
フータ→アマネはあからさまにフータの声が長く入ってるので、恐らくアマネちゃんを信仰する展開になるんでしょうね
追記:アマネちゃんに切り替わった時、背景が所々フータになってますね。これはもう、確定では…
@@Reve_hibananana うわっちょっと待ってその展開ガチでありそう
アマネちゃんの周りに神様を信じている人がいないから無理矢理でもフータくんやミコトくんを宗教勧誘するどんでん返しが想像つく…！
でもミコトくんを勧誘しても裏ミコくんが表に出てキレるかお断りしそうだな これは一か八かだけど裏ミコくんはアマネちゃんのことを利用する話も有り得そうで胸騒ぎしちゃう…
うわぁミコアマの関係性一体どうなるんだぁぁ
@@helloex-6767 今のミコト(裏)は、トレーラーのセリフの声の震え具合を見るに 表ミコトを守るためならなんでもするくらい弱っているみたいなので
現実的に有り得なくもないのが怖いんですよね…
アマネ＋数人で徒党を組んでしまうんじゃないかな…というのが私の持論です
アンビリカルからhalfへの移り天才では？....舞台の暗転みたいな移りだった
全体的に繋げ方が天才すぎて😭😭
これ繋がってる曲で共通点とかあるのか、、？
ずっと謎を残していくMILGRAM大好きです
W a w teddyloid is on board!
WAIT HAHAHAH AMANE GETS THESE LYRICS BEFORE HER PART 10:48 😭😭😭
Oh and then Amane sings her part on top of Mikoto's intro so that's just pure gold
This entire remix is phenomenal, but my favorite transition has to be between “Umbilical” to “Half”. It’s too good!!!
OK BUT WAIT - the entire ending with “After Pain” just topped this
I'm just not over how TeddyLoid was able to cleanly transition in & out of Magic with 2 of the heaviest instrumentals of the season. I'm not shocked they are able to because it's TeddyLoid but goddamn those were clean.
3周年おめでとうございます！
「正しさに溺れてたい」のところでハルカが溺れてるのがたまらなく好き……
MIXメドレーのPv見て謎に変な既視感あるなと勘づいたので雑な考察に移ります
動画に映っている三台のテレビに左と右にそれぞれ囚人達が映ってありますが
これは第二審の曲トレーラーと同様次の第三審で下される結果なのではと考えます
順番的に
コトコちゃん(左)(赦す)
ハルカくん(右)(赦さない)
マヒルさん(左)(赦す)
ユノ(右)(赦さない)
カズイさん(右)(赦さない)
シドウさん(左)(赦す)
フータくん(右)(赦さない)
アマネちゃん(左)(赦す)
ミコトくん(右)(赦さない)
ムウ(左)(赦す)
もしこれが本当だとしたら絶望でしかないし言葉失う…
えらい順番がおかしいなぐらいで特に何にも深く考えずに居たけども…
これもミルグラムの予言というか既に予測しているんじゃないかと考えたら思い通りにいく感じで怖いな
MIXだけではなく奥深く隠されていたとは…まだまだ何か隠されてそう
確かに、ミルグラムなら順番や位置には意味がありそうですね…。
今2連続で赦されているユノが赦されなかったり、赦されなかったムウがまた赦されたり…。
少なくとも運営はこうなると予想している…ということですよね。三審、どうなってしまうんでしょうか…。
右左で赦す赦さないが表されているのならば右にいるエスは赦されないってことですかね！？
最後には安全圏から高みの見物をして、彼らをある意味身勝手に裁いていた私たち(エス)も裁かれるとか……！
スローダウンから事変上等の繋ぎ神すぎて脳が痺れた
3周年おめでとうございます！！！！
砂あらしの激しさなにか関係ある？
エス、コトコ、ハルカ、マヒル、ユノまでは激しい。
ハローのとき裏でアンダーカバー流れてるの良すぎ。
どこかで生きてるの？綺麗すぎません？？？愛なんですよ🫶
事変上等→おまじないの流れで段々浄化されていく梶山の歌声好き😭
ぜーーーんぶがきれいに
まとまっててずっと
やばぁ、、すご、、
って言いながら聴きました
純粋に曲として楽しんだけど
マヒルさん▶ユノちゃん▶カズイさん
が、個人的には
胸を締め付けられて
泣きました😢
that transition from undercover to harrow thoo!! SO BADASS HAPPY THIRD ANNI MILGRAM !!! 🥳
One thing I'm wondering is- On the Side TVs, each prisoner either appears on the left or the right TV. I thought it just went back and forth without a pattern, but when it gets to Yuno and Kazui, both of them appear on the TV on the right. In the end, the prisoners appear as such:
RIGHT TV: Es, Haruka, Yuno, Kazui, Fuuta, Mikoto
LEFT TV: Kotoko, Mahiru, Shidou, Amane, Mu
Am I just overthinking things, or is there maybe some sorta pattern here? I think it's odd for Yuno and Kazui to be on the same side instead of continuing to switch back and forth... (On Kazui, too, the other TV's static changes in pattern from covering the whole TV to being more sparse for some reason...)
I have two guesses (neither of them fully fit) but thinking maybe deaths caused indirectly vs directly, or the total of forgiven to not forgiven votes)
Es's presence confused the whole set up and it isn't a perfect guess even if they weren't there, but this is all I got.
Maybe premeditated crimes vs spur of the moment crimes? One could argue that Kotoko wasn't looking to kill the person she was investigating and just got caught up in the emotions of it all and accidentally beat the guy a little TOO hard... Kazui kind of doesn't make much sense but it could come to light he was planning on forcing a divorce and got a different result.
@@shadowsneak100 if it were that then it wouldn't make sense for fuuta to be on a different side compared to kotoko, since he wasn't planning on killing either. Unless I'm getting something confused?
edit: grammar
A bit late but maybe it's an easter egg maybe?
Maybe these were predictions of the team on who they think would be voted innocent and guilty?
To be honest i only thought this because every other thought i had didn't fit
I HAVE ANOTHER THEORY THAT JUST OCCURED TO ME AFTER ONE SIDE OF MY EARBUDS DAMPENED maybe its just which side the vocal portion of the audio is playing through
GUYS FUUTA TO AMANE TRANSITION AT 10:52 IS MY FAVORITE OMG
Their thought process synergy encapsulated
The 11:57 part…. It’s amazing!!! The way it transitioned into MeMe…. MeMe will be my all time favourite Milgram song…
Mikoto is my least fav because he is not that interesting his interesting part is just that he ends up kickstarting Fang X Es
HARUKAS TRANSITIONS WAS INSANELY SO UNBELIABLE GOOD
「道理を」からのアマネちゃん最高
THIS LITERALLY GIVE ME CHILL OMG THE TRANSITION????? AND HOW THE LYRICS ARE SOMEHOW CAN RELATE TO EACH OTHER?!?$!$(#!$! Milgram fans are being fed so well 😭😭🙏🏻🙏🏻🙏🏻 Happy 3rd anniversary, MILGRAM project!!! Can't wait for the rest of trial 2 MVs!!
つなぎカッコ良すぎてびびった
繋ぎが全曲好きすぎる…。TeddyLoidさんのmix本当にすごいなぁ。まさかこんなサプライズ的な動画があるとは…！改めて、三周年おめでとうございます！！！どんな結末になったとしてもミルグラムの事を愛し続けることを誓います。全てを知った僕はちゃんと赦せるかな___？これからの展開が楽しみですね！
The MeMe to After Pain transition was amazing!!!!
I DID NOT EXPECT FUUTA TO TRANSITION INTO AMANE LIKE THAT OH MY GODDDD
WOAH. This is really good! Love the transitions from one song to another, I never thought doing it that smoothly was possible. (Fuuta singing about traitors and punishment as the song was transitioning to Amane the cult member’s song… was actually pretty funny, in a dark way.)
i did not expect the weakness to ai nan desu yo transition but honestly i'm here for it 😭😭
I hope they make one for t2 too...
繋げ方が神すぎて神
- Undercover
"Kirai" tai "OK" no kyoukaisen wo
Wagamama no mama owatte ii no?
Subete wo shitta anata wa chanto
Yuruseru ka na?
Andaa yurusu nara kyouhansha
Hitoribocchi ai wo choudai
Andaa nanika ga tarinai nda
Motomeau kimari nantoka shitai fyuuchaa
Andaa tsumi kara no kakurenbo
Saa shippo maite damatte douzo
Andaa kowareta haato motte
Itai no wa itsu made tsuzuku no ka na
Ubaiai "doushite" no seishin kaibou
Machigai sagashi no enchousen wo
Dareka o shitte ai de shibatte
Sabakeru ka na?
"Kirai" tai "OK" no kyoukaisen wo
Wagamama no mama owatte ii no?
Subete wo shitta anata wa chanto
Yuruseru ka na?
- HARROW
Owaraseyou HARROW HARROW
Damatte tsuyosa ni naku nante
Yarusenai yarasenai watashi mou chikattanda
Dore kurai HARROW HARROW
Kuratte dareka no yume ga iki wo tomeru nara
Kono kiba de eguru yo
Somatta kanjou kachimake wa dokoka
Moetsukinai you ni esa wo kuratteiru
Mata kura kura ni nari muchakucha ni naru
Motometa seijou ga uyamuya ni nari shinde iku tabi
Kokoro wa motto susunde iku
Nikunderun da kowaresou da yo
Doku darake no houimou
Owara seyou HARROW HARROW
Damatte tsuyosa ni naku nante
Yarusenai yarasenai watashi mou chikattanda
Dore kurai HARROW HARROW
Kuratte dareka no yume ga tomacchattecchaten nara
Kono kiba de eguru yo
Tadashisa ni oboreteitai
-Weakness
Doushite hanareteku no?
Nee doushite boku no sei na no?
Iou to shita kotoba ga "hikyou da ne" tte boku wo warau
Doushite kowareteku no?
Nee doushite kawaranaide yo
iou toshite yametara "dame da ne" tte okoru kuse ni
Daredemo dekiru koto boku ni mo dekitara na
Chigatteta hazu no mirai wa fubyoudou ni koi wo shita
Himei wo shiteita, himei wo shiteita
Aisareru jakusha ni naritakatta
Hitei wo shiteita, hitei wo shiteita
Doushitemo tashikamete mitakatta
Ahaha, boku ni kizuite
Ahaha, dareka kizuite yo
Machigatteita no wa boku datta
Sou, boku datta nda
Hitotsu futatsu kasaneta tte mata sugu kuzusarete
Inai mono iranai mono dokoka de ikiteru no?
-This Is How To Be In Love With You
Suki tte kimochi wakatta tsumori?
Nara kono mama futari overheat de
Kimi dake ni tsutaetai koto mo kimi dake ni moraitai koto mo
Ai nan desu yo
Aa maa kono kanji wo shiawase tte iechaun darou kedo saa
Dounimo tarinai nanika sonzai shiteiru ki ga shitenaranai naa
Nee dou? Kikarete komaru koto nante juujuu shouchi no ue nan dakedo
Sono kao mitakute tsui icchaun da gomen ne?
Dakishimete kure nakucha kokoro made hanarete shimauyo
Iiko no furi wo shita "Daijoubu" nante kirai da
Sukitte kimochi wakatta tsumori?
Nara kono mama futari overheat de
Kimi dake ni tsutaetai koto mo kimi dake ni moraitai koto mo
Ai nan desu yo
Iyatte hodo ni Shibatte mitari
Mada fuan ni naru no douka yurushite ne
Kimi no koto tameshichau toki mo tamani aru wakare no gishiki mo
Ai nan desu yo
Purururu yonaka ni kimi ni Calling
-Umbilical
Nanka hen da yo ne mada narenai na
Kimi no koto ga ki ni natchatteru dare ni mo naisho ne
Nande iru no ka na sukoshi iya ni naru
Umaku waraenaku natchatta no kimi no sei dakara
Ashita tte yasumi dakke?
Maa, demo ikka asa wo mezashimasho
Ohayo tte oyasumi tte
Nando datte aitaku naru yo ne
Futaribocchi chotto ii kanji
Suki to suki ga rinku suru
Hitoribocchi satteiku ondo
Yasashisa wo riroodo shiyou
Dame na no ka na? Kotaenaide
Nani shitai no? Oshiete hoshii
Yatchatta nda, shitchatta nda
Yatchatta nda, shitchatta nda
Yatchatta nda, shitchatta nda
Yatchatta nda, shitchatta nda
-Half
Mata aeru noroi ga mune wo shibaru
"Mata ne" ga "owari" tte kikoeta ki ga shita n da
Anata no kokoro ga kawattekuretara nante arienai
Omoi wa ukande kieru
Tashikamete kurushimu naraba kono mama de anata no soba ni ite
Waraiai kata wo narabete kono kyori ga shiawase no misuriido
Doko de machigaeta no ka hajime kara darou
Mata aeru noroi ga mune wo shibaru
"Mata ne" ga "owari" tte kikoeta ki ga shita n da
Anata no kokoro ga kawattekuretara nante arienai
Tadashisa wo oshiete yo uso ni somatta omoi wa ukande kieru
-Throw Down
NO yume no naka de
Mata nakarete iru semerarete iru
Oh NO koroshita mayoi ga
Iki wo hisomete uso wo kaide iru
Ah toku toku, toku toku, toku toku yuu no
Koko ni itatte ii riyuu wo tomattatte kienai sa
Sanzan nai chatte sorya sou da kimerunda
Masa ni ichido kiri no sono ikikata wo
Suroo daun dareka no dareka ni
Tsunagu anata wa ikite iru
Suroo daun modorenai shoutai wo
Damashite iru kibou ni okikaete
Suroo daun
Mou ii yo mou ii yo
Dou shitatte hanarenai
Douka yurusanai de kure
Dakara owari ga hoshii yo
Suroo daun
-Bring It On
Hakken gomen e no kauntodaun
Ikuze shousha no koushin dan-da-dan
Kama se hissatsu shirakiri nante yurusanee
Kyouki wa omaeda ban-ba-ban
Aa mou yada machigaetara tadashisa no saki made
Hora itte kure yo inga no ou No ho
Aa mou muri kitanaikara kirei ni shinakucha dameda
Kikitai no wa kokoro no oku no himei
Waruikoto shitara gomennasai kotoba yori saki ni narau yo na?
Mujun darake no akuma wa subekaraku horobu bekidaro
Iwaseru made yamene zo
Saa hajimeyou usotsuki karida
Hakken gomen e no kauntodaun
Ikuze shousha no koushin dan-da-dan
Kama se hissatsu shirakiri nante yurusanee
Kyouki wa omaeda ban-ba-ban
Douse kidzuiten darou? Dousunda
Jihen jotoda seigi wa kono yubi tomare
Joudan janai hiirou sa
Hihou sunzenda seigi wa kono yubi tomare
Ii kanjida naki dasu made sabaki wo kudashite yarou ze
Tochuu gesha wa uragiri to shite ikou
Saa douri wo
-Magic
Ano shiawase no yubikiri wa yaburuto totemo itai
Iya tte hodo ni shitekuremashita
Gomennasai no omajinai wo
Demo zenzen kowakunai desu yo ai dakara
Gyaku ni ii kanji tte omoemasu hora suteki deshou?
Kamisama konnan datte ii desu ka
Watashi mo amaechatte ii desu ka
Chikaimasu yabucchauda nante warui ko wa me! Da yo
Sorry datte iemasu yo
Watashi datte kibou wa aru n da yo
Chikaimasu mou ii ko ni naru shikanai! Desu yo
Demo zenzen kowakunai desu yo ai dakara
Gyaku ni ii kanji tte omoemasu hora suteki deshou?
-MeMe
Waraetara, modoreta nara
Ikita mama shinda furi shiteiru n darou?
Owaretara, tomareta nara
Kono yume wa itsu made tsuzuku n darou
Tamekonde kakusanakute ii
Boku ga boku wo sukutteagemashō
Dakiatte kyō wa oyasumi
Kawaribanko nō wo yurase
Nande boku ga koko ni iru no, machigai janai no?
Sō da boku wo tashikamete yo chanto mitsukeru Made
Kitto hontō ga wakaru yo, uso nara kimi no koto yurusanai yo
-After Pain
Watashi ga inakunareba kiereba yokatta no
Mou kiichatta shicchatta
Konna ni mo watashi wa iranai
Tokubetsu imi wa nai no hazure wo hiita no
Mou kiichatta shicchatta
Konna ni mo watashi wa iranai
Nee nande ita-ita-itai no yamete kurenai no?
Kawaichatte doushitara
Gomen no mahou wa kitto kikiakichattanda ne
Demo tabun watashi mo warui tokoro wa aru kara sa
Kore de kitto ii no kamo
"Ikiteru" wo kanjitai yo iki shite mo ii no kana
Oshiete
"Gomennasai" wa todokanai yo (Itsuka todoku kana)
"Gomennasai" wa todokanai yo (Itsuka todoku kana)
"Gomennasai" wa todokanai yo (Itsuka todoku kana)
"Gomennasai" wa todokanai yo
Watashi ga inakunareba kiereba yokatta no
Mou kiichatta shicchatta
Konna ni mo watashi wa iranai
YOU SO REAL FOR THIS thank youuuu
"even though I was right" at the end of meme transitioning to after pain is so muu
そろそろ4周年だから聞きに戻ってきたんだけど、もしかして楽曲の順番人を殺した順番とかだったりするのかな…？
としたら赦さないにしてどうなるのかわからないけど、仮に死刑になるとして
一応エスも人の死に関わったことになるから11番はえ エス？
YHR TRANSITION FROM BRING IT ON TO MAGIC WAS SP GOOD IM SOBBING
this mix is my absolute favorite... all the songs combined.. and it all blended so well.. love milgram 🤍
we're breaking out of jail with this one🔥🔥🔥🔥
The way i gasped when they transition fuuta song to amane's ..
ミルグラム3周年おめでとうございます！！！
原曲のイメージそのままなのに11曲繋がってて本当に天才すぎる……ありがとうございます……
" Is it living in here ? "
" do you even know what love is ? "
I CHOKEDDDDDD
they know what their doing when they pull that stuff
MIX最高すぎてずっと聞いてられる
ムウちゃんで終わるのうれしすぎる … muuuuuuuuuuu💛💛💛
アマネ→ミコト
コトコ→ハルカ
関係があるとしか思えない
i just noticed.. the background looks like the video is being projected on the walls of what seems like the inside of a prison cell. Plus, the video is playing on the tv screen.. I wonder if this represents what Es is seeing when MILGRAM 'extracts' each prisoner's video??
edit -- also it would be interesting to note that Es' cover is presented in a similar fashion.. also projected on the cell walls like the other prisoners..
in the very first audio drama Es notices a broken 11th cell and after he says he wants to solve everyone's mysteries, Jackalope says "Es how pitiful"
TeddyLoidだ、間違いない…！
最高MIXありがと～～～～～！！！！！
3周年の情報量えぐ
THAT SLIGHTLY SLOWED DOWN VER. OF AFTER PAIN SLAPS!!!
WOAH!!!!! HAPPY MILGRAMVERSARY!!!!!
THE TRANSITIONS HELLO????????????
These new translations are wild. There's some difference with the original songs' english lyrics in several spots, and some are quite interesting.
the way the last few transitions puts them on the same space on a fuked up game of life in how they all speak Worth, Promise, \Self preservation, Loneliness
THE MEGA MIX GOES HARD ASF?1!1? 🔥🔥🔥TY TEDDYLOID!!!!!!!!!
i've been obsessing over the transition between haruka and mahiru for Days
10:53
事変からのおまじないちょっとおもろい
Happy 3rd anniversary to Milgram project! I'm glad I have found this project as it's truly one of the best interactive music project I've participated in! Keep up the good work! ❤
The transition into Bring it On sent me.
Shidou to fuuta transition was fire
The transition from bring it on to magic??? It sounded great but in the context of amane that’s so fucked up 😭😭
3:35 ハルカの声良すぎる…🥹🥹
Yessss 😭🫶✨️
アフターペインの「私はいらない」で終わるの不穏……
THIS IS SO FUNKT WHAT IS THSI?:?:? HOLY COW VIBING FOR REAL THE TRANSITIONS TO THE OTHER SONGS??? GOING INSANE FOR THEM THIS IS SO FUNKY
HOLY THIS IS CRAZY I LOVE THIS
AND THE THROW DOWN TRANSITIONING TO BRING IT ON WAS SO AAAAA TEDDYLOID YOU GOD
THIS IS SUCH A COOL WAY TO CELEBRATE 3RD ANNIVERSARY GOD I LOVE THIS PROJECT HAPPY 3RD ANNIVERSARY TO MILGRAM‼️‼️‼️
I have already listened every single of these songs to death what a pity
God damn this goes so hard
Also is it just me or are the English translations here different than the og? Not complaining I think it's interesting!
only for Undercover
they randomly changed the English lyrics to that song last week after 3 years
yeah, sometimes they also change the translation from preview to actual mv, don't know why 💀
@@jl8417 wait actually????? That's so weird . I'm guessing it had something to do with the second trial and wanting to make lyrics more poetic sounding???
I think it’s changed to match the audio dramas a bit more (especially the newer ones like Mu) for the English viewers that don’t listen to them so they get information more accurate to the character rather than being symbolic or whatever
WAKE UP HONEY, THERE IS A NEW A MILGRAM POST 😭😭😭🧡
i need full after pain with meme drums to be real.
This is fire🔥🔥🔥and the transition from song to song is just MWAH! well done as always great job TeddyLoid!!
Happy 3rd anniversary, dear MILGRAM! This project means the world to me. It's truly like a lifeline to me - so thank you!
HARROWから弱肉強食への移り天才ではめっちゃかっこいい
This is a banger! also, why is no one talking about how great the transition between bring it on and magic was?
БРО ПРИГОТОВИЛИ 🔥🔥🔥
ЧТО ТВОРИТ ЭТОТ БРО🔥🔥🔥
КТО ПОЗВОЛИЛ ЭТОМУ ПАРНЮ ГОТОВИТЬ🔥🔥🔥
ВАЩЕ БЕШЕННЫЕ❗️🔥🔥
THE THROW DOWN TO BRING IT ON TRANSITION… dead
つなぎ方全部最高すぎんか
素敵すぎる!!もっかい最初から見直そ