モニタリング ねえあたし知ってるよ きみがひとり“XX”してるの知ってるよ ビクンビクン震えてさ 声もダダ漏れなんだわ 正直に言っちゃえよ バレてるんだし言っちゃえよ 効いてんの？ 普通普通 恥ずかしい？みんな隠しているだけ ねえあたし知ってるよ きみがひとり“涙”してるの知ってるよ グスングスン凹んでさ 弱音ヒトカラ in the night 朝が来るまで一緒コース もっと泣いたって 何度だって受け止めてあげる もう我慢しないでいっぱい出してね MWAH! お願い きみが欲しいの 慰めさせてシェイクシェイク 愛の才能で 泣いてくれなきゃ 涸れてしまう 濡れていたい ねえいいでしょう？ 舐め取って 飲み干したいんだってば MWAH! お願い きみが欲しいの 頼り散らしてシックラブ なんて最高ね 分けてくれなきゃ 君の“痛い”感じていたい ねえいいでしょう？ 吸い取って 救いたいんだってば 見たいの きみの中 ねえあたし知ってるよ きみがひとり悔しがってんの知ってるよ ズキュンズキュン高まるじゃん きみを推すことをやめない ねえあたし知ってるよ きみはできる子 知ってるよ つらい時は弱いくらいで丁度いい あたしそれでも好きだよ MWAH! お願い きみが欲しいの 名前を呼んでよ いつだって会いに参上 きみはひとりだ だから歌う「ひとりじゃない」 もういいでしょう ソロプレイはお仕舞いなんだってば きみが病めるときも あたし側にいるわ いつも見守っているわ そうよ 怖くないのよ MWAH! お願い きみが欲しいの 慰めさせてシェイクシェイク 愛の才能で 泣いてくれなきゃ 涸れてしまう 濡れていたい ねえいいでしょう？ 舐め取って 飲み干したいんだってば MWAH! お願い きみが欲しいの 頼り散らしてシックラブ なんて最高ね 分けてくれなきゃ 君の“痛い”感じていたい 覗いていたい 吸い取って 救いたいんだってば ねえあたし知ってるよ きみがひとり“涙”してるの知ってるよ グスングスン凹んでさ 弱音ヒトカラ in the night 朝が来るまで一緒コース もっと泣いたって 何度だって受け止めてあげる もう我慢しないで出してってば さあ ------------------------------------------- Guess what, I know, that you’re all alone “XX” ing, I’m wise to it Twitching, your dissected heart spasms, your moans are audible Just come clean, secret’s out anyway, how was it? It’s normal, so normal, are you embarrassed? Everyone just does it on the down-low Guess what, I know, that you’re all alone “tear” ing, I’m wise to it Sob sob sob and depressed, solitary karaoke lamenting in the night We’re fellow all-nighters, doesn’t matter if you cry some more I’m gonna embrace you again and again Let your tears run free, let out your heart MWAH! Please please, I want you so bad Let me take care of you, shake shake, with my knack for lovin’ If you won’t cry, it’ll dry up, let’s let it pour Please say yes? I wanna lick away our spices, drink up the tears from your dissected heart MWAH! Please please, I want you so bad Lean on me with your whole weight, toxic love, how sick is that? Sharing is caring, I wanna feel you “ouch” ing Please say yes? I wanna suck dry your spicy tears, save your dissected heart Let me see, inside you Guess what, I know, that you’re all alone vexing, I’m wise to it The thump thumping speeds up, you’ll always be my idol Guess what, I know, you’re absolutely capable, I know it Weakness when hurt, it’s alright you know, I love you like that too MWAH! Please please, I want you so bad Call my name, and anytime I’ll come hither You’re all alone, that’s why I sing, “You’re not alone” That’s enough now Solo-play to dissect is finito, don’t you know In sickness and in health, I’ll always be by your side I’ll always be watching over you, see, don’t be scared MWAH! Please please, I want you so bad Let me take care of you, shake shake, with my knack for lovin’ If you won’t cry, it’ll dry up, let’s let it pour Please say yes? I wanna lick away our spices, drink up the tears from your dissected heart MWAH! Please please, I want you so bad Lean on me with your whole weight, toxic love, how sick is that? Sharing is caring, I wanna feel you “ouch” ing, I wanna sneak peek I wanna suck dry your spicy tears, save your dissected heart Guess what, I know, that you’re all alone “tear” ing, I’m wise to it Sob sob sob and depressed, solitary karaoke lamenting in the night We’re fellow all-nighters, doesn’t matter if you cry some more I’m gonna embrace you again and again Let your tears run free, let out your dissected heart Let’s go!
I love the eyepatch choice for the design and song! When she spends her time looking through the peep hole, she literally only has eyes for the person behind the door
This is kind of a creepy comment to me but yeah... That's true. She literally only has eyes for the person behind the door when she's looking through the peep hole...
@@yourhighnessshanzay apparently the most possible meaning is that she is not even real and the person on the other side of the door is actually sick and having hallucinations. I've seen Japanese comments bringing that up. The eyes are occasionally turning normal and also some unrealistic scenes suggesting something is going on like when she is standing with a bouquet of flowers
@@DarkzarichV2 It's actually said that she is there, but the pov character is hallucinating her being a stalker when she's really just concerned about him
My initial theory with the song is that the girl is genuinely really worried about him, but the man behind the door is having these "delusions" or "hallucinations" about her signified by all the special effects. Now for why he's hallucinating, there could be 2 reasons: it has something to do with whatever condition he has that he has to stay at home or that it's supposed to signify that he's thinking she's some obsessed stalker because she kept knocking on his door a lot (out of worry) You can even tell a little from the lyrics how she seems to keep encouraging this person instead of more creepy stalker-y lines and stuff.
I think the lyrics shows more that the girl is pressuring the other person to be vulnerable with her so they can be "sad together". The psychodelic effects would be showing the unhealthiness and danger of that girl and her mentallity. Lines like "I'll dry up if you dont't cry" and such makes it seem like if she actually wants the other person to stay in a bad state of mind. It makes quite creepy how she looks so normal and worried in the more real looking frames to get the other person to open up (opening the door).
Ahh your last comment has really made me think about the lyrics in a different way! I think it would equally make sense to interpret them both in a stalker 'let me in so I can see you' obsessive, almost sexual way (with how the lyrics were written in the beginning especially) as well as a 'please come out and share your pain with me' concerned way. The person behind the door most likely thought the first way but realises the latter at the end when they opened the door!
I have a third option - as Miku appears to be in a school uniform, she could be worried about the person behind the door because he has not been attending school. It's a thing in japan (of course this happens everywhere as well though), where some people just refuse to go to school, shutting themselves in. As for the hallucinations, Miku can't know he is XX-ing inside - but he does. And he just fantasizes about her, about her knowing, and liking it. She is not there out of worry, she is there because she likes him, that must be it - hence the lyrics. They are, of course, unhinged, and seem encouraging, but that is just what the person behind the door wants, not reality. The script is flipped on its head, you would think that someone lurking in front of your door is the one monitoring, but if you don't open the door and just stare at the person waiting for you to finally open the door, who is doing the monitoring? The person doesn't think she is a stalker, but he sure dreams she was, hoping for some closeness, but even the imagined relationship is toxic. And I will be honest and just drop this - we've probably all done this in some way, even the toxic part. (minus the creepy monitoring... hopefully)
My theory is that Miku is representing a feeling, not a character, in most of Deco's songs. If you interpret the lyrics of his songs as if they're sung by feelings, in this case those intrusive regrets/what ifs that just won't go away, they make a lot more sense.
@@zennonapieronn3734 The eyepatch is interesting to me. Perhaps she was in an accident with the person, and that's why she's so concerned with them not coming to school?
like a lot of people said the guy inside the apartment is hallucinating that the girl wants him at 1:16 it even shows him leaning on the door watching her.
Miku here seems to be representing a feeling of regret or guilt. _"I'm gonna embrace you again and again"_ like that thing you did or didn't do a long time ago that always comes back knocking on your door, keeping you up at night, asking you to cry it out. At the end of the video it becomes too much and the door opens. Now that I think about it; many of Deco's songs have Miku represent a feeling. That's why we can't really agree on what she feels in the songs, she is the feeling. *Neverland* is the conflicting feeling of fighting with someone you really love. *Sad Girl S-x* is about rejection. *Mannequin* is about loosing someone. *Ghost Rule* is the feeling of not liking yourself. Listen to your favorite song and instead of trying to feel like the Miku singing, try recognizing your own thoughts and feelings in the song.
Initially I thought this was about miku being a stalker, but with how she reacted at the end and all the colourful illusions, it makes me think that the viewer is probably exaggerating miku’s visits as stalker-like behaviour. Probably due to some internal conflict. Both their behaviours can seem a bit odd. What’s more stalker-like? Waiting outside all the time for a person you know won’t come out, or watching constantly through a peephole at someone you know won’t go away? Edit: Okay! After a few more listens I think I’m almost certain that the obsessive one is in fact not miku despite the depictions, but rather the person behind the door. At 2:12 the person looks around everywhere almost as if they’re SEARCHING for miku, and at every place where they had previously seen them, almost frantically to check if she’s still there. Only when the person finally sees miku on the ground do the hallucinations come back again, as if miku’s presence is fuelling their obsession. I think it’s for this reason why they decide to open the door at the end to miku, because they were probably afraid that if they kept ignoring miku then she would disappear for good, despite most likely wanting to stay as a shut-in so miku could keep coming back to them. All is just my interpretations, but banger song by deco as always!! Edit 2: Sorry for the extremely long comment now haha but I’ve got another input after reading through some comments! I realised that the lyrics could be interpreted in a obsessive way with the how they’re phrased, but when you factor in the idea that miku is concerned for the viewer and trying to help them, the lyrics become more of a desperate attempt at encouraging the viewer to share their feelings with her. She’s basically asking the viewer to come out so she can comfort them because what she *knows* is that they’ve been crying all night, but the viewer interprets this as stalker / love behaviour! Thanks to all the japanese and english comments for this conclusion ~
@@Enaa_ek I think the sexual / romantic innuendos throughout the song are perhaps the viewer’s (whoever’s behind the door) internalisations of why miku keeps coming back to see them! In their mind, miku is waiting outside for them because she loves them, and wants to do said things in the lyrics, such as getting married. The expression on her face at the end can be interpreted as sort of relief mixed with shock, so in reality she probably just kept checking on the person because she was worried, but the viewer is pretty obsessive over the fact that it’s something else ^^;
To me it seems like Miku is genuinely cares and wants to help the viewer who's experiencing some kind of trauma, but he misinterprets the situation and sees her as an obsessed stalker
@@ligir6788 That could certainly be it as well! In that way then I think the ending of opening the door to her could be even sweet, at the end its almost like saying 'lets go and you can cry it out to me' like how miku kept encouraging them to in the previous lyrics :]] Its certainly possible then the innuendos then could just be interpreted as the person crying so much that it can be heard from outside their apartment building...
@@sunxiiro Yeah, most of the innuedos when interpreted as crying works really well. Except 'xxx'ing at the start. But crying is still fits and i think that deco just wanted to troll a bit and added something that can be easely thought of as somewhat sexual
There are two versions of Miku here. I think the Miku with the less saturated hair is the “real one”. Her expressions are very concerned and worried. And the Miku with bright hair is a hallucination or a delusion of the viewer. Not saying that she isn’t there, it’s just the perception of her is warped. I think some of the lyrics are an exaggeration of what she’s actually saying, to go along with the warped version of reality. But I think the real Miku is someone who cares, who is just trying to help the viewer out. I think maybe it’s a depiction of mental illness. I don’t think they’re actually seeing all the hallucinations, I think that it could be an artistic choice to show how mental illness warps our perception of the world and makes us see others in bad manner when they’re really trying to help. Idk it’s just my early interpretation
I think the viewer sees her appearance as mocking and shameful as they're imposing how they view themselves onto what they think the visitor's intentions are
heard someone say deco's recent songs feel like they're on some level made for milgram covers and GOD does this feel like it's got Mahiru written on it. Hope it's her cover song, the sound's addicting as always
To be honest, I see this as more of a Mikoto and John coded song... With being monitored/watched being a huge theme in MeMe, the person behind the door hallucinating that Miku is some obsessive stalker when she actually cares about them - Just like how Mikoto demonizes John when he just wants to protect Mikoto. Most of the lyrics just remind me of them so much. The eyeshots also remind me of Double. All the T3 covers are already recorded so this is just my copium though.
Here's my theory: 0:00 - 0:20 So, in the beginning we hear a doorbell, a door ring, and phone buzzing. Miku is standing in the hallway looking somewhat confident, almost in a cornering/confronting way? Like she *knows* about something. (ie: "Guess what, I know, that youre all alone XXing, I'm wise to it" "Just come clean, secret's out anyway") The lyrics make me think it's about having inappropriate thoughts about Miku, feeling guilty and having the fear of her finding out what you were doing whilst thinking about her. 0:22 - 0:26 we can hear the sound of typing, which suggests a conversation over the phone. 0:26 - 0:41 Looking at the lyrics we can tell that the person behind the door is mentally unwell and a loner. (ie: "sob sob sob and depressed, solitary karaoke lamenting in the night") Miku here is trying to convince this person by telling them that it is alright to cry, that they're not the only one who cries and that she will still embrace them. 0:39 - 1:09 In the chorus, Miku invites them to share their pain with her, to let their feelings out and to let her comfort them even though they think it will be a burden on her. (ie: "If you won't cry, it'll dry up, let's let it pour", "lean on me with your whole weight, toxic love", "Sharing is caring, I wanna feel you ouching") 1:10 - 1:17 in this part Miku looks menacing, radiating a threatening, intrusive energy with her repeated request of letting her see inside them. The person behind the door is afraid of letting anyone see them for who they are, which is why it feels so overwhelming in this part. 1:17 - 1:23 we see the person behind the door is up against the door, pressing themselves. And we can see that person's eye, it almost looks manic? The posture and the wide eyes hint at the fact that this person might be the one eager to see Miku, rather than the other way around. From this point on, we see how things are actually like in reality. 1:26 - 1:38 We can see that the illusion starts to shatter. Instead of the previously confident Miku and the shiny atmosphere, we see an anxious Miku and a grey atmosphere. We can see that Miku is not actually obsessed but *worried.* She no longer sounds confronting but rather encouraging. She says that she acknowledges their loneliness but knows that they're capable of pulling themselves together. She tries to encourage them by saying she looks up to them and that weakness is okay. 1:40 - 2:10 Again, in the chorus she tries once again to convince them that they're not alone and that she will be there for them no matter what (ie: the wedding vow part) 2:10 - 2:22 In this part, we can now see the *reality* without being interrupted for the first time. As you can see the atmosphere isn't all colorful and Miku's voice is a bit muffled. Notice how the camera movements are frantic, as if they're actively looking/waiting for someone? This part exposes the whole thing. It wasn't Miku who was obsessed, but the person behind the door. Remember the phone buzzing in the beginning and the typing sound? It's likely that this person texted something worrying in hopes of her showing up, or just straight up requested her to come. The phone buzzing is Miku calling them because they're not answering the door. We can also see her looking at her phone worryingly, probably from trying to contact them. At 2:24 we see the illusion returning as soon as the person sees Miku. Have you noticed the transparent worm looking things in the second chorus? The transparent worms are called "Floaters" and while not necessarily harmful, they're seen more in people who have vision problems/eye diseases. Guessing by the colorful hallucination lines and floating eyes alongside floaters, it's safe to assume that this person is not seeing things clearly, having a false vision on the situation. They think that Miku's worry is obsession and that she's madly in love with them while in reality she is just worried. From 2:26 to 2:51 We see that the person's delusions are being shattered and slowly starting to get a grip on reality. And finally at 2:52 the person opens the door, perhaps signaling that they accept Miku's helping hand. Clearly Miku is happy about it too, telling by the shine in her eyes. But that's just a theory.
This was a very interesting theory! Maybe with some songs that deco*27 makes are in a different perspective that we tend to not think about. I agree with your theory.
Your interpretation lines up with both my and a lot of the Japanese comments' thoughts! One thing to note that doesn't come through in the official translation - the lyrics are SUPER suggestive. Most of them sound like they are about feelings and about, well, a more physical thing, at the same time...the person behind the door is deluded, and obsessing over Miku not only in an emotional way (maybe I can be the person I self-loathe, and still be accepted!) but also in a very physical, very very gross way. So uh, I can't exactly think of this ending as a happy ending at all...
Something I noticed: Before the third chorus, you could see glitches of reality where Miku was worried, waiting for you to respond, while the psychedelic patterns kept going, pleading for you to respond. I have a feeling this may or may not be obsession, but she seems to care. Only thing that worries me is the Bridge where she sings out lines that are used for marriage. Concerning.
My initial theory with the song is that the girl is genuinely really worried about him, but the man behind the door is having these "delusions" or "hallucinations" about her signified by all the special effects. Now for why he's hallucinating, there could be 2 reasons: it has something to do with whatever condition he has that he has to stay at home or that it's supposed to signify that he's thinking she's some obsessed stalker because she kept knocking on his door a lot (out of worry) You can even tell a little from the lyrics how she seems to keep encouraging this person instead of more creepy stalker-y lines and stuff.
As for the marriage part, the very last scene of miku holds her phone the same way she holds the bouquet, so it could just be a "hallucination" of that
@@YohaNicoFrom what I've heard, men can often misinterpret women showing them worry and care as women being in love with them. So it could also be the case here, with the man's poor mental state bringing it up to "she is OBSESSED with me".
@@toxicalilium The veil is translucent (no duh) but the flowers are translucent as well, so they're most likely hallucinations as well. I see it as a genuine show of care that's believed to be something heavily romantic. By the end, there's no delusions or hallucinations at all, so I believe that the protagonist works through it.
Some alternative interpretations to the lyrics! Guess what, I know -> I know that you’ve been sad All alone Xxing // ‘tear’ing // solitary karaoke lamenting // ‘ouch’ing -> crying Everyone does it on the down-low // “you’re not alone” -> being sad is a normal thing (comforting them) Please I want you so bad -> I want you to be okay I’m gonna embrace you again and again -> i’ll help you no matter what You’re absolutely capable of it -> you’re capable of coming out and talking to me I love you like that too // i’ll always be by your side // lean on me with your whole weight -> I’ll accept you even when you’re sad Call my name and anytime i’ll come hither // i’ll always be watching over you -> I’ll be there for you whenever you’re sad Basically every lyric can be interpreted in a more caring way, where miku is encouraging the person to ‘open up’ to them, but can be seen in a stalker-like / obsessed way as well, which is what the person behind the door interprets her words as. She wants to save your dissected heart!!
@@01wishiata76Not really because the viewer clearly has some distorted perception of Miku. She's probably trying to help out of worry, but the viewer is interpreting as love
Yeah the fact that the entire perspective of the music video is through the peephole is a pretty easy analog for seeing things through a distorted lens, and only after the door opens at the end do we see Miku just standing there looking concerned, which goes against the obsessive stalker delusion seen through the peephole.
If you go back to some of those lines you'll find that _some_ of them cut to the real Miku for _part_ of the line. It kinda emphasizes that that part of the lyric is reality, while the rest of it is delulu land.
i feel like the song was actually hallucinated by the person behind the door, because once she opens it (assuming its a girl based on the lyrics) miku looks so normal unless the lyrics is actually from the door-person which is more concerning and delusional
モニタリング
ねえあたし知ってるよ きみがひとり“XX”してるの知ってるよ
ビクンビクン震えてさ 声もダダ漏れなんだわ
正直に言っちゃえよ バレてるんだし言っちゃえよ 効いてんの？
普通普通 恥ずかしい？みんな隠しているだけ
ねえあたし知ってるよ きみがひとり“涙”してるの知ってるよ
グスングスン凹んでさ 弱音ヒトカラ in the night
朝が来るまで一緒コース もっと泣いたって
何度だって受け止めてあげる
もう我慢しないでいっぱい出してね
MWAH!
お願い きみが欲しいの
慰めさせてシェイクシェイク 愛の才能で
泣いてくれなきゃ 涸れてしまう 濡れていたい
ねえいいでしょう？ 舐め取って 飲み干したいんだってば
MWAH!
お願い きみが欲しいの
頼り散らしてシックラブ なんて最高ね
分けてくれなきゃ 君の“痛い”感じていたい
ねえいいでしょう？ 吸い取って 救いたいんだってば
見たいの きみの中
ねえあたし知ってるよ きみがひとり悔しがってんの知ってるよ
ズキュンズキュン高まるじゃん きみを推すことをやめない
ねえあたし知ってるよ きみはできる子 知ってるよ
つらい時は弱いくらいで丁度いい あたしそれでも好きだよ
MWAH!
お願い きみが欲しいの
名前を呼んでよ いつだって会いに参上
きみはひとりだ だから歌う「ひとりじゃない」
もういいでしょう
ソロプレイはお仕舞いなんだってば
きみが病めるときも あたし側にいるわ
いつも見守っているわ そうよ 怖くないのよ
MWAH!
お願い きみが欲しいの
慰めさせてシェイクシェイク 愛の才能で
泣いてくれなきゃ 涸れてしまう 濡れていたい
ねえいいでしょう？ 舐め取って 飲み干したいんだってば
MWAH!
お願い きみが欲しいの
頼り散らしてシックラブ なんて最高ね
分けてくれなきゃ 君の“痛い”感じていたい 覗いていたい
吸い取って 救いたいんだってば
ねえあたし知ってるよ きみがひとり“涙”してるの知ってるよ
グスングスン凹んでさ 弱音ヒトカラ in the night
朝が来るまで一緒コース もっと泣いたって
何度だって受け止めてあげる
もう我慢しないで出してってば
さあ
-------------------------------------------
Guess what, I know, that you’re all alone “XX” ing, I’m wise to it
Twitching, your dissected heart spasms, your moans are audible
Just come clean, secret’s out anyway, how was it?
It’s normal, so normal, are you embarrassed? Everyone just does it on the down-low
Guess what, I know, that you’re all alone “tear” ing, I’m wise to it
Sob sob sob and depressed, solitary karaoke lamenting in the night
We’re fellow all-nighters, doesn’t matter if you cry some more
I’m gonna embrace you again and again
Let your tears run free, let out your heart
MWAH!
Please please, I want you so bad
Let me take care of you, shake shake, with my knack for lovin’
If you won’t cry, it’ll dry up, let’s let it pour
Please say yes? I wanna lick away our spices, drink up the tears from your dissected heart
MWAH!
Please please, I want you so bad
Lean on me with your whole weight, toxic love, how sick is that?
Sharing is caring, I wanna feel you “ouch” ing
Please say yes? I wanna suck dry your spicy tears, save your dissected heart
Let me see, inside you
Guess what, I know, that you’re all alone vexing, I’m wise to it
The thump thumping speeds up, you’ll always be my idol
Guess what, I know, you’re absolutely capable, I know it
Weakness when hurt, it’s alright you know, I love you like that too
MWAH!
Please please, I want you so bad
Call my name, and anytime I’ll come hither
You’re all alone, that’s why I sing, “You’re not alone”
That’s enough now
Solo-play to dissect is finito, don’t you know
In sickness and in health, I’ll always be by your side
I’ll always be watching over you, see, don’t be scared
MWAH!
Please please, I want you so bad
Let me take care of you, shake shake, with my knack for lovin’
If you won’t cry, it’ll dry up, let’s let it pour
Please say yes? I wanna lick away our spices, drink up the tears from your dissected heart
MWAH!
Please please, I want you so bad
Lean on me with your whole weight, toxic love, how sick is that?
Sharing is caring, I wanna feel you “ouch” ing, I wanna sneak peek
I wanna suck dry your spicy tears, save your dissected heart
Guess what, I know, that you’re all alone “tear” ing, I’m wise to it
Sob sob sob and depressed, solitary karaoke lamenting in the night
We’re fellow all-nighters, doesn’t matter if you cry some more
I’m gonna embrace you again and again
Let your tears run free, let out your dissected heart
Let’s go!
神曲あざす！
あ
な
さすがです今回も神曲✨️
最高の曲をありがとうございます～！
これ病んでんのドアの先の誰か(聞き手側)かなって解釈してる
ミクがサビでハートマークを瞳に浮かべて凄い近くで覗き込んでくるところがあるけど、それとは別に同じ構図で本当に心配そうな顔で覗き込んでたり、最後の顔が凄い心配そうだったり本当に純粋な気持ちで来てるように見える
虹色のサイケデリックな感じの景色は、瞳が泳いでいるような演出があるから何かしらの要因で幻覚が見えてるとかかもしれない
モニタリングって言葉は訪問看護とかとも関係あるらしいから余計にそう思えてならない
でも、変に解釈せずに女の子が病んでる感じならそれはそれでとても江戸なのでとても良いと思います(長文早口)
デコさんが解釈一致って言ってたのこのコメントかな
2:12〜 辺りもミクさんに来て欲しいあまりにおかしくなって幻影見えちゃってるよね
かなりしっくりくる
This is exactly what I was thinking. I think for the "monitoring" part, I think it's more like a friend or relative visiting
ドアの先の誰か、が俺たち視聴者とかなのかな？
ミクの背景にサイケデリックな模様がある時→幻覚
モヤが出てない時→現実
なのかな…。学生で引きこもってる主人公に会いにくるミクに『自分の事が好き』という幻覚を見ちゃったのか……
現実のミクにノイズがめちゃくちゃかかってるから実際の記憶が思い出せなくなってるのか思い出したくないのか…
この考え方好きだ～
確かに、すごい考え方だな！！
現実のミクを正しく認識できなくなってる感じですよねこれ
勘違いの最上級だな
最後は扉を開けてるけど、心を開いたのかはたまた...
つまり下ネタまみれの歌詞は主人公が幻想してるミクの発言なんかな？
それなら最後扉を開けた主人公はミクにナニしたんだろうか、、、
歌詞が下ネタっぽいのも女の子がそう思ってるヤンデレだって勝手に妄想してると思うと生々しくて好き
一方的に妄想されてるの冒涜的で艶かしいね
最後の文に全力で頭振った
「冒涜的で艶めかしい」 声に出したい日本語過ぎる
病んでるの主人公側解釈進めたら「病めるときもあたし側にいるわ」は、ミクとしては辛いことあるなら隣で話聞くよ？的な心配の言葉だったのを勝手にプロポーズの言葉に解釈してるのかなとか思った
「健やかな時も」が省かれてるから主人公が常に病んでるって事だと思ってた…。発想天才すぎる😮
@@あいえ-z4bおれも
あまりに実際に病んでたときに見えた（存在しない）子が言ってたこととか全部いいよって言ってくれるところとかとそっくりすぎて動悸するレベル。解像度高すぎ。
思い出しちゃって寂しい。
考察すると、やはりこれは主人公側の妄想or幻覚で、曲にちょくちょく挿入されているスマホの通知音などから推測するに、同級生のミクが主人公を心配して、LINEして家の前でスマホの反応を見ながら待っているor主人公がミクを家に呼び出しているシーンだと思われます。
そして、見たい見たいリピート中に一瞬ミクの瞳に映る映像で、主人公がドアに張り付いてミクを見ていることが判明します。
『モニタリング』は、主人公がミクをドア越しに監視しているという意味でしょうか。
ここからは勝手な妄想ですが、おそらく主人公とミクは同級生?のような関係にあり、何らかの要因で酷く落ち込んでいる主人公をミクが慰めに来たのではないでしょうか。歌詞の後半、『悔しがっているのを知ってるよ』や『きみはできる子』、『弱いくらいでちょうどいい』という部分があり、主人公がミクや他の人に言われた言葉が妄想に割り込んできている気がします。
後半の花嫁ミク、衣装やブーケが透けており、主人公がミクを好きなあまり花嫁にしてしまったのでしょう。
あと、全体的に歌詞がエッな感じを匂わせていて、サビ映像でも、ミク含め覗き穴を卵子、周りの眼球を精子に見立てていると思われ、ミクにそういった思いを吐き出したい?っていう表れなのかな。度々ミクの背景に現れる生物は全部寄生虫で、ミクに寄生したいという想いの比喩なのでしょうか。ただ、『枯れてしまう』や『濡れていたい』、『分けてくれなきゃ』、『吸い取って』など、寄生虫関連のワードが多用されていますが、どちら側の比喩なのかは正直断定しかねます。流れで考えれば主人公側の心理描写、つまり妄想という点に収まりそうですが、ミクが寄生虫のように、主人公に依存しているという描写であるとも考えられるからです。
MWAHはキスの擬音表現なので、主人公がミクにキスされたい願望なのだと思いますが、なぜこの表現を歌詞に入れたのだと考えると、『ムーワ』という音が『worm(寄生虫)』のアナグラムなので、そこからきているのだと思います。
Very good analysis.
天才すぎる
天才みっけ
気になってたところを全て「あぁ〜なるほど」ってしてくれてる
@@コウタン-e6x 天才あらわる！
この考察すごく納得しました。
この考察から思ったのですが、主人公をここまで貶めたのもミクちゃんなのではないでしょうか？
歌詞前半の「君の××知ってるよ」から明らかに主人公が引きこもることになった''事件''を知ってますし、「言っちゃえよ」は主人公を攻撃するような言葉に感じます。このことからミクは自分だけに依存して欲しくて秘密を晒し、その上で慰めミクがいなければ生きて生けない''寄生虫''にしたのではないでしょうか。RECの描写がありましたがスマホのカメラとドアスコープ越しのカメラで対比させ、お互いに見ていることを表現したのではないでしょうか。タイトルのモニタリングはどちらにとってもで共依存を表すのかもしれません。
長文失礼しました。
I love the eyepatch choice for the design and song! When she spends her time looking through the peep hole, she literally only has eyes for the person behind the door
This is kind of a creepy comment to me but yeah... That's true. She literally only has eyes for the person behind the door when she's looking through the peep hole...
I thought she got punched in the other eye for being a stalker but that works too
@@yourhighnessshanzay apparently the most possible meaning is that she is not even real and the person on the other side of the door is actually sick and having hallucinations. I've seen Japanese comments bringing that up. The eyes are occasionally turning normal and also some unrealistic scenes suggesting something is going on like when she is standing with a bouquet of flowers
@@DarkzarichV2 It's actually said that she is there, but the pov character is hallucinating her being a stalker when she's really just concerned about him
I wish someone was like that for me too lul
ミクちゃんも視点主(主人公)と同じで目立たない暗めの子で、仲良くしてたんだけど主人公が学校来なくなっちゃったから心配して様子を見に来てくれたのを、病んでる主人公が「ミクは自分のことが大好きで依存していて今も自分の家の前で張り込んでいる」っていう幻覚越しに見てるって解釈した
めちゃくちゃいい解釈ですね……
@@user-wawawawaaanありがとうございます☺️
あとミクちゃんのキャラデザに着目してみると、そばかすがあったり(化粧で隠してない)、制服を気崩さずにきちんと着てたり、明らかに一軍系のキラキラした感じの女の子ではなさそうなんだけど対してMVでは『可愛くて常に笑顔で強気な女の子』になってる。この違和感がまた幻覚っぽさを生んでる気がする
主人公の性格を全て理解しているような口ぶりだし、全肯定ですもんね…自分に都合がいいようにミクにフィルターをかけてるの最高に狂気で好きです
これはを見て、DECO*27さんの曲をもっと聴きたくなりました
ミク廃が妄想するミク感があってめっちゃ好き
ミクは絶対自分が好き、全部肯定してくれる、裏切らない、一生添い遂げてくれる…
そんな妄想をただの同級生に当て嵌めちゃってる視点主だったりして
1:25 の背景の白いうねうねが虫っぽく見えたんだけど、コメ欄の考察の「主人公薬物説」を見て、
そういえば薬物の中毒症状の中に「体内に虫が這いずり回っている感覚がして腕などを掻きむしる」とかあったような気がして鳥肌立ってきた……怖い…
ブルーフィールド、飛蚊症、ビジュアルスノウ、など現象や病気がモチーフでしょうね。
「効いてんの？」とかそういうことか〜
1:09 ここのミクの後ろに虫がいるね
「ねえあたし知ってるよ」の連呼が思考盗聴されてるとか薬物やってる人の訴えみたいだな……って思った
待てよ‥これ冒頭の歌詞のストレートさから考えたら、これらの症例が精子と似てる事に対する暗喩なんじゃ‥🍄💦
0:39 よく見たら「🔴REC」になってんじゃん！やっぱ「モニタリング」してたのはミクではなくこちら側…
0:19 〜 0:27 も
そういうことか…
ひょえ…
しかも右上がミク(39)だし
天才じゃん、ありがとうその気づきをくれて
i really need a version of this where it sounds like shes on the other side of the door, that would be incredible
greedy
That's a good idea!
Eventually someone will make it just wait
@@alchene321yep
replying so that way when someone makes one and links it here i’ll know about it LOL
なんで最後のミクが心配そうな表情をしているんだろうと思ったんだけど、もしかしてミクがヤバい人ではなく“きみ”がヤバい人で、ミクはそんな“きみ”を心配して会いに来た優しい人だった説が出てきた
サビでミクの顔がぐにゃぐにゃになったり、1:54～2:10でミクが実際は持っていないであろう透けた花束を持っていたり、「歌詞にきみが病めるときも」と書いてあったりしてるし、“きみ”は幻覚が見えるくらい危険な状態だったのかも
@@amatarui_studyその歌詞も含めてこれも主人公が思い描いた"自分の理想のミクちゃん"なのか 怖すぎる
これオフボ聞いたら分かりやすいんだけど電話かけた時のバイブ音とか文字で連絡した時の音とかが聞こえてきたから、ミク側の子が一方的に連絡取ろうとしてるの分かる。そもそも連絡先繋がってないと電話とかもできないのに、電話かけれるってことは二人は連絡先交換できるくらいの仲だったのがわかる。
現実→空の色が若干オレンジ（夕方）
幻→空の色が青色、紫がかった黒 （朝、夜）
※フィルターでそう見える
現実ではミクは学校帰りに主人公の家を訪ねてるけど、幻だと朝は学校を休んでまで来てて、夜もずっと居るみたいに見えた
背景の既視感に気付いた。
これ疲れてる時に空とか何もないとこ見てると見えてくるふよふよしてるやつだ。
あなたよく天才って言われません？
あと、俺いつもそのふよふよ見えてんだけど、疲れてんのかな…。
青い空とかを見ると現れるあのミミズみたいなやつ？
あれ飛蚊症って言って生理的なものでもあるんだけど、あんまりに見えるのだったら眼科行ったほうがいいかもね
なんかわかる気がする
飛蚊症っすかね
なんにせよ無理せず体を大事にしてほしいです…
ムスカイボリタンテス君かな
1:21からの見たいのシーン
主人公の目かな…ミクの目ではなさそう
すっげぇ瞳孔かっ開いてんの怖すぎる
内側から覗いてるっぽいんで多分主人公の目ですね…
@@激米
1:17 この明らかにおかしい体勢でドアスコープ覗いてる人よな笑
ミクの目に反射してるドアスコープを覗いてる目ってことか
瞳孔が開いてる人は恋愛で好きな人にしか開かないとかありましたね
11月22日(いい夫婦)の日にストーカーの曲出してくるあたり容赦なくて好き
なるほどw
鬼畜かw
ミクちゃんが主人公をモニタリングしてるのかと思いきや、実はドアスコープって外から中は見れないのよな。
それ気づいた瞬間、中にいる主人公が心配して来てくれるミクちゃんに幻覚を見てて、モニタリングしてるのはむしろ主人公っていうのが全部繋がってゾクってした……。
よくできたMVだ……。
1:31〜
君が弱いことは否定しないしむしろ肯定してる上で「君はできる子」って言ってきたり「それでも君が好きだよ」って囁いてくるの沼すぎる
これドアスコープから覗いてる(モニタリングしてる)ミクがやばい曲かと思ってたけどそうじゃなくて主人公?の周りの世界の見え方がおかしくなってたのかなってラスサビのミク見て思った。
確かに所々一瞬心配そうな顔のミクがありますね！
めっちゃ思いました
曲も映像も歌詞も、主人公?側の視点とも捉えられる…素晴らしいですよね
ナイス考察！
これ最後ドア開けた瞬間連れ込んじゃいそうで怖いな
0:04 1:35 2:27 2:30 2:37 2:38 2:42 2:46 2:48 2:52
このあたりですかね。自分はいい曲といいMVだなとしか思ってませんでしたw
考察出来るの本当に尊敬します。
My initial theory with the song is that the girl is genuinely really worried about him, but the man behind the door is having these "delusions" or "hallucinations" about her signified by all the special effects.
Now for why he's hallucinating, there could be 2 reasons: it has something to do with whatever condition he has that he has to stay at home or that it's supposed to signify that he's thinking she's some obsessed stalker because she kept knocking on his door a lot (out of worry)
You can even tell a little from the lyrics how she seems to keep encouraging this person instead of more creepy stalker-y lines and stuff.
I think the lyrics shows more that the girl is pressuring the other person to be vulnerable with her so they can be "sad together". The psychodelic effects would be showing the unhealthiness and danger of that girl and her mentallity.
Lines like "I'll dry up if you dont't cry" and such makes it seem like if she actually wants the other person to stay in a bad state of mind.
It makes quite creepy how she looks so normal and worried in the more real looking frames to get the other person to open up (opening the door).
Ahh your last comment has really made me think about the lyrics in a different way! I think it would equally make sense to interpret them both in a stalker 'let me in so I can see you' obsessive, almost sexual way (with how the lyrics were written in the beginning especially) as well as a 'please come out and share your pain with me' concerned way. The person behind the door most likely thought the first way but realises the latter at the end when they opened the door!
I have a third option - as Miku appears to be in a school uniform, she could be worried about the person behind the door because he has not been attending school. It's a thing in japan (of course this happens everywhere as well though), where some people just refuse to go to school, shutting themselves in. As for the hallucinations, Miku can't know he is XX-ing inside - but he does. And he just fantasizes about her, about her knowing, and liking it. She is not there out of worry, she is there because she likes him, that must be it - hence the lyrics. They are, of course, unhinged, and seem encouraging, but that is just what the person behind the door wants, not reality.
The script is flipped on its head, you would think that someone lurking in front of your door is the one monitoring, but if you don't open the door and just stare at the person waiting for you to finally open the door, who is doing the monitoring?
The person doesn't think she is a stalker, but he sure dreams she was, hoping for some closeness, but even the imagined relationship is toxic.
And I will be honest and just drop this - we've probably all done this in some way, even the toxic part. (minus the creepy monitoring... hopefully)
My theory is that Miku is representing a feeling, not a character, in most of Deco's songs. If you interpret the lyrics of his songs as if they're sung by feelings, in this case those intrusive regrets/what ifs that just won't go away, they make a lot more sense.
@@zennonapieronn3734 The eyepatch is interesting to me. Perhaps she was in an accident with the person, and that's why she's so concerned with them not coming to school?
2:55 主人公の自虐精神＆それすら愛して欲しい！が具現化した妄想をこの真面目そうな子に心の中で押し付けちゃってたってこと…？
確かになんかそう言う妄想らしき時には幻覚っぽいものめっちゃ飛んでるし
黒目に白のハイライトの子が本物だと思う。紫と青の目の方は幻覚
で、ドアを開けちゃったから今から本当に押し付けるのかな･･･？
やめたげてよぉ･･･
@@miracle-gm4es 幻覚らしきものが最後どんどんと消えていってドア開けたからハッピーエンドであってほしいよね…
女子がちょっとした事で関わってくれると男子が舞い上がって好意があると過大解釈しちゃうアレやろ
0:23 ここイヤホンのL側で聞くと小さく文字入力音なってて「しってるよ」とピッタリ合致するなあ
MVの構図よく思いつくなぁ…
エロとホラーの中にも切なさがあってすごく惹き込まれた。
女の子はドアスコープを定期的に覗いてるくらいだけど主人公はずっと覗いてるし実は主人公の方がおかしかったりするんかな
女の子が主人公をモニタリングしてんじゃなくて
視点がドアスコープからかわってないから主人公が女の子をモニタリングしてる可能性大
自分のこと心配してこんなに可愛い子が来てくれたらそりゃ勘違いしちゃうよな、、、
うわ！その説よい。
じゃあ覗いてるのは俺ら視聴者...?
天才すぎ
俺らが閉め出した感じか？
1:30 からのドアスコープ覗く前の立ち上がる動きめっちゃかわいい
この曲の主人公が薬かなんかやってて幻覚を見てるんじゃないかなと思った。周りにこの世じゃありえないものが映ってるし幻覚見てる時のグニャグニャを表現してるような線もでてるしドアを開けるちょっと前からミクが普通になってきてるから幻覚の効果が切れてドアを開けたときに普通になってたんだと思う追記:あとから気づいたけど 0:14 で効いてんの？って聞いてるから主人公は、薬やってるんじゃないかなって考えた
0:40 ここの覗くまでの余韻すき
一瞬冷たい表情になるのたまりません
like a lot of people said the guy inside the apartment is hallucinating that the girl wants him at 1:16 it even shows him leaning on the door watching her.
自分の妄想ですがミクさんの服装が制服っぽいのこれ扉の奥にいる主人公と同じ学校で仲のいい友達なんだけど主人公は最近学校に来なくなり心配になったミクさんが帰り道の途中に様子を見に来るようになってるんだけど、モヤみたいなのが掛ってる、ミクさんの目にハートがあるのは主人公は「自分に好意を向けてる」って思っていて幻覚を見ているって感じなのかな…
モヤが掛かってないときは現実で最後ら辺に覗き見てる所同じ構図だけど心配そうに見てるところや最後の本当に心配してる顔は現実のミクさんなのかなって…
ミクさんの片目が眼帯で隠れてるのも「アナタだけを見てる」様に見るのも…
歌詞にある「君の“痛い”感じてたい」も「アナタの痛みも含めて大好き」とも「君が抱えてる辛いことを話して」とも取れるの…その後にある「救いたいだってば」は現実でミクさんの「辛いことは吐き出して、みんな心配してるんだよ」って感じなのかなって…
長文失礼しました。
そばかすミクさん珍しい。
ド直球ストーカーラブソングだと思ったら、最後でガンと頭殴られた気分。
最後のシーン見てから最初から聞き直すと、歌詞が段々違う意味に感じるのすげえ。
曲だけ聴くとミクが見てた歌だと思うんだけど、
映像込みで解釈すると、
見たい、見てた、のはドアの内側にいる方で、歌詞の内容を都合良く妄想してる歌なのかなって感じた。
ストーカーっぽいミクは求められてる願望で、2:10あたりからが実際の画像で、出てこない「キミ」を純粋に心配してるミクの姿なのかなって。
歌っているのは女の子(ミク)だけど実際女の子がストーカーとかなんかじゃなくて、家に引きこもっている主人公側からの
「あの子ならきっとこんな考えしながら僕を待ってて覗いているだろう」という妄想の歌だったんだ
歌詞とかmvの考察とかもいいけどやっぱ無心で音楽を楽しめるのが27氏の技術力だよな…
こんな気持ちいいメロディ作れるなんて尊敬極まれり
学生っていう、一番恋愛に没頭して大袈裟に妄想を交えて考えてしまう、絶妙なお年頃なの最高。
最初にインターホンの音がして最後にドアが開いたからもしかしたらこの曲はミクちゃんがきてからドアが開けられるまでのめちゃくちゃ短い時間なのかもしれない
そして最後のミクちゃんドア開く前は不安そうで開いてからは驚いてるけど目が輝いてて好き！
追記
もしかして最後にミクちゃんが困惑してても目が光ってるのってドアを開けてもらえて安心とか嬉しいとかいう感情もあるけど中の人への不安とか心配もあってこの表情になったのかなって思った
Miku here seems to be representing a feeling of regret or guilt. _"I'm gonna embrace you again and again"_ like that thing you did or didn't do a long time ago that always comes back knocking on your door, keeping you up at night, asking you to cry it out. At the end of the video it becomes too much and the door opens.
Now that I think about it; many of Deco's songs have Miku represent a feeling. That's why we can't really agree on what she feels in the songs, she is the feeling.
*Neverland* is the conflicting feeling of fighting with someone you really love.
*Sad Girl S-x* is about rejection.
*Mannequin* is about loosing someone.
*Ghost Rule* is the feeling of not liking yourself.
Listen to your favorite song and instead of trying to feel like the Miku singing, try recognizing your own thoughts and feelings in the song.
I like this theory more than the others, it makes more sense in a metaphorical way
Yeah I see that a lot in many of Decos other songs
Based
最初の方ミクが遠かったから音が小さかったのに，サビになると覗く所に「ん〜わっ！」ってミクが近づいてくるから音が一気に大きくなるの大好き
0:35 ｢る｣で上がるの大好き
1:54 ひまわりの花言葉「あなただけを見つめる 」
4本の場合「あなたに一生の愛を捧げます」
ひまわり以外の白い花はなんですかね
@@dai8167 断言はできないんですが、ピンクの方は「ジニア」or「ブーゲンビリア」で白い方は「アスター」だと思ってます、花言葉でしっくりきたのがこれらでした
最初のXXって下ネタの方だと
思ってたんですけど
コメントでXXは薬物なんじゃ？
ってコメント見て鳥肌立ちました。
ビクンビクン震えてさ→薬が切れると手の震え
声もダダ漏れ→奇声
効いてんの？→キマッてんの？
殺してるの方かと思ってました……
後ろのミミズみたいなやつとかは幻覚ってことですかね……！？
だったらいっぱい出してねはいっぱい吐いてねってこと...？
え、じゃあ君の痛い感じていたいってことは狂って殴られた痕が眼帯の下に隠されてるってコト!?
その考え天才すぎる
サビの前の叫び声愛おしすぎん？？？
ミクが可愛すぎて何回も覗きに来てしまうんだけどその行為がドアノブにじっと目を当てて外を覗き込む構図とリンクしてゾッとした
Initially I thought this was about miku being a stalker, but with how she reacted at the end and all the colourful illusions, it makes me think that the viewer is probably exaggerating miku’s visits as stalker-like behaviour. Probably due to some internal conflict.
Both their behaviours can seem a bit odd. What’s more stalker-like? Waiting outside all the time for a person you know won’t come out, or watching constantly through a peephole at someone you know won’t go away?
Edit: Okay! After a few more listens I think I’m almost certain that the obsessive one is in fact not miku despite the depictions, but rather the person behind the door. At 2:12 the person looks around everywhere almost as if they’re SEARCHING for miku, and at every place where they had previously seen them, almost frantically to check if she’s still there. Only when the person finally sees miku on the ground do the hallucinations come back again, as if miku’s presence is fuelling their obsession. I think it’s for this reason why they decide to open the door at the end to miku, because they were probably afraid that if they kept ignoring miku then she would disappear for good, despite most likely wanting to stay as a shut-in so miku could keep coming back to them. All is just my interpretations, but banger song by deco as always!!
Edit 2: Sorry for the extremely long comment now haha but I’ve got another input after reading through some comments! I realised that the lyrics could be interpreted in a obsessive way with the how they’re phrased, but when you factor in the idea that miku is concerned for the viewer and trying to help them, the lyrics become more of a desperate attempt at encouraging the viewer to share their feelings with her. She’s basically asking the viewer to come out so she can comfort them because what she *knows* is that they’ve been crying all night, but the viewer interprets this as stalker / love behaviour! Thanks to all the japanese and english comments for this conclusion ~
I think its about pleasuring yourself? It's obvious in the first bit but I think the message carries on
@@Enaa_ek I think the sexual / romantic innuendos throughout the song are perhaps the viewer’s (whoever’s behind the door) internalisations of why miku keeps coming back to see them! In their mind, miku is waiting outside for them because she loves them, and wants to do said things in the lyrics, such as getting married.
The expression on her face at the end can be interpreted as sort of relief mixed with shock, so in reality she probably just kept checking on the person because she was worried, but the viewer is pretty obsessive over the fact that it’s something else ^^;
To me it seems like Miku is genuinely cares and wants to help the viewer who's experiencing some kind of trauma, but he misinterprets the situation and sees her as an obsessed stalker
@@ligir6788 That could certainly be it as well! In that way then I think the ending of opening the door to her could be even sweet, at the end its almost like saying 'lets go and you can cry it out to me' like how miku kept encouraging them to in the previous lyrics :]]
Its certainly possible then the innuendos then could just be interpreted as the person crying so much that it can be heard from outside their apartment building...
@@sunxiiro Yeah, most of the innuedos when interpreted as crying works really well. Except 'xxx'ing at the start. But crying is still fits and i think that deco just wanted to troll a bit and added something that can be easely thought of as somewhat sexual
1:07 巣くいたいと救いたいを掛けてる感じがして好き
There are two versions of Miku here. I think the Miku with the less saturated hair is the “real one”. Her expressions are very concerned and worried. And the Miku with bright hair is a hallucination or a delusion of the viewer. Not saying that she isn’t there, it’s just the perception of her is warped. I think some of the lyrics are an exaggeration of what she’s actually saying, to go along with the warped version of reality.
But I think the real Miku is someone who cares, who is just trying to help the viewer out.
I think maybe it’s a depiction of mental illness. I don’t think they’re actually seeing all the hallucinations, I think that it could be an artistic choice to show how mental illness warps our perception of the world and makes us see others in bad manner when they’re really trying to help. Idk it’s just my early interpretation
Theory 2 is that viewer is tripping balls on acid
wait this theory is actually good, this comment is very underrated lol
I think the viewer sees her appearance as mocking and shameful as they're imposing how they view themselves onto what they think the visitor's intentions are
Your forgetting the whole albums theme of dating and cheating and toxic relationships
hinamizawa
1:13 の「君の中」って時扉にシルエット写ってるんだけどそのシルエットはミクの事見てる主人公のシルエットで、 2回目のサビとラスサビの時ミクもシルエットみたいな感じでのぞきにきてるんよね。あと1:21 のドアスコープの中に写ってるのは主人公の目じゃないかって勝手に思ってる。
heard someone say deco's recent songs feel like they're on some level made for milgram covers and GOD does this feel like it's got Mahiru written on it. Hope it's her cover song, the sound's addicting as always
I also think that this song was written for Mahiru
UH HUH I CANT WAIT FOR HER COVER
To be honest, I see this as more of a Mikoto and John coded song... With being monitored/watched being a huge theme in MeMe, the person behind the door hallucinating that Miku is some obsessive stalker when she actually cares about them - Just like how Mikoto demonizes John when he just wants to protect Mikoto. Most of the lyrics just remind me of them so much. The eyeshots also remind me of Double. All the T3 covers are already recorded so this is just my copium though.
@@Ангелина-й8ю4у Most deco songs are Mahiru coded since she's Deco's favorite prisoner iirc
THAT'S WHAT I SAIDDDDD
サビ直前のNWAH!が
んん~~~わ！！って感じなのめちゃ好き(語彙力)
わかる
それな
めっちゃ可愛い
めっちゃすき可愛すぎる
0:40 0:40 0:40 ここら辺ですかね、、？
文字に起こすとさらに可愛くなるなw
Here's my theory:
0:00 - 0:20 So, in the beginning we hear a doorbell, a door ring, and phone buzzing. Miku is standing in the hallway looking somewhat confident, almost in a cornering/confronting way? Like she *knows* about something. (ie: "Guess what, I know, that youre all alone XXing, I'm wise to it" "Just come clean, secret's out anyway") The lyrics make me think it's about having inappropriate thoughts about Miku, feeling guilty and having the fear of her finding out what you were doing whilst thinking about her.
0:22 - 0:26 we can hear the sound of typing, which suggests a conversation over the phone.
0:26 - 0:41 Looking at the lyrics we can tell that the person behind the door is mentally unwell and a loner. (ie: "sob sob sob and depressed, solitary karaoke lamenting in the night") Miku here is trying to convince this person by telling them that it is alright to cry, that they're not the only one who cries and that she will still embrace them.
0:39 - 1:09 In the chorus, Miku invites them to share their pain with her, to let their feelings out and to let her comfort them even though they think it will be a burden on her. (ie: "If you won't cry, it'll dry up, let's let it pour", "lean on me with your whole weight, toxic love", "Sharing is caring, I wanna feel you ouching")
1:10 - 1:17 in this part Miku looks menacing, radiating a threatening, intrusive energy with her repeated request of letting her see inside them. The person behind the door is afraid of letting anyone see them for who they are, which is why it feels so overwhelming in this part.
1:17 - 1:23 we see the person behind the door is up against the door, pressing themselves. And we can see that person's eye, it almost looks manic? The posture and the wide eyes hint at the fact that this person might be the one eager to see Miku, rather than the other way around. From this point on, we see how things are actually like in reality.
1:26 - 1:38 We can see that the illusion starts to shatter. Instead of the previously confident Miku and the shiny atmosphere, we see an anxious Miku and a grey atmosphere. We can see that Miku is not actually obsessed but *worried.* She no longer sounds confronting but rather encouraging. She says that she acknowledges their loneliness but knows that they're capable of pulling themselves together. She tries to encourage them by saying she looks up to them and that weakness is okay.
1:40 - 2:10 Again, in the chorus she tries once again to convince them that they're not alone and that she will be there for them no matter what (ie: the wedding vow part)
2:10 - 2:22 In this part, we can now see the *reality* without being interrupted for the first time. As you can see the atmosphere isn't all colorful and Miku's voice is a bit muffled. Notice how the camera movements are frantic, as if they're actively looking/waiting for someone? This part exposes the whole thing. It wasn't Miku who was obsessed, but the person behind the door. Remember the phone buzzing in the beginning and the typing sound? It's likely that this person texted something worrying in hopes of her showing up, or just straight up requested her to come. The phone buzzing is Miku calling them because they're not answering the door. We can also see her looking at her phone worryingly, probably from trying to contact them. At 2:24 we see the illusion returning as soon as the person sees Miku.
Have you noticed the transparent worm looking things in the second chorus? The transparent worms are called "Floaters" and while not necessarily harmful, they're seen more in people who have vision problems/eye diseases. Guessing by the colorful hallucination lines and floating eyes alongside floaters, it's safe to assume that this person is not seeing things clearly, having a false vision on the situation. They think that Miku's worry is obsession and that she's madly in love with them while in reality she is just worried.
From 2:26 to 2:51 We see that the person's delusions are being shattered and slowly starting to get a grip on reality.
And finally at 2:52 the person opens the door, perhaps signaling that they accept Miku's helping hand. Clearly Miku is happy about it too, telling by the shine in her eyes.
But that's just a theory.
This was so interesting to read!
…
A VOCALOID THEORY!
This was a very interesting theory! Maybe with some songs that deco*27 makes are in a different perspective that we tend to not think about. I agree with your theory.
Your interpretation lines up with both my and a lot of the Japanese comments' thoughts! One thing to note that doesn't come through in the official translation - the lyrics are SUPER suggestive. Most of them sound like they are about feelings and about, well, a more physical thing, at the same time...the person behind the door is deluded, and obsessing over Miku not only in an emotional way (maybe I can be the person I self-loathe, and still be accepted!) but also in a very physical, very very gross way. So uh, I can't exactly think of this ending as a happy ending at all...
これ実は幻覚で、自分が休んでたりして家にいるの心配で見にきてくれてるだけなのでは.....
多分タバスコ入りのロシアンルーレットおはぎも持ってきてくれてる
制服だし不登校の子を心配して来た子とかな気もしなくはない…
確かに所々普通の目になってるからそれはありえるかもですね
じゃあXXはヤクの方か…
こんなかわいいミクがお前らにメロメロになってくれるわけないだろというDECO*27神からのありがたいご教示
1サビと2サビの目の色が真逆で雰囲気が不気味からキュートにガラッと変わった
0:21 今更感だけど毎度DECO♪が好きすぎる
あんなに誘い出そうとしておいて、なぜドアを開けられたときの表情が笑顔じゃなくて困惑なんだろう
今まで引きこもり続けて絶対扉開けなかった人が扉開けたらそりゃ驚くだろうね
え？頬の水滴を冷や汗だと思ってる？
私は涙だと思ったけど
なんとなくな考察だけど、観察とか生活を把握してる快感が好きだっただけで実際にかかわることはなんも考えてなかったとか
主人公は幻覚見てて現実のミクちゃんはただ心配してるだけなのかなと思った！でも色んな捉え方できる、萌え
ところどころノイズみたいな感じで、落ち込みながら待ってるミクちゃんがいるから、そっちが現実だと思います
愛は時には狂気になることを表すの上手すぎるんよな、この人は
全体的に病んでる主人公が言って欲しい言葉で構成されてるように感じる。
「ねぇあたし知ってるよ 君はできる子 知ってるよ」
「つらい時は弱いくらいで丁度いい あたしそれでも好きだよ」
とか本当の君はって自己肯定感上げて、でも弱い所を認めて受け入れて欲しいって思いダダ漏れ。
なのに、実際に言われたであろう「ひとりじゃない」って言葉に対しては「ひとりだから歌う」とかめちゃくちゃ卑屈的に捉えてるし、
自分のことを心配して来てくれてる子は自分のことが好きすぎるストーカーだと思ってるし、ほんと自分勝手すぎて可愛い。
扉を開けたとしても、主人公目線女の子はストーカーだから、女の子も主人公も救われるルートは無いんだろうなぁ。（妄想）
あとさぁ主人公的には誰とも会いたくないのに来る奴っていうマイナスイメージと、無視してるのに会いに来てくれるっていう嬉しさと、その状況に愛されたいが入り交じってストーカーだと思い込んでて、1:16で主人公がドアスコープ覗いてる姿見えるんだけど、両手扉につけてまで覗いてるから、多分ずっと来ないかどうか監視してんよなぁ、どっちがストーカーだよ、狂ってて可愛いなぁ（早口妄想）
あとねぇ、この幻覚の女の子、2サビでドア越しの主人公と同じように両手扉につけて覗いてんだよねぇ、つまり幻覚の女の子は無意識に自分自身が投影された姿で、ってことは2サビの狂気的なラブ顔は主人公の表情でもあるワケでぇ。
自分が好きになったから、女の子も自分と同じくらい自分が好きなんだっていうクソ都合のいい妄想してて可愛いね。そんなわけないのにね
今回のミクちゃんの声めちゃ好みすぎてリピ止まらん😢
instの方で聴くと携帯の音とかいっぱい入ってて楽しい
0:11 0:25 こういう背景、目を閉じた時たまに見える抽象的なカラフル模様に似てる気がするんだけど多分意図的にそう描いてるんだろうな
すっげーほんとや
2:11 ここ動くのスゴすぎ
0:31「ヒトカラ」の抜き方気持ちよすぎる この調声クセになる
0:40 サビの溜める感じ大好き
…👁
유튜브!
いい曲だよねUA-camさん…
UA-camさんだー！！
ええて
ようつべくんも見に来てくれた……
乙女解剖の
「やっ ぱ ぱ ぱ」がめちゃ好きだから
モニタリングの
「だっ だっ だってば」のとこホントに好き
0:41サビで目が飛び回ってるの絶対眼帯なことと関係あるの闇深くて好き
ちゃんと前半歌詞本性出てるDECOさんすこ
最近そういうの多いよね笑
2:23 ミクが地面に倒れているのを見つけた直後、私たちは幻覚を見る。
まるで、「私をとても愛してくれているミクは、結局のところ外で私を待っている」と言っているかのように。
DECOさんの曲はちょうどいい感じのさり気ない感じで他の曲からメロディ借りてておしゃれだなぁと思う。 0:53 ここも乙女解剖からサビ借りてきてるの、なんかいい
2:11の「MWAH」の後、「わ」の部分だけがやまびこしてるの愛おしすぎ…すこ。
1:16～見えてる目は主人公の目…？ミクちゃんの瞳に映ってる自分の目が見えちゃうぐらい四六時中覗いてるってことなのかな…鳥肌…
デコさん天才すぎます…沼りました…
1:53 「病めるとき」なのほんと好き
何言ってだおまえ...
もしや病めるときという言い回しを知らない？
コメ主様は知っている上で健やかなる時ではなく、そちらを選んだセンスが良いって言っているんじゃないかな…？違ったらすみません
@@りあ̮̈-n2q2h
俺もそうだと思った
なるほど！！勘違いコメしちゃいましたすみません、私もそこ大好きです😭
なんだか懐かしくなるようなリズムが好き
0:36 るっ！てとこクセになる
Something I noticed:
Before the third chorus, you could see glitches of reality where Miku was worried, waiting for you to respond, while the psychedelic patterns kept going, pleading for you to respond.
I have a feeling this may or may not be obsession, but she seems to care. Only thing that worries me is the Bridge where she sings out lines that are used for marriage.
Concerning.
In the intro, you can hear a phone vibrating, like someone's calling you. Then you can hear typing sounds at 0:22
My initial theory with the song is that the girl is genuinely really worried about him, but the man behind the door is having these "delusions" or "hallucinations" about her signified by all the special effects.
Now for why he's hallucinating, there could be 2 reasons: it has something to do with whatever condition he has that he has to stay at home or that it's supposed to signify that he's thinking she's some obsessed stalker because she kept knocking on his door a lot (out of worry)
You can even tell a little from the lyrics how she seems to keep encouraging this person instead of more creepy stalker-y lines and stuff.
As for the marriage part, the very last scene of miku holds her phone the same way she holds the bouquet, so it could just be a "hallucination" of that
@@YohaNicoFrom what I've heard, men can often misinterpret women showing them worry and care as women being in love with them. So it could also be the case here, with the man's poor mental state bringing it up to "she is OBSESSED with me".
@@toxicalilium
The veil is translucent (no duh) but the flowers are translucent as well, so they're most likely hallucinations as well. I see it as a genuine show of care that's believed to be something heavily romantic.
By the end, there's no delusions or hallucinations at all, so I believe that the protagonist works through it.
主人公が妄想か幻覚見てる感じかな
ドア開けた後のミクの表情見ると、やばいのは部屋の中の人の方な気がする。ミクは学校に来ないのを心配してきてくれたのかな…？
ピンポン鳴ってからドア開けるまでにこれほど時間かかっていたのは、外にいるミクを見て楽しんでいたからなのかも…。
新調声すごく人間味があって好き！！
てことはラスサビで現実のミクもドアスコープを覗いている描写があったのでずっと覗いていた主人公と目があってしまったのでは…
this song really seems to exemplify the recent smoothness in DECO's miku tuning, especially the "MWAH" at the start of every chorus
歌詞またアレな感じかと思ったけど、ヨコシマなフィルターを排除して見たら、泣いてる時に全力で慰めてくれるただのめちゃくちゃ優しい友達の歌に思えてきた
DECOさんが攻めた歌詞の曲を提供してくれるたびに自分も昂っているのを感じる
『病める時も健やかなる時も傍に居るよ』だと普通にいつでもって意味だけど、これ病んでるのが主人公側だとすると、既に幻覚見るくらい病んでるからミクに『病める時も傍に居るよ』って言って欲しかったんですよね最高すぎ🤦
デコミクの声の人間味が強くなった影響なのか、「きみが欲しい」という言葉にすごく圧を感じる
2:26 うぅ〜〜〜〜わっ！！！かわいい🥰
後ろでずっとバイブとメッセージ送った時の音、フリック音がなってるのいい
'MWAH！'と言いながら近づくのが好きです
Some alternative interpretations to the lyrics!
Guess what, I know -> I know that you’ve been sad
All alone Xxing // ‘tear’ing // solitary karaoke lamenting // ‘ouch’ing -> crying
Everyone does it on the down-low // “you’re not alone” -> being sad is a normal thing (comforting them)
Please I want you so bad -> I want you to be okay
I’m gonna embrace you again and again -> i’ll help you no matter what
You’re absolutely capable of it -> you’re capable of coming out and talking to me
I love you like that too // i’ll always be by your side // lean on me with your whole weight -> I’ll accept you even when you’re sad
Call my name and anytime i’ll come hither // i’ll always be watching over you -> I’ll be there for you whenever you’re sad
Basically every lyric can be interpreted in a more caring way, where miku is encouraging the person to ‘open up’ to them, but can be seen in a stalker-like / obsessed way as well, which is what the person behind the door interprets her words as.
She wants to save your dissected heart!!
DECO MIGHT'VE ACTUALLY FOUND AN AT LEAST RELATIVELY POSITIVE RELATIONSHIP???????
@@01wishiata76Not really because the viewer clearly has some distorted perception of Miku. She's probably trying to help out of worry, but the viewer is interpreting as love
we have an optimist here!
Yeah the fact that the entire perspective of the music video is through the peephole is a pretty easy analog for seeing things through a distorted lens, and only after the door opens at the end do we see Miku just standing there looking concerned, which goes against the obsessive stalker delusion seen through the peephole.
If you go back to some of those lines you'll find that _some_ of them cut to the real Miku for _part_ of the line.
It kinda emphasizes that that part of the lyric is reality, while the rest of it is delulu land.
終わり方が凄くお洒落。
この後、ぱふぱふにゃーにゃールートに入るのか、ネバーランドルートに入るのか気になる。
MVと歌詞どっちに注目するかで印象の変わるの二度おいしくていい…
i feel like the song was actually hallucinated by the person behind the door, because once she opens it (assuming its a girl based on the lyrics) miku looks so normal
unless the lyrics is actually from the door-person which is more concerning and delusional
最後の「初音ミクを家に迎える」描写が「ボカロを作り始める」ことを表していると考えると、初音ミクが大好きになって作曲を始める、つまりボカロPになるまでを描いている曲だと解釈できる。
だから、これはDECO*27がボカロPになるまでを描いている曲かも。
さらにいえば、視点が一人称なので、ボカロPになるのはこれを観ている自分たちとも考えられる。
つまり、病み曲だと見せかけて、「ボカロに魅力を感じてほしい、もっとボカロに関わってほしい、何ならボカロPになってほしい」というDECO*27からのメッセージだと解釈する事もできる。ｽﾃｷ!
これはこれで素敵な視点！( * ॑꒳ ॑* )✨
同じ制服なのは同じ年代のボカロ曲に出会ったからなのでしょうか？
ずっと魅惑的に見えるが扉を開けない→そのぐらい魅力的だがサムネでスルーしている
…みたいな！
個人的にはドアスコープじゃなく1:25のところの虫が飛蚊症の症状っぽいので目説を推したい。
天才かよォ
サビの中毒性えぐい、鳥肌立った
「MWAH！」ってとこのミクちゃんの声可愛くて好き
0:25 今日のDECO*27
もうメロディーが頭から離れない😂
i swear this song rubs off on me better each time
新しい調教ほんとにかわいい
ミクの動きのヌルヌルさが
めっちゃキモさ表してる…（褒めてる）
ヤンデレと見せかけて めっちゃいい子
2:05 怖くないの「よ」が「や」っぽいのがすんごく萌え
こんなにミクが主人公を見ているのに、サビで一切瞬きしないの幻覚って感じがしてとても好きです
サビのミクちゃんの動きがあまりにもかわいくて中毒性高くて「MWAH！」もかわいいしでずっと聴いてたい