can you do one on dye transfer eastman color to late 50s technicolor. I know there is not much documentation on dye transfer prints like on the hammer's color universal remakes from the 50s. or ray harryhousen films
Damn, that was amazing. I just happened to look up some color grading stuff you’d uploaded this three days earlier. I subscribed instantly. Great work. Request: you think you could do a grade similar to degraded B&W footage? I had a project that might use it but I might just go with your technicolor tutorial.
This is really cool to see in action! one question: what is your timeline color space and clip color space to make this work? In other words, if I'm using a Blackmagic RAW clip do I need to convert that to Rec709 first and then go through this process, or can it be done straight from LOG? Does the timeline color space being Davinci Wide Gamut change anything. Thanks for your help!
This is very cool and I like the look, but you could do exactly the same thing with just one RGB mixer set like this: Red: 1.0, -0.5, 0.5 Green: -0.5, 1.0, 0.5 Blue: -0.5, 0.5, 1.0 Cheers, dude! :)
I tried to apply it but atthe last step where I am connecting the last node and changing the red green and blue outputs, all of them appear red, do you know why?
@@CINECOLOR_IO I did start twice from the beginning but still couldn't find the problem:( For extra context: I recorded with my DJI Osmo Pocket 3 in D-log and I applied the Lut in the first node. But still after removing it I couldn't solve it. I don't have davinci studio, is there a limitaton? So far within the video I didn't see anything I couldn't do with the free version
Nice tutorial thanks for that. Is there a reason that there is no trace on your waveform scope there? I would have liked to see it on other clips as well. I guess I've have to reproduce it to see - Thanks again and great work.
@CINECOLOR_IO I'm routing all three of them and weirdly it always turns up blue, i can send you a screenshot of the nodetree if you have any idea what might cause it
This is insane, I am so thankful this video exists I am a huge fan of this look.
So glad you enjoyed it!
sAVING THIS NODE TREE
Glad you enjoyed it!
can you do one on dye transfer eastman color to late 50s technicolor. I know there is not much documentation on dye transfer prints like on the hammer's color universal remakes from the 50s. or ray harryhousen films
Great suggestion! Will work on it...
I am absolutely amazed. This is awesome!! Thanks for this video. I really do appreciate you.
You are very welcome!
thank you so much, great tutorial!
Damn, that was amazing. I just happened to look up some color grading stuff you’d uploaded this three days earlier. I subscribed instantly. Great work.
Request: you think you could do a grade similar to degraded B&W footage? I had a project that might use it but I might just go with your technicolor tutorial.
Informative Knowlegde...Buddy thnxss👍
Appreciate the feedback!
Epic, looks great
Thanks!
Nice one, this node strusture has given me some amazing results 👍👍👍
Great to hear!
Please keep creating content like this!
Working on it!
This is really cool to see in action! one question: what is your timeline color space and clip color space to make this work? In other words, if I'm using a Blackmagic RAW clip do I need to convert that to Rec709 first and then go through this process, or can it be done straight from LOG? Does the timeline color space being Davinci Wide Gamut change anything. Thanks for your help!
Thank you! This version is done in Rec 709. I would recommend converting your footage out of LOG first and then applying the node tree.
Great tutorial 🎥✒️🇮🇹
Thank you 🙌
This is very cool and I like the look, but you could do exactly the same thing with just one RGB mixer set like this:
Red: 1.0, -0.5, 0.5
Green: -0.5, 1.0, 0.5
Blue: -0.5, 0.5, 1.0
Cheers, dude! :)
Interesting technique, thank you. But wouldn't we get the same result if we raise the shadows and lower the highlights?
It would look a lot different as the colors wouldn't be separated.
How do I apply these nodes created to all of my clips? Great tutorial bro!
I tried to apply it but atthe last step where I am connecting the last node and changing the red green and blue outputs, all of them appear red, do you know why?
Thanks! Just grab a still in Resolve and you can copy and paste the grades to everything.
One of the connections / links might be broken. I would try starting from scratch to see if it eliminates the issue.
@@CINECOLOR_IO I did start twice from the beginning but still couldn't find the problem:(
For extra context: I recorded with my DJI Osmo Pocket 3 in D-log and I applied the Lut in the first node. But still after removing it I couldn't solve it.
I don't have davinci studio, is there a limitaton? So far within the video I didn't see anything I couldn't do with the free version
Nice tutorial thanks for that. Is there a reason that there is no trace on your waveform scope there? I would have liked to see it on other clips as well. I guess I've have to reproduce it to see - Thanks again and great work.
pure magic
Thanks!!
Ive followed all of the step but for some reason, the skintones get screwed. Face gets super red/brown
I followed the steps but i always end up with a blue image help
Are you combining all of the last 3 nodes together? Sounds like you might just be routing the blue channel straight to the output.
@CINECOLOR_IO I'm routing all three of them and weirdly it always turns up blue, i can send you a screenshot of the nodetree if you have any idea what might cause it
How to make this method work in RCM?
well i didnt see any new improvements on this method...