In my opinion, Pablo is THE master cellist of this generation--in addition to having a tremendously warm personality. It is truly an extraordinary experience to having him share his techniques and his life with us!
Everything you have done reinforces my opinion of your musicianship and performance as I commented on 9 years ago to your UA-cam Dvorak movement 3....except now we have the extraordinary privilege you have given us with your teaching videos and the videos of your travels and family life....THANK YOU SO MUCH !!
@@deltasquared7777 Totally agree! I think Pablo is the most satisfying cellist to come around in a very long time. I also thought there was something unique in his playing 9 or so years ago when I first saw that Dvorak video. Recently, I had the good fortune of hearing him play a recital, and I think I have probably never heard a more moving recital by any musician, let alone any cellist.
Fantástica clase, Pablo. Los ejercicios que propones son magníficos, y el apunte sobre la colocación de la yema es genial. Qué lujo es contar con profesionales de tu talla. ¡Un abrazo sinfónico, crack!
Great demonstration. Pablo tells you in words and them shows you exactly what he is talking about. Great use of camera and sound. Leaves one in no doubt. Great teacher and such a pleasant man. Who would not want to have Pablo as a teacher.
Genial. " ¿ Podrías hacer un video sobre el análisis que se hace debe hacer sobre una obra para lograr interpretarlo lo mejor posible y lograr trasmitirlo al publico ? Y explicar como identificar y transmitir las emociones(alegria, amor, enojo, miedo,tristeza) que propone el compositor en la obra." Gracias.
Thank you Pablo. I’m an amateur cellist and principal in my orchestra. You are wonderful, your lessons are thoughtful and so helpful. You are a very great cellist! Thank you so much! ❤
Thank you so much Pablo! Helps a lot! One other thing I would've liked demonstrated is Vibrato techniques on the upper registers of the cello. I always find my vibrato to be uncontrolled and tight sounding, especially with the first finger. With that aside tho, the video was very helpful! It's rare for a World Class player to share their genius with the rest of us!! You're the best, Pablo!
que maravillosa manera de tocar el cello tienes !! me encanta tanto!! parece acariciarnos con una pluma. toco el cello tambien y cada video que haces me da fuerza y tantas informaciones preciosas. Muchas gracias ( disculpe por mi espanol soy francesa)
Pablo, thanks for sharing, its very inspirational. I have just had the best 2 days as a 'cellist' going from screeching , tortured cats and excorcised entities to actually making music and I'm trying techniques I didnt even know anything about 2 days ago. Bowing bowing bowing. Bless you. Every video is a pleasure and a rapid education....later, much later.......... "and did you know my first teacher was Pablo Ferrandez?"..."I did wonder".
Hello Pablo! thank you so much for your tutorials! I had no idea you have such a chanel ! It is very interesting and generous. The "know how" has such a great value ! Not everyone would do this and I thank you for it ! I am looking forward to see more of your videos and hopefully more live concerts! I wish you all the best!
Thank you, Pablo, for this EXCELLENT tutorial, especially the opportunity to watch continuous vibrato upclose. I always wondered if I should start the next tone in a certain phase of the vibrato cycle e.g. upwards with the higher finger in rising pitch.
Pablo thank you for an excellent Masterclass on Vibrato. I love this type of learning via video. I would encourage cellists to also use video to "see" and "hear" themselves and their vibrato. Sometimes we think we are doing an excellent vibrato but seeing on video that our hand is barely moving and the sound of the vibrato doesn't translate! Again THANK YOU! How about an up close vlog on your cellos? Would the agreements you are under allow for up close video of every part of your beautiful instruments? Your Favorite Fan, Justin
Thanks a lot, I've never known how to work my vibrato and thanks to you I now know ! An excellent tutorial that everyone who wants to improve his skills should see ! :)
This is BRILLIANT. I am a recent addition to your subscription base, but so far have learned a lot from your channel. I struggle with vibrato when crossing strings and wonder if any of you out there have tips for smooth getting crossing with vibrato, especially in a minor third extension position. Thank you!
I would like to hear your thoughts on intonation. How do you practice it? Do you follow your ear or use a tuner? How do you adjust between playing with an equal-tempered piano and with an orchestra?
That was an excellent presentation about vibrato with tips that will genuinely help young cellists. Thank you for generously sharing yoiur expertise with us!
Increíble! Muchas gracias por compartir tus conocimientos, Pablo! Eres brillante! Espero que en tus próximos videos puedas hablar sobre traslados longitudinales y transversales :) Saludos desde México!!!!
Pablo eres brillante muchas gracias!! Una pregunta, siempre quitas los demás dedos cuando vibras? Porque por ejemplo cuando hablas de lo del peso, es necesario apartar los demás dedos de las cuerdas? Gracias!
Para conseguir un vibrato libre lo ideal es quitar los demás dedos! Hay excepciones cuando los puedes dejar si es ese el color que buscas, pero como “norma” general mejor cada dedo solo :)
Another excellent video, really helping me get back into playing! Do you have any comments on the vibration rate in the context of the tempo of a piece and the harmonic context of a note? For instance, on notes with harmonic tension doing vibrato against the grain of the tempo in pentuplets might add tension. I feel like you do this intuitively but wondering if you've thought more formally about it. Thanks for the great videos!
Hola pablo, me gustaría que hicieras un vídeo a cerca de como concentrarse al tocar en público y controlar los nervios. Muchas gracias(amo tus vídeos :) )
Hi Pablo, and thank you for your wonderful inspiring videos and musicality. I have a specific question on vibrato that only partly is responded in this one , and on which I was told differents / contradictory answers : are we supposed to vibrate in position or is it possible to shift the thumb position to ease and free the vibrato ( you dont talk about it but at the begining of the video I can see your thumb shifting when you skip to the next finger). I'm talking of course in situation that requires no shift normally. Hope I was clear ! thanks again !
También varías la desafinacion del vibrato (sí desafinas la nota hacia abajo, hacia arriba o hacia ambos) o esencialmente siempre lo haces de la misma forma?
Vibrato for me depends on the composition, or musical character that I playing...on vibrato isn't like a on/off switch.... I don't intentionally vibrate on every note nor do I do it equally.
I see that you often lift your thumb when vibrating in thumb position. My teachers always taught me that the thumb is most important for vibrato on very high tones. One should „vibrate“ it as well so that the vibrato in the other fingers is better. My vibrato is often tense in thumb position. Is lifting the thumb better for wider vibrato?
Lifting the thumb would be the right idea, but it’s more the concept of a “free” thumb that would create a wider vibrato in higher positions. Lifting it implies tension, but yes, the effect of floating and relaxing the thumb helps put weight into the active finger. Hope this helps!
Bravo, excelente vídeo. Siempre es algo que he preguntado. Podrías hacer un vídeo sobre como mantener la posición del pulgar sin perder la afinación y como mantener la posición correcta de la mano derecha al hacer las doble cuerdas (terceras, sextas, octavas). De antemano gracias por compartir tus conocimientos. Bendiciones
Hola, ha sido muy útil... pregunta: es posi ble hacer el vibrato sin el contacto del pulgar sobre el diapasón en 1ra posición o no se debe hacer? Gracias 😊
4:45 my teacher has always told me to never collapse my fingers because it makes everything go flat. I'm currently working on Brahms in E Minor. Should I ask him about using the 'meatier' vibrato? This is the first time I've heard of using it purposefully and not just me accidentally collapsing my fingers.
In my opinion, Pablo is THE master cellist of this generation--in addition to having a tremendously warm personality. It is truly an extraordinary experience to having him share his techniques and his life with us!
Thanks so much for your kind comment!
Everything you have done reinforces my opinion of your musicianship and performance as I commented on 9 years ago to your UA-cam Dvorak movement 3....except now we have the extraordinary privilege you have given us with your teaching videos and the videos of your travels and family life....THANK YOU SO MUCH !!
@@deltasquared7777 Totally agree! I think Pablo is the most satisfying cellist to come around in a very long time. I also thought there was something unique in his playing 9 or so years ago when I first saw that Dvorak video. Recently, I had the good fortune of hearing him play a recital, and I think I have probably never heard a more moving recital by any musician, let alone any cellist.
Excellent tutorial and unlike some others, immensely useful and practical.
Fantástica clase, Pablo. Los ejercicios que propones son magníficos, y el apunte sobre la colocación de la yema es genial. Qué lujo es contar con profesionales de tu talla. ¡Un abrazo sinfónico, crack!
Qué haces aquí jajajaja 🤣
Great demonstration. Pablo tells you in words and them shows you exactly what he is talking about. Great use of camera and sound. Leaves one in no doubt. Great teacher and such a pleasant man. Who would not want to have Pablo as a teacher.
Genial. " ¿ Podrías hacer un video sobre el análisis que se hace debe hacer sobre una obra para lograr interpretarlo lo mejor posible y lograr trasmitirlo al publico ? Y explicar como identificar y transmitir las emociones(alegria, amor, enojo, miedo,tristeza) que propone el compositor en la obra." Gracias.
Thank you Pablo. I’m an amateur cellist and principal in my orchestra. You are wonderful, your lessons are thoughtful and so helpful. You are a very great cellist! Thank you so much! ❤
Very very helpful and a genuine sharing of such useful tools for us amateurs
Thank you so much Pablo! Helps a lot! One other thing I would've liked demonstrated is Vibrato techniques on the upper registers of the cello. I always find my vibrato to be uncontrolled and tight sounding, especially with the first finger.
With that aside tho, the video was very helpful! It's rare for a World Class player to share their genius with the rest of us!!
You're the best, Pablo!
que maravillosa manera de tocar el cello tienes !! me encanta tanto!! parece acariciarnos con una pluma. toco el cello tambien y cada video que haces me da fuerza y tantas informaciones preciosas. Muchas gracias ( disculpe por mi espanol soy francesa)
Thank you so much. The slowed down portion really helped.
Pablo, thanks for sharing, its very inspirational. I have just had the best 2 days as a 'cellist' going from screeching , tortured cats and excorcised entities to actually making music and I'm trying techniques I didnt even know anything about 2 days ago. Bowing bowing bowing. Bless you. Every video is a pleasure and a rapid education....later, much later.......... "and did you know my first teacher was Pablo Ferrandez?"..."I did wonder".
Pablo, más claro no pudiste ser, muchas gracias, eres maravilloso, saludos desde Colombia!
Hello Pablo!
thank you so much for your tutorials! I had no idea you have such a chanel ! It is very interesting and generous. The "know how" has such a great value ! Not everyone would do this and I thank you for it ! I am looking forward to see more of your videos and hopefully more live concerts!
I wish you all the best!
Thank you, Pablo, for this EXCELLENT tutorial, especially the opportunity to watch continuous vibrato upclose. I always wondered if I should start the next tone in a certain phase of the vibrato cycle e.g. upwards with the higher finger in rising pitch.
Muchas gracias Pablo por hacer un vídeo acerca del vibrato!!!!! Me fue de mucha ayuda. Esperamos verte de nuevo en México pronto.
Wow, such energy between the 2 of you, and the music is totally amazing. Extremely well done. Congrats.
Pablo,esta clase era precisamente los q buscaba👌🏻 GRACIAS por compartir tu conocimiento🙌🏻
Great tips Pablo. Thank you very much!
Excellent advice! Thank you!
Pablo thank you for an excellent Masterclass on Vibrato. I love this type of learning via video. I would encourage cellists to also use video to "see" and "hear" themselves and their vibrato. Sometimes we think we are doing an excellent vibrato but seeing on video that our hand is barely moving and the sound of the vibrato doesn't translate! Again THANK YOU! How about an up close vlog on your cellos? Would the agreements you are under allow for up close video of every part of your beautiful instruments?
Your Favorite Fan, Justin
no me canso de ver este video! excelente explicacion con ejemplos claros y bien tocados. Fenomenal!
Thanks a lot, I've never known how to work my vibrato and thanks to you I now know ! An excellent tutorial that everyone who wants to improve his skills should see ! :)
This is BRILLIANT. I am a recent addition to your subscription base, but so far have learned a lot from your channel. I struggle with vibrato when crossing strings and wonder if any of you out there have tips for smooth getting crossing with vibrato, especially in a minor third extension position. Thank you!
Welcome !
Could you explain more about vibrato in different music styles, i.e.. classical,baroque,romantic etc?
Thank you - very helpful for my teaching
Querido Pablo, por favor podrías hacer un vídeo sobre como combatir el desánimo??? Gracias y saludos 🌷🌷🎻
Genial Pablo! Podrías hacer un video mostrándonos tu rutina de calentamiento?
Continuous THANKYOU. THANKYOU THANKYOU FOR YOUR ADVICE.
Thank you Pablo for the tutorial. I just started to learn cello and this tutorial really helps me 👍👍👍👍
verrryyyyy helpful , thank you so much💞
Me ha encantado el tutorial! Y como siempre precioso sonido!
Podrías hablar sobre la respiración y el fraseo por favor.
Osmar Tapia Esa es una gran idea!
Hello Pablo! Love your videos :) I would like to hear your thoughts on shifting. Greetings from Slovenia.
yes!
Muchas gracias, Pablo. Esta semana la dedico a vibrato. Saludos de Texas!
Thank you Pablo!! Very useful!
Could you make a tutorial video about shifthing? Thank you!!
I would like to hear your thoughts on intonation. How do you practice it? Do you follow your ear or use a tuner? How do you adjust between playing with an equal-tempered piano and with an orchestra?
ua-cam.com/video/eDbtmXpR4cE/v-deo.html
🙏🏻 very helpful! It’s a long road to learn vibrato and it s really personal
Thank you Pablo.
Excelente, me encanta esto.
Podrías hacer un video sobre cómo realizar adecuadamente los trinos 😁🎻🎶 gracias por hacer esto!!!
Thank you Master, ım begginer cellist and ım follow you 🎶
That was an excellent presentation about vibrato with tips that will genuinely help young cellists. Thank you for generously sharing yoiur expertise with us!
Thank you for these tips!! I really like your playing ❤
Increíble! Muchas gracias por compartir tus conocimientos, Pablo! Eres brillante! Espero que en tus próximos videos puedas hablar sobre traslados longitudinales y transversales :)
Saludos desde México!!!!
You should do a video on your practice methods/routines! Or maybe preparing for a performance
So impressive! So useful!
Nice!
What about of study of pieces (whole pragress/all stages)? -- can next topic.
Pablo eres brillante muchas gracias!! Una pregunta, siempre quitas los demás dedos cuando vibras? Porque por ejemplo cuando hablas de lo del peso, es necesario apartar los demás dedos de las cuerdas? Gracias!
Para conseguir un vibrato libre lo ideal es quitar los demás dedos! Hay excepciones cuando los puedes dejar si es ese el color que buscas, pero como “norma” general mejor cada dedo solo :)
Really helpful. I am excited to try what you suggested
Demasiado bueno y útil! Estoy recién comenzando con el vibrato y tu video me ha venido perfecto! Muchas gracias Pablo, saludos desde Chile! 😊🙌🏻
Another excellent video, really helping me get back into playing! Do you have any comments on the vibration rate in the context of the tempo of a piece and the harmonic context of a note? For instance, on notes with harmonic tension doing vibrato against the grain of the tempo in pentuplets might add tension. I feel like you do this intuitively but wondering if you've thought more formally about it. Thanks for the great videos!
thx you, it's look like so easy when you do it
Merci pour ce partage, excellent. Violoncelliste, je suis fan de votre manière de jouer ! bravo.
Más vlogs por favor y que nos enseñes cómo estudiar mejor
Hola pablo, me gustaría que hicieras un vídeo a cerca de como concentrarse al tocar en público y controlar los nervios. Muchas gracias(amo tus vídeos :) )
Deberías ver mi VLOG sobre el miedo escénico o Stage Fright, tiene subs en español!
Hi Pablo, and thank you for your wonderful inspiring videos and musicality. I have a specific question on vibrato that only partly is responded in this one , and on which I was told differents / contradictory answers : are we supposed to vibrate in position or is it possible to shift the thumb position to ease and free the vibrato ( you dont talk about it but at the begining of the video I can see your thumb shifting when you skip to the next finger). I'm talking of course in situation that requires no shift normally. Hope I was clear ! thanks again !
Muchaaas graciaaaas eres el mejoooor !!! :D
Recognized him because of TwoSet. This vid is very helpful!
Hello! I wanted to know if you had any tips for practicing big shifts and getting them consistently in tune. Thank you - love the videos!
Estaría guay un vídeo sobre las diferentes técnicas a utilizar según el estilo de la obra
Thank you
También varías la desafinacion del vibrato (sí desafinas la nota hacia abajo, hacia arriba o hacia ambos) o esencialmente siempre lo haces de la misma forma?
nice video!
Excellent blessings.
Incredibly helpful!
Vibrato for me depends on the composition, or musical character that I playing...on vibrato isn't like a on/off switch.... I don't intentionally vibrate on every note nor do I do it equally.
I see that you often lift your thumb when vibrating in thumb position. My teachers always taught me that the thumb is most important for vibrato on very high tones. One should „vibrate“ it as well so that the vibrato in the other fingers is better. My vibrato is often tense in thumb position. Is lifting the thumb better for wider vibrato?
Lifting the thumb would be the right idea, but it’s more the concept of a “free” thumb that would create a wider vibrato in higher positions. Lifting it implies tension, but yes, the effect of floating and relaxing the thumb helps put weight into the active finger. Hope this helps!
Excelente! Bravo!
Bravo, excelente vídeo. Siempre es algo que he preguntado. Podrías hacer un vídeo sobre como mantener la posición del pulgar sin perder la afinación y como mantener la posición correcta de la mano derecha al hacer las doble cuerdas (terceras, sextas, octavas). De antemano gracias por compartir tus conocimientos. Bendiciones
How do you have such a nice tone/sound
Te amo ! Gracias
finalmente a good video about vibrato
Hola, ha sido muy útil... pregunta: es posi ble hacer el vibrato sin el contacto del pulgar sobre el diapasón en 1ra posición o no se debe hacer? Gracias 😊
4:45 my teacher has always told me to never collapse my fingers because it makes everything go flat. I'm currently working on Brahms in E Minor. Should I ask him about using the 'meatier' vibrato? This is the first time I've heard of using it purposefully and not just me accidentally collapsing my fingers.
Tell me about your kol nidrae you play it a lot slower than most people, but I find it very beautiful
Excelente!!
What kind of bow do you use? Name brand of bow? Love your videos keep them coming!!!
Sartory! :)
Interesantes
Gracias!
thank you for the video!
it would be very interesting how you build music phrases, is there any logic - do you just feel like playing beautifully?
I can play in tune, or I can play with vibrato. ARGH.
What was the schumann peice that you played?
What about thumb possition?
Saludos Pablo...por favor publica en UA-cam haydn 1er mov C mayor, mi hija lo está estudiando. Gracias
Que tipo de puente tiene tu violonchelo, es frances??
where is the last passage from?
❤
Thanks for your contents bro..I am using seaboardRise49 and I am applying the lessons that I learned from you
Who is the maker of your cello
Late response but he plays a strad
Fíjate que estaba convencido que eras español, no sé porqué, pero estaba convencido que así era. :(
Vra bra toe. That's how we say it out west.
So it turns out double bass vibrato is essentially slow-mo cello vibrato XD
FALTO EL VIBRATO CON EL PULGAR...
cello is beautiful but you can travel with a violin
If that was the way people choose what instrument to play, no one would play piano, organ or harp... 😒😅😂
@@CellaB23 true but not everyone has to leave their home.
@@koutoubyavision4738 ?? How do you go to lessons? Everyone has to travel who learns an instrument. But I agree, cello is beautiful!! 😊☺️🥰♥️♥️♥️♥️