SHIFTING TUTORIAL, How to make your shifts more accurate, 3 ways + tips.(SUBS EN ESPAÑOL)
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- Опубліковано 10 лют 2020
- Hi all! In this video I talk in depth about shifting, mentioning a few key things to have into account. hope you enjoy the video!
Follow me in instagram for more videos about performing, touring and practicing, and to keep an update with my concert schedule! Thanks for watching and happy practicing!
pabloferran...
I hope you find this useful, which tutorial should I do next? Give me some ideas 😊!
Pablo Ferrández can you make a video about control hand with bow, e.g. staccato, legato, bow change (up, down), like in Piatti caprice 1 and something in sort of this
@@sergeyfateyev1402 Thats something I would also pretty much appreciate!! And spiccato would also be nice!!
Muchas gracias por el vídeo!!!
Si te parece interesante el tema, podrías hablar del estudio mental y del enfoque le das, en caso que lo uses
How do you relax and release the unnecessary tension in your body while playing Sinfonia Concertante or other demanding concertos?
Pablo Ferrández legato
there is so much clarity in this presentation and delivery - a big thank you from a student making a big jump from viola to cello over the past year! super sharp teaching points 😊
have you noticed, at 11:58 he was shifting C to F and the obertones of C kept ringing. wow thats literally playing two notes on one string :D
Wow, all of it is incredibly useful! Especially how to hide shifts, because I really have never been thinking about It. Thank you so much, Pablo!
I had tried some of the tips though I haven't given much thought of it. Your tutorial gives me a more broad knowledge in terms of shifting. Thank you so much for this, it means a lot to me. It inspire me to think and experiment more when practicing. More videos please! Can't wait to try it out myself.
Such helpful tips!! Love these videos
Thank you for your videos in general, they're extremely helpful 🙏🙏🙏
Thank you for sharing your knowledge and passion. I find that very generous!
These tutorials are always so helpful for my practice. Thanks Pablo!!
Just found your channel, excellent stuff! really inspiring me to get back to playing more seriously and I can't wait to try your suggestions!
Thanks so much for sharing your journey and tips!
Just discovered your videos. These are some of the best videos I have watched! Thank you.
Pablo thank you so much these advises are pure gold
Thank you so much. This something I’ve been struggling with recently. I’ll be watching this video many times over the next couple weeks to keep it fresh in my mind.
Wonderful insights and advices! Thank you! I am hooked to your channel.
Vengo viendo los videos. Súper claros y de mucha ayuda. Gracias Pablo!
Buenísimo!! Muy útil en serio... gracias Pablo!!
Pablo, thank you so much for the tips. I learned so much from you.
Thank you Pablo! So great advices
Me encanta!! ❤️❤️
Thank you for sharing your life and knowledge as a soloist through this channel. You classic guys' incredible skills always make me think what kind of people you are and feel a little far in some ways. But your candor melts everything that I thought out. Hope to see you and listen to your music in person someday!
Thank youuu!!❤️Useful, it allows me to inderstand what I m doing because I did a lot of this different shift, but without always notice it and paying attention. And the last tips is intresting because I often shift with te same or the first finger
Very helpful information, thanks. You are an outstanding cellist!
Amazing instruction and your sound/tone has won me over....I want to hear more of your performances so I will be looking for recordings!
Generous and insightful video. Thank you Pablo.
Thank You so much! I love your videos they are super helpful. Wish you all the best!!
So very helpful to have you explain with examples, suggestions and to be encouraged to explore the variations and find your own voice.
Love this video, consecutive fingers is the best way for shifting from my point of view 🎶🎶 You’re great giving all the examples!!
so helpful thanks gracias Pabloo por compartir tus trucos , geniaaal!
Muchas gracias Pablo por lo detallado de la explicación y por tu generosidad
Muchas Gracias Pablo por los consejos. Son muy útiles !. Saludos.
Video after video I just can't get over the beauty of this cello. Both acoustically and visually.
This is very helpful. Thank you for taking the time to explain and to demonstrate the technique.
Thank you so much for these tips videos! You're an excellent teacher. I am mostly self-taught so to stumble upon lessons from you to break out of bad habits and learn new things has been amazing.
Te agradezco muchísimo tus claras explicaciones. Me ayudan mucho y sobre todo las proyecto en mis alumnos. Sinceramente gracias!
I have viewed this video several times as it is such a valuable review! You seem to cover everything. Thank you Pablo very much!
Thank you for such great advice - so clearly given. Best lesson ever? Great!
Eres un artista extraordinario! Gracias por tu generosidad!
Mi admiración y respeto amigo!
Gracias Pablo!! Soy violinista e igual me sirven tus consejos un montón 🧡
Doublebassists just laughed out loud on 0:10
Pablo, you are a wonderful human being, you should know that! Thank you for sharing all these tips on UA-cam for free!
Excellent as always. I now have a full plate to work on this this week. Getting this musical wisdom from one of my favorite all time Cellists is an amazing gift. Thank you Pablo.
Thank you for your generosity. You share important differences in shifting techniques and their unique musical impacts. I love your analogies - fine teachers use analogies. Your willingness to pass these tips along to others is much appreciated!
No solo compartir la música, sino también el cómo has llegado allí, muestra una gran generosidad. Felicitaciones
Un MAESTRO TOTAL con todas las letras!! gracias por todo!! que gran acierto los subtítulos en español!! Gracias Gracias Gracias!!
Thank you so much for sharing your knowledge and skill!!
Qué genial es que un músico haga estos tipos de videos, se agradece demasiado! Brava 👏🏻. Saludos desde Chile 🇨🇱☺️
Muchas gracias por poner los subtítulos!
Genial el video !!
Gracias por los consejos desde Ciudad de México. Es muy amable de su parte. Yo apenas comienzo, y me había dado cuenta de ello, de hecho la cabeza se me embrolla al asomarme tanto al diapasón como al trabajo de mano izquierda y, efectivamente las combinaciones son muchísimas, por lo cual, como trabajo esencial las manos, especialmente la izquierda debe de fortalecerse físicamente, para estar preparada para cualquier cambio que se presente.
Excellent analysis! 👍 Thanks for sharing 🙂
awesome video, I hope can have tutorial about what etude or exercise books you recommend or how you practice intonation.
greatly informative and useful. I found the 'consecutive' finger shift approach useful ! thank you 🙂.
I found this at the perfect time! I’m working on the Elgar concerto and my current focus is cleaning up my shifts to make the melody line clear and lyrical. My goal is to keep the romantic style without any “swoops” due to poor shifting. Thank you as always Pablo!! Xxx
Muchas gracias ! De gran ayuda tus consejos. Eres un gran artista te admiro mucho! Desde Chile un gran saludo Cellistico!🎶💕
very good solid advice and for free please continue your good work for all those that don’t have money to study with a good teacher. thank you.
Tus vídeos son realmente maravillosos al igual que tu forma de tocar, me han ayudado mucho, y me motivan de una manera increible!!!!!! GRACIAS POR TUS VIDEOS!!!!!! 🎻🎶
I struggle with shifts. Thanks for all the ideas. 😊
I agree shifting backward would also be helpful.
This was very helpful. I agree, I think the more options we have helps give us more to bring to the music, to better bring out the way we want it to sound. Thank you.
Gracias Pablo!! Son unas explicaciones muy precisas, seguro que nos resultan de gran ayuda.
Hi Pablo, great video! In Han Jensen's book Cellomind shifts are explained even further. The first shift you describe is called smiley face (: under the fingerboard you call it. He calls the other type rainbow arch. An up and down motion. He also advocates combining the two for very large shifts. He also points out the different combos of fingers, bow changes, etc. It's very helpful. Interestingly, I had heard from Starker that it's always better to shift from a higher finger to a lower one or use the same finger. I think it's to do with having balance in the hand. I think your explanation is great. Consecutive fingers! Interesting to avoid the same finger. I will try your ideas. Thanks so much! I hold the bow the way you do now, and will never change back! Also, that Shostakovich fingering from your talking cello video with Kian is amazing! An idea for a video would be tips for difficult bow strokes. Different off the string strokes? Bravo to you!
Thank you for your insight. Muscle memory is more difficult on strings due to the different finger distances in different positions. It means many hours practice in first position, then second .... etc. Then it might be possible to shift so accurately into higher positions. Your methods are very helpful.
very helpful and always interesting to learn form the very best people
thankyou Pablo Ferrandez
see you in Paris on 23.3 again 😃
Love it… and I play violin! Thank you!!
Awesome vid, very helpful
Very useful tips! Thanks!!
Me ha servido muchooo!!
Thank you so much Pablo! Very informative!
Outstanding! Thank you so much!!
Wow I never thought about how my elbow moves when I shift, I will experiment with that
My shifting technique is mostly just yeeting through mid-air and landing on 1 finger sometimes lol
And the last tip about not shifting onto the same finger is helpful!!
gracias teacher eso aqui se lo llama desmangue esos saltos digo desd una nota ya tocada hasta vaya a saber Dios donde ... hay q tener habilidad atencion concentracion y tambien 1 tuch d suerte, 1 buen dia dado q todos hemos visto a grandes cellistas llegar justo pasarce o kedarse 1 milimetro antes... es lo q siempre sucede con instrumentos atemperados
That was very helpful, thank you!!!!
Congrats and thanks for sharing your knowledge !
I’m a bass player and I did learn the basic shifting named :”alla Heifez” ( old finger on the old bow) - and “Alla Kreisler “. (New finger on the new bow). There is some combination of this two : old finger - new bow , new finger -old bow. Also, start with old finger and in the middle continue with the new finger - on old bow , eventually on the new bow and so on. So, there is a truly art of shifting! String player should care more about.
Using consecutive fingers is a gamer changer. Thank you!
Thank you so much! I appreciate greatly!
Agradecerte enormemente desde Uruguay, realmente tus videos son de una ayuda gigante, quería pedirte consejos acerca de arcos, diferentes opciones dentro de lo que puede ser algo más accesible económicamente y algo más profesional, muchísimas gracias
Subscribed...a great lesson. Thank you.
Thanks so much your videos are very clear and informative. Any tips on practicing the 2nd movement of the Elgar
Thank you sooooo much!!! 😍❤️❤️❤️
Thank you for sharing.
Pablo, Thank you very much, can you make a video about control hand with bow, e.g. staccato, legato, bow change (up, down), like in Piatti caprice 1 and something in sort of this
Excelente contenido muchas gracias por compartir esta información tan valiosa. La comunidad chelistica latina estará muy contenta si nos ayudas con los subtítulos en español. 😉
Tips on general intonation? Maybe tips on using your thumb not as a harmonic? Audition tips? Bow distribution?
This video is just wonderful!! Thanks for sharing this deep and small details that make a difference! I just wondered how it works when you have to shift backwards! Do you apply the same logic or do you somehow "revert" it? I'm for instance thinking of elbow movements, shifting with "following" or "presiou" finder, and such... Thank you a lot again!
Muchas gracias eres muy pedagogo
Thank you! Yes it’s very helpful!
I found this vert helpful!
Very helpful. Thanks.
Thank you so much!
Thanks for the very helpful video! Shifting down is tricky. Any advice? Left hand balance? How to lead the downward shift? Etc etc...much obliged to you!
This video was super helpful for me 👍👍👌👌 (especially Elmerson's tip of shifting with one finger and landing with another finger). This is a tip my teacher taught me: when I need to do the mixed shift (third method) I learn the shift of the sliding finger and the I land the wanted finger more accurately...😅
Just for clarification: Frans HELMERSON
@@d.s.5103 Thanks 😅
Very interesting, thanks.
It would be helpful to also demonstrate descending in addition to ascending shifts. Opening the elbow ascending is a different feeling than closing the elbow when descending.
Talk about the intonation of different scales
Mil gracias!!!!👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻🎶😘🎶🎈😘🎶
Pablo is my Yoda...
On your next video you should talk about scales
A shifting technique not mentioned is finger replacement. So, same note different finger. I use this to prepare for more favorable incoming fingerings.
Thank you so much for this....
Thank you!!! 💖✨🙏
Very helpful!
Pablo genial, muchisimas gracias por compartir tus conocimientos, me gustaria saber que proceso utilizas o que tipo de metodologia usas para montar una obra totalmente nueva desde cero, me refiero a que si llegas directo a los pasajes dificiles, si los memorizas, que tipo de metodo puede ser mas eficaz y rapido para montar una obra en poco tiempo, aveces me he visto estancado montado una obra