26.04.2023 Edit: I think on 1988 Delicate Sound Of Thunder, chorus was TC Electronics' and not Boss CE-2. But for Venice and Knebworth, it's still CE-2 and video is correct. Okay, there are minor editing mistakes I’ve made (sorry I really work a lot on a lot of things, I record and edit these videos mostly at nights) First, at 13:30 Gdańsk tones, I’ve used Charlie Brown, not boss bd-2, correct signal chain at 13:50 Second, I got copyright issued (not just demonetized) so I had to cut short a few things Third, on rotary cabinet signal chains, I only show rotary cabinets but actually it’s split chain and one goes to rotary one goes to hiwatts, I don’t know why I didn’t do that… Every isolated guitar sound is at my Patreon page for you to download, here: www.patreon.com/posts/comfortably-numb-81418161?Link& A TON OF my tone guides are there with pedal and amp settings for the covers I do, tabs, backing tracks and more to come! It’s AN ARCHIVE for Gilmour (and a little Hendrix…) And please remember that any pedal setting I'd show might only work on my rig, maybe not work on yours, I don't want to misguide you, just want to give you a guideline… Also, all the extracted guitar sounds are, well, extracted from original recordings, so there are missing frequencies and stuff, so yeah, the pedals are correct, but since it’s isolated, it sounds A LOT better normally… I love to be wrong, this is just MY guide and archive for myself, if there’s anything you need to add or correct, let’s talk more! 🎸 Absolute Essential Top 10 Gilmour Solo Backing Tracks and Tabs: www.patreon.com/mustafacankaya/shop/10-essential-gilmour-solo-tabs-solo-14794?Link& 💵 Here are the 9 CHEAP AND BEST pedals I recommend for almost all the tones I get: thmn.to/thocf/xxm4h02xts ✅ Here are all my gear that I can't live without: thmn.to/thocf/at2lukfwk3 ➡ Check Out My Jams: ua-cam.com/play/PLZE1z4lCW33MVR-33x4zk9aecfnJiUIfj.html
Thank you again. Also fun little thing. Snowy white in tour with waters uses his black Strat for this solo but there was an interview where he mentioned using a blues jr for it on tour. I believe it was in his rig rundown
Great job capturing the variations of each era. I think that CE-2 is key to almost all the tones, especially if you don’t have an RT-20 (or a Yamaha rotating speaker!). Lots of good CE-2 clones out there, like the Ensemble King. There’s a Waza Craft version, but those are a little pricey. There’s also a Waza version of the HM-2; I actually gave a Behringer HM300, and aside from being pink and plastic, it does the HM-2 well, especially Gilmour’s settings. The Mooer E Lady is one of the best Gilmour flangers out there; it’s so close to the original big box and is pedal board friendly. And of course, all of the EHX Muff reissues have been spot on.
Thank you so much for this video and breaking it all down, also the isolated tracks are the clearest that I have heard, normally it isn't the easiest to get the guitar separated from the other instruments that great. One thing I had a question about with the 1979 studio recording of Comfortably Numb was reverb, I'm pretty sure there is some but what kind would it be. One other thing is that he might possibly have used his Colorsound power boost pedal for the recording.
I don't think Gilmour ever used reverb on his recordings except a few, like "more blues" and a couple of others. And I have no doubt that Gilmour didn't use Colorsound for boosting on studio recordings.
I covered Comfortably Numb for one of my college classes and still jam on the song all the time, I find that I got fairly close with my EHX Big Muff Pi and both MXR Phase 90 and MXR Uni-Vibe (depending on which one I want to use) but this was a great video nonetheless. Fantastic job, man
Thanks for that video ! Actually, I also thought about making one, but not with as much different versions (studio, Delicate sound of thunder, Pulse, Gdansk and Pompeii only), and no details about the gear used. Just joined your Patreon too !
pompeii actually hadf a mixer which would mix the flanger in slightly, really it's most noticeable in the top end of the signal, I think it was the counteract the volume loss and bass loss
The key observation is that the sound foremost is a gorgeous deep digital delay. Then there is something to boost the tone's brightness to get way out there and stand out in the mix, and this is what a Tube Driver can do, because relative to the square-wave muffs, the Tube Driver is functioning like a clean treble boost. As for the various distortions, the point is to have several available in the chain, so you pick a differnt one on each lead break to provide variety and to keep the audience wanting even better lead tones as the song progresses, to climax at the best lead tone on the last lead break. A question then ensues, how many lead breaks are there in "Comfortably Numb" ?? I count two. That is how many different lead tones you are gonna need. David can play it clean or distorted with several variations. After all, David wants you to buy not only one of his albums, but all of them! So he is changing up these lead tones on every tour so that his die hard fans are continuouslu kept on edge wondering just what is this tonemaster going to do next? 😳
The "weird" guitar at the 1986 Royal Albert Hall concert was a 1981 Charvel Glendora Brown-Burst with an EMG pickup and a rosewood neck. I assume that an EMG81 pickup was used, as that is the first year they made that pickup and that is the typical location for it (Bridge).
Thanks for doing this. I take 2 things away from this: 1. there is no single CN tone. 2. You don't need lots of fancy/boutique pedals to get a great CN tone - actually using easily obtainable (in most countries) pedals ( Boss/ EHX MXR)when touring makes a lot of sense easy to replace if required - not that thats something DG probably needs to worry about too much 😁
Outstanding stuff, fascinating presentation. Interesting how he's kind of come full circle to a more gritty Ram's head/flanger tone. I do like the 80s/90s tones though. The Flanger seems to cut more where the chorus makes things a bit mushy. I think chorus works better on clean tones and the Flanger. 'Yowzah' indeed! Have you tried the Mojo FX fuzzes, made in Texas, very cool pedals? There's one called 'Iron Bell' which is all Gilmour fuzzes in one. FYI Gretsch is basically pronounced 'Gre-tch' with no 'S' sound but it really doesn't matter, your accent is very cool!
Dear Mustafa, the 1986 Version (wich was played for the Columbian Volcano Appeal) was played on a Charvel san Dimas. But ist is actually a *Single Coil* Pickup in a Humbucker Housing (EMG H). So It‘s exactly the Same Pickups you've got. David only plays Humbuckers on his Les Pauls/ Gretsch. I think it is by far his Best CN Solo out there. The Sound and Tremolo work is very Special here
@@mustyguitar I have to Thank You for your Great work! Keep rocking! That 1986 Version would be interesting to cover I think because its so rare and different, with that bassy bottom end of the Tone and typical 80s Gilmour kinda metal-like touch
That solo is pretty killer. A lot of his solos for comfortably numb rely on the same touchstone licks, where as this is totally different. And much more flashy than DG usually plays. He has mentioned how deep into cocaine he was during the mid to late 80s. I suspect he’s a little amped up there. Especially in Culumbia of all places.
@@Tyrannosaurine Yes that is certainly the case! He really is on fire here. There are a few of his solos from this period where he really sounded different. The Solo on Berlins „Pink and Velvet“ has a similar energy to this one and I think when he used the Steinberger from late 87 on his Sound was even more agressive, for example „Run Straight Down“ by Warren Zevon or „This Feeling“ by Sam Brown.
I believe he didn’t start using the Boogie until the In the Flesh tour in 1977. Prior to that he was using 3 or 4 Hiwatt heads into a bunch of WEM cabinets stocked with 12” Fane speakers (all 100w). Gilmour is famous for playing EXTREMELY loud both live and in the studio. That’s one part of how he gets the crazy sustain he does out of a strat.
Hello! Love your videos! Would you happen to have the tab for the DSOT version of the solo? I checked your patreon and didn’t see it. Nobody seems to have it. Thanks!
I would love to see your review of the new "Fender Tone Master Pro" guitar modeler. and what kind of Gilmour tones can you get out of her? please please!
Hi! I follow your videos since a while to understand how to achieve DG sound in PULSE! Can you share the pedals settings (or is there a video where you explain them)? Thanks in advance!!
In the 1986 version he is using a charvel san dimas which originaly had a passive humbucker but was swapped with a EMG-H (single coil in a humbucker housing) so it shouldn't be that different to your strat (if we don't account for the fact that the EMG H is sitting straight compared to the usual strat bridge PU. I think he actually used a muff but I'm not sure, you'll have to check Kit Rae's site, I'm pretty sure he even has photos of the rig from back then. That being said, I think there's a lot of stuff that we don't think into account with these tone "investigations". For example, the final mixing/producing plays a big part in the final sound, it depends a lot on EQ, compression, and quality of the tapes used back then. Also on the studio version, if I have to guess, I'd say he played it without any modulation, then ran the recorded solo through a rotary speaker and then mixed the two together, that's what I get when I listen closely, especially the movie version.
I didn't know the guitar, thank you for the information and yeah, that's what I'm talking about when I say studio trickery, final mixing plays a big part on the tone. we don't know what goes on in the studio so we can only guess.
Awesome video thankyou.For me Knebworth 90 is my favourite but from the Knebworth 90 album the guitar sounds ever so slightly harsher and the 2nd solo is not edited i couldnt understand why you would ever cut bits out of a David Gilmour solo
I would have love to hear that without active picl ups for the studio version because I dont thi k EMGs were yet used by him in 79 I dont even know if they were actually invented yet
hey mustafa, i love your videos so much and i am a huuuuuge pink floyd fan! i want to ask you one question. i got a transistor amp and i want to play with effect pedals (like the rams head big muff). now the question: do you think i should buy the big muff and plug it on the transistor amp or should i buy a (cheap) tube amp and then buy the effect pedal? is there a hearable sound difference? is it useless/stupid to plug an effect pedal on a transistor amp? i bought my transistor amp because it’s not that expensive as tube amps… continue with your videos i love them 😊 quentin
I don't recommend using a transistor amp with pedals, if that transistor amp has modeling, which most have, you should use the amps pedal simulators and stuff. I think a tube amp brings out the best in pedals. with that being said, it's not easy to manage a tube amp in bedroom level. careful with that axe eugene!
The fender Champion Models are actually very cheap and have a huge sound with Pedals. These are Modeling Amps of course and they are voiced after a Twin Reverb. I recomend the Champion 40. It’s actually that inexpensive that you could buy two and use them in stereo like David did between 1987 and 1993 for Sessions and smaller live gigs.
It always fascinates me how thick it sounds considering it's the bridge pickup. Is there any specific element that makes it sound so fat and bassy? I use Bias FX 2 and my resources are limited like for so many people.
Most underrated song probably. But what kind of video? I have a few cover notes, studio and 1972 rainbow version. Tones, backing track and tab will be on Patreon
Well, I can give information, but I can't try sounds since I don't got no black strat. And I have a few guitars which I can't risk installing 7-way switch in the hands of Istanbul guitar shops...
comfortably numb doesn't sound harsh on the studio version to me, the first solo is really smooth and the second one maybe has a slight harshness? but I love the tone because of it's smootheness
@@cadams1607 half correct, gilmour has a switch that activates the neck pickup in conjuction to his pickup selector, making it so he can have both neck and bridge pickups on at the same time, which is what he did on the first one.
@@KYCDKDavid has said he’s actually never used that neck/bridge combo on a studio recording. He’s said that a number of times, iirc. Maybe it was just less production overall on the tone - smoother EQ ig
@@mustyguitar You’re absolutely correct. Thanks for the clarification. However, I know he used that same Goldtop Les Paul for the Comfortably Numb solo at quite a few concerts when they were touring the Wall, and he would play the solo atop a motorised lift that gave the impression that he was standing atop the cardboard Wall that had been in construction over the course of the concert.
teşekkürler Fatih, valla ben dijital ürünleri pek sevmem genel olarak ama guitar rig gerçekten paramla aldığım en dandik şeylerden birisi çıkmıştı. amplitube ile takılması eğlenceli, bias fx hiç denemedim.
@@Fatih.Çırak valla fuzz çok güzel hendrix tonu veriyordu, tube driver çok güzel tube driver tonu veriyordu, big muff fena değil denecek şekilde ton veriyordu. ama epeydir de bakmıyorum, emin olmadığım bir konuda da çok konuşup kafa karıştırmayım şimdi. muhakkak deneme sürümleri vardır ama.
@@JorgeCampos12345 I'm currently working on the tone, I've done the tabs and I'm going to record and cover the song tomorrow, probably will share in a few weeks. I'm not %100 sure if he used a big muff or boss hm-2 but I think it's hm-2. so signal chain is: boss cs-2 -> hm-2 -> boss ce-2 -> delay -> hiwatt + mesa boogie
Great video. However, the tone is also caused by David Gilmour’s touch and feel. Besides, we don’t have the same hands and fingers than DG. And finally, speaking for myself in the first place, we lack the genius and talent 😉
honestly I think the reason it doesn't sound exactly like the live 1980 tone is cause the live version seems to be recorded fairly poorly, sounds like the mics were placed really far away or they put too much of the stadium's reverb into the mix
Holy fried crab brains in a smoked okra and monkey snot sauce. The 1980s "Wall Live" tone is like a generic teenage Van Halen fanboy with an el cheapo Vester, Peavey's cheapest amp, a flanger with the same settings used for covering "Ain't Talkin' 'bout Love", and a randomly-set delay. The "In Concert" tone is like trying to cover this song using Albert King's set-up. And the "Live At Pompeii" is the bastard child of the two previous ones. Ick.
Settings depend on the amp, guitar, pickups, etc etc etc... this is why you will never get David's EXACT sound unless you have his amp, guitar, pickups, cables.. fingers
honestly not a fan of delicate sound of thunder, chorus + muff sounds like nails on chalkboard to me, I hate it, I hate CE-2 style chorus pedals (most common chorus pedals) flanger and rotary are just better
Totally. I am a guitarist in a kinda heavy, but very spacey band. I use a lot of effect pedals. I HATE chorus. It sounds bad to me. I use phaser(s) Filter effects (Q-Tron/Wah-Wah) Flanger Tremolo Rotary (which is like if chorus sounded good) But I just don’t like chorus
@@Tyrannosaurine rotary is just a more interesting chorus and for subtle modulation flanger is just more interesting chorus but more in your face modulation basically pick which one you want, flanger for big modulation, rotary for subtle modulation I like it when non chorus pedals can do chorus, because they do it in a more interesting way, eg electric mistress or even getting a tape delay and making it really short, kinda makes it more organic sounding.
![10 GUITARISTS SOLO OVER THE SAME TRACK! [2023]](/img/n.gif)
26.04.2023 Edit: I think on 1988 Delicate Sound Of Thunder, chorus was TC Electronics' and not Boss CE-2. But for Venice and Knebworth, it's still CE-2 and video is correct.
Okay, there are minor editing mistakes I’ve made (sorry I really work a lot on a lot of things, I record and edit these videos mostly at nights)
First, at 13:30 Gdańsk tones, I’ve used Charlie Brown, not boss bd-2, correct signal chain at 13:50
Second, I got copyright issued (not just demonetized) so I had to cut short a few things
Third, on rotary cabinet signal chains, I only show rotary cabinets but actually it’s split chain and one goes to rotary one goes to hiwatts, I don’t know why I didn’t do that…
Every isolated guitar sound is at my Patreon page for you to download, here: www.patreon.com/posts/comfortably-numb-81418161?Link&
A TON OF my tone guides are there with pedal and amp settings for the covers I do, tabs, backing tracks and more to come! It’s AN ARCHIVE for Gilmour (and a little Hendrix…)
And please remember that any pedal setting I'd show might only work on my rig, maybe not work on yours, I don't want to misguide you, just want to give you a guideline…
Also, all the extracted guitar sounds are, well, extracted from original recordings, so there are missing frequencies and stuff, so yeah, the pedals are correct, but since it’s isolated, it sounds A LOT better normally…
I love to be wrong, this is just MY guide and archive for myself, if there’s anything you need to add or correct, let’s talk more!
🎸 Absolute Essential Top 10 Gilmour Solo Backing Tracks and Tabs: www.patreon.com/mustafacankaya/shop/10-essential-gilmour-solo-tabs-solo-14794?Link&
💵 Here are the 9 CHEAP AND BEST pedals I recommend for almost all the tones I get: thmn.to/thocf/xxm4h02xts
✅ Here are all my gear that I can't live without: thmn.to/thocf/at2lukfwk3
➡ Check Out My Jams: ua-cam.com/play/PLZE1z4lCW33MVR-33x4zk9aecfnJiUIfj.html
Finally someone who agrees that Pulse Comfortably Numb tone is not so good. Pedestrian. Overly compressed. Mediocre.
Do you think I need the boss rt-20 if I already have the keeley dark side work station?
@@jeffrobodeenyehcmon5925 I'd get one if I find it
⁸⁸qq
great work and fantastic tones 👍
Thank you again.
Also fun little thing. Snowy white in tour with waters uses his black Strat for this solo but there was an interview where he mentioned using a blues jr for it on tour. I believe it was in his rig rundown
Nice video man! We are watching from Rio de Janeiro, Brazil.
Thank you! Many thanks to everyone
my maaan did it again! what a video man! greatly appreciated!
Thank you! Great tone and playing!
Thank you so much for your accurate analysis, and the share of your work !
you got it! thank you!
Great job capturing the variations of each era. I think that CE-2 is key to almost all the tones, especially if you don’t have an RT-20 (or a Yamaha rotating speaker!). Lots of good CE-2 clones out there, like the Ensemble King. There’s a Waza Craft version, but those are a little pricey. There’s also a Waza version of the HM-2; I actually gave a Behringer HM300, and aside from being pink and plastic, it does the HM-2 well, especially Gilmour’s settings. The Mooer E Lady is one of the best Gilmour flangers out there; it’s so close to the original big box and is pedal board friendly. And of course, all of the EHX Muff reissues have been spot on.
Thank you so much for this video and breaking it all down, also the isolated tracks are the clearest that I have heard, normally it isn't the easiest to get the guitar separated from the other instruments that great. One thing I had a question about with the 1979 studio recording of Comfortably Numb was reverb, I'm pretty sure there is some but what kind would it be. One other thing is that he might possibly have used his Colorsound power boost pedal for the recording.
I don't think Gilmour ever used reverb on his recordings except a few, like "more blues" and a couple of others. And I have no doubt that Gilmour didn't use Colorsound for boosting on studio recordings.
I love the isolated tracks. You can really hear his attack on the strings
Bealtifull explanation....thanks
12:48 I totally agree. The 1977 in the flesh tour has THEE best gilmour tones. Just perfection
I covered Comfortably Numb for one of my college classes and still jam on the song all the time, I find that I got fairly close with my EHX Big Muff Pi and both MXR Phase 90 and MXR Uni-Vibe (depending on which one I want to use) but this was a great video nonetheless. Fantastic job, man
It was a Charvel with a single bridge humbucker ....the volcano benefit 86.....it went in the auction
Thanks for that video ! Actually, I also thought about making one, but not with as much different versions (studio, Delicate sound of thunder, Pulse, Gdansk and Pompeii only), and no details about the gear used. Just joined your Patreon too !
Thank you Thibault de Robillard! That's quite a name :)
@@mustyguitar Lol, thank you ! I'm French, but live in Mauritius, where I lead a Pink Floyd tribute band :) ua-cam.com/video/uCuhez2l7lY/v-deo.html
Great vid thanks
Bravissimo un lavoro unico .E bello vedere che con pedali economici riesci a fare suoni straordinari come Gilmour.Bravo 👋👋👋👋👋👋👋
pompeii actually hadf a mixer which would mix the flanger in slightly, really it's most noticeable in the top end of the signal, I think it was the counteract the volume loss and bass loss
The key observation is that the sound foremost is a gorgeous deep digital delay. Then there is something to boost the tone's brightness to get way out there and stand out in the mix, and this is what a Tube Driver can do, because relative to the square-wave muffs, the Tube Driver is functioning like a clean treble boost. As for the various distortions, the point is to have several available in the chain, so you pick a differnt one on each lead break to provide variety and to keep the audience wanting even better lead tones as the song progresses, to climax at the best lead tone on the last lead break. A question then ensues, how many lead breaks are there in "Comfortably Numb" ?? I count two. That is how many different lead tones you are gonna need. David can play it clean or distorted with several variations. After all, David wants you to buy not only one of his albums, but all of them! So he is changing up these lead tones on every tour so that his die hard fans are continuouslu kept on edge wondering just what is this tonemaster going to do next? 😳
The "weird" guitar at the 1986 Royal Albert Hall concert was a 1981 Charvel Glendora Brown-Burst with an EMG pickup and a rosewood neck. I assume that an EMG81 pickup was used, as that is the first year they made that pickup and that is the typical location for it (Bridge).
I love my Laney Cub 12R. I have used it on stage with my Floyd band.
Thanks for doing this. I take 2 things away from this: 1. there is no single CN tone. 2. You don't need lots of fancy/boutique pedals to get a great CN tone - actually using easily obtainable (in most countries) pedals ( Boss/ EHX MXR)when touring makes a lot of sense easy to replace if required - not that thats something DG probably needs to worry about too much 😁
Great Job 👌
0:36 isnt there phaser in the mix?
There’s never a phaser in the mix for comfortably numb, ever.
Outstanding stuff, fascinating presentation. Interesting how he's kind of come full circle to a more gritty Ram's head/flanger tone. I do like the 80s/90s tones though. The Flanger seems to cut more where the chorus makes things a bit mushy. I think chorus works better on clean tones and the Flanger. 'Yowzah' indeed! Have you tried the Mojo FX fuzzes, made in Texas, very cool pedals? There's one called 'Iron Bell' which is all Gilmour fuzzes in one. FYI Gretsch is basically pronounced 'Gre-tch' with no 'S' sound but it really doesn't matter, your accent is very cool!
Dear Mustafa, the 1986 Version (wich was played for the Columbian Volcano Appeal) was played on a Charvel san Dimas. But ist is actually a *Single Coil* Pickup in a Humbucker Housing (EMG H). So It‘s exactly the Same Pickups you've got. David only plays Humbuckers on his Les Pauls/ Gretsch.
I think it is by far his Best CN Solo out there. The Sound and Tremolo work is very Special here
Thank you! I didn't know this. Great info.
@@mustyguitar I have to Thank You for your Great work! Keep rocking! That 1986 Version would be interesting to cover I think because its so rare and different, with that bassy bottom end of the Tone and typical 80s Gilmour kinda metal-like touch
That solo is pretty killer. A lot of his solos for comfortably numb rely on the same touchstone licks, where as this is totally different. And much more flashy than DG usually plays.
He has mentioned how deep into cocaine he was during the mid to late 80s. I suspect he’s a little amped up there. Especially in Culumbia of all places.
@@Tyrannosaurine Yes that is certainly the case! He really is on fire here. There are a few of his solos from this period where he really sounded different. The Solo on Berlins „Pink and Velvet“ has a similar energy to this one and I think when he used the Steinberger from late 87 on his Sound was even more agressive, for example „Run Straight Down“ by Warren Zevon or „This Feeling“ by Sam Brown.
Tamam 😁 Very nice scientific approach and results 😎
Thank you!
I think comfortably numb might be doubletracked with a lapsteel playing the same thing in the studio
My guess would be 2 amps, one rotating, one hiwatt with additional gain.
It’s the hiwatt/rotary combo, auto-doubletracked
He also slaved a 1971 mark 1 boogie for the distortion, into the Hiwatt's. There are pictures of the 1984 solo tour and there is an article explaining
I believe he didn’t start using the Boogie until the In the Flesh tour in 1977. Prior to that he was using 3 or 4 Hiwatt heads into a bunch of WEM cabinets stocked with 12” Fane speakers (all 100w).
Gilmour is famous for playing EXTREMELY loud both live and in the studio. That’s one part of how he gets the crazy sustain he does out of a strat.
Can you do this but for the Time solo? This is awesome info!
He hasn’t seem to have switched it up really. I mean his 73 live performances sounded different but the recent performances sound close to the album
Hello! Love your videos! Would you happen to have the tab for the DSOT version of the solo? I checked your patreon and didn’t see it. Nobody seems to have it. Thanks!
Not yet, Patrons gotta vote for it
Do you think I should get the boss rt-20 if I already have the keeley dark side work station?
I have the boss rt 20. Best for floyd rotary tones. Especially from the 1977 in the flesh tour.
I would love to see your review of the new "Fender Tone Master Pro" guitar modeler. and what kind of Gilmour tones can you get out of her? please please!
Hi! I follow your videos since a while to understand how to achieve DG sound in PULSE! Can you share the pedals settings (or is there a video where you explain them)? Thanks in advance!!
Great big muff video coming this Sunday with pedal settings and everything.
In the 1986 version he is using a charvel san dimas which originaly had a passive humbucker but was swapped with a EMG-H (single coil in a humbucker housing) so it shouldn't be that different to your strat (if we don't account for the fact that the EMG H is sitting straight compared to the usual strat bridge PU. I think he actually used a muff but I'm not sure, you'll have to check Kit Rae's site, I'm pretty sure he even has photos of the rig from back then.
That being said, I think there's a lot of stuff that we don't think into account with these tone "investigations". For example, the final mixing/producing plays a big part in the final sound, it depends a lot on EQ, compression, and quality of the tapes used back then.
Also on the studio version, if I have to guess, I'd say he played it without any modulation, then ran the recorded solo through a rotary speaker and then mixed the two together, that's what I get when I listen closely, especially the movie version.
I didn't know the guitar, thank you for the information and yeah, that's what I'm talking about when I say studio trickery, final mixing plays a big part on the tone. we don't know what goes on in the studio so we can only guess.
Awesome video thankyou.For me Knebworth 90 is my favourite but from the Knebworth 90 album the guitar sounds ever so slightly harsher and the 2nd solo is not edited i couldnt understand why you would ever cut bits out of a David Gilmour solo
Can you do this time over the years
It's on my video list but way down
I would have love to hear that without active picl ups for the studio version because I dont thi k EMGs were yet used by him in 79 I dont even know if they were actually invented yet
hey mustafa,
i love your videos so much and i am a huuuuuge pink floyd fan!
i want to ask you one question.
i got a transistor amp and i want to play with effect pedals (like the rams head big muff).
now the question:
do you think i should buy the big muff and plug it on the transistor amp or should i buy a (cheap) tube amp and then buy the effect pedal? is there a hearable sound difference? is it useless/stupid to plug an effect pedal on a transistor amp?
i bought my transistor amp because it’s not that expensive as tube amps…
continue with your videos i love them 😊
quentin
I don't recommend using a transistor amp with pedals, if that transistor amp has modeling, which most have, you should use the amps pedal simulators and stuff. I think a tube amp brings out the best in pedals.
with that being said, it's not easy to manage a tube amp in bedroom level. careful with that axe eugene!
@@mustyguitar thanks a lot for the advice! i’ll see what i can do!
shine on you crazy diamond!
The fender Champion Models are actually very cheap and have a huge sound with Pedals. These are Modeling Amps of course and they are voiced after a Twin Reverb. I recomend the Champion 40. It’s actually that inexpensive that you could buy two and use them in stereo like David did between 1987 and 1993 for Sessions and smaller live gigs.
Despite my bad English..! I try to understand !! Indeed Music has not to be translater !❤️❤️
It always fascinates me how thick it sounds considering it's the bridge pickup. Is there any specific element that makes it sound so fat and bassy? I use Bias FX 2 and my resources are limited like for so many people.
because big muff is extremely thick by itself
Can you do a video on childhoods end. That song is awesome
Most underrated song probably. But what kind of video? I have a few cover notes, studio and 1972 rainbow version. Tones, backing track and tab will be on Patreon
For research, can you try the david gilmour 7-way switch
Well, I can give information, but I can't try sounds since I don't got no black strat. And I have a few guitars which I can't risk installing 7-way switch in the hands of Istanbul guitar shops...
Live at pompeii has the best tone, it was fuckin awesome
comfortably numb doesn't sound harsh on the studio version to me, the first solo is really smooth and the second one maybe has a slight harshness? but I love the tone because of it's smootheness
That has a lot to do with the fact that the fist solo is played on the neck pick up and the end solo is on the bridge.
@@cadams1607 half correct, gilmour has a switch that activates the neck pickup in conjuction to his pickup selector, making it so he can have both neck and bridge pickups on at the same time, which is what he did on the first one.
@@KYCDKDavid has said he’s actually never used that neck/bridge combo on a studio recording. He’s said that a number of times, iirc. Maybe it was just less production overall on the tone - smoother EQ ig
Gilmour used a Les Paul with P 90s for the original recording of Comfortably Numb solo.
That’s the solo for another brick in the wall
@@mustyguitar You’re absolutely correct. Thanks for the clarification.
However, I know he used that same Goldtop Les Paul for the Comfortably Numb solo at quite a few concerts when they were touring the Wall, and he would play the solo atop a motorised lift that gave the impression that he was standing atop the cardboard Wall that had been in construction over the course of the concert.
@@riphopfer5816 I believe that was Snowy White with Roger Waters solo tour
Ellerine sağlık, hangi uygulamayı tercih etmeliyim? Bias fx 2 mi, Guitar Rig mi?
teşekkürler Fatih, valla ben dijital ürünleri pek sevmem genel olarak ama guitar rig gerçekten paramla aldığım en dandik şeylerden birisi çıkmıştı. amplitube ile takılması eğlenceli, bias fx hiç denemedim.
@mustyguitar çok teşekkür ederim bilgi için. Peki amplitube içerisinde buradaki pedallarla aynı karaktere sahip sanal pedallar bulabilir miyim?
@@Fatih.Çırak valla fuzz çok güzel hendrix tonu veriyordu, tube driver çok güzel tube driver tonu veriyordu, big muff fena değil denecek şekilde ton veriyordu. ama epeydir de bakmıyorum, emin olmadığım bir konuda da çok konuşup kafa karıştırmayım şimdi. muhakkak deneme sürümleri vardır ama.
@@mustyguitar çok teşekkür ederim, bakıp kurcalayacağım. Hiç bıkmadan usanmadan, sürekli ilerleyerek çalmayı ve sosyal medyada büyümeyi dilerim.
ismine hiç bakmamıştım, yabancı sandım , parmağıyla "but but" 3:45 , deyince bu Türk dedim.
Pink Floyd fanı olarak bu video için teşekkür ediyorum, harika olmuş, emeğinize sağlık.
The effects for the tone rotary speaker delay Rams Head
so at least the secret weapon for this sound is the Electric Mistress....
I think DSoT sound 1988 is best. It has great romantic delay. The sound is rich, long and most atmospheric.
But you don't give the RT20 settings or the delay settings???
I've got to ask, what is that yellow band around your right hand?
Great video Mustafa! Can you please tell me the chain of On the turning away ?
which version?
@@mustyguitar i really like the 2019 remastered version, i think its from 1988, in new york
@@JorgeCampos12345 I'm currently working on the tone, I've done the tabs and I'm going to record and cover the song tomorrow, probably will share in a few weeks.
I'm not %100 sure if he used a big muff or boss hm-2 but I think it's hm-2.
so signal chain is: boss cs-2 -> hm-2 -> boss ce-2 -> delay -> hiwatt + mesa boogie
@@mustyguitar thank you! Im going to give it a try. I really apreciate your videos,
Çok güzel video olmuş kanka eline sağlık bi de Animals albümünden yapmayı düşünüyor musun?
Tüm albümler için sağlam bi playlist gelecek, tüm şarkılarını ve tonlarını kapsayan şekilde
@@mustyguitar Tamamdır
Great video. However, the tone is also caused by David Gilmour’s touch and feel. Besides, we don’t have the same hands and fingers than DG. And finally, speaking for myself in the first place, we lack the genius and talent 😉
honestly I think the reason it doesn't sound exactly like the live 1980 tone is cause the live version seems to be recorded fairly poorly, sounds like the mics were placed really far away or they put too much of the stadium's reverb into the mix
well, there are better recordings of course, I'm not going to excuse my tones. But you're right, there are a lot of crappy bootlegs.
Holy fried crab brains in a smoked okra and monkey snot sauce. The 1980s "Wall Live" tone is like a generic teenage Van Halen fanboy with an el cheapo Vester, Peavey's cheapest amp, a flanger with the same settings used for covering "Ain't Talkin' 'bout Love", and a randomly-set delay. The "In Concert" tone is like trying to cover this song using Albert King's set-up. And the "Live At Pompeii" is the bastard child of the two previous ones. Ick.
joe satriani the forgotten lutfen
Kink FX make a great HM2 clone
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Devtech make a good G2 clone.
Devtech and Kink FX are both wonderful Australian pedal builders
And the settings?????????????? 🙄🙄🙄🙄
Settings depend on a lot of things and if I were to explain everything, this video would take hours :)
Settings depend on the amp, guitar, pickups, etc etc etc... this is why you will never get David's EXACT sound unless you have his amp, guitar, pickups, cables.. fingers
No one can match the secret tone 😢
honestly not a fan of delicate sound of thunder, chorus + muff sounds like nails on chalkboard to me, I hate it, I hate CE-2 style chorus pedals (most common chorus pedals) flanger and rotary are just better
Amen brother!
Totally. I am a guitarist in a kinda heavy, but very spacey band. I use a lot of effect pedals. I HATE chorus. It sounds bad to me.
I use phaser(s)
Filter effects (Q-Tron/Wah-Wah)
Flanger
Tremolo
Rotary (which is like if chorus sounded good)
But I just don’t like chorus
@@Tyrannosaurine rotary is just a more interesting chorus and for subtle modulation
flanger is just more interesting chorus but more in your face modulation
basically pick which one you want, flanger for big modulation, rotary for subtle modulation
I like it when non chorus pedals can do chorus, because they do it in a more interesting way, eg electric mistress or even getting a tape delay and making it really short, kinda makes it more organic sounding.
Sounds like you're living in the past, you're stuck in the 70s. Times and guitar tones move on.
👏👏👏👏🎸