Sailor and the Devil colorized clip: The Creative Person

1967, Errol Le Cain. Richard Williams Animation Studio. 16mm transfer by Helge Bernhardt. Restoration and colorization by Garrett Gilchrist, from a video restoration by Christoph Nass and Garrett Gilchrist.

[@vannestekaren1]

I always have the feeling that Hiroyuki Imaishi watched this for inspiration.

[@LewisDavies2007]

Were you planning to colorized Nasrudin Bread clip?

[@NunofYerbizness]

I'd doubt it… There isn't really any color reference to be found for Nasrudin (and if there is any, then it's very scarce). When it comes to good film colorization, a careful hand and research on any color reference of the appropriate scene is needed. Both colorizations of Night of The Living Dead, while competent for their times (and for how much the 2004 one still holds up), they both took some liberties; The car in the opening scene is painted teal like a Motorama, yet neither the 1986 nor 2004 colorizations depict the car as such. Now that I think about it, the picture I'm thinking of has that car on set during the fall, while both colorizations depict the setting as Summer.
What I'm getting at is to a film historian/restoration person, colorizations taking liberties is a big no-no. But to a feeble mind like mine, I don't care.

[@NunofYerbizness]

0:50 Feels quite obvious that you forgot to finish colorizing this scene.