It's like he feels a deep longing that creates a great dark canyon that he could fall into if he's not careful while admiring its beauty, but he admires it anyway and that's what's so inspiring.
Song of the Force lyrics the Song of the Force, we summon the rain, bearing the wisdom of the wind, desiring to greet you at the crossroads where one can view the sky Far away we swirl together as the chorus of this star, (1) treading a path as red as if the evening sun had dyed it so Together with the bonfire that burns with a noble light we bear the prudence of the night, desiring to greet you at the crossroads where one can view the moon Far away we swirl together as the chorus of this star On moonlit nights we become the apprentices of insects, calling out to each other at a distance, traveling through a secret stream With bows of pride we pierce the sky, bearing the profundity of the ocean, desiring to greet you at the crossroads where the clouds clear away On moonlit nights we become the apprentices of insects
It's like Hirasawa tells about something that would make a person's life beautiful if they could go to it. I'm inspired to find beauty when I listen to this song. The beauty is such that separation from it leaves longing in the heart; it cannot be replaced. A person who is hopeless ever to go to it might even refuse to forget, because the heart that remembers will at least have the memory of that beauty. So he suffers a broken heart.
Carrying a bonfire that burns in nobly, Carrying a consideration of the night. (1:44-1:58) Want to greet you at that crossroads where the moon is seen. (1:59-2:13) As this crowd of star that swirl in far. (2:14-2:28)
Calling a rain with The Song of Power, Carrying the wisdom of wind. (0:45-0:59) Want to greet you at that crossroads where the sky is seen. (1:00-1:14) As this crowd of star that swirl in far. (1:15-1:28) I go the way that the setting sun colors into vermilion.(1:29-1:43)
If we were to find similarities between them, it would be in the experimental way in which they approach instruments, and the fact that they generally have a hand in the engineering of those instruments (whether they are engineering them themselves or otherwise being part of the design). But you're right, their musical styles are very different.
In the moon night, I become a pupil of insects. (3:28-3:41) I go down the secret river that they calling each other from far. (3:42-3:56) Pointing in the sky with the bow of pride, Carrying the depth of sea. (3:57-4:11) Want to greet you at that crossroads where the cloud clears up. (4:12-4:26) In the moon night, I become a pupil of insects. (4:27-4-41)
That'd be so complicated, since Hirasawa is so unique on his work... but you can check his earlier work on P-MODEL, his former band in which he was the leader, though is not the same style as his solo music.
@ericcatsguy I've given up on claiming an opinion for which of his songs I find to be the most beautiful. Because for so long, every time I heard a song by him, I'd say what you said; as if every song he made was my favorite. If every song he makes is my favorite, either he out-does himself every single time... or he has simply reached perfection and all of his songs are perfect... and therefore a favorite.
@@penguin0101 Bandira Travelers, Echoes, Ghost Bridges, Goes on Ghosts, Sagyo, Siam Lights / Siren, Strange Night of the Omnificence. It seems most of my picks there are fairly zen. If you mean artists to recommend, I am unsure who else is similar in style to this fellow to be honest.
@@MarcoGutierrez-br9mh if you've known for 10 years, or for 1, as long as you eventually do, that is all that matters. I've k own about Satashi Kon's work since I first saw Perfect Blue when I was 13 back when UA-cam wasn't owned by Google, his films captured my imagination as a young teen, and I hope his work stays with you as long as it has stayed with me. Satoshi Kon will forever be missed.
@@keiichimorisato98 Their works (Hirasawa's & Kon's) will remain till the end! I'm glad they have a positive impact on you and I'm also glad we share the same love for their exceptional work.
It‘s amazing that as if i could even fell some ancient shaman tales about wolves and eagles when hearing this song as a Mongolian
宮沢賢治のような美しい世界観の歌詞が印象的な高品位な良曲
奇妙奇天烈な珍曲や怪しい宗教の様な曲だけでなく普通に良い曲や壮大な曲も作れるのが平沢師匠の凄いところだと思う
良曲や壮大な曲のエッセンスはそのまま後のLotusや庭師King、Mermaid Song等に脈々と続いて行くんだと思うと感慨深いね
最近、私が知らない平沢さんの歌を発掘していくのにハマってるんだけど、どれも素晴らしすぎる……出会えて本当に良かった。
え？今売ってないんですか？
CD劣化してしまって昔のアルバム聴けないんですけど
@@米玄-m8kソロ活動のCDならamazonやテスラカイトショップで購入できますよ
商業音楽じゃなくてシンプルに芸術やな
I just speechless, how can this man compose so many unique and powerful songs. Its brilliant.
The man's a hardworking genius! Timeless.
AURORA/力の唄
ーーーーーーーーーーーーーーーーーー❶
力の唄で雨を呼び
風の知恵をたずさえて
空が見えるあの十字路で
キミを迎えたくて
遠く渦をまく この星を群として
夕日朱くと染めるような道を行き
ーーーーーーーーーーーーーーーーーー❷
気高く燃えるかが火と
夜の思慮をたずさえて
月の見えるあの十字路で
キミを迎えたくて
遠く渦をまく この星の群として
ーーーーーーーーーーーーーーーーーーー
月の夜は虫たちの弟子となり
遠く呼び合う秘密裏の河を行き
ーーーーーーーーーーーーーーーーーー❸
誇りの弓で空を指し
海の深さたずさえて
雲が切れるあの十字路で
キミを迎えたくて
月の夜は虫たちの弟子になり
使われてる音声みたいな 効果音
ーーーーーーーーーーーーーーーーーーー
ウェーヘーテツェーテ ウェヘー
ーーーーーーーーーーーーーーーーーーー
ウェヘーｳｪｳｪ ｳｪｳｪｳｪ
Man I love this song so much. Havent heard it in a long time, gorgeous piece!
ずーっとサビが流れているような曲 最高ですね！
「月の夜は虫たちの弟子となり」･･･なんて美しい詩だろう
Susumu Hirasawa's music is so powerful and complex that you can discover something new every time you listen to it.
yeah, totally agree. it's beautiful. i'm kinda curious to hear what an expert musician has to say about it.
@@jacksesenna9720 id pay for an in-depth analysis. Or, we can just ask sensei himself lol.
@@fantaslurp i doubt he would do it tho ahaha. It's still fun thinking about it
факт
Because he feels so much that it's not convenient and many people couldn't stand it, so his music is like a safe distance for us.
雪の降る情景というより、そこに生えている枯れ木のうちなる力みたいな感じがする。自然の力を歌った曲。
アルバムの枯れ木？
庭師kingの原型っぽくてすき
It's like he feels a deep longing that creates a great dark canyon that he could fall into if he's not careful while admiring its beauty, but he admires it anyway and that's what's so inspiring.
Kind of like a girl crush you like, you admire and adore her beauty from afar. But do not want to approach her, because of the #meetoo times. Oof!
@@ColossalSwordFormAndTechnique awful analogy, sorry.
@@ColossalSwordFormAndTechnique that just means you don't know the difference between flirting and harrassment. But you'll get there, I believe it.
@@marxist-leninist-protagonistlmao that was great explanation and encouragement right there to the guy good on you
自分の中の原初の力を信じ､真っ直ぐキミに向かう。
けど芯から清い悲しみが潜んでいる気がして……朝から聞く歌ではないな…
@@pon_kotu おいぽんこつ、望まれてもいないのにシャしゃり出んなよ腐れ爺
We love u Susumu
Song of the Force lyrics the Song of the Force, we summon the rain,
bearing the wisdom of the wind,
desiring to greet you at
the crossroads where one can view the sky
Far away we swirl together as the chorus of this star, (1)
treading a path as red as if the evening sun had dyed it so
Together with the bonfire that burns with a noble light
we bear the prudence of the night,
desiring to greet you at
the crossroads where one can view the moon
Far away we swirl together as the chorus of this star
On moonlit nights
we become the apprentices of insects,
calling out to each other at a distance,
traveling through a secret stream
With bows of pride we pierce the sky,
bearing the profundity of the ocean,
desiring to greet you at
the crossroads where the clouds clear away
On moonlit nights we become the apprentices of insects
Don’t speak Japanese but got that feeling just from the beat
Hmmm... Almost describes Berserk in a way. Interesting... 🤔🤨
I love how lyrical the Japanese language can be in song and that it is not such a slave to rhyme.
I’ve noticed that but I haven’t been able to articulate it like you have, thank you.
Every language can do that.
Agree woke songs are like ritual shaman sacrifice cultist same beat different words I mean lame stream music
@@Fragenzeichenplatte Not really, depends on genre, in english most genres just can't avoid it otherwise it sounds odd
@@CainDB So English can do it, as I said, it just depends on the genre.
冬の温泉とか日本酒のCM感
Thank you for this playlist.
Rip kentaro miura. And guts may rest and chill now. No longer have to struggle.
Rip Miura sensei, but oh boy, Guts had no time to chill in chapter 368.
m(_ _)m Hirasawa Sensei, you never cease to amaze me
It is easily his best creation
!
It's like Hirasawa tells about something that would make a person's life beautiful if they could go to it. I'm inspired to find beauty when I listen to this song. The beauty is such that separation from it leaves longing in the heart; it cannot be replaced. A person who is hopeless ever to go to it might even refuse to forget, because the heart that remembers will at least have the memory of that beauty. So he suffers a broken heart.
Carrying a bonfire that burns in nobly, Carrying a consideration of the night. (1:44-1:58)
Want to greet you at that crossroads where the moon is seen. (1:59-2:13)
As this crowd of star that swirl in far. (2:14-2:28)
二胡みたいな音すき
I love this song, really grows on you the more you listen :D
thank you.
Incredible. Can only be compared to ros sereysothea
高音の音がイルカ🐬の声みたい。
The high tone sound's like a voice of dolphin🐬
One of my favourites too.
Calling a rain with The Song of Power, Carrying the wisdom of wind. (0:45-0:59)
Want to greet you at that crossroads where the sky is seen. (1:00-1:14)
As this crowd of star that swirl in far. (1:15-1:28)
I go the way that the setting sun colors into vermilion.(1:29-1:43)
Sublime, digne d'un génie de la chanson et du son.
Absolument
Un artiste tout juste incroyable 🙌🏻
すごい、庭師KINGに似た何かを感じる
If we were to find similarities between them, it would be in the experimental way in which they approach instruments, and the fact that they generally have a hand in the engineering of those instruments (whether they are engineering them themselves or otherwise being part of the design). But you're right, their musical styles are very different.
Imo fitting ost for Falconia (Berserk)
In the moon night, I become a pupil of insects. (3:28-3:41)
I go down the secret river that they calling each other from far. (3:42-3:56)
Pointing in the sky with the bow of pride, Carrying the depth of sea. (3:57-4:11)
Want to greet you at that crossroads where the cloud clears up. (4:12-4:26)
In the moon night, I become a pupil of insects. (4:27-4-41)
That'd be so complicated, since Hirasawa is so unique on his work... but you can check his earlier work on P-MODEL, his former band in which he was the leader, though is not the same style as his solo music.
このライブ版を見たい
リンクはどこですか。
私は知らない〜
それが私が求めている理由です 笑
そか。すみません、私は外人だから。
ua-cam.com/video/PveAJO6hIxA/v-deo.html
ua-cam.com/video/PveAJO6hIxA/v-deo.html
@ericcatsguy
I've given up on claiming an opinion for which of his songs I find to be the most beautiful. Because for so long, every time I heard a song by him, I'd say what you said; as if every song he made was my favorite.
If every song he makes is my favorite, either he out-does himself every single time... or he has simply reached perfection and all of his songs are perfect... and therefore a favorite.
Any others to reccommend?
@@penguin0101 Bandira Travelers, Echoes, Ghost Bridges, Goes on Ghosts, Sagyo, Siam Lights / Siren, Strange Night of the Omnificence.
It seems most of my picks there are fairly zen. If you mean artists to recommend, I am unsure who else is similar in style to this fellow to be honest.
野太い文言もある歌詞ながら何かしらもどかしさを感じていたのは。
どこまで行っても終止形の出て来ない純くんのセリフと(by『北の国から』)共通する歯がゆさがあるからだろうかw
title: Song of Power
Perhaps "The dreaming machine" and "Please push undo key" would be Hirasawa songs that most resemble Anderson's musical approach.
オーロラには敵わないけどめっちゃ良い曲
敵わないってなんや、どっちもええ曲やろがい
@@h_m6073 個人的には、を付けるのを忘れてました
@@timesnew2005 そうなんか、攻撃的になってすまんかった
Ayyeeeeee
Good song.
remember Art Truck Battle PS1
when i first heard Hirasawa, I thought this is a person whose depth of feeling is awful.
موسيقى هنديه وشوي عربيه مع صوت هيراساوا النعيييم
سمعي royal road paradise
Hma1D سمعتها غريبه وحلوه
諦念プシガンガを感じる
my poor english transration.
Enjoy hirasawa mysterious world. :D
برقص
Odd lyrics...
Susumu and Satoshi two of the greatest in their field, together making amazing films, whats not to love
You knew it for 10 years, I barely knew it this year
@@MarcoGutierrez-br9mh if you've known for 10 years, or for 1, as long as you eventually do, that is all that matters. I've k own about Satashi Kon's work since I first saw Perfect Blue when I was 13 back when UA-cam wasn't owned by Google, his films captured my imagination as a young teen, and I hope his work stays with you as long as it has stayed with me. Satoshi Kon will forever be missed.
@@keiichimorisato98 Their works (Hirasawa's & Kon's) will remain till the end! I'm glad they have a positive impact on you and I'm also glad we share the same love for their exceptional work.