Guitar Players make Horrible mixes! Here's why.
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- Опубліковано 16 тра 2024
- It's really easy to spot someting mixed by a guitar player! Mainly because it's the ONLY thing you hear in a mix! If you can't have Studio Monitors, Sennheiser's HD490 Pro + Dear Reality dearVR MIX-SE might just be the solution. Get them at these Affiliate Links:
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Proudlly Sponsored by Sennheiser
Many thanks to @sticksnstones3354 for the awesome cover of RIVER!
About Spectre Sound Studios:
I'm Glenn Fricker, engineer here at Spectre Sound Studios. I love making records, and after doing it for sixteen years, I want to pass on what I've learned. On my channel you can find tutorials on how to record guitar, bass, real drums and vocals. There's reviews and demos of tube amps, amp sims, drums, mics, preamps, outboard gear, Electric Guitar, Bass Guitar, and plugin effects.
We've covered Moon on the Water, played Bias FX, given you the absolute best in Stupid Musician Texts, ranted & raved about bass guitar, and this channel is where The Eagle has Landed.
Everything you've wanted to learn about recording Hard Rock & Heavy Metal can be found right here on this channel!
I also respond to your comments & questions: The best make it into the SMG Viewer's Comments series of videos. Loads of fun, lots of laughs.
Thanks for checking out my channel & please subscribe!
Mixing as a bass player always keeps my guitar tracks lower in the mix, my mixes still suck but at least nobody notices my shitty guitar playing. WIN 🎉
PRO tip: Program your drums! Double the WIN.
Have the drummer program the drum track... That's so much WIN, it's not funny 😅
Fun story, as a guitar player, I find myself keeping the bass almost as loud (if not a bit louder) than the guitars in the mix... it makes the chugging parts sound fantastic imo...
@@thatguywiththeguitar7203 I do that too, I let the bass fill up the sound for the guitars, which makes the guitars sound big when they really aren't
@@videogamecoverss Yeah! It's almost like the guitars are mostly for texturing and the bass is for the low end... least that's my approach
Glenn: “you are awesome on guitar”
Me: 😬
Same 😂
yeah brah not even my mum wants to listen to me play
The golden rule I was taught doing FOH mixing was that if you were also musician, usually the guitar player, you have a bias for that instrument, so mix it to your liking, and then dial those guitars down a notch below what you would have liked. And I was taught that by a soundguy who was also a bass player. An exception to Rule No. 2.
That was the way I learnt too!
Yep, makes sense!
Absolutely! I play guitar, bass, and drums, and that’s probably why bands are always happy. There’s a trust when you understand their fears and desires.
Number 4 is so true, that it’s bizarre how I got better mixes by simply sleeping and waking up on the next day with a fresh mind. Awesome video, as always, Glenn.
lol right, mixer you and guitarist you need to be 2 different yous
Come on, that wasn't bad. It had character.
Spot's production on Husker Du's records is an amazing achievement because every part is somehow inaudible at the same time
Misfits Earth AD is another great example of Spot’s uhhhh…. Unique…. style
Joke's on you, I'm not awesome on guitar.
Relatable 😂
There’s so much cherry information and listening to this channel and Kush have improved my recordings drastically.
Great to see some mixing videos! Keep it up Glenn!
Love this Channel!!! Keep it up,Glenn.👍
Great video as usual and a nice Hesu cab in the background. Cheers from Poland 🤘🍻🍃
Glen, yes I am a guitar player. I am old. 63. I finally can record at home inexpensively. Thank you for all your help. What helps mixing my guitar? Marshall Silver Jubilee plugin that came with my Focusrite. I can see why you preach re amping. I record with “my sound” and then adjust settings on play back to make it sit well in the mix. Hell, I can even change the amp plugin. IRs, whatever. Now I don’t use real drums. They are from software I have but the bass and any keys are me. What great fun this is and thanks again for your help.
Looking healthy Glen! Congrats!
Glenn, these are awesome tips! Thank you!!
I don't know why anyone would edit while isolating one instrument and not listening the whole thing , awesome video Glenn
Yeah, that is absolutely something that guitar player mixers like myself do. Luckily I learned about that one pretty early.
Well, it depends on what and why you are editing, to be able to make a proper choice on that... right? Yes!
There's times for everything. EQing a guitar without the mix going is pretty silly though.
you're amazing, thanks for giving your expertise and knowledge to the community
Great video, Glenn. It's cool to see you trying out the Dear VR stuff. I have been curious of what you would think of solutions like that now that they're becoming more common. I'm sure it's not a replacement for actual monitors in a mix room but they always struck me as a decent alternative for situations where regular monitors weren't an option. Keep it up.
Got the Drum eq and it's awsome thanks Glen!
Fantastic video.
Makes me rethink some of my own choices how to do things.
As a Bassist its really difficult to record while putting in effort not to drool all over my bass
A lot of sense spoken. Direct.
To the point!
I Appreciate You Glen So MUCH. Enjoy ALL your Takes on Guitar, Recording and LIFE !
Unholy HELL the advertisement interruptions in this video!
It'd be great to see a video of you doing a full mix using dearVR, then playing it through monitors and seeing how you'd change things
this is the best video ive ever seen you make champ. hell yea
Gleeeeeaaan!!! Cheers bro, it’s all about the tonewood, bruh!!
So *warm* much *sustain*
And new premium pickups
You’re all wrong, it’s in the plectrum
@@JerryTheVeganRockstar jazz III or gtfo lol
Yep this is why if you get a tone knob made out of wood your life will change with the added tone from the wood lol
Nice video bro i found it very useful
The best comedy is the truth - very funny glenn! (and informative)
Nice video Ima have to check those headphones out!
I don't do metal, as my area is more synth based, but one of the biggest hurdles I had was indeed with the EQ overuse. It's similar to when you first start out and make the mistake of pushing too much volume on a channel when you want to hear it ending up with a mess. Because the natural inclination is to add more until it resolves, when that's often the worst with audio.
It can't be over emphasised that turning off the EQ and running the mix, then adding it bit by bit on the fly is a great way of gradually getting it right.
One thing I normally do when using a drum machine (such as the Elektron Model:Samples) is bang in my rhythm track, get it feeling right, and when it comes to time to add it to the mix I start with just the bass drum, and add each part going up through the range, EQing on the fly to make them stand out individually. Of course you need to be careful not to have it so that it swamps everything else in your mix, but it's for me by far the quickest route to get up and running.
I've recently learned there are quite a few musicians from more extreme metal subgenres (specifically black metal) that also love and even produce synth music. Turns out, metal composition works really well with synths in the same way that classical compositions work with metal instrumentation. I recently subscribed to a someone by the name of BLAIDD here on UA-cam who makes synthwave covers of metal tracks. You should check him out. Might be right up your alley.
@@trajectoryunown You're right - there's often crossovers as that's one major I watch Glenn. It always pays to get as broad a base as you can.
And thanks for the recommendation but no thanks. I truly cannot stand metal or anything like that. I'm more for classic rock and British indie music as I'm an old git.
If you are a synth guy you can put clean amp sims on midi then put tape plugin like saturn on 1% -36dB Output on bus then raise the volume with EQ dB or comp make up.
@@MartonKovac-Tikmajer-xk1qh I don't need to as I use hardware. I don't particularly like using software. Not accessible enough for me, plus it ain't what I'm used to.
@@MartonKovac-Tikmajer-xk1qh Plus that's not really the sound I'm looking for at all.
Spot On! This is all so true, these headphones look great, I am using a sennheiser pair now which are great for tracking, but these look great for mixing, will definately check them out!
Hey good on you man, you've restored my faith that the over the top reaction to things is just part of the show.
Good to see you're still open to trying new things.
There are certainly cheaper options for open back headphones that still hold up (Philips SHP9600)
It really is incredible that just removing the cover on the back of headphones could make such a difference,
I can see why you probably dismissed it as just another "it's in the pickups bro" argument.
🤘😈👍
Oh nevermind, I see "it's in the proprietary software bro". 😆
Great tip about EQ'ing in the full mix and keeping it minimal. I am probably guilty of a lot of what you said in that segment. *Sigh* I'll have to move onto making different mistakes!
Hey Glenn, always a pleasure to see a new vid with great tips! I'm an average guitar player so I have no problem turning myself down, but I was wondering if you had any tips (or could do a video) about mixing cymbals. When I use Superior drummer writing my own stuff I have no problems because the software seems to do everything on it's own, but when I try to record live drums I end up with a shit ton of wash and no amount of de-essing seems to work and I either end up with a pool full of snakes or no cymbals at all. I typically use 2 overheads about 4' up and whatever bleed I get from the floor tom with regard to the ride. Also... how the fuck do I stop the hi-hat bleeding into the top snare???? (using an SM57) I know you mentioned you were doing some drum mic vids, specifically snare, so I thought I'd ask. Thanks! Love you brother!
Ironically the main complaint I had about my song "Torn Apart" was that it was too short at a mere 2 min 18, I might be okay on that point. I know on this one the drums are lower in the mix, however that was a deliberate choice. Great video as always
Love the Hitchhikers reference at the end lol 😂
I've heard some of your work Fricker... And it is anything but top notch 😂
I just went to your channel, come back when you can record a spoken vocal for UA-cam and then we’ll talk about mixing 😉
@@skymoon3471 wtf are you on about?
Hey Glenn. In my case you are absolutely right about guitar players making horrible mixes. I'm a guitar player but years ago I decided to quit the band life to build my own non-pro tiny home studio so I could record and master my own home-made music. I've finally managed to get the mixing gear that I wanted and needed to reach that goal including musical instruments such as a drum-set, synth and a bass guitar. In my quest to become a descent self-educated mixer, I've bumped into several issues. The most frustrating thing was that most tracks sounded awful on other devices and honestly...I couldn't get my head around this. So, Yeah....Turns out that I was dramatically over-EQ-ing every single instrument (especially guitars) in solo mode which fucked-up the frequencies of the total mix. Fortunately for me I stranded here on your channel a while ago and since then things started to get better. I'm not there yet at all but your believes, sharings and advises are a blast and golden. A big thank you and shout out to you, man! Love your (re)presentation and insights of great things that really matter in this business. Greetings, John from the Netherlands.
What helped me is to listen to a lot of music, a lot of different genres. And really paying attention to every little detail going on in the song.
Dear VR is incredible. Love that software. Gotta get me some open back headphones at one point, but the dear VR is great for now.
1. Waves has an abbey road headphone sim that sounds great. Worth a listen.
2. Your vocalist is key. Bad vocals, buried vocals, thin vocals, nonsensical lyrics, and you can have the heaviest riff in the world. No one cares.
3. When i mix vocals, i make their volume generally the same level as the snare hit.
4. AUTOMATE….. if your rhythms are the same volume throughout your guitar solos; you’re gonna have a fight on your hands. 1-2db is all you need.
5. Bass….bass….bass… you want your guitars to sound heavier? Burn your copy of …and justice for all, and get a great bass tone.
6. Songwriters!! Look into pond5. Consider writing stock music. Max 2 minute songs, that teach you to get to the point in 8 bars. It will do wonders for your songwriting, riff writing, and composition. I try to do a 0-day challenge: write as many 2 minutes tracks as i can, one a day, for 30 days. Post em all to pond5, sell them for 5 bucks each. Sales don’t matter. It’s the challenge of writing as many riffs, beats, and Melodie’s in as many genres you can, as fast as possible in 30 days. You’ll love the challenge. It will improve your mixes. It will teach you to cut the needlessness from your songs. And, usually, some of those riffs will be expanded into full length tracks!
7. Headphones. If you cannot use speakers; i can’t due to the constraints of my workspace- get GOOD, flat response headphones. My favorite closed back are the audio technica ATH40’s. My go to for open backs are the AT 770’s. I use both when mixing, because they offer different plus and minus’s.
Cheers to all, and see your mixes on the livestream mix show soon!!!
AD
@TwistedMetalMinion thanks! I have to give credit to Glenn, however. I chased bass sims for years. CLA bass, tone knob, parallax, you name it. His bass plug in simply works great, every time. Also, his mix reviews took my mixes in much better direction, with his advice, and the tips from his community… i always suggest sending in a track- it’s made a huge difference for the better!
God damn man... Your mixing/mastering advice & tips are deadset priceless...😱😃🤟🏻 If I only I had the patience to do all that "HARD WORK"...🤬💥🦵🏻
Lol🤣, I just want to play guitar but I got to learn all "this stuff", so I might sound as good as it does "to me" in my bedroom"🤣...
Love the Neve mixer flex 😂
I love that the Sennheiser headphones come with a multi environment listening capability. I wish my audio-technicia r70x reference headphones came with something like that. You make the best mix using all environments and it's going to work.
This channel is the pinnacle of metal mixing!
Write music that people want to hear more than once.
Easier said than done but it’s been my mantra since I heard those words.
Thanks mate!
EQing advice is excellent! I use Mixbus32C for my mixes and the built-in 32C channel strips make it so easy to EQ, compress, etc on the fly while the mix is going.
Guilt af.😅 thanks for the help. Tough love. Eq as a group with context as a band performing as a team.
I have a spare room at home and realized there's a closet full of clothes, about 3 matresses laying around, and a shitload of old books and Lego boxes. Not looking to avoid spending money on some sort of acoustic treatment but I think all those house ítems can be put to good use. Is there any chance of a video that expands on acoustic treatment?
Love the videos, greetings from the land of burritos and tequila! (Mexico (Yes, I can get away with the joke cuz I'm Mexican)).
That Ams Eq sounds really killer man. Wow Is that the 88r eq?
Curious what your thoughts are on these Sennheiser's vs. the Slate Audio VSX?
Awesome video Glenn!
I have a curious but weird question for you:
Would you be able to bring a studio tour 2024/how you get the best out of your gear? just for everyone starting and wanting to get the idea on typical things like
The way you organize your gear
How you like to start working (kind of like what you like to do before starting to work and during work, so on na so forth, I think you get where I'm going to with this)
I'd love to see more of your actual set up and habits man
If you have a video like it, please let me know cause I might have not seen it lol
I really admire your work and hope I'll get your response
Cheers and greetings from Mexico! 🇲🇽
Low response precision equipement, -0.2 limiter output or --4 like oldschool TV then you make the master out knob at 0 dance around the upper edge of the knob while hitting -2dB reduction master limiter then through PA.
I only started mixing the last few months, and the more I'm doing it the more I'm realising I make music I wouldn't listen to which is giving me serious pause for thought.
I was not expecting this to be the outcome but it's given an insight I'd have never gleaned otherwise. I highly recommend people do it just to let themselves truly become a listener of their work
GLEEEEEENN!!!
I keep running into the same problem of my guitars being too loud. In general I have a huge problem with gain staging. Do you have any advice?
Greeting from Germany
On format limiting run times. Do you have any thoughts on setting limits on yourself, to boost creativity? limits on track count or releasing a track a month etc.?
No 2 is so true. I’m relatively new to mixing, but EVERY TIME I start getting a mix close to being finished I end up needing to take off EQs that I did early on when mixing that track. Especially if I spend a couple days away from it. I’ll go back and see these wild EQ moves on the vocals or guitars that just puzzle me, bypass the EQ plugin, and suddenly it all sounds a little better and maybe only needed a 3db boost in the highs or 2db cut in the lower mids or just a db of volume. I just finished mixing an EP for a band I recorded and half the vocal tracks, and a lot of the guitars, ended up being basically flat in the final mix. Turns out all that work I did in the tracking stages paid off and I didn’t need to fix as much as I thought I did, and there’s no rule that says you need to EQ everything.
Glenn!! I have a video idea I'd like to share, if thats ok with you.
So, you talk about the snake oils of guitar (expensive pickup, tubes etc.) A lot
How about a video series where you go through these items of luxury and go through when they ARE applicable (if at all).
It'd also be to cool see this series span beyond the guitar (like mokn gel for drums or... i dno, dog treats for bass players)
Cheers man. You're one of the best. I've learned a lot from you (and I've finally been able to do a cool DBZ metal cover cause of your teachings)
You've worked with the VSX headphones, how does Dear + Sennheiser compare?
I loved my HD595's until the plastic holding them togather aged into powder.
Hey Glenn, leveling instruments can be hard even with a reference track my question is can a compressor on the master buss level things out?
I know this is a dumb question but Ef You Glenn
Glen ----- Your 2003 mix sounds way better than new "polished" mixes. I prefer raw, real instrument mixes. Reminded me of the album In/Casino/Out.
Dude, be really interested to see you do the comparison with the Mackie 8 bus analogue desk
I love my Mackie 8 bus.
Hei Glenn. Would the software in combination with another pair of headphones also lead to good mixes? For example a Beyerdynamic 770 or 990 (open)?
how are those Senneheisers compared to VSX?
Taking a break is actually a good advice. I was mixing a song for a band we had in covid times, I think I spent like 3 or 4 hours working on the song, cause after recording it, I jumped to mixing and mastering, and when I processed everything, according to me, it was an awesome mix, but when I showed it to the band members, they started pointing stuff like the compression was killing the mix, some parts were louder and then the compression hit it hard to lower the sound. I was irritated with the comments, to be honest, to the point that I was gonna send the stems to the other guys criticizing my work, but then I calmed down, slept my respective 8 hours, then checked the mix... guess what? I had to redo the whole mix, cause even in the EQ I messed it up. After that embarrassing moment, I learned to take breaks so I could do a better job mixing the songs.
So, for $400, is there benefit to these next to monitors (outside of portability)? I've been looking into some options and definitely dig the plugin.
I'm sort of relegated to having to use headphones, and thanks to your suggestion (much earlier video) I went out and grabbed a pair of Bayer Dynamics DT 990 Pro's and they are great.
I've been mixing on the Slate VSX headphones and it's been a game changer.
very true, but it even goes back to the arrangement and sound choices for me , I think the hardest thing for me as a guitarist learning to produce was I spent years playing guitar by my self so I would try to make it sounds as big and full as possible . So when I record a guitar part to drums when starting to produce, I had essential used up most of the frequency space in a mix with one instrument and trying to add more parts it just got more and more cluttered , looking at the tracks of great songs really opened my eyes to the fact that most instruments parts are sparse and underwhelming on their own but collective you get a full sound .
GLENN!!!!! I've been playing for 30 years. And asking a guitar player to make a good mix. Is like asking a bass player to change your strings, or not eat your own hair. Or asking the singer not to get to drunk before the show. Or asking the drummer to tone it down. Asking a guitar player to make a good mix, is like asking your wife to have a real conversation, where you don't have to apologize after. It's impossible. But thanks for playing.
Can just imagine Glenn producing Hendrix:
'Timmy!! how many times do I have to tell you? the guitar is NOT the focus!'
I've actually had the opposite problem. Being the guitar player, knowing all the guitar parts and being so "used to it" and excited about recording, my older mixes all suffer from having the guitars too LOW in volume. I was so excited to hear the drums, vocals and even bass that I let my guitar tracks take the back seat. Making my mixes sound thin, weak, "missing something". I was guilty of the same bias and it still resulted in a mix where the guitars weren't properly leveled.
If you use a DAW you can set a compressor on -24dB with 3 ratio, hit -3dB reduction while tuning input gain then deactivate the compressor and setup your amp chain.
Sticks N’ Stones! Played with them in Rochester, NY! Very cool music and cool guys
Always love a good Hitchhiker’s reference.
Has there always been the segment meter on the top? Nice touch if not!
Hi glen what is your top 5 metal albums mixes,
Like a number of other commenters, I, too have that 'I just can't walk away from this until it's solved' OCD BS. It can be torture, and training yourself to step back (generally overcoming the fear of the whole 'I've gotta restart this thing' can be a mixed bag at best. I try to time my work around doing some exercise that clears my head - lifting, cardio, jiu-jitsu, or hey, getting some practice in on another instrument (keyboard, kit, bass, etc). Not always successful, because I know something else will come up (generally called life) to interrupt what I'm working on. So sometimes the OCD is part of the fear of 'will I be able to get back to it with the intent in my mind before the pause?''. Sometimes the frustration fuels a creative moment, other times it crushes any semblance of it.
What I know Glenn is that I watch your show for inspiration, ideas, and plenty of sarcasm (you get my full praise for adding anything Curb in your shows!). That's what really helps it all,: being able to sling the snark and cope with as much humor as can be piled on to dissipate some of those dark clouds. This is what I appreciate about you.
Now to go back and work on my shitty pinch harmonics :). #isuckatmyjob
What do you think of PreSonus Eris gen 2 monitor speakers? Glenn
Satriani's "If" has a killer sounding mix.
Especially the drums. It's not hyper production or anything but the mix has a style to it.
A bass question: Do bass pickups play a bigger part in the sound more than guitars? Since there's less distortion overall and a little bit of change in dynamics or player's mistake affect the whole mix way more than guitars. Also, I kinda found more people (usually luthiers and engineers) doing A-B comparisons which seems to be a lot more audible than guitar pickups comparison (search keyword "EMG vs LHZ vs HazLabs clone", Aging Engineer channel).
Glenn, been tuned in to your channel for a little while now.
Being a guitarist, I love the way my cabinets can punch me right in the chest. How far can I use that being, with a bass, that's my low end.
If two things can't exist in the same space, where's the happy medium??
Big fan, and can I get a "YOU GUYS SUCK" take?
I rarely use headphones for mixing, other than when I need to dig down into something to hear details (especially trying to find, say, an unwanted click or pop) or testing out a finished master. I use Ollo S4X open back headphones. Not good for recording, of course, but great for mixing. But using physical monitors for mixing is the Way.
You ever think of comparing bridge types? We know pickups don’t matter but what about if there’s a strat style bridge, or a Jazzmaster style bridge, or a stop bar, or a tunomatic or a mastery on the jazz master style bridge? I’ve seen this video of this guy Aaron Rash comparing a Gotoh tune o matic to the stock bridge on a vintage fender mustang, and it sounds like the gotoh holds the bass notes out more but it may just be that guitar player mind of “Oh it looks different it must sound different”
thanks for the killer content
Hey Glenn. Thank you SO much for your insight on getting the right sound out of a guitar. As a 45 year old getting into playing I realized my only concern for the guitar should be its PLAYABILITY! I have pretty severe arthritis focusing on my hands. I don’t get many chances to get into learning how to play, but honestly how the guitar plays helps me with extending that time. I was shopping for a guitar to learn on at (insert major music store chain) and played about 6 different guitars ranging from mid 3 digits up to 4 in terms of dollars. Even though I noticed easier and harder playability styles while playing the ONE chord I learned, I DID notice each guitar SOUNDED identical when fed into the pedal and amp they had for display. Like, LITERALLY the same. Long story short, I wound up ordering a cheap Amazon guitar for less than $200 to learn on based on reviews on the guitars easy playability. Neck shape. Action. Physical feel. The guitar I bought feels VERY close to the $2800 one I tried in the store… and imagine that, it sounds VERY similar to that guitar through my amp sim and headphones. Weeeiiirrdd. I must be a newbie guitar player who shouldn’t bother playing because I can’t hear the tone in the wood and the “expressive mids and vibrant highs” from the pickups. 🙄 thanks to your insight I saved about $2k. I will however save a bit for a sweet Solar that you reviewed when I get better if for nothing than to support those that support you. Keep up the good fight, sincerely from SoCal! 🤘🔥🤘
The biggest difference I've noticed is switching from bridge to neck pickups on the same guitar. I mean just with the selector switch rather than installing new pickups. Even with high gain that sounds quite a bit different, but I didn't notice it as much when I started.
I actually really like the 2003 mixing
The heavy metal equivalent of Vogon Poetry :D LOL, I'm going to steal that and hope I can use it in a conversation somehow!
is it ad of sennheiser? or it really good? so i bought it 'cause of this ad:) and dearvr to hear stadium))
Yo, whatever that song is that you were mixing with the headphones, let us know when it's out and released, cause I'd love to hear the whole thing!
Liking the idea of those headphones, given I live in shared accomodation
Dearvr mix is also available without the Sennheiser cans, did you test it with other headphones?
Gotta love how Glenn talks to us guitarists and then talks to drummers like they are his newborns :)
great rhythm guitar mixes tend to have them sound huge in stereo but as soon as you hit the mono button, you hear that they're taking the backseat, although not by a long shot, (unless you're doing triple tracking or quad tracking with the quad tracks being panned inwards slightly) for the vocals or any lead lines took the charge.
also, if you're primarily mixing on headphones and don't have a pair of studio monitors, try listening to your parents' stereo if they're fine with listening to your (or someone else's) cookie monster impression.
My biggest issue is that as vocalist and guitar player, I overcompensate on trying to NOT over emphasize them in the mix that I end up making the drums, bass, and ambience/keys way too loud, instead. This after years of making the guitar and vocals way too prominent, as Glenn said. I also had a habit of mixing on $20 sony headphones or cheap logitech speakers. Now I use a pair of flat response open back headphones or proper studio monitors.
Doing a tutorial on how to get drums to sound like that in general would be great on snare Tom’s and kick along with cymbals and rooms!
Stay tuned, and make sure you’re SUBSCRIBED!
I still go buy a format for the most part when songwriting with intro verse chorus maybe there's a pre-chorus back to intro verse chorus bridge chirus ending. However I will switch it up and do different things like play two major hooks and make that the whole song. Of course I will keep that song that has only two major hooks kind of minimal in length. I have my guitar tuned to e standard but then drop the e down to a d so getting a song to be heavy and still tuned up that high is pretty fun I actually like it better. There's solos and some songs and some songs there's not it just depends on what I feel like the song is asking for or needs
About that Sennheiser headphone software: isnt that literally just an impulse response of different environments put in a convolution reverb?
Correct! Which means if your headphones aren't completely FRFR, are you really getting anything out of doing that? Nope.
@@anotheryoutube4635 I guess follow up question is if the "studio quality headphones" are actually FRFR? I can't find the frequency response graphs of some of my "studio" headphones.
If I have Beyerdynamic DT770 Pro monitoring phones and this software, am I good?
Feels like it time for a shift in genre focus.
If you're looking for the "next big thing" I can only think of a couple examples of Folk/Metal songs. The Islander by Nightwish, and Northwest Passage by UTA.
Seems like a genre with a lot of potential mass appeal that isn't mainstream yet.
Playing in bands for decades, and having to set up and run the live band sound for all that time, helped me in recording live bands. The thing I learned most, is, "All things in moderation!" Don't over-do things. Start the sound small and grow it. Don't start the sound big and try backing it down. Less is more. Trend towards turning EQ frequencies down, not up. Make sure you here the vocals first, and add everything else from there. And, of course, make sure the musicians can hear themselves and have a good monitor mix. Doing this alone will win you many musician friends!
Glad Glen didn't hate on us Keyboard player mixes. (My mixes suck)