@@justintyler4814 And maybe we will repeat that happy note, because every note should have a friend... then let's do rhythm mute technique just to beat the devil out of it, this is the fun part of this all technic ;)
The fact that me being just a beginner in guitar able to understand this concept, only proves how nicely each concept is explained by Paul. Wonderful. Makes me want to learn more and more. Thanks for making each concept so easy to grasp & understand.
In certain live songs there was a constant back and forth, call and response, from the guitar to Plant, or the reverse, sometimes reaching levels that seemed to be totally spontaneous and rewriting the book on the dynamics between a vocalist and guitar. They felt 100% confident doing that, which tells you how tight they were. I think Angus Young and Brian Johnson, or Bon, they do that some too, but not to the level of Page and Plant.
Love this Paul. I have been teaching this a lot recently in private lessons. Encouraging people to experiment with vocal phrases and replicating them as a guitar melody. Crazy that you dropped this video at the same time. 👌🏻
I'm a few years in and all I can say is this channel is gold for all guitarists! Concise, to the point, and the lesson/point is easily understood. You have a new fan/student.
Thanks, Paul, for this GREAT video! This hits on one of music's fundamental truths -- that most good music is based on human speech. We usually play and hear music in phrases, and the reason that works is that it mirrors human breathing. Speech is driven by the breath. It's a necessity for singers and most players of wind instruments -- trumpets, flutes, saxophones, bassoons, oboes, and kazoos -- to divide musical sequences of notes into discrete phrases because the player must pause briefly to inhale between the exhalations that drive phrases. Even if you're playing a guitar piano, organ, or bagpipes, where breathing can be done independently of note-playing, it still makes sense to the brains of most listeners to hear music as a succession of phrases rather than as an unbroken stream of notes. The call-and-response pattern makes music more conversational, and that makes it more intimate and comfortable for most listeners. We're listening to a musical dialogue rather than a speech. The call-and-response pattern surely began with singing. It's quite common in some quite old religious hymn-singing traditions, but it also works in instrumental music and not only that made with wind instruments. How are you doing? Fine, thank you!
@@blackenedktulu over different chords in different harmonies which are opposite in the circle of fifths while also playing on different tempers, for spice
One of my favorite examples is late legends Gary Moore and BB King jamming on "Thrill is Gone". Sure, countless legends have jammed to it but that one was...just chef's kiss. You could hear each of their styles distinctly and it sounded like a conversation.
i had only been playing guitar a few months when i saw that clip of BB and Clapton playing that song together and it influenced my idea of what a great experience it can be for humans to play guitar together face to face
Time Stamps Explanation - 0:00 Example - 1:22 Starting A Simple “Conversation” - 1:53 End On Root Note To Answer The “Question” - 2:43 Examples - 3:27 Use Repetition - 4:51 Use Same Licks But In Different Octaves (Octave Displacement) - 7:18 Make Your “Words” And “Story” Make Sense And Connect By Using The Same Rhythmic Patterns - 7:57 Example - 8:37 Demonstrations - 9:20 Ending Your “Story” - 9:48 Tabs And Backing Track On His Patreon - 11:45 Final Demonstration - 12:15
This is all the kind of stuff I've unconsciously picked up on from practice and listening to music. This is great, this is definitely how you make your music have that blues feel. One you get the basics of learning some modes/scales, you have to think about your instrument like a voice.
I’ve had a few guitars over the years, cowboy chords n tabs ,but I couldn’t play the way you do, just cowboy chords n tabs,20 years I tried n tried, but than i listened to you, well not just you, but I really listened to you, scales and chords, stacking thirds and adding some words, poof, poof, sputter sputter, it started making sense,I revisited this video and others and it is amazing , I got some rhythm and I got some blues, i can almost do this music thing on my own,I do some practice, many thanks paul I definitely owe some to you, seriously, when I first watched this video, my fretboard was a strange wasteland I was scared off, I watched so many of your posts and others just wishing, but from scratch, chord structure, rhythm techniques,song structure and theory, I just need to apply myself, the more theory I learn the more it all makes sense, practice practice and theory and more practice….who knew? This video…call and answer , staying in a box…than same key, up an octave, down an octave, same notes , different orders, chords from the key…what , wait…I’m going to practice some more…thanks for the inspiration…you rock!
Another interesting use of Call & Response (more ouside of a solo) can be heard in the chorus of Rats by Ghost (first time at 1:36) where the bass plays the call while the guitars strum a chord and the vocals go "RATS!" and the response is played by the bass again, but echoed by the "AO-WAOH" in the vocals.
Revisiting "the search of everything" from JM I also found an amazing example of this. The licks from "moving on and getting over" are just perfect to anyone trying to find examples of call and response
Beethoven was a master of building expectations, repetition and C&R. The art is in getting the timing right, like a great comedian: deliver the musical punchline just before the audience gets there. I must listen to Beethoven 7 3rd movement after watching this. 7:55 - He really *is* Dutch. I had wondered: Non-Dutch name; almost impeccable English (British English accent tarnished by Americanisms); Dutch looks.
A really clear and entertaining lesson. I am not a muso, I am just here to see how music is constructed - this is perfect level of info for the ignorant but curious.
- If you learn anything… Hey man, I grew up in a musician environment, I’ve been playing guitar for 40 years, and there’s not a single video of yours I don’t learn something new! Very thank you for your work!
@@xderiwx A little late but Paul has said in his videos that his Les Paul, this one being played, is a 1959 Reissue Custom Shop. I think 2009? But anyway, I hope that helps
Thankyou Paul, for articulating something that we all have heard but maybe haven't thought consciously about.Of course, especially in blues this call and response was maybe a direct result of guys working on the railroad or elsewhere, and a pecking order in work gangs would mean someone calling something like "PULL!" ,and the other workers acknowledging the command so as to co-ordinate the flow of nailing down sleepers , or digging with shovels or cutting in the fields. This kind of system enabled drill Sargent accuracy and continuity which was essential for the team to work as a unit, and efficiently complete the work.Also this type of rhythm led to an emphasised pocket or backbeat which typically helped keep things even.How wonderful that this has passed down into the music we all love("its got a backbeat, you can't lose it) Chuck Berry..
One of the more clear explanation I have seen of a principle that is difficult to ilustrarte in a simple way. Fantastic class, very lucid. I love the way you exemplifies things. Great
paul im so glad i stumbled upon your channel some months ago, i started to play guitar about one year ago and you have helped me soooo much, thanks for everything man🖤
I can't tell you how much it means to me to have something that I can watch that I can shut out the entire world for a few minutes thank you sir and you're an amazing player!
Check out John Mayer's Come Back to Bed, As Is version. He played an outro solo that was a good example of call and response where he was mixing major and minor in between "responses". Probably the best version of Come Back to Bed
I'm so glad I found you Paul, better late than never! I continue to learn so much more from you, even after all these years. You never stop learning right🙏 Ty my brother
call and response, similar to create tension and resolve tension, but this just drives the idea right home. One are the best lessons I think you've done since I've been watching you. I think it'll be really helpful in my phrasing. I might just learn soloing after all. Lol
You, sir, are an amazing guitar instructor. Your exercise in explaining call and response in terms of an actual conversation was very insightful. Call and response is so powerful because it mimics the actual sound of human speech
Paul, as my friend and fellow Scotsman Ross Campbell said about you to Tim Pierce, you are not only an incredible guitarist & teacher but you are a master at innovative video creation/direction/presentation. And that 'mirror' effect was uber cool, sir! Loved the lesson too, of course! 😁👌
Very nice lesson (as usual) & Gibson sounded beautiful. I was teaching my kids at school some simple improvising last week & asked them to create a musical conversation after using some words first. They looked at me as if I was mad....I'll show them your video next week!! Thanx
Flea and John once said that californication song main riff is question and answer.. John asks and Flea answers with bass. So I guess this is good guitar vs bass example
Very direct and to the point of phrasing and call & response. It makes perfect sense and sound superb as well as being a complete Q&A riff with a reasonable amount of time in - between. Great explanation Paul, you are awesome !
Damn, every video i recently watched from your channel has been eye opening, thanks for the fresh and different vision of stuff i've been stuck on for years
Paul, this is a great video. I don't play any lead guitar (mostly rhythm and singing) but this is like the Rosetta Stone to understanding blues soloing! I'm now listening to lead examples and it is starting to make sense. Excellent!
LOVE IT Paul, I do wish UA-cam was around in 1982 when I started, so that I would have access to guitarists such as yourself that teach, and that content like yours was repeatable at one’s own fingertips like this... As a non-natural musician, it took me decades of weekly lessons and tabs to become proficient... I hope your sharing your wisdom and techniques inspires guitarists around the world to progress the craft further... ✌️
One of your best videos yet! It's really amazing how visualizing something completely different can birth to something so much more beautiful and creative. Love it!
Dude, I’ve been watching you for years. Your videos are always fantastic. You are one of the best, and smartest, creators on UA-cam. Never stop, you’re an amazing inspiration.
I'm at work and got the notification for this video. Cant wait to get home and watch it, because you know every video paul puts out makes your playing that little bit better. Thanks in advance paul :)
Great lesson Paul. Really brings language and music together. I've often heard you should phrase like you talk and this is the first video I've ever scene that teaches that. Well done!
Off topic, but I love your jacket, and would seriously think about getting the same one I love this video though, so clear, and I think the way you explain things using social and storytelling concepts makes them connect really well
Great lesson, Paul. Very well done. Someone in the comments noted the Deiverance Theme as an example of call and response. Indeed, it may be the ultimate example. And perhaps the easiest to understand, not only for musicians but non-musicians also. It’s right there for all to hear.
honestly ive always been a little confused when people said an instrument tells a story and just thought it was a vague metaphor, but putting it this way makes a whole lot of sense to me.
This is so helpful and super inspiring! I have this solo on a song with my band that don't really feel right. This will absolutely help me fix it! Thanks!
Hey Paul! Being following your videos for quite some time now. Everybody talks about how to play the perfect solo or how to come up with the best riff but no one talks about how to make the perfect intro for a song. Hoping that you’d one day make a video on how to make the perfect intro or on some of the best intros you’ve heard in songs.
One of my favorite call and responses is at the end of Pink Floyd's Echoes between David Gilmour and Richard Wright
Yes! Or the "Remember That Night" version of Then I Close My Eyes. Best musical chemistry I've ever seen/heard.
Was going to comment this
It's amazing
Yeah he learned that from Syd Barrett
Since I've been loving you by Led Zeppelin when played live, the part when it says " Of course I love you baby"
Paul Davids, the Bob Ross of guitar playing. Only BETTER!!!!
Put just a happy little major chord over here oh yes that sounds quite nice. And if not that's ok because we're painting.
And Pete Davidson
@@justintyler4814 And maybe we will repeat that happy note, because every note should have a friend... then let's do rhythm mute technique just to beat the devil out of it, this is the fun part of this all technic ;)
Yes
This is the best comparison, I'm mad I didn't think of it! 😂😎
Nice one.
The fact that me being just a beginner in guitar able to understand this concept, only proves how nicely each concept is explained by Paul. Wonderful. Makes me want to learn more and more. Thanks for making each concept so easy to grasp & understand.
Sid, you said it perfectly.
The ending of the stairway to heaven solo when plant goes "ahah ahah"
And page plays the last of licks, that is a really good example of this too
Plant went “ahah ahah” in three quarters of Led Zeppelin’s discography, they’ve got a lot of these moments lmao
@@eep9391 yeah absolutely love their dynamic
yea but we know which one he meant
ua-cam.com/video/NrUHvPgxlcw/v-deo.html
Whole lotta love is a great example too.
Not to mention the live version of dazed and confused
In certain live songs there was a constant back and forth, call and response, from the guitar to Plant, or the reverse, sometimes reaching levels that seemed to be totally spontaneous and rewriting the book on the dynamics between a vocalist and guitar. They felt 100% confident doing that, which tells you how tight they were. I think Angus Young and Brian Johnson, or Bon, they do that some too, but not to the level of Page and Plant.
Explaining call and response by using text convos is probably the biggest breakthrough in music education of 2020. Please don't stop making videos👌👌👌
The ending of the solo on "Hotel California" by The Eagles has one of the best call and response guitar pharases ever.
You have really outdone yourself with this one Paul, this is by far the best music lesson I’ve ever seen in my life.
If my would leave me I would use the major uplifting scale!! There is more joy in it!!! 😀
A song that comes to mind is Since I've Been Loving You. Perfect call/response
Love this Paul. I have been teaching this a lot recently in private lessons. Encouraging people to experiment with vocal phrases and replicating them as a guitar melody. Crazy that you dropped this video at the same time. 👌🏻
And the common thread between all of the music in this video: the blues. That’s why learning the blues is so important.
One Bourbon, One Scotch and One Beer is a song which is basically all call and response, it's worth a listen
Would love to learn this one. Great song
That‘s a great song.Low she was lovy-dovy, ... and out the door I went.
Sounds like the beginning of a joke: a bourbon, a scotch and a beer walk into a bar. (I'll leave the second line up to someone else.)
5:04 So CLOOOSE to Adam Neely's "Repetition Legitimizes"
Adam was just talking about how he stole this line from his teacher
I'm a few years in and all I can say is this channel is gold for all guitarists! Concise, to the point, and the lesson/point is easily understood. You have a new fan/student.
Thanks, Paul, for this GREAT video!
This hits on one of music's fundamental truths -- that most good music is based on human speech. We usually play and hear music in phrases, and the reason that works is that it mirrors human breathing. Speech is driven by the breath. It's a necessity for singers and most players of wind instruments -- trumpets, flutes, saxophones, bassoons, oboes, and kazoos -- to divide musical sequences of notes into discrete phrases because the player must pause briefly to inhale between the exhalations that drive phrases. Even if you're playing a guitar piano, organ, or bagpipes, where breathing can be done independently of note-playing, it still makes sense to the brains of most listeners to hear music as a succession of phrases rather than as an unbroken stream of notes.
The call-and-response pattern makes music more conversational, and that makes it more intimate and comfortable for most listeners. We're listening to a musical dialogue rather than a speech. The call-and-response pattern surely began with singing. It's quite common in some quite old religious hymn-singing traditions, but it also works in instrumental music and not only that made with wind instruments. How are you doing? Fine, thank you!
Bass players: “repetition legitimizes.”
Guitar players:”repetition always works.”
Now write a song where a guitar is playing 7/8 over a bass in 9/8.
@@blackenedktulu over different chords in different harmonies which are opposite in the circle of fifths while also playing on different tempers, for spice
@@javierschiefelbein4084 and find a way to put the lick in there somewhere
also 0 3 5
@@blackenedktulu not a bad idea. i mean, they would line up again after 63 bars but it could work maybe.
One of my favorite examples is late legends Gary Moore and BB King jamming on "Thrill is Gone". Sure, countless legends have jammed to it but that one was...just chef's kiss. You could hear each of their styles distinctly and it sounded like a conversation.
i had only been playing guitar a few months when i saw that clip of BB and Clapton playing that song together and it influenced my idea of what a great experience it can be for humans to play guitar together face to face
Best "Call & Response" Song: SULTANS OF SWING
You get a shiver in the dark its, a raining in the park but meantime
@@reaganebenezer5110 *proceeds to epic bend*
@@juanmacaceres2702 Classic 🎼
White room by cream ?
Carry on my Wayward Son also has some great call and response licks.
As a full time guitar teacher, I gotta say your videos are pretty spot on. Great for advanced players who want to step up their game.
Dont know man... That flamed maple top has hypnotized me. Cant stop admiring it
I knew i loved blues and now I understand why. This just set me loose on how to listen to music with even more understanding.
Time Stamps
Explanation - 0:00
Example - 1:22
Starting A Simple “Conversation” - 1:53
End On Root Note To Answer The “Question” - 2:43
Examples - 3:27
Use Repetition - 4:51
Use Same Licks But In Different Octaves (Octave Displacement) - 7:18
Make Your “Words” And “Story” Make Sense And Connect By Using The Same Rhythmic Patterns - 7:57
Example - 8:37
Demonstrations - 9:20
Ending Your “Story” - 9:48
Tabs And Backing Track On His Patreon - 11:45
Final Demonstration - 12:15
This is all the kind of stuff I've unconsciously picked up on from practice and listening to music. This is great, this is definitely how you make your music have that blues feel. One you get the basics of learning some modes/scales, you have to think about your instrument like a voice.
Pink Floyd - Cluster One is a perfect example of a conversation; almost a soul-searching interview.All done without words.
I’ve had a few guitars over the years, cowboy chords n tabs ,but I couldn’t play the way you do, just cowboy chords n tabs,20 years I tried n tried, but than i listened to you, well not just you, but I really listened to you, scales and chords, stacking thirds and adding some words, poof, poof, sputter sputter, it started making sense,I revisited this video and others and it is amazing , I got some rhythm and I got some blues, i can almost do this music thing on my own,I do some practice, many thanks paul I definitely owe some to you, seriously, when I first watched this video, my fretboard was a strange wasteland I was scared off, I watched so many of your posts and others just wishing, but from scratch, chord structure, rhythm techniques,song structure and theory, I just need to apply myself, the more theory I learn the more it all makes sense, practice practice and theory and more practice….who knew? This video…call and answer , staying in a box…than same key, up an octave, down an octave, same notes , different orders, chords from the key…what , wait…I’m going to practice some more…thanks for the inspiration…you rock!
is anyone else just in LOVE with that tone??
Another interesting use of Call & Response (more ouside of a solo) can be heard in the chorus of Rats by Ghost (first time at 1:36) where the bass plays the call while the guitars strum a chord and the vocals go "RATS!" and the response is played by the bass again, but echoed by the "AO-WAOH" in the vocals.
Revisiting "the search of everything" from JM I also found an amazing example of this. The licks from "moving on and getting over" are just perfect to anyone trying to find examples of call and response
Your guitar playing is cool, but you should really make a video about your editing skills. Man, they are fire 🔥.
Can't reveal all the secrets...
Beethoven was a master of building expectations, repetition and C&R. The art is in getting the timing right, like a great comedian: deliver the musical punchline just before the audience gets there. I must listen to Beethoven 7 3rd movement after watching this.
7:55 - He really *is* Dutch. I had wondered: Non-Dutch name; almost impeccable English (British English accent tarnished by Americanisms); Dutch looks.
5:00 avoiding copyright claims I see. Very Smart.
Wow man the best instruction on call and response sooo thankful
5:00 I was expecting him to say "Repetition Legitimizes". What a way to play with expectations.
Never really thought about soloing in this way. So wonderful and a rather extremely pivotal way to amplify guitar playing! So awesome!
Maybe this is one of the best lessons the i ever had.
A really clear and entertaining lesson. I am not a muso, I am just here to see how music is constructed - this is perfect level of info for the ignorant but curious.
- If you learn anything…
Hey man, I grew up in a musician environment, I’ve been playing guitar for 40 years, and there’s not a single video of yours I don’t learn something new!
Very thank you for your work!
Wow! I never thought about guitar solo like that... It´s working great.
that les paul is the most beautiful thing i;ve ever seen in my life
ishwor Poudel yeah .. it’s gorgeous
I'm literally hypnotized by it 😀
Anyone know exactly what it is?
@@xderiwx A little late but Paul has said in his videos that his Les Paul, this one being played, is a 1959 Reissue Custom Shop. I think 2009? But anyway, I hope that helps
Thankyou Paul, for articulating something that we all have heard but maybe haven't thought consciously about.Of course, especially in blues this call and response was maybe a direct result of guys working on the railroad or elsewhere, and a pecking order in work gangs would mean someone calling something like "PULL!" ,and the other workers acknowledging the command so as to co-ordinate the flow of nailing down sleepers , or digging with shovels or cutting in the fields. This kind of system enabled drill Sargent accuracy and continuity which was essential for the team to work as a unit, and efficiently complete the work.Also this type of rhythm led to an emphasised pocket or backbeat which typically helped keep things even.How wonderful that this has passed down into the music we all love("its got a backbeat, you can't lose it) Chuck Berry..
One of the more clear explanation I have seen of a principle that is difficult to ilustrarte in a simple way. Fantastic class, very lucid. I love the way you exemplifies things. Great
- Hey what's up?
- ... playing *panic blues scale*
- Nothing really...
- ... playing *panic blues scale ending on the I instead the IV*
😂
paul im so glad i stumbled upon your channel some months ago, i started to play guitar about one year ago and you have helped me soooo much, thanks for everything man🖤
Great way of explaining the most important thing in blues expression. Thanks so much.
A milestone of rock guitar history! Thanks for this video Paul!
Man, aside of your guitar prowess, has anyone said how amazing your video editing skills are? It’s amazing.
I feel like I’m receiving a college course from the coolest professor that I didn’t have to pay for, and I’m absolutely here for it
I can't tell you how much it means to me to have something that I can watch that I can shut out the entire world for a few minutes thank you sir and you're an amazing player!
Check out John Mayer's Come Back to Bed, As Is version. He played an outro solo that was a good example of call and response where he was mixing major and minor in between "responses". Probably the best version of Come Back to Bed
I'm so glad I found you Paul, better late than never!
I continue to learn so much more from you, even after all these years.
You never stop learning right🙏
Ty my brother
call and response, similar to create tension and resolve tension, but this just drives the idea right home. One are the best lessons I think you've done since I've been watching you. I think it'll be really helpful in my phrasing.
I might just learn soloing after all. Lol
One of the most important videos about guitar soloing in my opinion! Thank you!
Wow! Color balance and the lights on this video are flawless! Got me since I saw the picture on Instagram this morning.. kudos!
been playing for 50 yrs.. GREAT TAKE on the subject!
This video was light a light being turned on in my brain it really made me improve on my phrasing and improvising
You, sir, are an amazing guitar instructor. Your exercise in explaining call and response in terms of an actual conversation was very insightful. Call and response is so powerful because it mimics the actual sound of human speech
John Williams uses this technique a lot in his writing. Always loved that "Call and Response" style; now I know what it's called..! Thanks!
As a beginner exploring music, this is the video i needed the most.
The editing in Paul’s videos just keeps getting better and better. I love it!
Paul, as my friend and fellow Scotsman Ross Campbell said about you to Tim Pierce, you are not only an incredible guitarist & teacher but you are a master at innovative video creation/direction/presentation.
And that 'mirror' effect was uber cool, sir! Loved the lesson too, of course! 😁👌
Very nice lesson (as usual) & Gibson sounded beautiful. I was teaching my kids at school some simple improvising last week & asked them to create a musical conversation after using some words first. They looked at me as if I was mad....I'll show them your video next week!! Thanx
Flea and John once said that californication song main riff is question and answer.. John asks and Flea answers with bass. So I guess this is good guitar vs bass example
Very direct and to the point of phrasing and call & response. It makes perfect sense and sound superb as well as being a complete Q&A riff with a reasonable amount of time in - between. Great explanation Paul, you are awesome !
Damn, every video i recently watched from your channel has been eye opening, thanks for the fresh and different vision of stuff i've been stuck on for years
Man I feel the same way :)
Paul, this is a great video. I don't play any lead guitar (mostly rhythm and singing) but this is like the Rosetta Stone to understanding blues soloing! I'm now listening to lead examples and it is starting to make sense. Excellent!
From this point of view I haven't considered it yet but you are right. Right on the point. Thanks Paul
LOVE IT Paul, I do wish UA-cam was around in 1982 when I started, so that I would have access to guitarists such as yourself that teach, and that content like yours was repeatable at one’s own fingertips like this... As a non-natural musician, it took me decades of weekly lessons and tabs to become proficient...
I hope your sharing your wisdom and techniques inspires guitarists around the world to progress the craft further...
✌️
How could ANYONE give this video a thumbs down? How? This is a guitar (music) lesson at it’s finest!
One of your best videos yet! It's really amazing how visualizing something completely different can birth to something so much more beautiful and creative. Love it!
To be honest, i love ur videos not only because of the quality, but they are so relaxing for some reason
Dude, I’ve been watching you for years. Your videos are always fantastic. You are one of the best, and smartest, creators on UA-cam. Never stop, you’re an amazing inspiration.
This concept seems to illuminate the essence of music. Thank You for Sharing.
The quality of these videos is absolutely amazing
Thanks Paul, your videos have just the right mix of theory and practical application, for me at least...
12:14 is a perfect example for how legendary music doesn't just end... they fade out
Paul Gilbert does it amazingly on his new tracks
More I listen to this it's pure bloody genius mate!!! Ur a absolute legend
I'm at work and got the notification for this video. Cant wait to get home and watch it, because you know every video paul puts out makes your playing that little bit better. Thanks in advance paul :)
Messin' around with this concept in Harmonic Minor. Good lesson. Great substance.
Great lesson Paul. Really brings language and music together. I've often heard you should phrase like you talk and this is the first video I've ever scene that teaches that. Well done!
The quality of your videos lately have been off the charts! So cool man keep it up
Dont know what but whenever Paul uploads a new video, I am sure responding to his call hell yeah
Off topic, but I love your jacket, and would seriously think about getting the same one
I love this video though, so clear, and I think the way you explain things using social and storytelling concepts makes them connect really well
Great lesson, Paul. Very well done. Someone in the comments noted the Deiverance Theme as an example of call
and response. Indeed, it may be the ultimate example. And perhaps the easiest to understand, not only for musicians
but non-musicians also. It’s right there for all to hear.
Call and responses of page’s solo on whole lotta love
Man, you're an amazing teacher ❤❤🙏
This might me one of those guitar lessons which you remember for life. Many many thanks! Your videos have a lot of work put in.
Great lessons and guitar content, but what sets this stuff apart from most other guitar channels is the production on the videos. Really fun stuff.
The best is Mayer come back to bed love at the CW and he has a whole conversation with just guitar and it's beautiful
Best way to learn, discover and improve our guitar skills! Now I can create the original music more efficiently! Thank you paul!❤
'Because repetition..."
Legitimizes?
"...always works."
Oh.
honestly ive always been a little confused when people said an instrument tells a story and just thought it was a vague metaphor, but putting it this way makes a whole lot of sense to me.
paul makes me realize how much faster i could have progressed if i had a really good teacher in the beginning
Great way to look at improvising. Thanks Paul
This is so helpful and super inspiring! I have this solo on a song with my band that don't really feel right. This will absolutely help me fix it! Thanks!
Paul always amazes me with his unique music teaching!
Hey Paul! Being following your videos for quite some time now. Everybody talks about how to play the perfect solo or how to come up with the best riff but no one talks about how to make the perfect intro for a song.
Hoping that you’d one day make a video on how to make the perfect intro or on some of the best intros you’ve heard in songs.
Brilliantly explained Paul, maybe in the future you could talk about your thought process playing over a chord progression such as a 12 Bar Blues.
John Mayer and Keith Urban covering "Don't Let Me Down" by The Beatles is one of the most underrated examples of call and response.
Well done! A technique that I can’t believe I have just now realized! Can’t wait to put it to use! Thank you helping me to the next level!
Very informative. Nice lighting and colour!