One of my favorite musical theatre ballads of all time. Pure magic! Fantastic performance! She even sings "ist verschwunden" and not "ost vaschwondon" like many others.
The combination of Damrau's Königin der Nacht and Kühmeier's Pamina will never be surpassed. Rene Pape's Sarastro is the cherry on top. Everyone else in this cast is excellent, but those names are among the all-time greats for these roles.
Einfach wunderbar. Es ist wohl die allerschwierigste Arie, wohl auch wegen der deutschen Sprache. Die italienische Version zeigt eine wesentlich leichtere und doch gleicherweise beeindruckende Darstellung. Elisabeth Schwarzkopf hat einmal ein Training mit sehr vielen Korrekturen vorgeführt.
Beautiful! I could not get enough listening to this wonderful aria in various interpretations. My favorite is Lucia Popp , posted by leoperarm. Also for fun check the two impossible G♯ above high C in Popoli di Tessaglia!, K.316, for soprano, sang by Edda Moser. The notes are at 6.36 and 6.47.
I heard Battle in a 3,000 seat auditorium during her "I'm not so bad" tour after the Met dust-up. I was in the middle of the house and she sounded fine.
Wonderfully performed, truly. Ended beautifully, and the orchestration choices by the conductor are truly beautiful. One beef- I hate when sopranos (being one) do the "now I'm going to sing" face, and just stop acting. But, she has a wonderful voice, and it's wonderfully acted when she gets into it.
Thats because she just has a very quiet voice. My teacher said she saw her(Kathleen Battle) do a recital and she was sitting in the 4th or 5th row from the stage and could barely hear her. She just has a tiny voice. I'm not saying she is a bad singer at all, so dont get me wrong. She is wonderful
Is there anyway by chance that you can upload the part where Pamina is about to do Suicide but the Three Boys stop her? I've been trying to find that part for awhile but all I found was the one by Kathleen Battle.
C vrai qu'elle est exceptionnelle. Mais j'ai un faible pour les interprètes qui réussissent et/ou préfèrent attaquer l'octave à la fin de l'air 4:05 tout en douceur, et pianissimo, je trouve que c le plus beau moment de l'air si on le fait ainsi. Si on l'attaque trop fort, ça devient un passage comme un autre. Malheureusement pour moi elle attaque trop fort, avec un léger glissendo et un "roulement" dont de je ne suis pas fan.
@kralle7611 Für die Schauspielerei, darf man sich in Salzburg prinzipiell bei den Regisseuren bedanken! Wer glaubt dass ein Opernsänger hier auch nur einen Funken Freiheit in der Gestaltung hätte, irrt: und das gewaltig!
PAMINA Um lamento na ária de Pamina, da ópera A Flauta Mágica, de Mozart. O enlevo de amor febril acabou Para sempre, assim Pamina declarou, em pauta, Na conversa com o amado Tamino em que rolou Uma lágrima denotando algo em não ir em frente. Assim como essa civilização, está indo embora, Adotou descanso após a morte, ideia recorrente Para acabar com os sofrimentos, em boa hora, É enfraquecida pela realidade que já desponta. A semeadura é colhida do mesmo sentimento. Covid-19 impõe a mudança: a norma exposta Para confinar pessoas em casas, momento bom Na reflexão sobre doar amor com o argumento Que revela o nosso ser profundo, isto é o dom. (*) (*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - PAMINA (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.
when she starts singing, I feel like im gonna cry. It was really beautiful and one of the best I've seen.
Perfectly sung. The voice of an angel.
She´s amazing... Simply, the best mozartian singer these days!
I'm a minute into this and I already can tell that this will be transcendent. Her voice and interpretation is moving.
kühmeier...eine stimme die an den himmel rührt....
Superb performance, I can feel pamina's broken heart. 😍😍😍😍
Remarkable clarity and power.
One of my favorite musical theatre ballads of all time. Pure magic! Fantastic performance! She even sings "ist verschwunden" and not "ost vaschwondon" like many others.
Das ist mit das schönste Lied aus der Zauberflöte!!!
I saw her in London, in 2009. Oh my God, what a voice. Sorry, Dorothea Röschmann, I like you a lot, but Genia Kühmeier is my favourite Pamina!
This aria breaks my heart...I m studing it now...and LOVE IT!!!!
The best Pasmina nowadays!!!
Magnifica interprete.
wow! best iv heard!! schön!!
So far, THE Pamina of the 21st century, and perhaps the only genuine angelic-lyric voice currently out there. And she's fun to watch, also!
Endlich klare i-Vokale!!!!!Vielen Dank!!!!!!!!!!Schön gesungen!Bravo!
The combination of Damrau's Königin der Nacht and Kühmeier's Pamina will never be surpassed. Rene Pape's Sarastro is the cherry on top. Everyone else in this cast is excellent, but those names are among the all-time greats for these roles.
Enoch Chi Lok Tse Paul Groves portrayed the Tamino, if you're still wondering :)
Divina!!!! Muy muy bien. Una maravilla.
Perfect voice for this piece! Amazing; not clunky or shrill in the least.
Fabulous! The best of the best!
beautifulbeautifulbeautiful!!!
DIE PAMINA! Wunderwunderschön.
Danke fürs Posten.
O wie schön!
Wunderschön!
Oh yes, she is great!!! Thank you for posting this, Paddy.
Einfach wunderbar. Es ist wohl die allerschwierigste Arie, wohl auch wegen der deutschen Sprache. Die italienische Version zeigt eine wesentlich leichtere und doch gleicherweise beeindruckende Darstellung.
Elisabeth Schwarzkopf hat einmal ein Training mit sehr vielen Korrekturen vorgeführt.
tHI SWAS THE BEST CLIP OF THIS ARIA i HAVE SEEN SO FAR
Simply amazing !
De otro mundo, escuchar esta obra de transporta a un mundo de gloria y de paz!
Beautiful! I could not get enough listening to this wonderful aria in various interpretations. My favorite is Lucia Popp , posted by leoperarm. Also for fun check the two impossible G♯ above high C in Popoli di Tessaglia!, K.316, for soprano, sang by Edda Moser. The notes are at 6.36 and 6.47.
GLORIOSO
great voice...beautiful performance!!!
I heard Battle in a 3,000 seat auditorium during her "I'm not so bad" tour after the Met dust-up. I was in the middle of the house and she sounded fine.
c est magnifique
Really great!
Wonderfully performed, truly. Ended beautifully, and the orchestration choices by the conductor are truly beautiful. One beef- I hate when sopranos (being one) do the "now I'm going to sing" face, and just stop acting.
But, she has a wonderful voice, and it's wonderfully acted when she gets into it.
brava!
schön
I am not so convinced by her acting, but when I closed my eyes, her voice almost made me crie!!!
Thats because she just has a very quiet voice. My teacher said she saw her(Kathleen Battle) do a recital and she was sitting in the 4th or 5th row from the stage and could barely hear her. She just has a tiny voice. I'm not saying she is a bad singer at all, so dont get me wrong. She is wonderful
LOvely.
She acts the drama of the song and sounds good and has power. Kathleen Battle does something funny with her mouth.
God DAYUM.
does anyone have lyrics
i was replying to someone else's comment about Kathleen Battle singing this aria. But for whatever reason my comment didn't attach itself to theirs :P
Is there anyway by chance that you can upload the part where Pamina is about to do Suicide but the Three Boys stop her? I've been trying to find that part for awhile but all I found was the one by Kathleen Battle.
C vrai qu'elle est exceptionnelle. Mais j'ai un faible pour les interprètes qui réussissent et/ou préfèrent attaquer l'octave à la fin de l'air 4:05 tout en douceur, et pianissimo, je trouve que c le plus beau moment de l'air si on le fait ainsi. Si on l'attaque trop fort, ça devient un passage comme un autre. Malheureusement pour moi elle attaque trop fort, avec un léger glissendo et un "roulement" dont de je ne suis pas fan.
sie fühlt's
Genious! Does somebody now who the conductor is? (I suppose our beloved Niki Harnoncourt) And the orchestra?
Wiener Philharmoniker , Riccardo Muti
How you can be stud ing it if you are fembale?
hallo daniel maibach und 9c
@kralle7611
Für die Schauspielerei, darf man sich in Salzburg prinzipiell bei den Regisseuren bedanken! Wer glaubt dass ein Opernsänger hier auch nur einen Funken Freiheit in der Gestaltung hätte, irrt: und das gewaltig!
PAMINA
Um lamento na ária de Pamina, da ópera A Flauta
Mágica, de Mozart. O enlevo de amor febril acabou
Para sempre, assim Pamina declarou, em pauta,
Na conversa com o amado Tamino em que rolou
Uma lágrima denotando algo em não ir em frente.
Assim como essa civilização, está indo embora,
Adotou descanso após a morte, ideia recorrente
Para acabar com os sofrimentos, em boa hora,
É enfraquecida pela realidade que já desponta.
A semeadura é colhida do mesmo sentimento.
Covid-19 impõe a mudança: a norma exposta
Para confinar pessoas em casas, momento bom
Na reflexão sobre doar amor com o argumento
Que revela o nosso ser profundo, isto é o dom. (*)
(*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - PAMINA (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.
Haha das is die Mutter von dem Freund meines Bruders
Good start and end but unfortunately a bit flat here and there. Nice voice but prefer the version by Sophie Karthäuser by far.