inhuman perfection. there is not a single mistake or off moment, in not the tiniest detail. which is something most singers struggle to achieve in much easier songs. but natalie dessay achieves this in the most murderous coluratura piece possible. and to me this performance here is the absolute best of this song ever recorded. the voice is ideal, the technique is rock solid, the skill immense. and i am always pleased to hear a true and proper trill. which is kind of rare nowadays. this cannot be sung better than she does here. incredible.
I agree I've listened to 20 versions this is ny opinion the most difficult aria ever and this is the finest rendition ever recorded, and as much as I love Sabine Develhe. .. my next favorite, she can't hold a candle next to this performance
Aujourd'hui je pense qu'elle a perdu pourtant pour l'avoir entendu en concert je vous garantis que la version enregistrée est loin des émotions que Nathalie suscite sur l'auditoire en direct. Frissons et plus garanti.
Meredith Anne this aria is why "Lakme" is hardly ever performed. In the opera is comes at the end of the 2nd act. As a recital piece it's easier to pull off. However, Dessay in her prime pulled the role off with ease.
Où va la jeune Hindoue (Lakmé), Popoli di Tessaglia by Mozart, Martern aller Arten (Die Entführung aus dem Serail), Der Hölle Rache (Die Zauberflöte), Il Dolce Suono (Lucia di Lammermoor), In Questa Reggia (Turandot) are some very challenging arias for a soprano to sing properly.
@@panaceiasuberes6464 Very nice indeed, the singing that is. But her French is terrible though, a complete turnoff, sorry. Like in de Duo des fleurs sung by Garancha and Netrebko. Love these ladies, but their French is just horrible. I know I should transend this problem that must hit a lot of Italians and Germans when hearing foreign opera singers sing in their language, but I can't unhear it.
@@sergevandenplas8035 she is french, I am french and she perfectly pronounces MY LANGUAGE. She doesn't roll the "r" because she is modern and you have not to roll the "r" in modern french. You do it in French Baroque song but in baroque period, the french is differently pronounced. You can understand all what she is singing which is very rare !
1:26 wow a high F right off the bat! and a beautiful high G sharp above high C at 5:38! and every high E is fabulous! Her vibrato is so fast, her runs are so accurate and amazing, her tone is incredibly gorgeous and full of emotion- Natalie Dessay is absolutely incredible :)
+DoctorWhoBAMF Ah, I think you're right! I was listening to this with my score and cadenza options and I thought it was one of the ones I was looking at. Man though, I think this is becoming one of my favorite recordings of her.
It's funny reading you girls. Don't get me wrong I'm not laughing at you; I wish I were as educated as you in the opera field. I don't know if it's a high C, a F# or what but it's AMAZING
She used to be so incredible!! This is perfect... Her singing here is so natural, like her sensitivity and musical expression, like her attitude... she's so french in the best way! But I must say, why did she lose some of her qualities in singing? Anyway, now I know I must hear her first recordings!
Even though I enjoy Dessay and find this rendition incredibly appropriate and emotive, I also love Callas, Sutherland and Lily Pons (the most agile of all imo). The dark voice Callas had somehow adds a different layer to this aria, which is always associated with a lighter, brighter, "silvery" voice. Even with all the weigh, darkness and "viscosity" of her timbre she manages to do all the passages with extreme agility and grace. She lightens her voice incredibly easy too when she wants. She had crazy control. I don't think we should choose just one favorite rendition, but explore all the possible nuances and find the miracles (and the eventual tragedies! Lol).
her voice is beautiful, she reminds me of Lily Pons. It is sad that we don't have the quality of recordings of Lily Pons as we have for this singer. Both sing this with so little effort. Awesome performance
Quelle leçon de chant ! Quel sens de la diction et quel contrôle. Et comme chez les très grandes, tout semble simple et naturel. Je suis totalement à genoux.
@@bodiloto Mi rendo conto che abbiamo a che fare con un bambino di 14 anni o un adulto di 14 anni di età mentale, quindi mi scuso per gli insulti perché non insultiamo un bambino né una persona con ritardo mentale che passa molto tempo tempo di insultare le persone che apprezzano un cantante. Da parte mia non ho tempo da perdere e ti consiglio di consultare uno psichiatra. Saluti.
@@bodiloto Bonjour, je réalise que nous avons affaire soit avec un enfant de 14 ans soit un adulte de 14 ans d'âge mental, aussi je m'excuse pour les insultes car on n'insulte ni un enfant ni un retardé mental qui passe beaucoup de temps à insulter des gens qui apprécient une chanteuse. Pour ma part je n'ai pas de temps à perdre et je vous conseille de consulter un psychiatre. Salutations.
all we can do is love them for the time we have them...then listen to their recordings and remember..........so many great singers in a lifetime.......
Ioana Popescu dal vivo e senza l'aiuto del microfono la vocina stridula e ingolata della Dessay non si sente da 8 metri ... viva il pop moderno ! ... ahahahahahahahahahahahahahahah !
@@bodiloto ok bene. Ci faccia sentire la sua esecuzione, o quella che ritiene migliore della Dessay. Parlare così della prima Dessay proprio non si può sentire. La Dessay post 2000 non piace neppure a me, esagitata e spesso ballante, ma prima che i suoi problemi di noduli venissero fuori, era semplicemente un fenomeno, punto. Pur con qualche difetto di impostazione (peraltro ben nascosto dal suo prepotente talento e dalla gioventù), i pregi musicali, vocali e tecnici erano talmente evidenti e numerosi da lasciare attoniti... negarlo è pura malafede.
pier domenico sommati Dessay ''fenomeno'' ?! questa la sento per la prima volta ! cosa farebbe durante la sua carriera la stessa Natalie Dessay senza l'aiuto del microfono ?! viva il pop moderno !
Sì, certramente sono il primo e l'unico ad aver sostenuto che la Nathalie Dessay dei primi anni di carriera fosse un fenomeno :D Non so cosa abbia lei di personale contro la Dessay, ma sappia che si sta rendendo ridicolo. Oltretutto io con la Dessay ci ho pure suonato, quando ancora poteva disporre dei suoi mezzi vocali al massimo o quasi. Era un autentico mostro, in grado di fare cose spettacolari, e fece letteralmente venir giù il teatro, pubblico in delirio come molto raramente è capitato. Ovviamente non c'era nessunissimo microfono, e non ebbe il minimo problema a farsi sentire nelle arie del repertorio francese (Ophelia, Tytania, etc.) in un teatro di 2000 posti. Chiaro che se si cerca la pura potenza vocale, l'emissione torrenziale, bisogna rivolgersi altrove, la Dessay non è mai stata la Dimitrova. Ha (aveva) caratteristiche vocali radicalmente diverse (come del tutto diverso da quello drammatico era il suo repertorio), ma non meno straordinarie. Negarlo è veramente insensato.
Mozart's 'Queen of the Night' would be a minor warmup exercise to this singer. My God, she can go higher than any other I've heard so far. Plexeglass shattering!
MERCI, Natalie, pour tout l'immense plaisir que vous nous avez procuré (et continuez par vos enregistrements). Que la vie soit bonne et douce avec vous. Vous le méritez mille fois !
Natalie aquí cantando antes de su operación a las cuerdas vocales, en la mejor epoca de su voz... soprano ligera de gran extension, bellísimo timbre, esta aria es sumamente difícil, pero la canta sin mayor dificultad.
Astonishing. The vibratos are sooo full and consistent and HOLY SHIT what was that note at 5:38? Haha. I love Sabine Deviellhe's famous version, but this is even better.
I'm stunned...not by high F or whatever, but of her both singing diaphragms and lungs energy - the same strength and balance I heared maybe for Jessye Norman. Amazing vocal base. Which allows these ornamentations to sound, like noone else i can recollect, could do,
@@franzbi8465 do you have to put the same reply on every comment? We get it! Comment on the video itself, or suggest we watch the other one *once*, not 700 times.
@@franzbi8465, e comunque l'ho ascoltata in teatro e la voce era appena udibile. Di soprani di coloratura così ce ne sono sempre state tanti, Dessay non e' stata una novità. Molta pubblicita'. Nel repertorio italiano, Amina, Lucia di Lammermoor, Violetta, ecc. era assolutamente inconsistente e fuori stile, piu' una cantante di opera tardo francese e Offenbach.
I think she is the best coloratura soprano ever. Beautiful high notes(specially 2 Octave G#!!! Oh my....!!! ) Is it even possible to sing that note...??? She did amazing job and I love to hear some more of her singing. Thank you for this video.Truly stellar!!
Esplêndido! Esta mulher tem um aparelho vocal e uma sensibilidade musical inigualáveis. Esta ária foi, de facto, composta para ela. Duvido que alguém a cantasse tão bem como ela. Deveria ser, com certeza, o que tinha soado na cabeça de Délibes quando a compôs. Conheci esta ária na voz da Callas e depois da Sutherland (ambas maravilhosas), mas a leveza do personagem é aqui levada ao extremo. Parabéns, querida Dessay.
Dame Joan's rendering of the aria rejoices in the virtuosity it calls for. Her performance is delicately - and delectably - imbued with a sense of fun. Mlle Dessay is deadly serious and the effect is completely different. It is also tremendous.
This is the beauty of perfection in the human ( or perhaps I should say divine ) voice for all to cherish. This performance is beyond any words , but if I were to choose at least one , even tho it is feeble in it's summation of this performance .. it would be **SUPERB!**
Angel Antonio Burgos '' Qué voz, que técnica ...'' capisco il tuo gusto molto raffinato nella materia ... ahahahahahahahahahahahahahah ! viva il pop moderno ! ahahahahahahahahahahahahahah !
One thing I love about her is she performs. She delivers an unearthly performance and throws herself into the role. Like, she isn’t just singing but she is there inside the character.
inhuman perfection. there is not a single mistake or off moment, in not the tiniest detail. which is something most singers struggle to achieve in much easier songs.
but natalie dessay achieves this in the most murderous coluratura piece possible.
and to me this performance here is the absolute best of this song ever recorded. the voice is ideal, the technique is rock solid, the skill immense. and i am always pleased to hear a true and proper trill. which is kind of rare nowadays.
this cannot be sung better than she does here. incredible.
I agree I've listened to 20 versions this is ny opinion the most difficult aria ever and this is the finest rendition ever recorded, and as much as I love Sabine Develhe. .. my next favorite, she can't hold a candle next to this performance
Aujourd'hui je pense qu'elle a perdu pourtant pour l'avoir entendu en concert je vous garantis que la version enregistrée est loin des émotions que Nathalie suscite sur l'auditoire en direct. Frissons et plus garanti.
You are so right so owns it I have heard at least 50 top notch performances of this form 1920's till now and is hands down the best ever.
@@georgehewitt754 Agree!!! Natalie is superior to the maravellous Sabine, but Sabine is brilliant as well. Dessay is just a miracle.
I am so in love with Dessay's Bell Song but it also makes me feel like 'why doesn't this happen when I open my mouth?' 8/
🤣
It does happen but it sounds like this ua-cam.com/video/pJbDhOPptyY/v-deo.html the BEST version, better than Natalie Dessay 100x
Takes years of training.
I feel just the same!
@@Eliketi that is true. It depends on the voice and it does take long time to perfect it.
Wow...this has to be one of the most difficult soprano arias ever. And Natalie Dessay owns it.
Meredith Anne this aria is why "Lakme" is hardly ever performed. In the opera is comes at the end of the 2nd act. As a recital piece it's easier to pull off. However, Dessay in her prime pulled the role off with ease.
Watch Selvia Voinea how effortlessly she sang the song. It's a very old video. That was the best version for me.
Où va la jeune Hindoue (Lakmé), Popoli di Tessaglia by Mozart, Martern aller Arten (Die Entführung aus dem Serail), Der Hölle Rache (Die Zauberflöte), Il Dolce Suono (Lucia di Lammermoor), In Questa Reggia (Turandot) are some very challenging arias for a soprano to sing properly.
Yes
красота какая !!!
Her voice is just so hauntingly beautiful. How am I just discovering her now.
Aliens.Selfish aliens kidnapped her so she could sing for them only.She is back after rescue, thats when you saw her.
One of the most beautiful voices in this world!!!
povero mondo ...
mi dispiace per voi ragazzi,mi fate la pena ...
In my opinion, this is the best rendition of this aria of all time.
ua-cam.com/video/D4oM7UP-FII/v-deo.html the best? She doesn't uses the ladder to go up but definitely uses it to come down from the high notes...
@@panaceiasuberes6464 Very nice indeed, the singing that is. But her French is terrible though, a complete turnoff, sorry. Like in de Duo des fleurs sung by Garancha and Netrebko. Love these ladies, but their French is just horrible. I know I should transend this problem that must hit a lot of Italians and Germans when hearing foreign opera singers sing in their language, but I can't unhear it.
@@sergevandenplas8035 She is FRENCH 🇫🇷 my friend
@@sergevandenplas8035 umm she’s actually French 😂😂 her French is actually perfect.
@@sergevandenplas8035 she is french, I am french and she perfectly pronounces MY LANGUAGE. She doesn't roll the "r" because she is modern and you have not to roll the "r" in modern french. You do it in French Baroque song but in baroque period, the french is differently pronounced. You can understand all what she is singing which is very rare !
Her voice is unearthly, like it breaks sound barriers. The legato combined with the coloratura is unmatched.
She is the greatest soprano with incomparable controlling power to her voice & vocals.
Monumental.. even if only this existed it would be enough to hail Dessay the greatest light coloratura soprano of the last 30 years
Agreed, she is my absolute favorite, her voice makes me feel.
i totally agree, such ease, such perfect pitch and vibrato, just beautiful
Holy crapahola! Is this woman a human or an alien? I think she's hitting a new level of soprano.
Lohengrin O I knew you'd come around 😘 Arnold
So Sumi Jo?
1:26 wow a high F right off the bat! and a beautiful high G sharp above high C at 5:38! and every high E is fabulous! Her vibrato is so fast, her runs are so accurate and amazing, her tone is incredibly gorgeous and full of emotion- Natalie Dessay is absolutely incredible :)
+DoctorWhoBAMF Those two notes you've marked out with timestamps are actually respectively an E and an F# - but no less impressive! :D
she's amazing! and yes, the first one is an E, you're correct! but I'm sure the second one is a G#/Ab (a third above it)
+DoctorWhoBAMF Ah, I think you're right! I was listening to this with my score and cadenza options and I thought it was one of the ones I was looking at. Man though, I think this is becoming one of my favorite recordings of her.
It's funny reading you girls. Don't get me wrong I'm not laughing at you; I wish I were as educated as you in the opera field. I don't know if it's a high C, a F# or what but it's AMAZING
She used to be so incredible!! This is perfect... Her singing here is so natural, like her sensitivity and musical expression, like her attitude... she's so french in the best way!
But I must say, why did she lose some of her qualities in singing?
Anyway, now I know I must hear her first recordings!
No one else, neither Callas nor Sutherland could have sung this as perfectly clean, bright and agile as Dessay.
She is the goddess of staccatos.
her distinctions... wow...
Even though I enjoy Dessay and find this rendition incredibly appropriate and emotive, I also love Callas, Sutherland and Lily Pons (the most agile of all imo).
The dark voice Callas had somehow adds a different layer to this aria, which is always associated with a lighter, brighter, "silvery" voice. Even with all the weigh, darkness and "viscosity" of her timbre she manages to do all the passages with extreme agility and grace. She lightens her voice incredibly easy too when she wants. She had crazy control.
I don't think we should choose just one favorite rendition, but explore all the possible nuances and find the miracles (and the eventual tragedies! Lol).
Well, try Silvia Voinea!
Sabine Devielhe is par with this performance. She is a worthy successor to Natale
@@georgehewitt754 Yes!
What Dessay achieved in this aria is greater than entire career of many so called coloratura sopranos...
Absolutely beautiful, strong and moving rendition. I completely surrendered.
The timbre in her lower register just amazing.
It's very difficult for a coloratura soprano to stay firmly and stable singing in lower registers, but Dessay does it perfectly!!!
She is the voice of all universe, everything must be silent
for me, whenever i think "Bell song" i think Dessay.
She defines it for me as well.
Out of all her performances of this aria, this has to be by far the finest rendtion she has ever done.
Amazing breath control
Quels sont les 40 cloportes qui n'aiment pas cette version et cette chanteuse?
Sa voix est pure et belle !
Ils sont 55 aujourd'hui, tant pis pour eux!
Natalie Dessay rayonnante, divine, simple, naturelle, tout d'une Grande Interprête! merci pour ce cadeau!
she's horribly gorgeous. very skillful and soulful coloratura ever 😘😍😱
I’m just floored by this. Still stunned three days later.
her voice is beautiful, she reminds me of Lily Pons. It is sad that we don't have the quality of recordings of Lily Pons as we have for this singer. Both sing this with so little effort. Awesome performance
It's all gold...but that pianissimo at 4:01 is just absolutely heart-melting!
Quelle leçon de chant ! Quel sens de la diction et quel contrôle. Et comme chez les très grandes, tout semble simple et naturel. Je suis totalement à genoux.
+altenak
''leçon de chan'' oui c'est vrai, per i dilettanti sognatori come te ...
@@bodiloto cretino
@@panda2309
sei un ignorante volgare , è un fatto .
i tuoi insulti sono un' onore per me .
il vecchio
@@bodiloto Mi rendo conto che abbiamo a che fare con un bambino di 14 anni o un adulto di 14 anni di età mentale, quindi mi scuso per gli insulti perché non insultiamo un bambino né una persona con ritardo mentale che passa molto tempo tempo di insultare le persone che apprezzano un cantante. Da parte mia non ho tempo da perdere e ti consiglio di consultare uno psichiatra. Saluti.
@@bodiloto Bonjour, je réalise que nous avons affaire soit avec un enfant de 14 ans soit un adulte de 14 ans d'âge mental, aussi je m'excuse pour les insultes car on n'insulte ni un enfant ni un retardé mental qui passe beaucoup de temps à insulter des gens qui apprécient une chanteuse. Pour ma part je n'ai pas de temps à perdre et je vous conseille de consulter un psychiatre. Salutations.
Voice is not its own instrument. The resonance of the venue itself is what is being played :) This is a masterpiece.
This honestly is one of the best lyric versions of this aria in the 20th C. Amazingly beautiful clear spinning sound. And so accurate.
Her voice is so beautiful.
+Kathy Anne
e senza microfono ?!...
Was so beautiful, unfortunately ...
This is unearthly, and very beautiful.
Indeed it is. It's breathtakingly beautiful. What a voice!
all we can do is love them for the time we have them...then listen to their recordings and remember..........so many great singers in a lifetime.......
You can do no more than shake your head in incredulity, so perfect.
Agreed!!!!!
@@MelismaTheEnigma 😁Hi, have you seen Natalie's version of "Glitter and be gay"? A poor quality video, but an astounding and astonishing performance.
THIS is Lakme. When you hear (and see) this, you understand why with Sutherland it doesn't work.
Haha, totally agree😂
Наверное лучшее, что я слышала.
Эхо в конце арии неповторимо.!!
Её голос очищает. Ещё и актриса .!!
Здоровья и счастья.
this is one of the most beautiful arias i've ever listened, Dessay is simply out of this world in this!
Simplesmente a melhor versão de Air the clochettes. Verdadeira soprano coloratura. Maravilhosa!!!
She is really AMAZING here!!!
Glorious and beautiful singing. Thank you for sharing your singing with the world. Such clarity and stunning tone.
Astonishing vocal control from the amazing Natalie D.
I have rarely seen such raw talent and beauty and power.
Hallucinante performance dont je me lasse pas, un chant et une voix céleste!
What a stellar, otherwordly performance!
Ioana Popescu i
Ioana Popescu
dal vivo e senza l'aiuto del microfono la vocina stridula e ingolata della Dessay non si sente da 8 metri ...
viva il pop moderno ! ...
ahahahahahahahahahahahahahahah !
@@bodiloto ok bene. Ci faccia sentire la sua esecuzione, o quella che ritiene migliore della Dessay.
Parlare così della prima Dessay proprio non si può sentire. La Dessay post 2000 non piace neppure a me, esagitata e spesso ballante, ma prima che i suoi problemi di noduli venissero fuori, era semplicemente un fenomeno, punto. Pur con qualche difetto di impostazione (peraltro ben nascosto dal suo prepotente talento e dalla gioventù), i pregi musicali, vocali e tecnici erano talmente evidenti e numerosi da lasciare attoniti... negarlo è pura malafede.
pier domenico sommati
Dessay ''fenomeno'' ?!
questa la sento per la prima volta !
cosa farebbe durante la sua carriera la stessa Natalie Dessay senza l'aiuto del microfono ?!
viva il pop moderno !
Sì, certramente sono il primo e l'unico ad aver sostenuto che la Nathalie Dessay dei primi anni di carriera fosse un fenomeno :D
Non so cosa abbia lei di personale contro la Dessay, ma sappia che si sta rendendo ridicolo.
Oltretutto io con la Dessay ci ho pure suonato, quando ancora poteva disporre dei suoi mezzi vocali al massimo o quasi. Era un autentico mostro, in grado di fare cose spettacolari, e fece letteralmente venir giù il teatro, pubblico in delirio come molto raramente è capitato. Ovviamente non c'era nessunissimo microfono, e non ebbe il minimo problema a farsi sentire nelle arie del repertorio francese (Ophelia, Tytania, etc.) in un teatro di 2000 posti. Chiaro che se si cerca la pura potenza vocale, l'emissione torrenziale, bisogna rivolgersi altrove, la Dessay non è mai stata la Dimitrova. Ha (aveva) caratteristiche vocali radicalmente diverse (come del tutto diverso da quello drammatico era il suo repertorio), ma non meno straordinarie. Negarlo è veramente insensato.
Mozart's 'Queen of the Night' would be a minor warmup exercise to this singer. My God, she can go higher than any other I've heard so far. Plexeglass shattering!
lily pons.... she sets the bar for this aria
Mado Robin was the queen of this aria.
I don't know if she's ever performed it, but Edita Gruveroba would do a beatiful job with this aria too)
Listen to Silvia Voinea....Your ear drums will pop!
@@Bernsteincopland Yep. Silvia is the only coloratura singer that could sing this perfectly.
Voice from heaven.
And very beautifull as a woman.
This is simply iconic. I think I've been watching this since I was a kid and she still takes my breath away with this performance. Brava!
Listen to those high, high notes and how long she holds them! That's some serious hang time.
What a beautiful voice. Natalie D’essay a une voie d’une pureté incroyable. Un talent jamais vue. Une diction qui est très bien faite.
Это невероятно! Чистейший и прекраснейший голос, браво браво брависсимо! Лучшее исполнение арии Лакме!
Completely breathtaking. I wish I could sing like that. Thank you God.
Is it possible to sing this perfect? Divined!
MERCI, Natalie, pour tout l'immense plaisir que vous nous avez procuré (et continuez par vos enregistrements). Que la vie soit bonne et douce avec vous. Vous le méritez mille fois !
Natalie Dessay is just more than perfect.
She is like an ancient soul, a sacred one, she goes beyond, beyond.
What a performance ! She is so moving...
Dessay's Lakme is always a treat! Thanks a bunch!!
Rien à dire. De la maîtrise de bout en bout. Tellement incomparable.
Elle a une voix tellement claire... C'est vraiment sublime. Quel dommage qu'elle mette fin à sa carrière
It is the best soprano voice that I ever heared !!!!!!!!!!!!!
Колоратурнейшее из всех колоратурных сопрано!!!
WHAT A BEAUTIFUL VOICE, POWER ,GREAT FLEXABILITY. BRAVA,BRAVISIMI
Natalie aquí cantando antes de su operación a las cuerdas vocales, en la mejor epoca de su voz... soprano ligera de gran extension, bellísimo timbre, esta aria es sumamente difícil, pero la canta sin mayor dificultad.
Natalie Dessay dropped down from heaven to let us know that it exists and the music of angels is glorious.
Remarquable interprétation!
Bravissima!
Une vraie délice ❤ Bravooooooo
What a final E natural...effortless....
Perfect and effortless wow
Какой великолепный голос! Представляю, какая она прекрасная Лакме в гриме.
To say this is wonderful would be an understatement.
Its like she is barely being challenged
Astonishing. The vibratos are sooo full and consistent and HOLY SHIT what was that note at 5:38? Haha. I love Sabine Deviellhe's famous version, but this is even better.
Bravissimo Natalie Dessay.👏👏👏....
You are an amazing singer and your tone is so warm and sweet to listen to anytime, anyday....
She's like out of this world❤
I'm stunned...not by high F or whatever, but of her both singing diaphragms and lungs energy - the same strength and balance I heared maybe for Jessye Norman. Amazing vocal base. Which allows these ornamentations to sound, like noone else i can recollect, could do,
Watch Selvia Voinea how effortlessly she sang the song. It's a very old video.
@@franzbi8465 do you have to put the same reply on every comment? We get it! Comment on the video itself, or suggest we watch the other one *once*, not 700 times.
Franz Bi Please stop!!!
@@franzbi8465, e comunque l'ho ascoltata in teatro e la voce era appena udibile. Di soprani di coloratura così ce ne sono sempre state tanti, Dessay non e' stata una novità. Molta pubblicita'. Nel repertorio italiano, Amina, Lucia di Lammermoor, Violetta, ecc. era assolutamente inconsistente e fuori stile, piu' una cantante di opera tardo francese e Offenbach.
진짜 이렇게 부르는 사람은 나탈리 드쎄가 유일무이한듯. 아 넘 멋지다...
So much power,so much refinement-incroiable merci!!
Love this aria so so much !
A truly amazing performance. Nuance, pyrotechnic, and completely engaged and engaging. Even Ima Sumac would be impressed.
I think she is the best coloratura soprano ever. Beautiful high notes(specially 2 Octave G#!!! Oh my....!!! ) Is it even possible to sing that note...???
She did amazing job and I love to hear some more of her singing. Thank you for this video.Truly stellar!!
Esplêndido! Esta mulher tem um aparelho vocal e uma sensibilidade musical inigualáveis. Esta ária foi, de facto, composta para ela. Duvido que alguém a cantasse tão bem como ela. Deveria ser, com certeza, o que tinha soado na cabeça de Délibes quando a compôs. Conheci esta ária na voz da Callas e depois da Sutherland (ambas maravilhosas), mas a leveza do personagem é aqui levada ao extremo. Parabéns, querida Dessay.
Merveilleuse voix et personnalité
Definitivamente la mejor interpretación de Lakmé.
totalmente !!
Dame Joan's rendering of the aria rejoices in the virtuosity it calls for. Her performance is delicately - and delectably - imbued with a sense of fun. Mlle Dessay is deadly serious and the effect is completely different. It is also tremendous.
From an uncultured swine I love it, the truly amazing power the human body contains, truly amazing.
C' est superbe,bravo et merci Madame!!
Maravillosa, la interpretación, la voz...no me canso de escuchar
Still can't believe I can listen it 😭. Majestic 🥺. I feel something familiar to my feelings, listening to her. And i like it
Stupenda, una voce bellissima! BRAVA.
Really love her timbre, so emotional and pleasant
Wow, how do you even begin to write such a masterpiece?
STREPITOSA !!!!!!
Una grande Tecnica vocale !
Estaba en su mejor momento simplemente fantastica su voz es como de un angel y que hermosa mujer
This is the beauty of perfection in the human ( or perhaps I should say divine ) voice for all to cherish. This performance is beyond any words , but if I were to choose at least one , even tho it is feeble in it's summation of this performance .. it would be **SUPERB!**
Qué voz, que técnica... Què forma de camtar. Fantàstica!!!!!!!!!
Angel Antonio Burgos
'' Qué voz, que técnica ...''
capisco il tuo gusto molto raffinato nella materia ...
ahahahahahahahahahahahahahah !
viva il pop moderno !
ahahahahahahahahahahahahahah !
Simply exquisite.
Это просто феноменально! Ничего подобного не слышал!
Dessay is not Human 😮😮😮😮😮😮😮😮 bravooooooooooooo
Truly incredible such a gifted singer totally amazing!!
it's because of many years hard working and singing.
She looks like a mermaid. Brava!
One thing I love about her is she performs. She delivers an unearthly performance and throws herself into the role. Like, she isn’t just singing but she is there inside the character.
На все времена лучшее исполнение!Браво!
this is unreal! total perfection, noone else has ever sung this aria like this
Watch Selvia Voinea how effortlessly she sang the song. It's a very old video. She done it first perfectly.
The second time I hear perfect French in this particular aria. Perfect!
Hehe, maybe her nationality helps a bit...
Well for one thing she is French
Merveilleux ! Quel talent !