Yeah right. Every time I listen to any renditions of other artists of this aria I really go back to this one. Praises to Ms. Natalie Dessay! I kind of love Ingeborg Hallstein's version too, by the way.
@@monroetory9533 Lucia Popp's version is, indeed, incredible That being said, I still prefer Dessay's version haha. But I love listening to all the differences in interpretation and being able to enjoy Fruhlingstimmen in so many different ways. :)
Natalie Dessay said, in an interview, about this performance, that she knew about 1 week prior to the show that she'd sing this air. She had only a few days to learn it, and she was very anxious she could forget the lyrics. She confessed she had once to look at the prompter for the lyrics, and it can be seen on this video. Let's find when ;) No but seriously, to go on stage, with the Vienna State Orchestra, with only 1 week to master this air, with the fear not being able to remind the lyrics, and perform like she did, just WOW !!!
and doing so in your native language is already difficult enough. but doing it with a song in a language that you speak exactly 0%, that is very, very demanding.
In 2024, still marveling at this wonder of a woman. She knew how to combine acting and singing in a way virtually no singer has ever done. Her peak vocal performances for me are this, glitter and be gay (the 199_ version), her lakme flower duet with delphine haidan, and of course, her majestic olympia doll song, and her zauberflote arias. Truly a force of nature.
Ms. Dessay is, in my opinion, one of the best coloraturas to ever exist. Her staccatos are without peer, and she sings with such fluidity that I can nary think of many who can match her.
This wasn't the best version of this waltz, however. I picked up many vocal faults. Janeckova's performance of it was much better at only 17 years old.
To me, Ms. Dessay makes that insanely high register sound and look more effortless than any other coloratura I've encountered. With so many, you can see or hear the tension and effort, but Dessay just doesn't appear to have to struggle. Just amazing. And she can do it legato, or staccato, whatever. No problem.
@@slothisasin8240Yep, talking specifically about the Acuto Sfogato Sopranos, I love Ingeborg Hallstein most due to her timbre and the ease up to those really high notes; then comes to Erna Sack and Natalie Dessay
Never can understand why the only way some people can promote somebody they like is by running down another. If you want to be taken seriously don't do it. Thus the person below who criticizes Dessay in order to promote 'his girls' shows that his criticism is invalid. The audience reaction kind of demonstrates their enthusiasm for this performance. This performance by Dessay is most certainly brilliant. That is not to say other singers cant do it brilliantly too, but due must be paid to Dessay for this exhilarating performance.
Natalie Dessay at her best is simply unmatched on her upper register. So light, crisp and fluid. While we are all impressed by how high coloraturas can sing, it's what they are trained for anyway. The quality that makes Natalie standout is how effortless she makes those notes sound. It's almost like she speaks with those high notes in her casual daily conversation with her friends.
@@monroetory9533 I absolutely adore Lucia, but her voice is lighter - a flute to Natalie's violin, perhaps. Both give incredible renditions of this crazy beautiful piece - Natalie's is my favorite, but I can't blame anybody for loving Lucia's, she sings it with such joy and sweetness.
And here we are eighteen years later... and... she doesn't do the extremely high notes anymore, but in my, and many people's opinion she is better than ever in what she does sing. Her musicianship is phenomenal.
I did not know this was Natalie's debut. After I heard Natalie sing the finale here, I stood at attention, called her "the Goddess of Music" and offered to her angels to carry her bags just so that I could hear her sing.... So far, I have had to console myself with a collection of every solo she has recorded, now in my music collection.
It wasn't her premiere at the Staatsoper. She sang Olympia in the new production of Hoffmann, which was first performed on 20 December. She had actually sung three Oylmpias, as well as one in the dress rehearsal (which she treated exactly like a regular performance) before appearing as the special guest at Orlofsky's ball.
WTH!! O_O i cannot understand how can some people think she is bad! she is one of the best soprano coloratura in the world! and her most amazing caracteristic is that she acts in a very incredible way, and she jumps and dances and does all that kind of stuff and she never lose control of her voice... see her performance as Olympia in Les Contes D'Hoffman.. simply amazing.. She is my favourite soprano and one of the opera divas :3
I love her, she is by far may favorite. This presentation was at the begining of her carreer and yet we could appreciate her outsanding talent. The recorded version goes into perfection an I think it is one of her master interpretations.
If you had never heard this performance and someone tried to describe what they had heard, it would be impossible. Absolutely not to be believed. A true collaboration with God.
The ability to sing very high notes is obviously down to the thinness of the vocal chords and thereafter training. Natalie Dessay shows what a superb vocal technique she has in this performance and in others such as in "Lucia di Lammermore" but also her acting and comedic abilities in "La Fille du Regiment". If taken care of the voice can remain as a good instrument throughout a long career (I sing as a coloratura and my voice has gone up as I have got older - thanks to good teaching).
This lady is so wonderful. I live in Santa Fe--and saw her in La Sonambula, La Traviata and in concert (shook her hand, thanked her)--and at a local night club ere where I shook her hand again. She is so modest, no diva temperment. And my friend who saw her in Chicago at the Lyric echoes me. Sweet, kind, incredible talent. Class. Ms. Dessay the remote possiblitiy you are reading this--a BIG THANKYOU for your artistry and kindness!
The Fruhlingsstimmenwaltzer -- "The Voices of Spring Waltz" - was a separate piece of music by Strauss, but - as can be seen here - it is sometimes inserted into the party scene of Die Fledermaus. The English lyrics: The lark rises into the blue, the mellow wind mildly blowing; his lovely mild breath revives and kisses the field, the meadow. Spring in all its splendour rises, ah all hardship is over, sorrow becomes milder, good expectations, the belief in happiness returns; sunshine, you warm us, ah, all is laughing, oh,oh awakes! A fountain of songs is rising, who has been silent for too long; from the brush sounds clear and light the sweet voice again! Ah, gently the nightingale lets stream the first notes, so as not to disturb the queen; hush, all you other singers! More powerful soon chimes her sweet voice. Oh, soon, oh, oh soon! Ah........ Oh, song of the nightingale, sweet sound, ah yes! Glowing with love, ah, ah, ah, sounds the song, ah and the sound, sweet and cosy, seems to carry a plaintive note, ah, ah rocks the heart to sweet dreams, ah, ah, ah, ah, most gently! Longing and desire ah, ah, ah lives in my breast, ah, if the song anxiously calls for me, from afar the stars twinkle, ah, ah in shimmering magic like the moons beam, ah, ah, ah, ah wavers trough the valley! As haltingly vanishes the night, the lark starts to sing, ah, the light she promises, shadows recede! Ah! Ah springs voices sound like home, Ah yes, ah yes oh sweet sound, Ah, ah, ah, ah, ah yes.
I totally agree I can’t separate their respective performances of this truly excellent. Battle’s performance only has the advantage of better orchestral backing to my ears.
This is where Natalie shines. I don’t like her in the doll song or queen of the night when you compare her others, but no one can touch her on a song like this
Dessay à la grande époque, in Wien , so wunderschön gesungen... Wirklich die Frühlingstimmen klingen an unseren Ohren, meine Götter, warum hat sie aufgehört, so schön zu singen? Und der Graf Orlovsky, in der so schönen Stimme von Gabriele Sima. RIP...
I adore Dessay. I saw that Lucia at the Met and was completely blown away. It's only recently that I have noticed an enduring instability in her tone. Her acting and charm remain undiminished. I think a break from a stressful career would do her voice and herself a world of good. She has been in demand the world over for what, 15? 20? years.
Beautiful rendition! The song and singer are obviously a classic! She hits those high notes without difficulty. I wonder if she can still sing this after all those years. Anyway, bravo!
Wow that was absolutely amazing! And so was her trilling. She makes it look so effortless, and I know it is not easy. That was a wonderful performance!
So beautifully done! She is a wonder to behold. It sadly took me a while to discover this. Even then I didn't realize how amazing this was. This is also probably one of my favorite songs to sing along with.
The highest note was the Perfect A in this piece, it is not a G# nor Ab because I have her cd called Vocalise she have an Ab on her recording here in voices of spring. This is her one of her highest note in her history of singing.
@@LaDivinaLover Not sure which one you're talking about; Dessay lost her voice long before six years ago, and Damrau isn't doing much better these days. Singers should never be judged by how they sound at the end of their careers, though.
Ikr. Damrau’s fuller voice anyday, all day, everyday but Dessay really impressed me with her light voice here. Crisp, and sharp. Almost like she made it sound fuller for this song. Love, love, love it!
Exquisitely performed! I don't know what all the arguments about, just listen to that Vienesse audience, THEY know their Strauss! ~ Natalie in her prime, Brava!!! (and yes, Kathy's version was also lovely, but her usual monotone sweetness that never allowed for any deeper expression or connection). This is as good as it gets nowadays
While i try to build myself different than you. I wish i could use my head voice to sing at g6 instead of using falsetto. I once sang a6 with my super head voice. Its not a whistle. It just something in my throat (which i found out it was named vocal cords) are kinda clenched together which make it head voice instead of whistle (still). On the other hand, guess what, i can scream f#7 with my falsetto. OK that's all
I was there. In the public! 31.12.1993. It was incredible!!!!
Lucky you.
Never got the chance to be in your place.
I didn’t exist in 1993😂😂😂
@@Michael-hz2pl I was about 4 hahaha.... far too young to know what opera was, let alone appreciate the perfection that is Dessay.
ZAZDROSZCZĘ !
Could you tell, who was the announcer?
This version is impossible to surpass. Amazing in every aspect. Emotion, clarity, phrasing, high notes, coloratura. This will go down in history.
Yeah right. Every time I listen to any renditions of other artists of this aria I really go back to this one. Praises to Ms. Natalie Dessay! I kind of love Ingeborg Hallstein's version too, by the way.
? Try hearing Lucia Popp's version.
Lucia Popp did.
@@monroetory9533 Lucia Popp's version is, indeed, incredible
That being said, I still prefer Dessay's version haha. But I love listening to all the differences in interpretation and being able to enjoy Fruhlingstimmen in so many different ways. :)
Kathleen Battles rendition is the best
Natalie Dessay said, in an interview, about this performance, that she knew about 1 week prior to the show that she'd sing this air. She had only a few days to learn it, and she was very anxious she could forget the lyrics. She confessed she had once to look at the prompter for the lyrics, and it can be seen on this video. Let's find when ;)
No but seriously, to go on stage, with the Vienna State Orchestra, with only 1 week to master this air, with the fear not being able to remind the lyrics, and perform like she did, just WOW !!!
Wow!!! That's massively impressive!!!
I think she looked at the prompter around 3:01 and so on. But, I'd never noticed it before, until you talked about it. She's amazing!
Thank you for taking the time to explain
and doing so in your native language is already difficult enough. but doing it with a song in a language that you speak exactly 0%, that is very, very demanding.
In 2024, still marveling at this wonder of a woman. She knew how to combine acting and singing in a way virtually no singer has ever done. Her peak vocal performances for me are this, glitter and be gay (the 199_ version), her lakme flower duet with delphine haidan, and of course, her majestic olympia doll song, and her zauberflote arias. Truly a force of nature.
The background looks like a painting so beautiful
This is why I love opera
impeccable costuming
Perfection of costuming and staging... opera as it should be ❤️
An Otto Schenk production, with scenery by Günther Schneider-Siemssen and costumes by Milena Canonero
Ms. Dessay is, in my opinion, one of the best coloraturas to ever exist. Her staccatos are without peer, and she sings with such fluidity that I can nary think of many who can match her.
You are right - truly one of the best. Not as marketed as some others, but for me she is number one!
+James Netusil I agree! there is something so magical about her coloratura voice ;)
This wasn't the best version of this waltz, however. I picked up many vocal faults. Janeckova's performance of it was much better at only 17 years old.
Okay, that's got to be a joke
Calling it as I hear it. This was NOT a flawless performance by any means.
She sings like a nightingale !!!!!!
In fact, she sung the title role of The Nightingale from Stravinsky 😂💜✨
THE HIGH F IS JUST INSANE!!! THIS VERSION IS HUMANELY IMPOSSIBLE TO SURPASS. HANDS DOWN
Ingeborg Hallstein's version has G6's actually and the diction is clearer
@evimendez857 well in another comment it says that she only has 1 week to learn the aria soooo yeah
To me, Ms. Dessay makes that insanely high register sound and look more effortless than any other coloratura I've encountered. With so many, you can see or hear the tension and effort, but Dessay just doesn't appear to have to struggle. Just amazing. And she can do it legato, or staccato, whatever. No problem.
I agree, however I really like Ingeborg Hallstein too :)
I recommend ua-cam.com/video/hEMyTQrc4RI/v-deo.html
@@slothisasin8240Yep, talking specifically about the Acuto Sfogato Sopranos, I love Ingeborg Hallstein most due to her timbre and the ease up to those really high notes; then comes to Erna Sack and Natalie Dessay
Never can understand why the only way some people can promote somebody they like is by running down another. If you want to be taken seriously don't do it. Thus the person below who criticizes Dessay in order to promote 'his girls' shows that his criticism is invalid. The audience reaction kind of demonstrates their enthusiasm for this performance.
This performance by Dessay is most certainly brilliant. That is not to say other singers cant do it brilliantly too, but due must be paid to Dessay for this exhilarating performance.
People argue about which sports hero is better, so we can't argue about which singer is better? Hate to tell you, but opera is a blood sport.
Absoluteltly she is magnificent. Unique.
We can't even notice if she is breathing or not. Her singing is impeccable.
Right
Andrew Fabbro you don’t need to bring one person down to bring another person up tho
@@serene_shepherd ridiculous
Natalie Dessay at her best is simply unmatched on her upper register. So light, crisp and fluid. While we are all impressed by how high coloraturas can sing, it's what they are trained for anyway. The quality that makes Natalie standout is how effortless she makes those notes sound. It's almost like she speaks with those high notes in her casual daily conversation with her friends.
Maria AleidA f few years ago also sang this!!! Awesome 👏🏼 still this my favorite ✨❤🎉🎉
Muy lindo
The best interpretation I've ever heard. Perfect lyric coloratura voice for this piece.
I'm totaly agree!
You should listen Lucia Popp.
@@monroetory9533 Natalie better vibrato
@@monroetory9533 I absolutely adore Lucia, but her voice is lighter - a flute to Natalie's violin, perhaps. Both give incredible renditions of this crazy beautiful piece - Natalie's is my favorite, but I can't blame anybody for loving Lucia's, she sings it with such joy and sweetness.
This is by far the best version & those high notes are insane!
Listen to Lucia Popp. She sings it with more warmth
Be sure to listen to Kathleen Battle singing this with von Karajan conducting the Vienna Philharmonic. 😎🎹
Просто невероятное,непревзойдённое исполнение🙏 потрясающий слух и чистота интонации,
Уникальная певица🙏👏💐❤🕊
Listening to this cleared my sinuses.
Siempre vuelvo, siento que me estremece. Saludos desde Lima, Perú 🇵🇪
8:45 my God! That was angelic and crystal clear ❤️
This blew my mind, seriously how is this a real song, Natalie just flutters higher and higher and sounds beautiful!
Absolutely georgeous.
Still no words how to describe her.... just beyond this world.
she has unbelievable control over her voice. i love her voice!
Brilliant --with emotion and real heart sung by the magnificent Mme.Dessay. None better.
The fact that her A-flat is actually beautiful is insane. Such control and clarity. I'm floored by this video.
Natalie by far sings Frühlingsstimmenwaltzer the best. No question.
I LOVE THIS!
2:56 AMAZING note!
And here we are eighteen years later... and... she doesn't do the extremely high notes anymore, but in my, and many people's opinion she is better than ever in what she does sing. Her musicianship is phenomenal.
I did not know this was Natalie's debut. After I heard Natalie sing the finale here, I stood at attention, called her "the Goddess of Music" and offered to her angels to carry her bags just so that I could hear her sing.... So far, I have had to console myself with a collection of every solo she has recorded, now in my music collection.
It wasn't her premiere at the Staatsoper. She sang Olympia in the new production of Hoffmann, which was first performed on 20 December. She had actually sung three Oylmpias, as well as one in the dress rehearsal (which she treated exactly like a regular performance) before appearing as the special guest at Orlofsky's ball.
Натали Дессей-французская оперная певица(колоратурное сопрано)!
Брависсимо!!!
С уважением, Валерий Романов.
Never heard such powerful voice.
In my opinion its not powerful, but beautiful.
Not powerful... exquisite is the word :)
unbelievable!
WTH!! O_O i cannot understand how can some people think she is bad! she is one of the best soprano coloratura in the world! and her most amazing caracteristic is that she acts in a very incredible way, and she jumps and dances and does all that kind of stuff and she never lose control of her voice... see her performance as Olympia in Les Contes D'Hoffman.. simply amazing.. She is my favourite soprano and one of the opera divas :3
I love her, she is by far may favorite. This presentation was at the begining of her carreer and yet we could appreciate her outsanding talent.
The recorded version goes into perfection an I think it is one of her master interpretations.
Amazing! Absolutely phenomenal technique and extraordinary musicality!!!
Her performance still blows me away, no matter how many times I watch her.
:o
Dessay in her young brilliance... she had a few years there when she was at the top of her vocal powers in youth.... startlingly brilliant sound.
Couldn't imagine singing like that for that long. She has a very lovely voice.
She is my favorite, and she is so young in this!
The spinning around at the end was so cute! (Obviously the singing and interpretation and everything else was perfect too)
The most exquisite voice I have ever heard! I love this singer!!
Stunning performance -wonderful coloratura.Just like a bird.
What a wonderful voice. Truly a gift 🎁 from Heaven. How blessed we are to hear it🙏
If you had never heard this performance and someone tried to describe what they had heard, it would be impossible. Absolutely not to be believed. A true collaboration with God.
The ending always gets me. She made that transition really well.
Outstanding ! She is one of the greatest French singers and probably the best I know…
The ability to sing very high notes is obviously down to the thinness of the vocal chords and thereafter training. Natalie Dessay shows what a superb vocal technique she has in this performance and in others such as in "Lucia di Lammermore" but also her acting and comedic abilities in "La Fille du Regiment". If taken care of the voice can remain as a good instrument throughout a long career (I sing as a coloratura and my voice has gone up as I have got older - thanks to good teaching).
flexibulity and range of this music.wonderful
This lady is so wonderful. I live in Santa Fe--and saw her in La Sonambula, La Traviata and in concert (shook her hand, thanked her)--and at a local night club ere where I shook her hand again. She is so modest, no diva temperment. And my friend who saw her in Chicago at the Lyric echoes me. Sweet, kind, incredible talent. Class. Ms. Dessay the remote possiblitiy you are reading this--a BIG THANKYOU for your artistry and kindness!
OMG! She make it look so effortless it’s just so amazing I can’t stop watching
Just incredible- vocal gymnastics-such a range, so pure, and such an actor to boot..
She is such a delight!!! Most expressive !! Funny in a way..her high notes !!! Much to enjoy !!!!
Can you imagine being one of the chorus...getting paid to listen to this?! I wish I had been one of them.
The Fruhlingsstimmenwaltzer -- "The Voices of Spring Waltz" - was a separate piece of music by Strauss, but - as can be seen here - it is sometimes inserted into the party scene of Die Fledermaus.
The English lyrics:
The lark rises into the blue,
the mellow wind mildly blowing;
his lovely mild breath revives
and kisses the field, the meadow.
Spring in all its splendour rises,
ah all hardship is over,
sorrow becomes milder,
good expectations,
the belief in happiness returns;
sunshine, you warm us,
ah, all is laughing, oh,oh awakes!
A fountain of songs is rising,
who has been silent for too long;
from the brush sounds clear and light
the sweet voice again!
Ah, gently the nightingale lets
stream the first notes,
so as not to disturb the queen;
hush, all you other singers!
More powerful soon chimes her sweet voice.
Oh, soon, oh, oh soon!
Ah........
Oh, song of the nightingale, sweet sound, ah yes!
Glowing with love, ah, ah, ah,
sounds the song, ah and the sound,
sweet and cosy, seems to carry a plaintive note,
ah, ah rocks the heart to sweet dreams,
ah, ah, ah, ah, most gently!
Longing and desire
ah, ah, ah lives in my breast,
ah, if the song anxiously calls for me,
from afar the stars twinkle,
ah, ah in shimmering magic like the moons beam,
ah, ah, ah, ah wavers trough the valley!
As haltingly vanishes the night,
the lark starts to sing,
ah, the light she promises,
shadows recede! Ah!
Ah springs voices sound like home,
Ah yes, ah yes oh sweet sound,
Ah, ah, ah, ah, ah yes.
I can’t stop hitting the replay button it’s just so nice
Truly you cannot get a cigarette paper between Nathalie and Kathleen Battle. They are both on top of their game.
I totally agree I can’t separate their respective performances of this truly excellent. Battle’s performance only has the advantage of better orchestral backing to my ears.
This is where Natalie shines.
I don’t like her in the doll song or queen of the night when you compare her others, but no one can touch her on a song like this
A shivering final....what a voice!!!!
Dessay à la grande époque, in Wien , so wunderschön gesungen... Wirklich die Frühlingstimmen klingen an unseren Ohren, meine Götter, warum hat sie aufgehört, so schön zu singen? Und der Graf Orlovsky, in der so schönen Stimme von Gabriele Sima. RIP...
c'est incroyable, une voix comme ça!!!
Patricia Petitbon est très bien aussi...
grandios, sprachlos machend vor 21 Jahren, jetzt noch genauso! Buntspechtin. Ein Gute Neues Jahr allen, die halbwegs lauterer Gesinnung sind!
Dessay was amazing in her prime
reading comments while listening seems kinda relaxing
I adore Dessay. I saw that Lucia at the Met and was completely blown away. It's only recently that I have noticed an enduring instability in her tone. Her acting and charm remain undiminished. I think a break from a stressful career would do her voice and herself a world of good. She has been in demand the world over for what, 15? 20? years.
Beautiful rendition! The song and singer are obviously a classic! She hits those high notes without difficulty. I wonder if she can still sing this after all those years. Anyway, bravo!
Laura Cesar a
she can not already for many years. Sadly she destroyed her voice with to heavy and dramatic roles.
Absolutely incredible. This is a defining performance for Natalie!
Wow that was absolutely amazing! And so was her trilling. She makes it look so effortless, and I know it is not easy. That was a wonderful performance!
I never get tired of watching this video!
Just magical... I could never tire of watching this clip.
whoever disliked this is crazy
I'm crazy
So beautifully done! She is a wonder to behold. It sadly took me a while to discover this. Even then I didn't realize how amazing this was. This is also probably one of my favorite songs to sing along with.
Mein Gott in Himmel -some debut ! Truly amazing. A Nightingale fluttering.Thank you for post.
Denout and pousand de , magnificiense, lepetrestki an bochilet , mersi.
This is so amazingly beautiful!!!!!!!!!!!!! A true artist! BRAVA!
She's fabulous!!!!!!
Salvat loraine
This is just stunning. Shes amazing. The A flat at 6:54 sends chills down my spine.
Happy New Year 2022!
The highest note was the Perfect A in this piece, it is not a G# nor Ab because I have her cd called Vocalise she have an Ab on her recording here in voices of spring. This is her one of her highest note in her history of singing.
It's actually an Ab. Sorry to spoil your post ...
Thanks Again for this wonderful treat.
je me suis reconciliée avec l'opera et la musique classique en decouvrant la voix sublime de natalie dessay!! merci!
She is wonderful, I could listen to her all day.
AMAZING!!!!
Excellence pure-Much gratitude for this exceptional gift:)
Happy New Year 2025!
A FANTASTIC SOPRANO COLORATURA! With such voice, no vocal cords can resist... And Madame Dessay knows that!...
I love her high a-flats!
Beautiful. I love that she didn't skimp on that last note. Amazing
Assisto 70x7 vezes sem me cansar. Marvelous!!! Wonderfull!!! Divino!!!
amazing, no one beats natalie on this piece!
She's a nightingale with her colloratuur soprano. I got tears in my eyes.
Fantástica, llena de vida, emociona hasta la médula. Gracias por poner este video!
She is fabulous.
Thanks again for this wonderful posting.
Hace un sano derroche de profesionalismo con su bella y educada voz. Da gusto escucharla. Gracias por compartir su gran arte.
The things that she can do with that voice of hers! Amazing!!!
Lovely control of her voice, she sounds lovely.
6:51 holy mother of god... O_o Not her fan, I'm more of a Damrau type but still, that is incredible
🙄
You should reconsider your preferences. Never too late to come out
Martin Alvarado well that comment was 6 years ago before she lost her technique. LOLs
@@LaDivinaLover Not sure which one you're talking about; Dessay lost her voice long before six years ago, and Damrau isn't doing much better these days. Singers should never be judged by how they sound at the end of their careers, though.
Ikr. Damrau’s fuller voice anyday, all day, everyday but Dessay really impressed me with her light voice here. Crisp, and sharp. Almost like she made it sound fuller for this song. Love, love, love it!
Exquisitely performed! I don't know what all the arguments about, just listen to that Vienesse audience, THEY know their Strauss! ~ Natalie in her prime, Brava!!! (and yes, Kathy's version was also lovely, but her usual monotone sweetness that never allowed for any deeper expression or connection). This is as good as it gets nowadays
Wie kann aus so einem zierlichen Körper eine solche Stimme kommen! Einhach nur phantastisch!
That was AMAZING. Such ease and beauty. :) Delightful!
She is one of the reasons I train so hard to stretch my falsetto. im coming for that G6 sharp.
I wish I had your ability
Can one strech ones falsetto? I am so curious now. (My voice is fairly high so I never though about that.)
While i try to build myself different than you. I wish i could use my head voice to sing at g6 instead of using falsetto. I once sang a6 with my super head voice. Its not a whistle. It just something in my throat (which i found out it was named vocal cords) are kinda clenched together which make it head voice instead of whistle (still). On the other hand, guess what, i can scream f#7 with my falsetto. OK that's all
MY 💯 % my favorite of all sopranos that I’ve heard sing this aria❤️
NATHALIE HIGH VOCAL REACH & KATHLEEN VERY CLEAN & CRISP & BETTER ENDING ..2 BEST VERSION...