Haydn C Major Cello Concerto - Eva Lymenstull

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  • Опубліковано 19 гру 2024

КОМЕНТАРІ • 9

  • @JedKim-g6w
    @JedKim-g6w 3 місяці тому

    I love the full tone she gets with the baroque cello, which many performers don't get. I have had the privilege to listen to annabeth shirley play live with the SBO which was amazing.

  • @Abracadabra208
    @Abracadabra208 9 місяців тому

    Congratulations on your illustrious career so far! You must have passed this Master's exam, because your website says you also hold a Doctorate.

  • @peterkiral
    @peterkiral 6 років тому

    Nice sound!

  • @fourstrings48
    @fourstrings48 3 роки тому

    I think that Haydn would have been pleased!

  • @noemiserra3366
    @noemiserra3366 7 років тому

    Eva, I don't understand 1 thing. If your cellist play with 'old' arc, why you only play with a actually arc? Thanks

    • @InbictaProductionzZ
      @InbictaProductionzZ 6 років тому +2

      this bow is not a modern bow. from the development of bowed instruments in the late 16th century up until de 1800's there was no standardized bow, only bows preferable for certain types of music or musical advancements. in haydn's time, the bow Eva is using had already been developed (which eventually led to the tourte bow), but other baroque bows were surely still in use. But since this piece catapults the cello into a truly classical style, it would make sense to use the most recent inventions at the time. so it's not necessarily contradicting that she uses it

    • @CHEVCHEV-yk8rv
      @CHEVCHEV-yk8rv 6 років тому

      Antonio Gil I have just recently started listening to classical music. Has the Cello been technically advanced, or modernized since its inception?

    • @Miffopro
      @Miffopro 6 років тому +5

      @@CHEVCHEV-yk8rv Yes, indeed! A lot has changed about the cello since the late 16th century. The most significant alterations include the addition of the end pin in late 19th and early 20th century, the heightening of the neck angle during early to mid 19th century, the size reduction and standardisation during the 18th century, the introduction of steel strings in the early 20th century (previously gut strings were the only option) and wound gut strings in the late 17th century.

  • @raymondperezvioloncelle481
    @raymondperezvioloncelle481 6 років тому

    Avec un clavecin c’était meilleur !