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Eva Lymenstull
Приєднався 3 жов 2011
Bach Cello Suite No. 1 in G Major - Eva Lymenstull
J.S. Bach: Cello Suite No.1 in G major, BWV 1007
Prelude
Allemande
Courante
Sarabande
Menuett I & II
Gigue
Eva Lymenstull, baroque cello
Prelude
Allemande
Courante
Sarabande
Menuett I & II
Gigue
Eva Lymenstull, baroque cello
Переглядів: 49 580
Відео
Beethoven Cello Sonata in C Major, Mvt. 1-2
Переглядів 8908 років тому
Eva Lymenstull, cello Shin Hwang, fortepiano
Haydn C Major Cello Concerto - Eva Lymenstull
Переглядів 2,9 тис.9 років тому
Eva Lymenstull, cello SeungRok Bak and Amy Shen, violins Hilla Heller, viola Annabeth Shirley, cello Yussif Barakat, bass Emmanuel Frankenberg and Mateusz Cendlak, horns Final Masters Exam in baroque cello, Koninklijk Conservatorium Den Haag June 13, 2014
I like how you don't rush. It's more beautiful. So many very famous cellists play the first suite super fast; maybe to just show off. But your interpretation is amongst the best in my opinion. I always prefer these pieces played on a baroque cello in the style of the time too.
Auch wenn man nach Tanzsätzen dieser Instrumentalwerke offensichtlich nicht mehr getanzt hat und diese Tanzsätze dementsprechend als stilisierte Tänze bezeichnet werden, kann ich mir schwer vorstellen dass es im Sinne des Komponisten ist, dass man aufgrund der immer wieder verzogenen Metrik gar nicht mehr erkennen kann, dass es sich außer beim Präludium um Tanzsätze handelt. Modernes Tanztheater hat wohl schwerlich als Vorbild für den Komponisten gedient...
I love the full tone she gets with the baroque cello, which many performers don't get. I have had the privilege to listen to annabeth shirley play live with the SBO which was amazing.
🏴😮😢
this is what I'm telling students.. with a certain dispassionate neutrality, a technique of weights and holding to the tempo you are fully expressive in this period - no need to romanticize (except in your heart & mind)
Thinking baroque music is dispassionate in 2024 is crazy 💀
what a teXtURe! the soloist rly has the clearance to float with a real fortepiano underneath
Congratulations on your illustrious career so far! You must have passed this Master's exam, because your website says you also hold a Doctorate.
I thought you were sitting on thin air for a moment! This was a nice interpretation in Baroque style. I was not expecting you to repeat the sections in the Minuet I after you had played the Minuet II.
Such a beautiful performance, a truly elegant, calm, focused presentation. Bravo!
Hi cello buffs, does the absence of an end pin affect the tone, as the legs must absorb some of the vibration, is it a purer sound with the end pin?
Girl, you kick ass 🤙🏼🤙🏼
je trouve son jeu trop féminin, trop lisse, trop mélodieux; toujours est-il qu'elle sait tirer de son instrument un son délicieux, et qu'elle est, en tout cas, merveilleusement agréable à écouter; il faut accepter ce qui est beau quand ça se présente, sans s'attarder sur des réserves de forme
so beautifully performed . by far my most favourite version i have heard . i wish Eva would release it as a record.
Agreed, and she played it totally from memory. Outstanding 👍
Par ailleurs , au sens acoustique ,pourquoi ce violoncelle manque-t-il autant de volume ? est du à 'instrument ? est-ce-du à l'archet baroque , ou encore à l'étouffement du son par les jambes de l'artiste , ou à la salle d'enregistrement ?
La durée de la pub est affligeante .
im not crying, something went into my eye
Echt cool 👍👍👍
i love how beautifully and gracefully you play.
It sounds really good, although I'm hearing it in F# major rather than G major
Tuning in the baroque era was A = 415 hz compared to today’s A = 440 hz. The difference is almost exactly a semitone apart
Cuz baroque tuning
The flying cellist
Eva Gevorgyan the flying pianist, and Eva Rabchevska the flying violinist. Those three musicians should form an Eva Trio. 😂
Really a wonderful performance! Thank you for sharing! I like it when classical music is played on period instruments.
Una versión clarísima de como debe tocarse esta suite,muchas gracias por compartirla!
I think that Haydn would have been pleased!
I am learning the cello, and you are an inspiration! You play so amazingly! Keep it up
I have heard so many versions of suite #1. This is my favorite. I hope that Eva Lymenstull will perform and record all six under similar settings. This is going to be the new classic.
Prelude 0:00 Allemande 2:54 Courante 7:48 Sarabande 10:23 Menuetts 13:19 Gigue 16:56 Been listening to many renditions of this suite, and this is my favourite
Underrated comment
This work is one of the greatest exponents of Bach's genius, only the great executors can invest themselves with his personality for a correct interpretation, and thus transmit us the feeling of the musician, it is necessary to move to an era, a style, and his soul full of religiosity. without doubt one of the greatest musicians in the history of man.
This vid should have more people
Very beautiful! Thank you!
No vibrato, no end pin, no 440 hz. Just Baroque!
cello technique used in Baroque music didn't have vibrato?
@@datdang9113 from my knowledge, vibrato in baroque music was seen as an embellishment to be used sparingly, rather than how it’s used today
@@datdang9113 they do had vibrato, but they didn't use it much because they thought it would be too much expressive.
Anyone who tells you vibrato wasn't used in the Baroque period is taking an extreme position that most experts would avoid
@@classicalmusful i didnt know
Great!
Ms Lymenstull, i loved your performance here...i am interested in how the music is created and to see you play the suite so calmly .thank you
Its wonderful. You create the right feeling
excellent version!!! Thanks for uploading
Absolutely zero sweetness
Opinion not fact
@@LaDivinaLover The rendition is a bit too cerebral; even bloodless.
That’s just your opinion. It’s magnificent.
C'est vous qui manquez totalement de jugement et de sensibilité
Really nice performance. Crisp and clean as Bach should be!
Nah.. she lacks sweetness.. it's way too rushed..too squeaky
@@italiantraditionalcatholic2390 Rushed?? Certainly not.
Beautiful!
The six Cello Suites, BWV 1007-1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed and recognizable solo compositions ever written for cello. Bach most likely composed them during the period 1717-23, when he served as Kapellmeister in Köthen. The title given on the cover of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso (Suites for cello solo without bass).
These suites for unaccompanied cello are remarkable in that they achieve the effect of implied three- to four-voice contrapuntal and polyphonic music in a single musical line. [1] As usual in a Baroque musical suite, after the prelude which begins each suite, all the other movements are based around baroque dance types;[2] the cello suites are structured in six movements each: prelude, allemande, courante, sarabande, two minuets or two bourrées or two gavottes, and a final gigue.[3] The Bach cello suites are considered to be among the most profound of all classical music works.[4][5][6] Wilfrid Mellers described them in 1980 as "Monophonic music wherein a man has created a dance of God."[
Wunderbar! You are now my reference to play it on the marimba 😉 Thank you
Nice sound!
Yeah, just like that.
bravissima. Davvero MOLTO bello!
Avec un clavecin c’était meilleur !
And yet, another angelic musical presence. Thank you Eva for sharing your rapture.
Superbly played and thanks for sharing your wonderful music
Wonderful Eva!
Thank you, Fabio! Great to hear from you, I hope you're doing well!
All well, all well!
Brilliant performance!!
Eva, I don't understand 1 thing. If your cellist play with 'old' arc, why you only play with a actually arc? Thanks
this bow is not a modern bow. from the development of bowed instruments in the late 16th century up until de 1800's there was no standardized bow, only bows preferable for certain types of music or musical advancements. in haydn's time, the bow Eva is using had already been developed (which eventually led to the tourte bow), but other baroque bows were surely still in use. But since this piece catapults the cello into a truly classical style, it would make sense to use the most recent inventions at the time. so it's not necessarily contradicting that she uses it
Antonio Gil I have just recently started listening to classical music. Has the Cello been technically advanced, or modernized since its inception?
@@CHEVCHEV-yk8rv Yes, indeed! A lot has changed about the cello since the late 16th century. The most significant alterations include the addition of the end pin in late 19th and early 20th century, the heightening of the neck angle during early to mid 19th century, the size reduction and standardisation during the 18th century, the introduction of steel strings in the early 20th century (previously gut strings were the only option) and wound gut strings in the late 17th century.
my favorite suite, and my first moviment is very beautiful. Very peace in my heart. Bach and Cello....
Exquisite playing. I especially like your judicious placement of the mordents and trills in the various movements: Extremely well done. Have you made any recordings yet?