The GAPS and vulnerability of MEDIEVAL ARMOR
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- Опубліковано 5 лют 2025
- Armor was very prevalent in late medieval warfare and governed all warfare, and the development of weapons and tactics. But how did these impervious armored soldiers get wounded in combat?
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I feel we always forget the kinetic energy and get lost in the "does it penetrate?" and "does it dent?" questions. Your armor doesn't have to fail for the body within to fail. You can break bones, get massive bruises, internal damage, whiplash, neck injuries and concussions with your armor being perfectly intact.
This reminds me of discussions on armored vehicles as well. An armor penetrating round doesn’t have to go through all the armor outright to damage the tank and the crew. Enough kinetic force can weaken the armor, cause spalling, or shake up the crew so badly that they retreat.
You need to remember that if the plate doesn’t dent, the force is going to be spread across the whole plate. Don’t get me wrong, even if it doesn’t dent, it can still do damage, but it won’t be as much as you’d expect.
@@gabem3251 Very good point. Back when I was trained as a tank driver they told me that even if the projectile doesn’t penetrate it feels like you crashed a car into a tree. Hell, I even bumped my head badly when I drove over a ditch. Shit hurts.
@@Specter_1125 or it's going to glance which is the most likely result from a sword and the energy is going to be redirected.
Good point 👍
You can find some weird stories of deaths via "internal force," or "internal strikes," which don't require energy to really be focused on a small point.
There was a famous murder in San Francisco back in the 1870s where the cause of death was at first a mystery. None of the victims showed any signs of violence; neither bruises, punctures, nor abrasions.
To quote *The London Medical Record, 1873:*
"A man was hanged lately at San Francisco, according to the Philadelphia Medical Reporter, for murder of a peculiarly dangerous, and for a long time mysterious, nature. This is a sand-club, formed by filling an eel-skin with sand. When this instrument was first brought into use, the authorities were greatly puzzled by deaths, apparently from violence, yet no marks could be found on the outside of the body."
I suppose you could also say it left no dent or penetration but got the job done ;)
"there's a lot of stuff about the groin you need to know"
You didn't disappoint with the Eastonesque double entendres that followed. Superb!
I’m partly here for his double entendres. We don’t seem to lose our 14 year old schoolboy humour. Thankfully.
There isn't necessarily a direct opening, but you can get up underneath...
Having been a soldier, it makes absolute sense seeing soldiers of old not wearing bits of armour.
It's hard to do anything in it, hell, just wearing a pair of gloves is annoying. Taking off a helmet is a huge relief, you damn sure don't want to live in it if you don't want to
Truth, middle east temperature in a kevlar feels like it doubles the ambient heat.
Just compare to how most people couldn't even be bothered with wearing masks during the pandemic. And that's like *nothing* in comparison.
I've had to jog in chemical warfare gear. It's not entertaining.
@@iangrau-fay3604 And i think is much worse in tank crews
I think about sappers clearing mines and explosives devices with those big armours must fell like inside an oven
@@gonzalosanchezblanco6598
They have cooling devices
Matt, you have got to go and talk to your local Fire Brigade! I am a 56 year old New Yorker who has been a volunteer firefighter for 18 years (greatest thing I've ever done) How does this relate to medieval armor? Basic kit weighs about 60Lbs, very similar and that's without tools. Full coverage of the entire body is essential for safety, but what keeps fire out also keeps body heat in. the SCBA (Self Contained Breathing Apparatus) limits the amount off air you can take in. Similar to the vent holes in full plate armor. We have to climb hundred foot ladders and huge stair wells in this carrying tools. FYI our tools are similar to Medieval weapons, Pike Pole, spiked Axe, halogen= Poleaxe. etc. Take a piece of gear off and serious injury or die. Very similar to fighting in full plate armor, go check it out and talk to the Firefighters!
This is a very cool perspective which I don’t think people consider. Respect!
I have thought of that regarding modern military armour and kit as well as firefighting gear. Thank you for clearly making the point.
Some people: "There are all these gaps!"
Modern plate carrier and helmet: *Tries to fade into the background*
similar to this, I would really love a video on medieval battlefield medicine. not medicine on a broad level, but specifically how soldiers and fighters would tend to their most threatening traumatic injuries while still in the context of a battle
I talked to a combat surgeon once about how major injuries are handled even now and I can't even imagine it .
sewing, cauterising and really bad wraps.
Antiseptics were invented in the 19th century. =/
The universal truth of armour is that identical suits of armour provide your opponent far too much protection while simultaneously providing yourself far too little.
I always thought of medieval art as something done by an unskilled child with way too many crayons. I have clearly been a victim of oversight. Those images are pretty amazing when someone explains hem to you. Thank you.
Like they drew them in full armour?
If you've been a soldier recently, say the last 20 years, you can probably relate to suffocation and dehydration in armour. It wasn't exactly fun running around in our "full kit", especially in middle Eastern heat, and ours was relatively flexible and maybe lighter than the medieval stuff.
Plenty of ways to die in armour.
I think it's safe to say that weight distribution of modern military kit (assuming at least a moderately loaded pack) is generally worse than the weight distribution of medieval armour like this. While modern militaries still try to centre a lot of the weight close around the torso, 30kg (for example) on your back is going to feel heavier than 30kg spread over the whole body. And modern military loadouts *can* far exceed the highest weights of medieval battlefield armours. But to speak to the overheating factor; I think it's definitely fair to say it'd be worse for these armours
@@tommeakin1732 I was going to mention something about that too. Some modern armour is pretty restrictive on breathing and really hangs on your shoulders.
But have you had a squire to carry your supplies?
@@DzinkyDzink in a way. We didn't usually have to carry rucksacks, the truck or humvee did that. Depends on the situation.
Tom is 100% correct, period armor is usually better distributed than plate carriers and a ruck.
29:00 he doesn't need his legs protected when he can swing a bull around his head by it's tail, but with ballls that big some mail briefs are beneficial.
I'm all for Matt examining arms and armor in period paintings ! Would love more of that
You mentioned how it would be hard to fight against someone with different types of limb protection, but I imagine there are other advantages from the person selecting the armor. Someone with upper body coverage coverage could go for certain strikes safely that someone with lower body coverage could not, and vice versa.
When I would spar with my night, he would bait with his leg because he had very good armor there. If someone swung low, he would take the blow and go for the head and throat.
Oh, another thought about the soldiers wearing armor with nothing but their face exposed: in one on one combat, at least, the face is probably on of the hardest targets to hit, because we are wired to protect our faces. A person will be much faster in defending against an attack to their face, especially if they know that that is the biggest opening in their armor.
And your eyes are on your face, so you will see incoming attacks better there.
That's a great point. Matt said something similar a while ago; that you should focus on as much on what armour protects, as what it doesn't.
If two people are fighting with rapiers, the fact that one is wearing a cuirass is a massive advantage, despite it 'only' protecting the torso.
Its why I have always considered the Sallet to be like the best helmet if you have a gorget, You can quickly pull the pin and remove the visor.
Great video. I just started to understand some doubts I had for battles like Agincourt
Thank you for going back to medieval art references, that was very cool to have your annotations. Looking forward to the "Jack-chains" episode.
It kind of seems like "the glass is half full" was the dominant mindset in the world of armor. Each piece of armor you put on is a whole class of attacks that you don't have to worry about as much.
Until Gunpowder came along
Imagine the Ancient Persians using Gunpowder Grenades and Muskets against the Greeks
I think if you want to survive an extended battle you are most likely to survive if you are armored enough to survive the initial engagement and at the same time lightly armored enough to not be completely exhausted before the battle is over.
This is at least what I get from the pictures shown in the video and thinking about it for a bit.
It is also obviously only a choice if you have too much armor to put on.
@@christiandauz3742
Incorrect . They were not using modern firearms , armour of the time could absorb small arms fire of their time well enough (varies highly on quality of the armour , but most armours could withstand pistols at close ranges and muskets at longer ranges) . Armour was proofed by shooting it with a pistol at a close range which is from where we get the term bulletproof . Problem was you could put a dozen dudes with firearms for the cost of one dude in quality armour . Even then armour was still used , for example in Eastern Europe mail was still used for armour well into 1600's . Naturally it did not protect them against firearms , but it will absorb a sabre blow perfectly well .
@@pp-wo1sd
Muskets didn't exist in the 1600s. That would be the Arquebus
An American Civil War musket is overkill
@@christiandauz3742
Matchlock muskets were starting to get adopted around the early 1600's , later in the century you even begin to see early versions of flintlock muskets , called firelocks .
This was an amazing presentation, thankyou 👍👍👍👍
Excellent video! As regards the Italian Knight in the red armor, as a chemistry major I would imagine that it was extra expensive armor that had been etched, perhaps with a gold chloride mixture. Could be done with gold or iodine or nitric acid and hydrochloric acid, combined with mercury with gold leaf. My hypothesis is that that plate armor was done much like a stained glass window, they took the gold chloride mixture and heated it in a very hot furnace to change the nano structure gold chloride to give it that red color permanently. It was well known among glass makers why not armorers as well.
I really like those videos in which you go through historical art and comment. More please!
Excellent deep dive into the very nuanced topic of “what is armor?”
Fascinating stuff. That Bolognese source sounds interesting. THanks for yet another excellent video Matt.
Could you make a video giving us a sense of the cost of each element of plate? I suspect the lack gauntlets often has a lot to do with the desire for more dexterity, but is it also the case that fingered gauntlets were particularly expensive in relation to the rest of an armour? Considering how complicated the hands are, my guess is such gauntlets could be some of the more complicated parts of armour to make
It could also just as likely be an artistic preference to paint hands instead of gauntlets.
And the same could be why so much art shows open or missing helmets, just like movies and TV usually make sure the face/head of main actors is fully visible as much as possible, to ensure an empathic connection with the audience.
@@MonkeyJedi99 I struggle with why it'd be harder to depict gauntleted hands over plain hands; but I do think you have a point with the faces. I think Matts made some great points about why you'd pick an open face helmet, but I'm not sure how great a guide the art is for this one point
@@tommeakin1732 I'm not saying it is harder, just that it may have been "the art style" in accepted use by "proper" artists.
Maybe the same "proper" artists who fought so hard against perspective and vanishing point horizons...
I don't think cost would come into it too much, at least for the people in good armor. If you could forgo some fluting or trim in favor of gauntlets, you would, unless you didn't want gauntlets. I think it comes down to dexterity, and the ability to do things like ride a horse, communicate via hand signals, steady yourself and others during the press of battle, and draw a sidearm at a moment's notice. I also don't imagine hands are a very common target in a battle, and I imagine it'd be annoying to try to take off your gauntlets and stow them when you're in the field, better to just not have them in the first place.
@@daaaah_whoosh Gauntlets are the one really good bit of armor I have. Mine are of the 1490's German sort with semi- finger form with the first two fingers together, the the 2nd two which affords more protection than single fingers but still allows dexterity. I don't find they encumber anything I want to do, though they noticeably slow your sword control and tire you faster - I imagine that more strength training would eliminate that concern though. Considering how easy it is to get your hands hit (especially if your form is not spot on) gauntlets are the most important bit of kit for me.
17:09 Arrow on the outside. You're welcome, Shad :^) I've been paying attention to arrow placement on every bit of medieval and renaissance art I see lol
27:23 Also on the outside
After watching videos like this one and that I see so much more in old art now. It's really cool.
Thanks for sharing 👍
I absolutely love this video. Great topic and analysis of sources 👏
Great video! Super informative! I would love to hear more about anti armor weapons. Would especially love a video on the estoc
Great video! Given what you’ve said before about shields and single-handed swords continuing to be used during the age of plate armour, how do you think combat would play out between a lightly armoured soldier using a sword and shield, against a man at arms / knight in full plate using a longsword?
For example, how would the sword and shield soldier try to get round the plate armour of the opponent without being able to half-sword (given the other hand is holding the shield)?
And would the soldier in full plate be likely to use two hands on the hilt of the longsword rather than half-swording, to make the most of the range advantage, and with a chance of wounding the opponent by thrusting through their lighter armour?
How to wound somebody wearing armor?
"Your mother was a hamster and your father smelled of elderberries
" .. no ? seems like that would wound me.
Sticks and stones...
A very intresting topic as always mr easton, keep up the great work cheers
I tip my hat off to you for your dedication. ;)
Matt you say the picture of the brie/chain mall boxers looks like artistic rendition but I wear much similar bar the colour & type of helmet.
Though I would wear some leg protection at least on the lower leg but Each to their own.
Jack chain on gambeson are underrated in my opinion as you gain physical blocking/parrying surface with little to no added encumbrance.
Personally I never much liked braces & vambraces but I would want gauntlets personally!
I dislike knocking the fingers.
I would likely wear a cod piece just for the laughs along with the chain brie:)
"So why would someone wear a full plate harness without leg armor?"
Me playing Elden Ring: Didnt level up endurance enough and the equip load is too heavy. Also better for mobility.
Astounding visuals, Matt! I notice that many archers have their sword scabbards mounted such that the swords hang straight down. That can be uncomfortable when on the march, no?
Thanks for sharing
Did you ever do that video about jack chain armor like you said you would? It seems like an easy enough video for you to make whenever you are scratching your head wondering about future video content.
I love some of those paintings! Peak Medieval aesthetic.
In the image at 21:15, I'd dispute that the guy with the rondel dagger doesn't have armour on his arms. I've seen a number of images from that copy of Froissart's 'Chronicles' (I believe it's the 'Gruuthuse Manuscript' from the Biblioteque Nationale de France) and they often seem to feature soldiers with yellow or brown armour plates, which I think is the case with that guy- you can see the outline of plates, particularly on his left arm. I don't know whether it's supposed to represent gilded or painted metal armour, or even possibly 'cuir boulli' treated leather armour. It may even have been an artistic choice or a mistake made by whoever was in charge of colouring in the image, but it's a common feature of the manuscript, for whatever reason. It's noteworthy that the following image selected (23:00), although by a different artist shows a knight with yellow plates included in his armour, apparently representing gilding.
Really cool video!
And I would like to hear more about jack chains.
28:30
To the far right, right behind the archer's elbow, there is a VERY interesting detail: a shaft sticking out the man's harnesk.
The man's facial expression seem to indicate he does not think it belongs there and rather resent it.
It's all well and good to say to attack gaps in armor. My experience though is that is easier said than done when they are actively trying to get you too.
Great video, thank you. Is it possible to publish the credits for these interesting pictures, please?
Back Edge Cut to the back of the leg is perfect.
I wonder if any of these artists had the slightest inkling that their work would be analyzed so carefully centuries later to tease out clues about how armor worked
Monk Clementius who hasn't left the abbey and it's 1000 acres in 40 years: Ahh yes, that's my lean my leanee lean that I've just imagined, and they'll be wearing the haircut that I made up, the bowl cut. They'll also be wearing my imaginary armor which is better than all real armor, which I've only seen once, when I was 8
Painting something that looks like complete bullshit seems a great way to not get paid to do anymore paintings.
LIke the speed-archer guy said, (paraphrasing) 'If someone pays me to do a drawing of an iPhone, I do a drawing of an iPhone. I don't fuck around making up a whole imaginary phone.'
Arguably, the armour is one of the few things about the battle that they could get right, given that you can sit down in front of a suit of armour and it's not going to move. The actual kinetic to-and-fro of a battle - even if it's seared into your memory from being there - is much harder to depict, especially in an era where they weren't exactly painting to a photo.
I wish there was a lot more readily available information on this particular subject out there.
The figure in red starting at 5:15 is Emperor Trajan in the tapestry copy of the painting "The Justice of Trajan and Herkinbald" by Rogier van der Weyden, a Flemish painter. His red armor was originally depicted using gold cloth, which faded to red over time. Bit of a shame since red plate armor would have looked very nice!
Might I be pointed in the direction of a space with a wealth of such art...? A site or so-
Thanks for the insights by the way!
Wonderful discussion, Matt. How much can we rely on the artists' accuracy? It's clear from your examples that they understood the subtleties and many variations of armour choices. They may have been the photo-journalists of their day but I assume they were painting for a patron and would have been motivated perhaps to make nobles and peasants look more formidable than they were. Would they have been at a battle or would they have relied on stories told after the fact? I'm thinking of the Illiad and Homer's description of how chariots were used in combat. They were obsolete by his day and he basically described them as transportation to and from the battle rather than as a weapon to be used in battle.
Situations when armour ist dangerous: Drowning.
The german emperor Frederic Barbarossa died while crossing a river in turkey (he was on crusade). He was not able to swim because of his heavy armour, and there are numerous cases throughout history where similar things happened.
Wasn't that more because he suffered a stroke rather than because of the armour ? If you want an example of a king drowning in armour a good example would be Sigismund of Luxembourg , king of Hungary and Croatia who drowned while fleeing from the battle of Mohacs
@@pp-wo1sd Louis II died at Mohacs. And it seems that there are conflicting reports about his death, anyway.
@@lscibor
Strange I was taught at school he was called Sigismund
Have you ever made a video about the weapons and armor of the battle during the 100 years war combat of the 30? Its a great microcosm about the effectiveness of armor and formation. And how one casualty leads to others. They fought for hours till someone died. Eventually one side lost 9 I believe and the other 5. But everyone was injured.
Just spit-balling here, but I wonder if the exposed backs on German and Italian armours (mentioned at 23:19) have anything to do with those regions producing for the export market? I'm aware that places like Milan and Nuremburg were centres of armour production that exported suits/parts across Europe. But I've long wondered how hard it would be to find armour that fit you well if you were from another part of Europe (say England or Spain) and had no actual contact with the Italian/German blokes who mass-forged your armour. But if they're leaving the backs of the armour open then that would increase the tolerances of body shape/size for any of those pieces (replacing straps to suit your limb dimensions is presumably relatively trivial?). And if the people hammering out armour pieces in those regions were regularly forging open backed pieces for export, it wouldn't be unreasonable to see the same techniques and forms carry over into locally commissioned armour. Regardless, it would be good to see a video on the process of ordering a harness (both locally and internationally) in the period if you get the chance!
I would add "overhydration" (aka drowning) to the possible fatalities in armor without being in combat.
Live the artwork at 27:20. Can’t seem to find it using variations of his opening description; can anyone help? I’m not familiar with searching the era so the terminologies are quite foreign to me.
Ever since I was a kid I was told that knights in full plate armour finished off a grounded similarly armoured opponent by pushing the arm over up over the face and going in through the arm pit. If you don't go through the ribs you can get the artery and then its good night sweet prince.
14:40 I point about gloves I will agree with. Even in modern combat armour, flak jacket, tacvest, helmet and ballistic eyewear the gloves are the last thing to be put on and are hanging somewhere off the kit.
Great stuff! I like that the less armored gentleman in the 2nd example appears to be a bit older than his fully kitted compatriots. I like to think that he knows what works for him and sticks to it. If that means exposed thighs so be it! I wonder with archers how often they were firing from some sort of cover, be it waist high or higher, making lower armor far less important. Also, what was mail underpants doing to that cow? This man cannot be trusted.
That would be a fun kit to reconstruct.
31:34 The red brigandine + plackart fellow above the chopped-into padded yellow guy, what is he wielding?? Is that a two-handed SPOON?! Very strange club.
"Anonymous Bolognese Source":
Matt Easton
Same genius who asks "why not build a plane like the black box". Same answer: it wouldn't be usable..
Have you tried "EMOTIONAL DAMAGE"? I heard it's very effective and bypasses physical protection.
It also helps if you can fight before physics is invented, and force your enemy to walk 20 miles, uphill both ways, on one foot because the other foot is running a business.
Not even the dankest shitposts can penetrate my safe space.
'YOUR MOTHER WAS A HAMSTER!'
@@Zagskrag Good
Excellent video Matt, really loved the detailed analysis of medieval artwork
27:22 This art is fascinating. Those two guys at the back, to the left of the sword and buckler man; what do they have in their hands...? Almost looks like some kind of early chemical bomb
The amount of different weapons in that one was neat. You got a bow, crossbow, musket, grenade(?), sword and buckler, glaive, halberd, poleaxe, spears, cannons, and what might be a large mace in the middle.
Also the bowman's dick sword should be noted.
Perhaps they’re really early grenades?
Mentioned jack chains but only as a teaser 😂
Dang I so want to hear you talk about them
As Shakin' Stevens once said, "lovely stuff!"
Regarding regular foot soldiers: In the Holy Roman Empire (and presumably everywhere else), the cities had to be able to raise contingents of foot soldiers. Which means that they had to provide basic arms and armour. These had to be replaced ever so often and we do have itineraries from the late Middle Ages. In terms of armour, the cities basically provided only simple sallets and breast plates. If you wanted more protection or customised protection, you had to bring your own.
Having worn flack vests and soft body armor in 110 degree heat I understand why you need gaps
Something that often is overlooked in these discussions about but is an important factor of what armor you wear to battle, is what can you afford? Obviously most men at arms or members of a lord's retinue / armed retainers will likely be equipped by their patron, but most common soldiers or even mercenaries are only going to have what they can afford! And of course not all lords were wealthy enough to hand out full plate harness to all their retainers, so even if you were man at arms you might be missing some pieces.
Off topic but do you have a video talking about the decline in the effectiveness of the mounted knight? Im curious to know if there was a decisive moment or , if , despite reversals in battles with pikemen or pike blocks/ hedges, faith in the mounted knight somehow persisted longer ? A timeline for this is what I'm after. I know in the early 1300's a few battles did expose the limitations of the charging knight in armor. But I just read a book that described how knights in full armor were still a thing as late as the 1630's, which seems a bit of a stretch. Also, just how much did guns contribute the the end of the mounted knight in armor ? When I was a kid, pre-internet, it was often said that guns were decisive to ending that era. Now, we hear more about the Pike blocks and longbowmen as being the key factor. What European battle was the last one to use mounted armor knights in any significant number ? Thank you very much in advance.
And, as American football demonstrates pretty clearly, armor doesn't do much to prevent you from simply being tackled--especially gang-tackled.
Pinned and pounded. Pinned and then something jabbed deep in a gap. Pinned and trampled.
(Which is why the vast majority of historical and ethnic wrestling styles emphasize [1] takedowns and [2] pins. Surprise surprise.)
True, but in football the players aren't swinging around swords. While tactically speaking if you are one in a group of say 6 people trying to tackle the knight, you are unlikely to be one of the people to get hit, but most people don't like taking those sort of chances, and would hesitate. So tackling a knight is nowhere near as easy as tackling a football player, both physically and psychologically speaking.
@@TheAsj97 In football the would-be tacklers aren't themselves holding shields and weapons with which to parry. One guy's parry being plenty enough of an opening for other guys to go for the tackle.
It ain't movie fantasy fight scenes with multiple attackers forced to fight one at a time.
at 29:20 you said unprotected torso, but that looks to be the bottom of a backplate poking out under the orange....
At 28:28, the bearded man in the middle is wielding some sort of pole arm with two circular hand guards. What the heck is it? Is the tip broken off, or is that what it's supposed to be like?
17:10 Beeing fully armored, except for the legs, also makes a lot of sense, if you are figthing from behind or inside of fortifications, e.g. from behind walls or through embrasures. At least in the beginning the attackers can only hit the top half of your body, when you shoot or throw things over the fortification. The situation, that attackers breach the fortification, if it happens at all, can take a very long time, in which you can overheat in full armor. Leaving the legs open, gives you at least a bit of ventilation and makes your movement along the walls faster.
At 28:00, what are those two people in the centre holding?
@scholagladiatoria I'm curious how plated soldiers avoided heat exhaustion. I was a wrestler in my youth, and I know how utterly exhausting grappling is. Let alone in many layers of armor. Let alone in a hot environment. And, conversely, how did they avoid hypothermia in cold environments?
24:00. “The anonymous Bolognese sauce…”
… at least that’s what I heard the first time…
I am SO late to finally watch all of this video! BUT, if no one's said it already😀😂, the final illustration Matt features is of the famous Portuguese battle of Aljubarrota in 1385. However, I think that particular illustration is probably from well into the following century. Maybe 1450, or so...
You're quite wrong the gentleman in an orange shirt is wearing a sheer us underneath as you can see from his belt line Ergo this is an Archer with Cleaver in hand explaining the left-arm Jack and the right arm chain however I am quite confused that he does not have Jacked legs.
"Imagine Boxer Shorts made of mail" some have to imagine that and some of us have two pair hanging in our closet, the second for when the first get's soiled, which happens a lot more then you'd think.
What is up with that archer holding the arrow on the outside of the bow in the flemish art piece?
21:55
Not only an Exposed Legs but also a THICC Dump Truck.
Would be nice to see, how effective blunt force against moving/shifting parts of plate armor is at hindering said moving/shifting and if this did affect the choice of armor.
The figure with red armor and crown is obviously Vlad Dracul from Bram Stoker's Dracula directed by Francis Ford Coppola 1992!
I don't understand why it was so hard to interpret that...
It seems to me that there was a huge amount of just personal preference in this topic. Everyone is gunna protect their vitals and head, but past that, seems like individuals would decide whether or not additional pieces were worth it to them in the protection/discomfort,lack of mobility trade off.
at 16:09 the guys in pink/light red seems to have plate all over his body with clothes over it. Same goes for the legs of the guy in blue but not his arm were you see that it's only clothes and no plate under it.
I suspect the lack of leg protection may come down to just how much harder work it is.
Modern hikers often say that weight on the feet is 3 or 4 times as encumbering as weight in your backpack (ie. on the waist like much of medieval armour)
And if you consider how much of the time a medieval knight will spend walking or riding (using their legs) I can imagine them going "Nah I'll skip leg armour because I want to still be able to stand when I have to start fighting"
I've noticed people a few times mention about armour that it's "distributed throughout the body" with the implication that that makes it more agile, but I suspect that that's a double edged sword. It probably makes movements function more intuitively (because it doesn't alter your weight balance as much) but modern ergonomics strongly suggests that it's basically always best to carry weight on your hips when it comes to encumbrance.
Regarding the guy on parade for the joust. Didn't some jousting armour have armoured stirrups? or even have the entire legs of the armour on the saddle?
in the example with the guy in the crowned helmet chopping off a dudes head, what is that golden thing hanging out the horses stirrup?
In terms of suffocation, I've seen the theory that one reason for the dished shape of the ancient Greek aspis was to give a bit of room for the hoplite to breathe. The numbers of ranks involved - assuming period sources are roughly correct - would have lead to extreme pressures developing for those caught between two phalanxes, to the point that breathing would have been difficult.
Plate armor is so insanely overrated, there were so many scenario where they didn't make sense. For example historically Janissaries were always lighter armored than Knights but this was easy to overcome during the actual battle. They were often using feigned retreat to tire Knights like battle of Nicopolis then once they were tired charging at them. They were also carrying a round shield to protect themselves and close the gap against Knights. Once they were arm's reach it didn't mean much as a mace was effective against plate armor regardless how many layers there or face protection. Even if they had full closed helmet if they ate a full power mace to their faces you can be sure they were out of combat at least..
Also possibly attacks to the head is common as rain but in a crowd leg attacks more difficult? Everyone would know head chest and head are the sweet spot hits.
Assuming taking out of the fight fast is a main goal the opponent would know this too
29:50 that guy is wearing a cuirass with a surcoat/tabard/whatever over it. You can see it peeking out of the bottom just above the mail underwear, and it explains the unusual v-cut back gorget
The complaints about gaps in armor or open face armor is silly. For the longest time, soldiers not only didn't wear armor, they literally lined up and shot at each other without cover. My guess is that regardless of what type of armor or how much you had, the mentality of soldiers back then is the same as it is today: Don't get hit. And if you do, hopefully it will be where you have the most protection. Armor is about minimizing damage, not about invulnerability.
I'm guessing one of the most important resources in a medieval battlefield is stamina. An unencumbered soldier can more easily stay with supporting units or withdraw from a failing position. All the armor in the world isn't going to save you if you're too tired to avoid being isolated from your allies. In a sense, wearing less armor might be a better defense against melee combatants than going in wearing full plate, if only because you can more consistently pick and choose your engagements.
If you are crossbowmen, archer or a gunner basically has no inventive to wear lower body armor cus projectile fire has lamost no chance to hit the limbs and it isn't your job to engge in close combant for long periods or time. Also, if you marching long distances, lower leg armor tires you out cus you lifting it everytime you walk.
Especially if you're not going to be able to pay ransom money to your capturers, then you don't want to get into the risky situations. Being able to get away may then be more important than taking to wounds in close combat
That's my view too. 2 min of all out combat is exhausting. Imagine doing that all day.
The second to last image, the really vivid one. Two characters have some strange pinapple shaped things in their upraised arms. It looks like they are smoking, is this some kind of medieval grenade?
Matt, with so many of these sources showing unarmoured feet on soldiers who appear to be kitted out to fight from horseback, would their stirrups have armour for the foot?
"War without fire is like sausage without mustard." Armored troops were often defeated by thermal weapons or fire. Many armies developped fire troops or fire specialists for sieges. Many techniques and weapons were used to set ennemies ablaze.
See online "Thermal Warfare in the Ancient, Medieval, and Early Modern Worlds" by Matthew A. McIntosh.
3:30 Sorry, suffocate from what?
I haven't watched the video completely yet, so I wanted to comment now before I forget, so sorry if that is explained later, but what kind of suffocation were you talking about?
Boxer shorts made of mail? I hope that came with padding underneath. That would otherwise involve a lot of pinching.
Mail always came with padding
Excited delirium would probably be a contributing factor while fighting in armor as well as positional asphyxia.
Are there any examples of detachable mail sleeves or legs that can be attached to a plate armour torso?
That's something I'd consider wearing, if I had been in that situation (along with additional protection for the forearms and neck, and obviously a helmet).
Hi Matt, you made a point on painting armour bright colours (red specifically). Is there any evidence that medieval arms and armour were painted dark or natural colours, or had their polish dulled to help camouflage soldiers doing sneaky jobs like reconnaissance or ambushing? Obviously a cloak and hood would help, but if you choose to have a weapon drawn or ready, or if you have armour on underneath because you expect you might need to fight (as in an ambush) then that flash of bright steel might be enough to make you seen, something medieval soldiers must have realised. Cheers!