1 -ERROR : *SHINGEKI* 2- Animador principal de la escena : Arifumi Imai 3- More info scene :blog.sakugabooru.com/2018/07/30/attack-on-titan-season-3-02-episode-39-production-highlights/
Too much zoom-in/zoom-out (and inverted) : a disease for animations (, dragon ball super : battle of gods ... alike) ; rich in dynamism, poor in movieness :/ Outside my point of view, the job (2d/3d) of the drawers/animators is outstanding. I guess the studio miss a theater choregraphist (or movie realisator) for render with acute-range camera good-exploitation. I guess you will not cut off the fact that you have to draw more ; far-jumping or close-jumping a sprite for not have to deal with mid-range (have-to-draw-sprite) rendering ... do not pay always.
Tengo una pregunta respecto al flujo de trabajo. Primero se necesita una maqueta o vista superior para ubicar las acciones? Me resulta muy difícil pensar que un trabajo así pueda improvisar se sobre la marcha.
Whenever you complain about why it's taking so long to animate a show just think about this video. This was 20 seconds animation of a 20 minute episode. Crazy.
@@jaishkhan7442 its still long and pressuring the studio just makes them more rushed and the result is bad animation, sometime fans are the reason why bad schedule happens in animators, well atleast AoT fans dont pressure wit
@@beatermatrix5923 I don't think thats how it works... The animators pay money just to animate and an average 13 episode anime season costs around 250M yen ($2M dollars)
TheGreyGap i see. If you pay less attention to Levi and more to the background, it seems that the camerawork pans up and down side to side; all I'm saying is that it surprises me greatly. I was under the impression that the camerawork would be more dynamic but I guess that's where the characters' dynamic movement seels the shot. Levi really looks like he's under dire straights having to maneuver through such confines with the camera perspective.
Imagine they managed to be consistently paying close attention to DETAIL on each character. Drawing them by hand, not 3D (except for the buildings) is such intricate line work. Kudos to all of them!
this scene was made by Arifumi a freelancer. Mappa is a bigger animation house than wit studio they will outdo Wit studio. and some of the Animators will remain same.
Mappa isn't really great studio like Bones or Ufo but it's still pretty good compared some studio. Their animation is only 1 step under Wit, so it's not too worrying, and there is hope to rival it. And it's also child of Mad House.
After seeing this I think we should stop insulting studios like studio Deen for example Like the studio and the animators suffer so much and animators even pull too many all nighters so that they'd be able to make a 20 sec scene and it gets even worse for the studios who have continuous, ongoing anime like Black Clover Man they don't even get paid enough for this kind of job
I agree. That's why I never complained about bad animation. If it has a good story and bad animation, then idm. Sure it ruins it a bit but animating is torture.
nah why dafuq would u even defend them? If they have no time or money to animate sds then they should've delayed it! I would rather wait for them to animate it perfectly! Also it's obvious that they rushed it bcuz they handed it to a small animation team and DEEN studio didn't even animate it. I think DEEN studio was busy with another anime at that time (Knosuba I think) and they should've focused on one anime first if they couldn't handle animating another one. It's absurd that they didn't even give justice to the epic fights SDS have like Escanor vs Meliodas! If you're on their shoes would u like to give the fans a bad anime that you didn't put effort to? How sick of u to release a bad project that we waited for years to get animated and you didnt even gave justice to the manga and the artist.
@@commentwar7949 look I'm talking about all studios in general Studios have a schedule and a due date they cannot miss Delaying isn't as easy as you think Because 1) contracts they do with other companies or host tvs sometimes have dates and these dates are hard to change 2) 60% of anime fans hate delays or waiting Take mha fans as an example, they can't stand waiting a year for s5 You and me are okay with delays but I can assure you that the majority of anime community does NOT stand it the budget can also result in many problems Imagine working your ass off day and night to make the episode but you don't take that much money anyways Studio deen had a lack in budget + they didn't have time Assigning to smaller team also is not what makes the anime bad A small team was assigned to make black clover after the first studio working with pierrot went bankrupt Pierrot prioritized Boruto over black clover so they didn't care that much about black clover Yet black clover was able to deliver decent art especially in the latest episodes Even one time the team worked without sleeping for days And they still delivered the episode
@@Gemini053 this is actually not very really helpful but.... for 2D anime, if you have at least the basic understanding for animation, good at drawing (anatomy is a big plus for anime), can adapt to different art style freely, can work as a team, can work with only 1-2 days deadlines per project (sometimes you would get longer deadlines), and can draw at least 50 sheets a day then you are all good. being able to drawing complicated scenes (like this video) is a big plus. but different animation company would prefer different skills and requirements tho. as for me, my drawing skill sucks so my training didn't go as well as I had hoped for. I haven't started real work yet so I don't really know what kind of hell my seniors had gone through. 😂😂
@@nobraincelltobeseen I'm changing what I want to do in life...I don't work well with others, anatomy is a huge nope for me, and I break under pressure
@@Gemini053 really depends on yourself whether you want to strive or choose the next best things. the most important thing is that you'll feel happy and comfortable for what you had chosen. don't let other people affect your judgement for your life decisions. I'm struggling hard right now but I also feel content with what I'm doing. so take your time and learn about yourself :)
I'd hope they have an original back-up copy and that they make frequent saves as they work that also get backed up. (Plus someone that frequently checks in/reminds them to check and make sure they're not missing something important, such as working on the wrong layer) That way, even if they accidentally do mess up, the whole thing isn't ruined, so they don't start entirely from scratch.
I cant even imagine the time it took to make this. But I appreciate every animator and artist that went into making this gorgeous scene. I was squealing in delight when I first saw it.
Animators are really under appreciated. All of them deserve to have more recognition equally as the author of the manga. Kudos to WIT Studio (a small studio, they said) for making it from Season 1 to Season 3!! 🎉💕
@@prathamreddy5566 Wit studio is smart enough not to ruin s4 by rushing they didn't drop it, they are willing to finish the series if they have been given 1 year but since kodansha refused wit had no choice but to drop it and not ruin the masterpiece they have made and then mappa knowing the shitty schedule still took it and we got a disappointing season.
levi’s hair is👌🏻, the movement, the background, the effects, i love so much 💓 (thank you animators for creating these masterpieces for us. we will appreciate it with all our heart 💖)
Why the hell the Japanesse government isnt doing something about the animators industry? Isnt there a law wich values these ppl like a decent human beings? They deserve more and more support and payment goddamit
Because this would've only be bad for their cultural economy, btw don't forget literally every worker in Japan has approximately the same working conditions, it's their culture.
The art industry as a whole isn't hard to break into it you just gotta take the time to learn it but many people drop it so it's in dire need of new artist constantly so people get overworked quit or out right hospitalized and end up having to keep doing that till someone new comes in, and studios can't pay people more because if they do the studio can go under lots and lots of issues with it, if there was more artist, more artist willing to also do stuff like this, things would be a bit better for them
@@3etakk Yeah but imai did it for wit, sooo credits goes to wit. If it was the other way around, a lot of studios wouldn't get much praise. Freelancer or not, your work is part of this studio's production. Your work, is theirs as well.
Levi is so badass, this is one of the best animated scenes I’ve ever seen. amount of work that goes into scenes like this is just unbelievable. animators really deserve better pay
First there are soldiers fighting on borderlines then there are Japanese animators spending their night and day Working restlessly for few seconds of animation. God bless them both.
Somehow this feels just as cool as the final product of the animation, maybe even better in a way.. I don’t know if it’s the contrast in colors or just the fact that we see it more clearly but my appreciation for the work of this scene went up by a thousand more then before.
Mr. Arifumi Imai deserves all the respect and love in the world for this scene! One of the most intense and nerve-racking scene ever ! Enough to keep you on the edge! 🙏🙏
what's most impressive to me is how faithful his movement is to the actual mechanics of the ODM gear. When you watch it in full speed it kinda looks like they just drew him flipping through the air with some random lines coming out of him that they masked with a bunch of speed lines and dust effects, but when you analyze it frame by frame all of his movements ACTUALLY match up with the movements of the ODM gear. You can see the ODM gear engaging, hooking onto a building, and either pulling Levi in that direction or acting as an anchor point that he swings from
Idk why but i love seeing the progress before the final product. Clearly the way they color draw lines and show the expresiveness Is so great than watching the fule *fast-paced*what a time to live...
I appreciate cartoons and animes alike simply because of the extreme amount of work put in by animators to make something like this turn out so well. Simply amazing.
Primero que nada, esto es hermoso. Yo no sé nada de como hacen la animación, pero papi ver esto es magnifico. Un trabajo profesional y tan realista que me encanta. Y pana que mieeeedo, esos equipos de maniobras tridimensionales se ven que son dificilísimos de usar. ¿Vieron la mortal en el aire que Levi hizo sin estar sujetado de algún edificio para posteriormente lanzar los cablecitos esos? Wow, amazing. Me encanta. Me fascina. Estoy maravillada.
Imai y Abe son unos capos, uno juega espectacularmente con los angulos de cámara/entorno y el otro le pone 100000 efectos a su trabajo. Simplemente unos capos.
1 -ERROR : *SHINGEKI*
2- Animador principal de la escena : Arifumi Imai
3- More info scene :blog.sakugabooru.com/2018/07/30/attack-on-titan-season-3-02-episode-39-production-highlights/
WHEN OHERS GET MORE LIKES THAN THE CREATOR
you have new suscriber thanks for the video
Graciaps
Too much zoom-in/zoom-out (and inverted) : a disease for animations (, dragon ball super : battle of gods ... alike) ; rich in dynamism, poor in movieness :/
Outside my point of view, the job (2d/3d) of the drawers/animators is outstanding. I guess the studio miss a theater choregraphist (or movie realisator) for render with acute-range camera good-exploitation. I guess you will not cut off the fact that you have to draw more ; far-jumping or close-jumping a sprite for not have to deal with mid-range (have-to-draw-sprite) rendering ... do not pay always.
Tengo una pregunta respecto al flujo de trabajo.
Primero se necesita una maqueta o vista superior para ubicar las acciones?
Me resulta muy difícil pensar que un trabajo así pueda improvisar se sobre la marcha.
Director: So there's this Levi fight scene...
Animators: *opens a bottle of vodka* uh huh
SKSKSKKSKSKSK
One just shoots himself 😂
💀💀💀
Pay: $3 per hour
Shut up
Director: “alright we have to animate a fight scene between Levi and-“
Animators: *sighs* “fine” *snorts a pound of cocaine*
Alrite, let's do this!!!
LEEEEEEERRRRROOOOYYYYYY
JENKINS!!!!!!
Hahaha
BAHAHAHAA
Levy action scene: *exist
Animator: *taking a deep breath
lolol
Director: Okay, so that scene is just going to be Levi being a badass.
Animators: *god damn it*
signature This was Arifumi Itai’s work. He was the animator in this scene.
@@shopekuax2067 Imai not Itai
@@beatermatrix5923 It's funny because itai means "it hurts" in English.
i love this scene so much where levi and kenny squad yk
the work was by Arifumi Imai, a freelancer
This happens when Levi starts getting screen time
But still no no game no life season 2
IKR 😂 Levi got the godly animation. 👌
@@Novaheim yeah, he totally did
*You sure were enjoying yourself back there.*
*Let me help you have more fun!*
-- Levi to Beast Titan
@@elios9121 goat
Whenever you complain about why it's taking so long to animate a show just think about this video. This was 20 seconds animation of a 20 minute episode. Crazy.
Obviously not all scenes are this intense
@@jaishkhan7442 its still long and pressuring the studio just makes them more rushed and the result is bad animation, sometime fans are the reason why bad schedule happens in animators, well atleast AoT fans dont pressure wit
JAishKhAn but still it took months to animate this scene alone. Animators are overworked
@@gunaymuradova4633 Yup they are overworked and underpaid...
I was just correcting that guy
@@jaishkhan7442 still, each scenes require time and work just like this scene in particular lol.......
Levi: *appears on screen*
Animators: *dying noises intensifies*
Lol
Lol Levi so op he can destroy his own creators
Director: so we’re gonna be doing another levi fight scene-
Animator to wife: sorry honey, I’ll be back in winter, goodbye 👋
Oh hi petra
Petra Ral I love u
Petra Ral wait-
@@morganfarris5777 :0 Petra your alive
Gogeta ay man chill
Yes, the 5 million yen for 10 sec animation
5 mil yen for this i would love animators to get that much for good scenes but reality is way worse ^^
@@beatermatrix5923 true
But that 10 seconds is better than the entire season 3 of nanatsu no taizai
Aman Smith-martin heh?
@@beatermatrix5923 I don't think thats how it works... The animators pay money just to animate and an average 13 episode anime season costs around 250M yen ($2M dollars)
I've been dying to see ths for a long time.
I said doing backgrounds. I animate so I'm saying I never thought of using 3d backgrounds for high speed shots
TheGreyGap i see. If you pay less attention to Levi and more to the background, it seems that the camerawork pans up and down side to side; all I'm saying is that it surprises me greatly. I was under the impression that the camerawork would be more dynamic but I guess that's where the characters' dynamic movement seels the shot. Levi really looks like he's under dire straights having to maneuver through such confines with the camera perspective.
Same
That’s where all the season 3 budget went.
LMAOO
and Levi vs Beast and Erwin charge broke this Season Budget
@@stormdragon2529 and then they spend all the remaining budget at the beach episode
And that’s why the Colossal Titan is CG now
Yeah, they kinda ruined the colossal Titan but it's still okay tho
Animators don’t get paid enough for this
They will in big studios which doesn't make echii or hentai
It's because of us. Only for us. We watch anime illegally
@@nahinkhondoker9147 im broke asf so sorry if i watch anime illegally
@@yeetmaster8409 As long as you expect nothing.
they literally don't, producers get paid a lot tho
Imagine they managed to be consistently paying close attention to DETAIL on each character. Drawing them by hand, not 3D (except for the buildings) is such intricate line work. Kudos to all of them!
When people say disney is THE beast animation studio Just show them a Levi scene
Hell yeah! Haha
Or any ghibli film
arifumi and the Eren trost district odm scene animator can Destroy disney.
Nice joke
Or Akira
Really hope mappa gives us some god tier animation like wit
Ok people that are arguing down there, the cg isn’t really that bad y’all just hating
Probably not, but let's hope
Actually there are some from WIT that are going to work for MAPPA . I heard also Imai is still going to be included :)
Prvo Tri hopefully it’s true
@@prvotri8253 source?
this scene was made by Arifumi a freelancer. Mappa is a bigger animation house than wit studio they will outdo Wit studio. and some of the Animators will remain same.
i can imagine mappa animator sweating in the corner
I feel like mappa is gonna do a great job too
They can just hire a freelancer , this wasn't made by WIT
Mappa isn't really great studio like Bones or Ufo but it's still pretty good compared some studio. Their animation is only 1 step under Wit, so it's not too worrying, and there is hope to rival it. And it's also child of Mad House.
Vall Ey what happened to mad house?
@@Vall_Ey WIT wouldnt be able to make a 25-30 eps season in this time , they barely made S3 P2
Yes, all the budget goes to the ackerman animations
I wonder who does the in betweens that guy also deserves a props
Tahmid Ahmad I think it was computer generated
@@zepenguin8080 what thats possible i mean even while preserving the hand drawn style?
The frames between the key frames are usually done by Chinese companies that charge super cheap for the service
As I know arifumi did everything
Even that
Tahmid Ahmad it’s not possible, someone did have to do all the in-betweens
Can we get "F" as respect for Wit studio here?
F
F
F
HUGE F
F
After seeing this
I think we should stop insulting studios like studio Deen for example
Like the studio and the animators suffer so much and animators even pull too many all nighters so that they'd be able to make a 20 sec scene and it gets even worse for the studios who have continuous, ongoing anime like Black Clover
Man they don't even get paid enough for this kind of job
I agree. That's why I never complained about bad animation. If it has a good story and bad animation, then idm. Sure it ruins it a bit but animating is torture.
Yup you’re right, we should appreciate what these animators go through to entertain us.
nah why dafuq would u even defend them? If they have no time or money to animate sds then they should've delayed it! I would rather wait for them to animate it perfectly! Also it's obvious that they rushed it bcuz they handed it to a small animation team and DEEN studio didn't even animate it. I think DEEN studio was busy with another anime at that time (Knosuba I think) and they should've focused on one anime first if they couldn't handle animating another one. It's absurd that they didn't even give justice to the epic fights SDS have like Escanor vs Meliodas! If you're on their shoes would u like to give the fans a bad anime that you didn't put effort to? How sick of u to release a bad project that we waited for years to get animated and you didnt even gave justice to the manga and the artist.
@@commentwar7949 look I'm talking about all studios in general
Studios have a schedule and a due date they cannot miss
Delaying isn't as easy as you think
Because 1) contracts they do with other companies or host tvs sometimes have dates and these dates are hard to change
2) 60% of anime fans hate delays or waiting
Take mha fans as an example, they can't stand waiting a year for s5
You and me are okay with delays but I can assure you that the majority of anime community does NOT stand it
the budget can also result in many problems
Imagine working your ass off day and night to make the episode but you don't take that much money anyways
Studio deen had a lack in budget + they didn't have time
Assigning to smaller team also is not what makes the anime bad
A small team was assigned to make black clover after the first studio working with pierrot went bankrupt
Pierrot prioritized Boruto over black clover so they didn't care that much about black clover
Yet black clover was able to deliver decent art especially in the latest episodes
Even one time the team worked without sleeping for days
And they still delivered the episode
Hard work take a lot of efforts to do isnt an excuse for a bad outcome
Animators: How much badassery are you gonna give Levi in Season 3?
Isayama: Hell yes.
luca zenotey: yes yes yessss
8 years old me: _this * insert anime title * animation sucks_
26 years old me, in-betweener in training: _why did I choose to suffer??!_
Is it really *THAT* bad? I mean if course animating isn’t an easy process but suffering? I might want to re-think becoming an animator then
@@Gemini053 this is actually not very really helpful but....
for 2D anime, if you have at least the basic understanding for animation, good at drawing (anatomy is a big plus for anime), can adapt to different art style freely, can work as a team, can work with only 1-2 days deadlines per project (sometimes you would get longer deadlines), and can draw at least 50 sheets a day then you are all good. being able to drawing complicated scenes (like this video) is a big plus.
but different animation company would prefer different skills and requirements tho.
as for me, my drawing skill sucks so my training didn't go as well as I had hoped for. I haven't started real work yet so I don't really know what kind of hell my seniors had gone through. 😂😂
@@nobraincelltobeseen
I'm changing what I want to do in life...I don't work well with others, anatomy is a huge nope for me, and I break under pressure
@@Gemini053
really depends on yourself whether you want to strive or choose the next best things. the most important thing is that you'll feel happy and comfortable for what you had chosen. don't let other people affect your judgement for your life decisions.
I'm struggling hard right now but I also feel content with what I'm doing. so take your time and learn about yourself :)
what IS braincell If you say so...
Whoever's doing the effects work:
I love you.
one animator did this entire key animation
Imagine if one animator forgot to change the layer...
theres only one animator
@@akiani no, different people do keyframes, cleaning, finishing etc. this vid is showing off key frame animation which was done by one person
I'd hope they have an original back-up copy and that they make frequent saves as they work that also get backed up. (Plus someone that frequently checks in/reminds them to check and make sure they're not missing something important, such as working on the wrong layer)
That way, even if they accidentally do mess up, the whole thing isn't ruined, so they don't start entirely from scratch.
Even without changing the layers it would still be badass.
@@contessa4490 yeh but its probably still gonna be redone cuz they dont accept mistakes
isayama: "so there's this guy called levi. . ."
arifumi imai: *Shoots himself*
I mean he is a freelancer... he needs to be ready for these kinds of projects xD
Quality UA-cam is not ready for this masterpiece
Oh shit doing backgrounds in 3d... I never thought of that...
Ufotable always done it
I didn’t they could do that either. Hella cool
Jake Lee that’s dope!!
@@jakelee7083 Gantz 0 full cg like Disney
Fun fact: all the backgrounds in Kill la Kill are paint-drawn
I cant even imagine the time it took to make this. But I appreciate every animator and artist that went into making this gorgeous scene. I was squealing in delight when I first saw it.
Also keep in mind that only one man did the main animation.
i heard it took three months for the scene to get fully animated and only by one guy bless em
imagine this scene with THIS music XD
🤣🤣🤣i would be so bad
You don’t have to imagine it just press 1:51😭
Still kinda hype lol
It's not temple run or someshit to play this song in an actual anime lmao
why does it make levi look high 😭😭
Animators are really under appreciated. All of them deserve to have more recognition equally as the author of the manga. Kudos to WIT Studio (a small studio, they said) for making it from Season 1 to Season 3!! 🎉💕
the best webanimator nowadays?
Nahh
alongside him are naotoshi shida, yutaka nakamura, yuya takahashi and etc the japanese industry is just godlike at this point
Tahmid Ahmad fr
@@TahmidA150 for hand drawn Animation or 2.5D type
@@TahmidA150 the most of them are Db annimators they are so mutch more you need to search
Levi: *exists*
Animators: I AM NOT PAYED ENOUGH TO DO THIS SH1T
i should be paid to read this shithole of a comment
dude, only one animator did this and its a freelancer.
Animation director: "Levi...."
Animator: * sighs and pulls out calendar, already cancelling all plans for the next 6-8 months *
LMAO
MAPPA: So there's one solider i need to be wary of?
WIT: Yes, capitan Levi's animation cost is dangerous.
😂😂😂😂
Imagine if hey animated Spider-man webswinging
That would be amazing.
In 2D I like 3D but 2D animation with this details far better than 3d
spiderverse is a close example
空間把握能力と反応速度と立体機動装置の操作が上手すぎる
Director: Okay where gonna have a levi fight scene and-
The studio: *intense sweating*
the animators must be crying animating this scene i just know it
今井さんの作画のリヴァイもう見れないの辛いわ
それなです
それは間違いだ。 彼はこの最終回に戻ってきたんだ!!!
最後にすごいの見せてもらえたね！！
見れたね
あのキャラを何度も舐め回すようなカメラワークが好き
"Animator lives matter"
Animator: how many key animations do you want?
Wit Studio: yes
this was one of the best fighting scene I have ever seen!
Yeah they refused cause they couldn't do it in 8 months and this scene isn't made by wit so stfu.
@@prathamreddy5566 what
@@prathamreddy5566
Wit studio is smart enough not to ruin s4 by rushing they didn't drop it, they are willing to finish the series if they have been given 1 year but since kodansha refused wit had no choice but to drop it and not ruin the masterpiece they have made and then mappa knowing the shitty schedule still took it and we got a disappointing season.
The amount of effort this man put into Levi is so respectful
levi’s hair is👌🏻, the movement, the background, the effects, i love so much 💓
(thank you animators for creating these masterpieces for us. we will appreciate it with all our heart 💖)
People seem to forget that mappa has 6-7 times more employees than wit.
Yeah and that basically what makes technically better at and can handle big project... I cant wait for season 4 omg
@@duozgamingtm6700 people have been complaining how the studio is working in two other projects but they forget how big the studio is.
@@Rigo9 hahaha
@@Rigo9 exactly. and considering they're done with one of them.
Yes but mappa is also known for having shitty schedules, not paying their workers, and shitty productions, especially with 2-cour series
He's amazing
This scene is a great example of how to use CGI (everything in the background) to enhance 2D animation and make it look even more epic.
Why the hell the Japanesse government isnt doing something about the animators industry?
Isnt there a law wich values these ppl like a decent human beings? They deserve more and more support and payment goddamit
Because this would've only be bad for their cultural economy, btw don't forget literally every worker in Japan has approximately the same working conditions, it's their culture.
The art industry as a whole isn't hard to break into it you just gotta take the time to learn it but many people drop it so it's in dire need of new artist constantly so people get overworked quit or out right hospitalized and end up having to keep doing that till someone new comes in, and studios can't pay people more because if they do the studio can go under lots and lots of issues with it, if there was more artist, more artist willing to also do stuff like this, things would be a bit better for them
And people still argue what the best animation studio is.
This was one person
Arifumi imai do this alone
@@3etakk Yeah but imai did it for wit, sooo credits goes to wit. If it was the other way around, a lot of studios wouldn't get much praise. Freelancer or not, your work is part of this studio's production. Your work, is theirs as well.
@@parkerd5508 only for key animation tho
@@mymanjohan5101 yeah
ほんの数秒のシーンでも細部までこだわるのプロだよな。
Every second with Levi on the screen is beautiful
Season 3 had the best animation by far. Pure beauty.
S2:
This scene’s animation will forever be a masterpiece.
Levi is so badass, this is one of the best animated scenes I’ve ever seen. amount of work that goes into scenes like this is just unbelievable. animators really deserve better pay
This scene was more detailed then my 10 hours drawing
Because this scene took WAAAYYYYYYY more than 10h to complete
This scene took one month to draw.
It's neat to see Levi being animated at a slower pace than the buildings, and shift paces to see if that looks fluid in the end @mediaartssbcc
Salute to wit for their incredible awesomeness.
Levi comes on screen:
Animators: *OH NO*
all i could think while watching this scene was how hard the animators worked on it. the movement is like you are right there. its amazing
the fact that we wont get such animation ever again ;-;
This is so beautifully done. Love it. Thank you all the animators for giving us this badass Levi scene.
First there are soldiers fighting on borderlines then there are Japanese animators spending their night and day
Working restlessly for few seconds of animation. God bless them both.
This scene will never be topped by any other animation studio
KiyoAni and Ufotable
Mappa: So theres this one guy called lev-
Wit studio: Dont even- *war flashbacks*
can't handle or process how beautiful this is
That's AMAZING. I can't imagine the amount of dedication to their craft the person who made this has.
Somehow this feels just as cool as the final product of the animation, maybe even better in a way.. I don’t know if it’s the contrast in colors or just the fact that we see it more clearly but my appreciation for the work of this scene went up by a thousand more then before.
This scene alone costs more than the whole seven deadly sins franchise
Really?
This was insane. I dont remember how many times i ended up watching it but it was god tier animation.
This scene always boggled my mind. I played it for a thousand times now, and still counting.
Animators whisper: Dont give levi any screen time
Director with levi’s blade in his mouth: ...
PROPS to all animators and to their saint like patience and perseverance! Holy shittt
Held my breath during this scene. Iconic.
Mr. Arifumi Imai deserves all the respect and love in the world for this scene! One of the most intense and nerve-racking scene ever ! Enough to keep you on the edge! 🙏🙏
Id say so does WIT studio, you could not pay me enough to inbetween that scene...
what's most impressive to me is how faithful his movement is to the actual mechanics of the ODM gear. When you watch it in full speed it kinda looks like they just drew him flipping through the air with some random lines coming out of him that they masked with a bunch of speed lines and dust effects, but when you analyze it frame by frame all of his movements ACTUALLY match up with the movements of the ODM gear. You can see the ODM gear engaging, hooking onto a building, and either pulling Levi in that direction or acting as an anchor point that he swings from
I’ll never take animation for granted again
This animation will always be one of the best in AOT or even anime
I know it’s obvious and stupid to say, but it still blows my mind that people DREW this!
It’s great how the background is set in 3D. And because of how fast the pasting is it are to see the renders which sells its 2D appeal
*Fully kneel down and bow to the animators for this* I THANK U FOR THIS MAGNIFICENT CREATION!!!!!!!!!
How have I not seen this before? okay. I think everyone needs to see this because it's amazing.
I'm a normal girl. I see Levi, I click.
I'm a normal guy. I see someone with the name of my favorite tea, I like it.
@@AgnusCavichioliPereira Awwww :3
@@blacktea1786 lol I'm suprised, but happy that you found this cute :3
@@AgnusCavichioliPereira haha of course, I'm surprised that you answered me quickly xd (My english isn't good, I'm sorry)
@@blacktea1786 I could say the same about how quickly you answered me xD And don't worry, your english is great!
The animations before it got colored looks so cool and flashy
The level of respect I have for these animators is beyond words
Idk why but i love seeing the progress before the final product.
Clearly the way they color draw lines and show the expresiveness
Is so great than watching the fule *fast-paced*what a time to live...
This is so beautiful, it's so clean.
Man, I wish I could get a tablet so I could try and start animation! I aspire to get to this level in art!
Thanks to this I just noticed that Levi slipped between those two carts like WHUT
BADASSERY 100
One thing I realize with this video. Levi is so handsome in every angle. 💗
Director: make levi look badass, epic and cool.
Animators: *ah shit here we go again*
I have so much respect for animation, all of that work for only 20 seconds of content is absolutely astounding
if only berserk adaptation can be this awesome. This is some god tier animation.
I'm missing Wit Studio already :'(
me too bro
You mean Arifumi Imai?
@@arnobviewer5945 No, I think I was pretty clear.
The background look like 3d model. What an amazing draw
That's because it is. They use cgi for the backgrounds because that'll make it slightly more easy to animate ^^
Salute to Mr. Imai for creating this iconic scene
I appreciate cartoons and animes alike simply because of the extreme amount of work put in by animators to make something like this turn out so well. Simply amazing.
Primero que nada, esto es hermoso. Yo no sé nada de como hacen la animación, pero papi ver esto es magnifico. Un trabajo profesional y tan realista que me encanta.
Y pana que mieeeedo, esos equipos de maniobras tridimensionales se ven que son dificilísimos de usar. ¿Vieron la mortal en el aire que Levi hizo sin estar sujetado de algún edificio para posteriormente lanzar los cablecitos esos? Wow, amazing. Me encanta. Me fascina. Estoy maravillada.
All the frames are perfect...
どのコマもTwitterで一枚絵にして投稿しても1～3万いいね もらえるぐらいのクオリティ
My mouth was hanging open through this whole video like WHAT THIS IS SO COOL AND GOOD 😱👏👏👏
Imai y Abe son unos capos, uno juega espectacularmente con los angulos de cámara/entorno y el otro le pone 100000 efectos a su trabajo. Simplemente unos capos.