One thing I do if you have a bass heavy sample is cut the low end to let the drums breathe. Or if you’d rather the drums take a backseat to the sample EQ the low end out of the kick. Sometimes you’ll have a sample that acts as the baseline with the drums and depending on how you want them to sit in the mix is how you approach the EQ process. That’s just my 2 Abraham Lincoln’s.
Listen man, you’re an inspiration. I’m 29, working a weekend shift warehouse job. All I want to do is music, but the dream seems too big to fit reality….
If you have talent people will follow. With the internet and world reach nowadays is not that hard to build a crowd if you have talent. Is all about putting in the work.
I also try not to overcomplicate my mix. For me this is also part of try to fix the mix with volume. A lot of great music from the 70s and 60s was made without all the fancy equipment we have today. You don't need a 50 band EQ or 15 types of compressors, limiters. The Beatles or Pink Floys had 4 or 8 tracks at Abby Road studios. Look (or better listen) at what they made with that. That's also part of using great sounds.
I usually like to side chain compression on my bass and kicks so the kicks still cut through the bass while keeping the bass thick. I’ll also throw a transient shaper on the bass to make the note separation a bit clearer when that’s the goal.
@@mpchead you made me remember how much troubles we had doing mix in this digital thing, when the music producer wanted to exceed too much with plugs in dynamic processors without having the "know how." Today all the sampling and the understanding is improved much so it's easy to have a good and easier mix.
Yeah dude, you touched on some of the best advice I got early on..... "make sure each sound has its " place" in the mix."... I didn't understand what that meant until I realized how essential and useful an EQ can be.
I like how your first point is essentially, "You can't polish a turd." Which is the simplest advice one can give but also the most overlooked because it should be obvious 🔥
Great mixing and sampling tips Marco , I second every one of them! I would like to add ( if you allow) --- one should make shure the samples tunings matches with each other not only tonally but also harmonically - to avoid unpleasent tuning clashes. My personal approach: I do it by ear buy finding the key and the center pitch on my Rhodes MK1 that is next to my sampler , I also match Vinyl to the Rhodes.. or fine tune the sample inside MPC , but some samplers like SP1200 for example doesn't have a fine tuning so the sample hase to come up from a source ( vinyl or not) already tuned well (up + 5 semitones or more) I do it by ear on the turntable using Pitch fader. Or sample into Ableton fine tune the sample there and resample into SP1200 . Just my 2 cents. Keep up your Great work Marco !
They sound similar but the 990 are open back so you get a more wider feel when listening to you beats. I prefer the 990 because of that but the aiaiai are really good too.
Good stuff as always.Wondering how much you refer to EQ plugins as you’re mixing vs. how much is just by ear? I tend to just go by ear because I’m not confident that I know how much frequency to cut with the EQ. And do you have a preferred EQ plugin? Thanks for sharing 🙏🏽🫡
Just bought your drum loop pack. All of them trail off at the end making them not technically loops, am I missing something? I was hoping to throw these in Ableton and simply loop them like I've always been able to do with a drum loop. Great sounds but none of them flow into each other whether or not I place them back to back or looping.
i allways struggle with creating a bassline to a low end heavy sample. i often use weird super slow samples which often are full of bass, which kinda gives it the vibe i want. i just still want to add a bass mekody. what do i do?
If my samples are already heavy on bass I don't tend to create another bass line, the sample is enough. If I really wanted to maybe use side chain or cut a bit of the low end of the samples or open the samples with stereo width. Depends on the material.
Thank you Marlow, would been great If you can put more content, maybe some tutorials I know you have plenty of them on the channel because I watch them multiple times already… but maybe some this has change over the time and some overall tips/tricks/mixing tutorials that’s would be helpful😃💪🏼 Anyways I’m grateful for what you do and I appreciate it. When I spare some cash after finishing house renovations, I’m aiming for your all catalogue sampel collection on badcamp all the samples chops and cuts you’ve collect over the years i know I’ll have a lot of fun with it :) I know i don’t need another sampel pack, but it’s in good faith I’ll somehow pay you back for all this work you do.
Do you use a DAW or straight out the MPC to mastering? If you use a DAW after making the beat in MPC it’d be cool to have a tutorial on that process also. Peace! done!MiKE
@@dopeMike_ straight out to mastering from the Mpc. Run the signal from the mpc into the analog heat and other external eq and compressors. Then record the audio in Logic and add a final limiter. Always like that.
Its funny but the drums used to be used to compliment the other intruments like in jazz. Not in front of them. I guess this rule you mention applies only to hip hop?
My sample packs mpchead.com/collections/sample-packs/Drum-kits+sample-packs
Merch mpchead.com/collections/merch
I’m so glad this video isn’t filled with promo plugins or generic plugins. Just raw good advice that’s actually beneficial.
Possibly the best, most basic but critical mixing advice I've ever heard. Thanks for this, brother. Liked and subscribed.
Thanks for the sub! 🙏🏼
@@mpchead You are most welcome. Thank you for the great content.
One thing I do if you have a bass heavy sample is cut the low end to let the drums breathe. Or if you’d rather the drums take a backseat to the sample EQ the low end out of the kick. Sometimes you’ll have a sample that acts as the baseline with the drums and depending on how you want them to sit in the mix is how you approach the EQ process.
That’s just my 2 Abraham Lincoln’s.
🙏🏼thanks for your input 🔥🔥🔥
Listen man, you’re an inspiration. I’m 29, working a weekend shift warehouse job. All I want to do is music, but the dream seems too big to fit reality….
If you have talent people will follow. With the internet and world reach nowadays is not that hard to build a crowd if you have talent. Is all about putting in the work.
I also try not to overcomplicate my mix. For me this is also part of try to fix the mix with volume.
A lot of great music from the 70s and 60s was made without all the fancy equipment we have today. You don't need a 50 band EQ or 15 types of compressors, limiters.
The Beatles or Pink Floys had 4 or 8 tracks at Abby Road studios. Look (or better listen) at what they made with that. That's also part of using great sounds.
Agree 💯 and I think people just take the life out of the sounds with all the polishing.
There is no right or wrong when it comes to mixing as long as the end product is dope
Yeah but a good mix is dope
I usually like to side chain compression on my bass and kicks so the kicks still cut through the bass while keeping the bass thick.
I’ll also throw a transient shaper on the bass to make the note separation a bit clearer when that’s the goal.
As mixer engineer, i see those are very useful adivices. Thanks
Good to hear 🙏🏼
@@mpchead you made me remember how much troubles we had doing mix in this digital thing, when the music producer wanted to exceed too much with plugs in dynamic processors without having the "know how." Today all the sampling and the understanding is improved much so it's easy to have a good and easier mix.
Good info Marlow!
I liked the sports analogy.
🔥🔥🔥
Yeah dude, you touched on some of the best advice I got early on..... "make sure each sound has its " place" in the mix."... I didn't understand what that meant until I realized how essential and useful an EQ can be.
Thx for sharing your production techniques and concepts. Truly insightful!!
As I said pretty basic stuff but that is the bread and butter of my music.
Lots of great advice!! Thanks for sharing!! Have a fantastic weekend!! Much ❤ Marlow!!
Thank you 🙏🏼 you too
Thank you, very informative as usual 🙏
🙏🏼
Thank you for sharing. I like your lessons!
Thanks for tuning in ✌🏼
I like how your first point is essentially, "You can't polish a turd." Which is the simplest advice one can give but also the most overlooked because it should be obvious 🔥
Simple things are super underestimated, people believe in plugins and all sorts of nonsense and overlook simple things.
5:59 Did he just sum up the NFL during the quarantine 😆🤣
Such great advice this !
Gracias marlow
🙏🏼
Great tips! Thank you ❤
Thank you!
🙏🏼
Great advice!
Great mixing and sampling tips Marco , I second every one of them! I would like to add ( if you allow) --- one should make shure the samples tunings matches with each other not only tonally but also harmonically - to avoid unpleasent tuning clashes. My personal approach: I do it by ear buy finding the key and the center pitch on my Rhodes MK1 that is next to my sampler , I also match Vinyl to the Rhodes.. or fine tune the sample inside MPC , but some samplers like SP1200 for example doesn't have a fine tuning so the sample hase to come up from a source ( vinyl or not) already tuned well (up + 5 semitones or more) I do it by ear on the turntable using Pitch fader. Or sample into Ableton fine tune the sample there and resample into SP1200 . Just my 2 cents. Keep up your Great work Marco !
Thanks for sharing 🙏🏼🔥🔥
Great video, Thank you!!
Thanks 🙏🏼
Thanks for sharing with us. Quality advices to reflect on for the next sessions. Quick question, how are those headphones compared to the DT-990?
They sound similar but the 990 are open back so you get a more wider feel when listening to you beats. I prefer the 990 because of that but the aiaiai are really good too.
Good stuff as always.Wondering how much you refer to EQ plugins as you’re mixing vs. how much is just by ear? I tend to just go by ear because I’m not confident that I know how much frequency to cut with the EQ. And do you have a preferred EQ plugin? Thanks for sharing 🙏🏽🫡
Is all by ear, always.
🔥🔥🔥🔥
Just bought your drum loop pack. All of them trail off at the end making them not technically loops, am I missing something? I was hoping to throw these in Ableton and simply loop them like I've always been able to do with a drum loop. Great sounds but none of them flow into each other whether or not I place them back to back or looping.
i allways struggle with creating a bassline to a low end heavy sample. i often use weird super slow samples which often are full of bass, which kinda gives it the vibe i want. i just still want to add a bass mekody. what do i do?
If my samples are already heavy on bass I don't tend to create another bass line, the sample is enough. If I really wanted to maybe use side chain or cut a bit of the low end of the samples or open the samples with stereo width. Depends on the material.
Thank you Marlow, would been great If you can put more content, maybe some tutorials I know you have plenty of them on the channel because I watch them multiple times already… but maybe some this has change over the time and some overall tips/tricks/mixing tutorials that’s would be helpful😃💪🏼
Anyways I’m grateful for what you do and I appreciate it.
When I spare some cash after finishing house renovations, I’m aiming for your all catalogue sampel collection on badcamp all the samples chops and cuts you’ve collect over the years i know I’ll have a lot of fun with it :) I know i don’t need another sampel pack, but it’s in good faith I’ll somehow pay you back for all this work you do.
Any suggestions for tutorials?
Do you use a DAW or straight out the MPC to mastering? If you use a DAW after making the beat in MPC it’d be cool to have a tutorial on that process also.
Peace!
done!MiKE
@@dopeMike_ straight out to mastering from the Mpc. Run the signal from the mpc into the analog heat and other external eq and compressors. Then record the audio in Logic and add a final limiter. Always like that.
Great vid!
🙏🏼
Golden tips 😃🎼🔥
Simple stuff but is the bread and butter of my beats
@@mpchead thanks a lot for sharing your knowledge and spirit🙌
DO YOU EVER MAKE BEATS WITH THE MPC EXPANSIONS?THANKS PEACE MAYBE MAKE A BEAT VIDEO USING KEYGROUPS THANKS PEACE
Thanks 🙏🏼 I have some videos on keygroups but I don't use expansions that much.
❤❤❤
Its funny but the drums used to be used to compliment the other intruments like in jazz. Not in front of them. I guess this rule you mention applies only to hip hop?
Applies to me only and my music.
👍
what label are you signed to dude under what name
No label, just me
@@mpchead just a hobby then ?
@@opticalman6417no I would assume he’s independent artists, which then gives him/you all the freedom of a hobbyist, while making some sort of income 😊
Sacrificing some sounds for others is something that took me way too long to learn
That is the key of mixing
First comment
Marlow amazing stuff always
🙏🏼thanks for tuning in once again 🔥🔥🔥