Happy to hear it Cam! Bringing that handle to life has been a dream of mine for over a decade. I obsess over mm when in comes to keeping the rig stack height as minimal as possible and this handle was a huge step forward for that. The Nato to Nato mount is the cherry on top! Hope all is going well for you and your work.
@@brandonpetersen10 dude YES. It’s been a constant struggle finding handles that are low and compact, with good weight balance, that also leaves room for the hand. Closes I had found was the short Stinger and then one of Smallrig super small one that brought that balance with the separation if the index finger. So this Kondorblue one basically perfect the combo if both. Always found it weird tgat no one ever talked about handle height and balance.. so it’s nice to hear that thought was important in the design!!!
Loving my S5II! Don't think I'll ever have a need to rig it out this much but nice to see it can work well in this kind of setting. Looking forward to the film!
Thank you for the time you’ve given to make content with this camera! Decided I’m moving away from my Sony camera after my recent first experience working with v-log footage. It’s so good! Getting cold feet jumping ship to Panasonic s5ii ecosystem. This content is very useful!
Thanks for the kind words on the Kondor Blue designs 🙏🙏🙏 As you know, we work obsessively to optimise and simplify the filming experience for creators. Thanks for your continued support and input!
Such great features for sure, that nato to nato non slip is clutch! I also noticed you all had blacked out quick releases, wish more companies would offer neutrals so rigs didn't have to look like they were sponsored by Crayola!
Thanks! Great stuff. I’d love for you to go through how to set up any wireless accessories that you might be using like multiple wireless monitors. I’m assuming this can be done as you mention the wireless transmitter at 6:10 but I would love to dive deeper into how to use this. Thanks!!
Love This!! I don't shoot any films, but most customers want (only need) 1080, so I shoot with mirrorless and DSLR a lot! It's great to still make these rigs look as professional as possible.
Loved how easily you took us through the rig build. I just built my first rig and learned a lot in the process and this only gives me more to think about. Picked up some Mondo-ties and they've been a big help with cable management.
Oh My God.....Armondo you just got me in the mode to shoot something.....Only that there was no gear to do so....Never enjoyed a rigged out rigging video like this......Great job brother....👍
Thank you very much for this video It made me want to buy an s1h its a better choice for this kind of setup when autofocus is not useful (integrated time code + OLPF filter+Better internal codec+ external proresraw &braw)
Do you know of any EF to L mount adapters that have built in ND support? Ideally it would work well w/ s5ii PDAF as well. I use S1 & S1H now - transitioned lenses from EF to L mostly, but would love to have a good ND solution built in.
Thanks for the video, its a beautiful rig. Do you know how much does the entire setup weight? And can you tell us what tripod and what mattebox are you using? Does the mattebox has filter slots? Thanks again!
Seems super useful, curious about how you actually route your cables seeing as you’re going out of the camera (HDMI) to the teradek (HDMI>SDI) to monitor (SDI)? Also how you are powering the camera assuming you’re running it off of the v-mount?
Was going to include it in this video but would have added 5 more minutes. Might do a follow up but in a nut shell, the HDMI is going into the Teradek and the Teradek has SDI out that goes to the Atomos monitor. Camera is being powered by USB C using this: geni.us/dtapusbc
I’m considering the S5IIX for some project work I have coming up. But what’s not clear to me from the documentation is whether the camera accepts external timecode. Obviously here you’re using the Deity unit, so is that feeding into the camera or into an external recorder. It would be a big help to know this before I spend the money. Thanks so much.
This is a great setup! You didn't mention the shoulder pad or front handles. Did you use the Kondor Blue 15mm Dual-Rod Clamp with ARRI-Style Rosettes? It would be awesome if you could update your links with the handles and mount for the front handles and shoulder pad!
Nice plug for Kondor Blue! They have some cool features to their products. Q: Does that cage accommodate the Panasonic XLR interface that attaches to the hot shoe? Lt looks like the top handle will interfere with it.
Really well done. So thorough. Can't express my appreciation enough for sharing everything. Was curious to see how it moved from jib to ronin to tripod, etc. Is that in another video?
We are now in Europe! HOLDAN and PRISMA distribute for us in the EU! Slowly trickling into all the Eu stores. Let us know where you like to get your gear from and we'll reach out to make sure they have it.
Thank you, Armando ! May I ask how come some of the shots in the film have some anamorphic flavor to them - and to the best of my knowledge, the DZO lenses are not anamorphic. How did you manage to get that over to bokeh and wide aspect ratio ? Cheers from New Caledonia !
@@mondobytes Thanks for you reply Armando! The shot at 0:56 for example. There's some oval bokeh, they look nice (the fire). Was it with the DZO ? I saw reviews on those lenses and never noticed any oval bokeh on them. Can you tell me how you got that nice shape ?
Armando I am pleased with what Panasonic have done with the Panasonic S5 Mark ii and Panasonic S5 Mark ii X. Let's hope Nikon makes the Nikon Z5 Mark 2 compete with the Sony A74 and Panasonic S5 Mark ii and Panasonic S5 Mark ii X and Canon R6 Mark ii. P.S I hope Tamron release the Tamron 35-150mm for both the Nikon Z mount and Panasonic L Mount. Unfortunately Canon won't let any third party lens company work with there RF Mount. But then again you can always adapt the Tamron 35-150mm F2.8-F4 DSLR Canon Version to Canon Mirroless camera's and Panasonic Camera's
If using cine lenses, I would go for the S1H. Superior in noise performance, has timecode, additional features. If you NEED autofocus, go S5 II. I own both.
Honestly the noise performance on the S5 II is pretty impressive. With the S1H being almost $1,700 more I don't think it's better noise, timecode and minor features are worth it. I'd say the opposite is true where having Phase Detect AF when you need it is worth more than the S1H. I love shooting manual but often times AF is also needed and noise can easily be fixed by adding more lights or NR in post, can't fix bad focus :)
@@mondobytes It is a great camera at it's price bracket. There is a reason the S1H is still priced where it is. The processing on the S1H is better, finer, tighter noise pattern. Much less visible and easier to clean up. Better internal battery on the S1H. The S5 II is a workhorse as well.
@@PhilHover Perhaps, but just speaking for myself. From all the time using the S5 II even in low light the noise isn't an issue for me to want to spend $1,600 more. At that price point I'd rather get an FX3 which I can push to 12,800 ISO and get a SUPER CLEAN image and still have killer AF if needed.
Yup, been using that PL Adapter for a few months have have been testing it out on several cameras. I might make a video on it if people are interested in it.
Great setup man! Wow the 4K teradek is quit expensive… if I am going to by the DZO set I can’t afford the Teradek. Do you have any cheaper options in mind?
It really depends what the usage will be, for pulling focus Teradek has virtually no latency hence the price tag. However, if you just need it for client or directors monitors there's tons of affordable options.
Hey Jeff to answer your question and for full transparency, no this video is not sponsored by Kondor Blue or anyone. In regards to the film that’s sponsored (funded) by DZO Films who also let us borrow their lenses. I asked Lukas who’s my good friend to Direct the film and owns Kondor Blue and brought his team so naturally we will outfit the cameras with their best gear.
@@mondobytes roger that. I generally trust your gear recommendations, but this felt a little like an ad. It might have been helpful to acknowledge the friendship with the Kondor Blue owner up front for context. Not suggesting anything nefarious, I just think it's a good idea to declare all the things the way that Gerald Undone typically does.
Well, I know one more VERY IMPORTANT FEATURE no one is talking about... Lumix S5II and S5IIX don't have new Phase Detect AF in 1080p full frame 50,60,100 and 120 FPS but only old Contrast AF which is the biggest disappointment... So for some reason people who prefer to shoot 1080p FF in slow-mo from 50 to 120 fps they should do that with old glitchy Contrast base AF. Same for all of those who were hoping to upscale 1080p 50-120 fps to 4k - no PDAF. And taking into account it's a video-oriented hybrid camera, it looks like without a firmware update in the next several months almost perfect camera becomes garbage. I preordered S5IIX and now looking forward to the firmware update. Hope they will fix it by the time S5IIX ships. If not - will just move to another brand. I believe this is a very important factor people should know about.
Link to our short film: ua-cam.com/video/HhKMFlAgxSI/v-deo.html
This might be the most fire rig build I’ve ever seen, everything is very intentional. I want that monitor mount and side handle!
Thanks my dude, we were very methodical with the build and I’ve been so happy using this setup that I have mirrored it on my FX3.
@ycimaging let’s do it!
@@KONDORBLUE would look great with my fuji x-h2s, too
My rig better 😫😫
@@mondobytes Which adapter do you use for PL lenses (the one in the video) and which one do you recommend for full frame mirrorless?
The S5ii is such an awesome camera. I really love it. Puts a smile on my face to see Panasonic bring the full package after all these years.
Full package? No timecode support = massive oversight by Panasonic! Was just about to pull the trigger on two S5iiX’s before realising this 😢
Dude I am obsessed with that top handle. Literally the most comfortable top handle I’ve used in the past 5 years.
🙌🏼🙌🏼🙌🏼
Happy to hear it Cam! Bringing that handle to life has been a dream of mine for over a decade. I obsess over mm when in comes to keeping the rig stack height as minimal as possible and this handle was a huge step forward for that. The Nato to Nato mount is the cherry on top! Hope all is going well for you and your work.
@@brandonpetersen10 dude YES. It’s been a constant struggle finding handles that are low and compact, with good weight balance, that also leaves room for the hand. Closes I had found was the short Stinger and then one of Smallrig super small one that brought that balance with the separation if the index finger. So this Kondorblue one basically perfect the combo if both. Always found it weird tgat no one ever talked about handle height and balance.. so it’s nice to hear that thought was important in the design!!!
@@cammackey 🙏🙏🙏👌🤙
Excellent build Mondo!!! Everyone at Kondor Blue has quickly become my literal heroes
Thanks Ryan! Been loving you stuff dude, keep up the good work.
Loving my S5II! Don't think I'll ever have a need to rig it out this much but nice to see it can work well in this kind of setting. Looking forward to the film!
Thank you for the time you’ve given to make content with this camera! Decided I’m moving away from my Sony camera after my recent first experience working with v-log footage. It’s so good! Getting cold feet jumping ship to Panasonic s5ii ecosystem. This content is very useful!
This rig is not only an absolute monster in terms of performance and ergonomics, but man it looks so good too
500,000 subs! Woo, congrats! Well earned.
Do more of these Armando! videos like this and Caleb Pike's are so great to watch
Now I want to build one for no reason. Killer setup. Thank you for sharing.
LUMIX is so good.
Love the Kondor Blue rods
This has got to be the best rig system I have ever seen! I've been convinced to get the Lumix S5II and now this is all perfect perfect perfect!
Dang, that’s a very clean rig build out!
Dang, rat boy at the end there looks nuts! 😂 Great working on this project with you man, can’t wait to see the final film!!
Thanks for the kind words on the Kondor Blue designs 🙏🙏🙏 As you know, we work obsessively to optimise and simplify the filming experience for creators. Thanks for your continued support and input!
Such great features for sure, that nato to nato non slip is clutch! I also noticed you all had blacked out quick releases, wish more companies would offer neutrals so rigs didn't have to look like they were sponsored by Crayola!
Wow that design is INSANELY GOOD!
Wow another awesome information on camera rig 👍🏼
Literally learnt how to rig cinema camera properly!
Excellent video my good man. You have given me inspo for my LUMIX S1 rig. Thanks brother
Just a beauty! Awesome job, man. Thanks
Hey ! Those are my rig builds on there !! That’s so cool!
Thanks! Great stuff. I’d love for you to go through how to set up any wireless accessories that you might be using like multiple wireless monitors. I’m assuming this can be done as you mention the wireless transmitter at 6:10 but I would love to dive deeper into how to use this. Thanks!!
Love This!! I don't shoot any films, but most customers want (only need) 1080, so I shoot with mirrorless and DSLR a lot! It's great to still make these rigs look as professional as possible.
Loved how easily you took us through the rig build. I just built my first rig and learned a lot in the process and this only gives me more to think about. Picked up some Mondo-ties and they've been a big help with cable management.
Glad it was useful, I'm always adapting and changing things but so far this setup has been solid, enjoy the Mondo Ties!
@@mondobytes I've definitely realized that. Building a rig is only the beginning...
Oh My God.....Armondo you just got me in the mode to shoot something.....Only that there was no gear to do so....Never enjoyed a rigged out rigging video like this......Great job brother....👍
I’m glad you enjoyed it!
Yeah, this is a really clean build! Inspiring!
Fun build!
oh i am loving the mondo ties!
Love it, nice camera build 🙂
🙌🏽
I use a lot of smallrig for the same purposes but is always nice to be introduced to other bits of equipment, thanks for that
This rig set up is fire... 🔥🔥🔥
How different are the bodies of the S5 ii and the original S5? I'm wondering whether this cage would fit the original S5 too?
Tu haces los mejores videos!! Excelente
I agree that this company Kondor Blue is delivering on some incredible products… ❤
That is a 🔥🔥🔥🔥 Ass Rig Mondo Wow, i have to gather my Kondor Blue Cage from the komodo and get it to that 😅 Great Video Man!!!!!
Hi.It's a dilemma for me to choose one of these cameras for commercial works and short films.
Gh6 vs s5iix vs fuji xh2s vs a7iv?❤️
Thank you very much for this video It made me want to buy an s1h
its a better choice for this kind of setup when autofocus is not useful (integrated time code + OLPF filter+Better internal codec+ external proresraw &braw)
Please make a video about that adapter
Beautiful rig mate, it seems pretty functional. I should consider it for my anamorphic setup! Cheers! ✌🏻
I need some urgent help, what’s rhe screw at minute 4:50 that goes inside the cage, then the anti twist mount attaches to it?
Can I setup all the some things in my S5IIX?
@mondobytes can you please give a link to that timecode receiver? how do you attach that to S5 II? via audio jack?
Do you know of any EF to L mount adapters that have built in ND support? Ideally it would work well w/ s5ii PDAF as well. I use S1 & S1H now - transitioned lenses from EF to L mostly, but would love to have a good ND solution built in.
It's glorious 🥺😍
Thanks for the video, its a beautiful rig. Do you know how much does the entire setup weight? And can you tell us what tripod and what mattebox are you using? Does the mattebox has filter slots? Thanks again!
Seems super useful, curious about how you actually route your cables seeing as you’re going out of the camera (HDMI) to the teradek (HDMI>SDI) to monitor (SDI)? Also how you are powering the camera assuming you’re running it off of the v-mount?
Was going to include it in this video but would have added 5 more minutes. Might do a follow up but in a nut shell, the HDMI is going into the Teradek and the Teradek has SDI out that goes to the Atomos monitor. Camera is being powered by USB C using this: geni.us/dtapusbc
@@mondobytes is there a lock on the cage for the USBC input? It would be a shame to knock that out accidentally during filming.
what dtap can be used for s5ii if i wanna use a v-mount battery?
I’m considering the S5IIX for some project work I have coming up. But what’s not clear to me from the documentation is whether the camera accepts external timecode. Obviously here you’re using the Deity unit, so is that feeding into the camera or into an external recorder. It would be a big help to know this before I spend the money. Thanks so much.
It does not accept timecode
Am I able to get the license to shoot ProRes Raw for the s5 II? Or are we still waiting to be able to? I can’t find the link
This is a great setup! You didn't mention the shoulder pad or front handles. Did you use the Kondor Blue 15mm Dual-Rod Clamp with ARRI-Style Rosettes? It would be awesome if you could update your links with the handles and mount for the front handles and shoulder pad!
Nice plug for Kondor Blue! They have some cool features to their products.
Q: Does that cage accommodate the Panasonic XLR interface that attaches to the hot shoe? Lt looks like the top handle will interfere with it.
Really well done. So thorough. Can't express my appreciation enough for sharing everything. Was curious to see how it moved from jib to ronin to tripod, etc. Is that in another video?
I’ll make a UA-cam short
@@mondobytes Sweet
hope we get the kondor blue in Europe one day :P.... lets see what panny can do in your hands Sir :)
We are now in Europe! HOLDAN and PRISMA distribute for us in the EU! Slowly trickling into all the Eu stores. Let us know where you like to get your gear from and we'll reach out to make sure they have it.
Great rigg! I feel that Condor Blue are paying per time their name is mentioned in the video. 😅🤣
Thank you, Armando ! May I ask how come some of the shots in the film have some anamorphic flavor to them - and to the best of my knowledge, the DZO lenses are not anamorphic. How did you manage to get that over to bokeh and wide aspect ratio ? Cheers from New Caledonia !
These lenses have anamorphic characteristics, what shots specifically?
@@mondobytes Thanks for you reply Armando! The shot at 0:56 for example. There's some oval bokeh, they look nice (the fire). Was it with the DZO ? I saw reviews on those lenses and never noticed any oval bokeh on them. Can you tell me how you got that nice shape ?
Does anyone know if the non trigger version of the handle has 1/4” mounts on top?
Armando I am pleased with what Panasonic have done with the Panasonic S5 Mark ii and Panasonic S5 Mark ii X.
Let's hope Nikon makes the Nikon Z5 Mark 2 compete with the Sony A74 and Panasonic S5 Mark ii and Panasonic S5 Mark ii X and Canon R6 Mark ii.
P.S I hope Tamron release the Tamron 35-150mm for both the Nikon Z mount and Panasonic L Mount.
Unfortunately Canon won't let any third party lens company work with there RF Mount.
But then again you can always adapt the Tamron 35-150mm F2.8-F4 DSLR Canon Version to Canon Mirroless camera's and Panasonic Camera's
Hey Armando, how were you powering the FIZ motor?
USB C
@@mondobytes thank you for the reply. what would you recommend if we don’t have usb-c on our v mounts, would a usb-c to d-tap work ok?
If using cine lenses, I would go for the S1H. Superior in noise performance, has timecode, additional features. If you NEED autofocus, go S5 II. I own both.
They need to promote new camera ;)
@@JanSur How dare we do that OMG shoot me now.
Honestly the noise performance on the S5 II is pretty impressive. With the S1H being almost $1,700 more I don't think it's better noise, timecode and minor features are worth it. I'd say the opposite is true where having Phase Detect AF when you need it is worth more than the S1H. I love shooting manual but often times AF is also needed and noise can easily be fixed by adding more lights or NR in post, can't fix bad focus :)
@@mondobytes It is a great camera at it's price bracket. There is a reason the S1H is still priced where it is. The processing on the S1H is better, finer, tighter noise pattern. Much less visible and easier to clean up. Better internal battery on the S1H. The S5 II is a workhorse as well.
@@PhilHover Perhaps, but just speaking for myself. From all the time using the S5 II even in low light the noise isn't an issue for me to want to spend $1,600 more. At that price point I'd rather get an FX3 which I can push to 12,800 ISO and get a SUPER CLEAN image and still have killer AF if needed.
what storage solution are you recording to? using memory cards for a short-film sounds dangerous
Internal SD Card. What's dangerous about memory cards. Been using them for over 20 years and never once have I had a failure.
Great set up! 3'45" is a Sony body...
Yup, been using that PL Adapter for a few months have have been testing it out on several cameras. I might make a video on it if people are interested in it.
Can you please do a cinema build for a FX6????? Please? We have a v messy setup and need to get more out of it :)
Great setup man! Wow the 4K teradek is quit expensive… if I am going to by the DZO set I can’t afford the Teradek. Do you have any cheaper options in mind?
It really depends what the usage will be, for pulling focus Teradek has virtually no latency hence the price tag. However, if you just need it for client or directors monitors there's tons of affordable options.
Porfavor haz un review de la camara solamente, ya que este fue para los sponsors. Gracias!
Think counted 17 "actuallies" :D Other than that, awesome build
Es todo wey!!
Did Kondor Blue sponsor this video and/or the short film?
Hey Jeff to answer your question and for full transparency, no this video is not sponsored by Kondor Blue or anyone. In regards to the film that’s sponsored (funded) by DZO Films who also let us borrow their lenses. I asked Lukas who’s my good friend to Direct the film and owns Kondor Blue and brought his team so naturally we will outfit the cameras with their best gear.
@@mondobytes roger that. I generally trust your gear recommendations, but this felt a little like an ad. It might have been helpful to acknowledge the friendship with the Kondor Blue owner up front for context. Not suggesting anything nefarious, I just think it's a good idea to declare all the things the way that Gerald Undone typically does.
Makes you forget that’s a 1800 camara😮
Well, I know one more VERY IMPORTANT FEATURE no one is talking about... Lumix S5II and S5IIX don't have new Phase Detect AF in 1080p full frame 50,60,100 and 120 FPS but only old Contrast AF which is the biggest disappointment... So for some reason people who prefer to shoot 1080p FF in slow-mo from 50 to 120 fps they should do that with old glitchy Contrast base AF. Same for all of those who were hoping to upscale 1080p 50-120 fps to 4k - no PDAF. And taking into account it's a video-oriented hybrid camera, it looks like without a firmware update in the next several months almost perfect camera becomes garbage. I preordered S5IIX and now looking forward to the firmware update. Hope they will fix it by the time S5IIX ships. If not - will just move to another brand. I believe this is a very important factor people should know about.
does film making has to be this complex.. why can we just have our camera lenses and start shooting something greeeeeat !.. whiii
Mines dosent soot in 6k has anyone else’s ran into this?
Do I need to sell just one kidney or both to buy this ?
Amazing video
S5ii vs fx3 / a7iv editing work flow
Terrible lag vía hdmi :(
Just turn off audio through HDMI and it fixes it.