Trust me (T-800 with minigun) | Terminator 2 [Remastered]

Terminator 2: Judgment Day [Remastered] (1991)
Scene: Trust me (T-800 with minigun)
Playlist: is.gd/2bxB3o
Storyline: A cyborg, identical to the one who failed to kill Sarah Connor, must now protect her teenage son, John Connor, from a more advanced and powerful cyborg.
Director: James Cameron
Cast: Arnold Schwarzenegger (The Terminator \ T-800), Linda Hamilton (Sarah Connor), Edward Furlong (John Connor), Robert Patrick (T-1000)
#Terminator
#Terminator2
#ArnoldSchwarzenegger
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[@commanderkeen3787]

James Cameron said in this scene he wanted to make sure there were no ricochet sounds that you would normally hear in a movie shootout. Because the Terminator is such a skilled marksman, he hits everything he aims for, and he intends that none of the rounds ricochet otherwise they might cause a casualty and violate Connor's orders. Brilliant attention to detail

[@predetor911]

Imagine how different this scene would be if John didn’t make the Terminator promise not to kill anyone.

[@tenacityxl]

I’ve always loved how the Terminator develops a sense of humor the longer he’s around John. The little tongue click always gets me.

[@killbot86]

I love how the mini-gun wasn't overly loud and the cars didn't explode simply coz they got shot....It adds to the subtlety and realism.....

[@varold8678]

The way he did the 'click' gesture, proves how much he learned to interact with humans. The character development with the T-800 here is pretty amazing.

[@-Gunnarsson-]

The end of the movie is more sad than titanic.

[@lonestar6709]

30 years old, and this film 'still' looks from the future.

[@ShadowSabrewulf]

There will never be another movie like this ever again, this movie was a freaking classic

[@punitarajgor8433]

Best terminator in history

[@ryans413]

I love how realistic this scene is when the cars get shot at they don’t just explode like you see in every movie. The only time they exploded is when the T800 shot a grenade at them from the grenade launcher

[@brockragni1053]

This movie will never stop being a masterpiece.

[@iMaxAL]

2:02

[@dvader3000]

50 years from now this movie will still be considered a masterpiece.

[@roldancbu]

1:03

[@gordongecko1975]

1:47

[@raijinslider6837]

I love how his casualty counter has a decimal, like he can count if someone is half dead

[@Mr__Geno]

T1 and T2 will always hold a special place in my heart. Everything is so well done and you enjoy everyone's performance. 10 out of 10. Go Arnold!

[@brunomgpinto]

1:32

[@alanguillermo3145]

When he turns he even moves like an automated turret. He swivels around like he's planted in place. That's such a great detail.

[@mi39471]

I saw this movie on opening weekend in 1991. I was in high school. Theater was packed. The trailers were awesome, the TV spots got you pumped, the Guns ‘N Roses video was on heavy rotation on MTV and it gave you extra clips you didn’t see in the trailers or the TV spots. And even with that many sneak peeks, the movie exceeded everyone’s expectations: there were still MORE surprises in store, it was unpredictable, terrifying (the nuclear scene), unexpectedly character-driven and emotional, humorous, thought-provoking, and it was the biggest-budget film at that time. T2 was packed with innovation. It didn’t look like any film that came before it, it didn’t sound like any film that came before it, and all of the money was on the screen. It was so advanced-feeling, so high-tech and so state-of-the-art that I felt like I was watching a new kind of movie. I remember the audience being generally silent whenever they saw the T-1000 morph on-screen: I think they were surprised by how good it all looked. Those T-1000 morphs were really new at that time, going further than what was done in “The Abyss,” and it was so innovative that Michael Jackson made sure morphing was used for his “Black or White” video. By my recollection, T2 was the number one movie at the box office for at least four weekends. It was and continues to be in a class of its own as a bonafide game-changing motion picture.