His eyes really sell the character. He looks like he's stalking prey half the time he's on stage. Very powerful acting 10/10 , plus Mate is hot so he gets bonus points for that
Mate is my favorite Death. Not only is his voice seductive and edgy, it is so powerful. And he has a wildness in his play that makes Death both dangerous and attractive.
When my neighbours celebrated a birthday party at midnight and were playing LOUD music for hours, I waited till they made a break around 3 a.m. Next I went out in the garden, turned on the volume on my phone and played that song. (Of course not because Death sings it 😉) From that moment on I never had any problems with nightly interruptions. No matter if they got the message or were just amazed by his voice, either way I had the last dance.
The best Death for me. Maybe because I saw this version first..but still I love it the most. The Korean one is really good too and I really liked the Japanese one because the all women gave Death more androgyny.
Are you guys seriously arguing about who's the better Tod? I find it hard to compare when both actor plays the character so differently. Mate plays Death as arrogant and posessive while Junsu plays him as an emotional maniac which is totally fine. Both actors are great okay.
Actually it's "Tod" (Death). I prefer Máté, but that's maybe because I am german and because I like his cute accent when he's singing German (he's from Hungary ;-) )
While I absolutely loved this production, I liked the costumes of the Dutch production with Pia so much more. The dress were opulent, quite historically accurate and the wig was just stunning. Mate is hands down my face death tho .
Seiner Schauspielerei ist einfach atemberaubend und so überzeugend! Auch wenn ich Uwe und Mark als Tod genauso liebe und bewundere, ist Máté mit dem Gesamtpaket mein Favorit :)
Ich lese einige Kommentare und stelle fest jeder Zuschauer hat seinen Lieblingsdarsteller des Tods. So gesehen ist das vollkommen in Ordnung. Fakt ist der Tod in Elisabeth ist eine charismatische Figur / Rolle. Er verführt und macht seinen Job nämlich Menschen abholen am Ende des Lebens. So war es und wird es immer bleiben.
To me, the Korean version (with Junsu) was more singing first and acting afterwards, while this version is more about acting first and singing in second. I happen to like this version more, but I also believe that our idea is influenced by what we think is attractive. I am sorry, I really love Junsu, but I would not fall in love with the Death he portrays. I would definitively fall for Mate though, and probably try to join him. Others, though, would fall for Junsu's Death more...
That's why I like Mate's interpretation that Death will appear as whatever is most attractive to the person he is drawing away. So all Deaths are accurate to their individual Elisabeths and if you like one Death more then that is probably more in line with what would appear to you to coax you away from living.
Mathe ist nicht nur ein super hübscher Mann sondern er spielt den Tod am allerbesten meiner Meinung nach , wenn man ihm mal mit den anderen Tod darstellen vergleicht❤
Technically, I guess it's Austrian as its world premiere happened in Vienna. But yeah, a German-language musical nonetheless, written by a German and a Hungarian. And yes, Máté is phenomenal!
Der Tod] Es ist ein altes Thema, doch neu für mich. Zwei, die dieselbe lieben, - nämlich dich. Du hast dich entschieden, ich hab dich verpasst, bin auf deiner Hochzeit nur der Gast. Du hast dich abgewendet, doch nur zum Schein. Du willst ihm treu sein, doch du lädst mich ein. Noch in seinen Armen lächelst du mir zu. Und wohin das führ'n wird, weißt auch du. Der letzte Tanz, der letzte Tanz Gehört allein nur mir! Den letzten Tanz, den letzten Tanz Tanz ich allein mit dir! Die Zeit wird alt und müde, der Wein wird schal. Die Luft ist schwül und stickig im Spiegelsaal. Unsichtbare Augen seh'n uns beiden zu. Alle warten auf das Rendezvous. Der letzte Tanz, der letzte Tanz Gehört allein nur mir! Den letzten Tanz, den letzten Tanz Tanz ich allein mit dir! Und so wart' ich im Dunkeln und schau zu dir hin Als der große Verlierer, doch ich weiß, ich gewinn! Der letzte Tanz, der letzte Tanz Gehört allein nur mir! Den letzten Tanz, den letzten Tanz Tanz ich nur mit dir! Der letzte Tanz, der letzte Tanz Gehört allein nur mir! Den letzten Tanz, den letzten Tanz Tanz ich nur mit dir! [Ensemble] Wien am Ende (gleichzeitig) Zeitenwende Alle Fragen sind gestellt. [Der Tod & Ensemble] Der letzte Tanz, der letzte Tanz Gehört allein nur mir (dir)! Den letzten Tanz, den letzten Tanz Tanz(t) ich (er) nur mit dir (i
If I may put in my own two cents. I will applaud both versions. Junsu had a better voice and more control in his voice. However Máté and the woman were more into it. She actually moved around whereas in the Korean version she didn't. This version is more rough, but with Junsu's version you can tell he isn't trying to hurt the woman, it was just a choreograph. And the fact that Junsu was more showy with his theatrics. And also the design and budget for both shows were different is a big influence
Well, I think those differences come from Korean culture. I'm a Korean and in Korea, it has been kind of taboo to show physical interactions between women and men on stage. It might seem as a form of 'acting' in other countries, but it is kind of unnatural and sometimes scandalous in Korea. There are other singers and performers who don't care about it that much, but there still exist some people who are uncomfortable with these things.
Keine Ahnung ob "die andern" das auch machen ;) Ich weiß nur, dass Uwe in meiner Aufnahme von 92 ganz definitif auch gegen die Wand rennt bzw er hüpft da so dran hoch eben, stand wohl in der choreografie oder so... Und Harry Potter rennt im 2. Teil gegen die Wand bei King's Cross, nocheinmal sehr schön herausgearbeitet von Coldmirror in ihrer Synchro mit folgenden Worten "Ey, lass mal voll gegen die Wand rennen."
Und naja, überschminkt würd ich nicht sagen... Bühnenmakeup eben, damit man auch in der letzten Reihe noch die Mimik sieht ^^ Ok, vielleicht auch nicht... Vielleicht ist es einfach ein bisschen viel Rouge und Lippenstift, aber ich mag dieses Androgyne irgendwie ;)
But I like them both. I don't really wanna compare, but maybe it's because I knew what he was saying in this one that makes me like the German version, but Junsu has better voice control. I would say they are about equal
@@Alaqammarj I really don't care for Korean version. It is pretty boring and the acting is very cardboard. Japanese one at least has some interesting finds. Frankly speaking I prefer Mark Seibert as Der Tod. I think he has both - acting skills and singing voice. And that's only my personal opinion. Nothing more, nothing less. So is yours. If you prefer one singer over another it does not mean he is somehow better. It just means one person likes one over the other.
После просмотра номеров Тода Камараша всегда остаются смешанные чувства. Исполнение качественное, но преследует чувство что тебя как будто изнасиловали… Наверное поэтому мой любимый Тод - это Тод Мате
@pinkpuffl naja, mit dem dialekt hat es gar nicht so viel zu tun, eher mit diesem... rausgepressten... kanns schlecht beschreiben... soll dem ganzen denk ich power geben oder so... und das gegen-die-wand-rennen das kann uwe ja auch (jetzt wissen wir wo harry potter das abgeguckt hat ^^) ich find diese quasi-vergewaltigung bei 4:02 viel schlimmer! joa kann sein, dass die neuen aufnahmen besser sind, haben ja da auch genug übung gehabt. aber ich find uwe sah damals einfach so super aus als tod ;)
Im Korean, but Kim Junsu WAS LAME SO MUCH. He was just a tool for the company making money by attracting bunch of teenage girls. If you people seriously think this person was no much better than Junsu, you are going to burst into tears when you hear the other cast 'Ryu Jung Han' singing as death though he does not have any clip on the web for no fuking reason.
I watched all the German, Japanese, and Korean version of Elisabeth. But for me, Junsu is the best for Death. Not that I'm biased but I found him the scariest and loveleable Death. Let's not talk about those make-up they were wearing on him (Junsu's outfit was the most gothic for all Death), but his gesture and sing ability was the best. He could expressed the anger and love so good. Mate Kamaras is a really good musical actor, but he as Death,I'm not sure. This Death has only one expression.
I actually liked Junsu better as Death. And it's not because the fangirl in me said so. I'm judging based on the however little expertise I have in theatre (I'm from drama) To me, Junsu held more attention because of his exaggerated body movements and those looks in his expression. I don't know, but when he sang to Elisabeth, I felt as though as he was spreading his anger and twisted thoughts to me. He portrayed a really sensual and enticing Death that almost got his lover.
Junsu felt like a better Death to me. He really captured my attention with his almost-maniac attitude when Elisabeth got married. This Death looked like he was trying to seduce the audience instead. LOOK AT YOUR ELISABETH. YOU'RE SUPPOSED TO BE ANGRY AND FRUSTRATED. You look at the audience too much. The Elisabeth here was better though. The Korean Elisabeth was nothing more than a block of wood.
I agree with you, Junsu's voice is more powerful. The performance though was a little more on the passive side, but I guess that comes with the Korean culture. On singing I think Junsu did best, but on acting not so much.
Ich weiß, dass Maté immer gefeiert wird. Kann das überhaupt nicht verstehen. Sorry, Leute, aber er ist ein schwacher Sänger. Kreischen macht es nicht besser. Und er legt den Tod zu sexy an. Das macht das Ganze oberflächlich. Habe ihn mal in Frankfurt als Tod gesehen, da war Elisabeth auf Tour. Wie gesagt: Kreischen und auf sexy Loverboy machen reicht für diese Rolle nicht. Aber Geschmäcker sind ja bekanntlich verschieden, deswegen sei ihm seine Fanbase gegönnt.
I'm sorry to say but you are so wrong... Junsu nailed it like a pro. His singing was awesome, much much much more powerful than his guy here, not to mention his body movements, his facial expressions, the whole character just got to LIVE. Junsu worked very hard to prove that he is not just a 'tool' and he did it. He proved that he is a capable musical ACTOR. And boy he can dance in this scene. This Tod is like a statue. Where is the anger, where is frustration? THIS is Death: watch?v=riScXjdWXDw
I never understood this musical. They made a story about a real character as talking with death angel andt this whole romantic stuff with him.... Also, Elisabeth was 14 years old when she got married. I know the actors are adults but they at least would chose a younger actress for her role. This woman looks like above 40...
The death angel or actually just death is actually Elisabeth's own twisted thoughts. He never exists in real life as some hot guy in a cowboy outfit. He's rather just a presence of death coming after the empress slowly and unexpectedly. Also joke on you, Maya at that time was 39. They obviously picked her because she had an experience being one of the original Elisabeths in the original production and not because of her age. Age hardly matters at all when she can convince the audience with her outstanding performance.
Well, Elisabeth died at 60. Musical covers her life from 14 to 60. So 35-40 is a good average age for this character. Besides young actresses would not be able to provide depth to the older character. Not enough true life experience )
He didn't bring anything better to the table other than his body, compared to Junsu's. I prefered the Korean version after watching the two. If I were to be entranced by Todd, it would be the Todd of Junsu not this Todd. Maybe it's the language, I don't feel this as much.
was zur hölle tun die beiden da??? sie guckt die ganze zeit wie ne kuh wenns donnert und er bewegts sich wie nen möchte-gern-callboy und singt als würd er grad k*cken! sorry aber wirklich! wenn man das mit dem vidoe von pia und uwe 92 vergleicht geht das echt gar nich!
![[New] Elisabeth das Musical - Der Letzte Tanz (Multi-language)](http://i.ytimg.com/vi/g5jGaxXyJ04/mqdefault.jpg)
His eyes really sell the character. He looks like he's stalking prey half the time he's on stage. Very powerful acting 10/10 , plus Mate is hot so he gets bonus points for that
Mate really gives me butterflies the ways he acts as der Tod! In every single song he is in he is just amazing!!!!
Mate is my favorite Death. Not only is his voice seductive and edgy, it is so powerful. And he has a wildness in his play that makes Death both dangerous and attractive.
I’m a simple woman, I see Máté as Der Tod , I click😌
When my neighbours celebrated a birthday party at midnight and were playing LOUD music for hours, I waited till they made a break around 3 a.m. Next I went out in the garden, turned on the volume on my phone and played that song. (Of course not because Death sings it 😉) From that moment on I never had any problems with nightly interruptions. No matter if they got the message or were just amazed by his voice, either way I had the last dance.
lmao, I love this!!!
Da wär ich echt gerne live dabei gewesen. Das ist köstlich!
@@Suzy.musician Seit dem feiern die Nachbarn immer ein paar Gärten weiter 😏
@@saraoverkamping8143 Da, wo es keinen Tod gibt. 😉🤣
@@Suzy.musician Und ich dachte schon, da wo ich möglichst weit weg bin 😂
Mate! He is, and will always be, my favorite Der Tod!
Mate is my favourite Death. :3
OMG his voice is the best !!!!!!! ohhhhhh i love that
The best Death for me. Maybe because I saw this version first..but still I love it the most. The Korean one is really good too and I really liked the Japanese one because the all women gave Death more androgyny.
No
@@antoniakommoss5633 yes
Wunderbar. Mate ist einfach nur toll. Wer würde bei ihm nicht gern in seinen Armen sterben.
Are you guys seriously arguing about who's the better Tod? I find it hard to compare when both actor plays the character so differently. Mate plays Death as arrogant and posessive while Junsu plays him as an emotional maniac which is totally fine. Both actors are great okay.
I agree!🌹
10*/10... der Tod ist der Hammer. Und sie ist fantastisch in wenn ich tanzen will. Und er ist auch da brillant.
BesteVersion
우베, 마크도 대단하지만, 토드역은 마테를 위해 태어난 것 같다... 몇년을 봐도 질리지가 않는다...
Máté ist einfach der beste Tod. Bitte bitte lass meinen Tod auch so aussehen, dann schenke ich ihm gerne den letzten Tanz. :D
komm nach Ungarn 😁
This is my favorite Elisabeth! I love Mate and Maya forever!!! Mate Tod let me die!!!
Actually it's "Tod" (Death). I prefer Máté, but that's maybe because I am german and because I like his cute accent when he's singing German (he's from Hungary ;-) )
Proud Hungarian watching Mate. ❤ He deserves the world.
While I absolutely loved this production, I liked the costumes of the Dutch production with Pia so much more. The dress were opulent, quite historically accurate and the wig was just stunning. Mate is hands down my face death tho .
I love this musical! (With other actors I love it as well🖤)
he’s simply the best!
Seiner Schauspielerei ist einfach atemberaubend und so überzeugend!
Auch wenn ich Uwe und Mark als Tod genauso liebe und bewundere, ist Máté mit dem Gesamtpaket mein Favorit :)
No
Viele spielten süßen Tod, doch niemand spielte wie Máté. Обожаю!
Wen der Tod wirklich so gut aussieht den habe ich keine Angst vor ihm
Love this cast! Mate is my perfect impersonation
of Der Tod
Ich lese einige Kommentare und stelle fest jeder Zuschauer hat seinen Lieblingsdarsteller des Tods. So gesehen ist das vollkommen in Ordnung.
Fakt ist der Tod in Elisabeth ist eine charismatische Figur / Rolle. Er verführt und macht seinen Job nämlich Menschen abholen am Ende des Lebens. So war es und wird es immer bleiben.
me, not realizing that the actor's name is Mate: why are there so many Australians here?????
I gotta say the dude who plays death is pretty handsome
Hi, is your taste in guys the same?? Just checking
unser Máté Kamarásch ist ne goile & böse Bengel 😉
Mate is Amazing...
To me, the Korean version (with Junsu) was more singing first and acting afterwards, while this version is more about acting first and singing in second. I happen to like this version more, but I also believe that our idea is influenced by what we think is attractive. I am sorry, I really love Junsu, but I would not fall in love with the Death he portrays. I would definitively fall for Mate though, and probably try to join him. Others, though, would fall for Junsu's Death more...
That's why I like Mate's interpretation that Death will appear as whatever is most attractive to the person he is drawing away. So all Deaths are accurate to their individual Elisabeths and if you like one Death more then that is probably more in line with what would appear to you to coax you away from living.
talented, amazing acting and HOT! *.*
Mathe ist nicht nur ein super hübscher Mann sondern er spielt den Tod am allerbesten meiner Meinung nach , wenn man ihm mal mit den anderen Tod darstellen vergleicht❤
Mir persönlich gefällt Uwe besser, aber Mate ist auch toll-
Sie haben beide ihre Vorzüge und spielen den Tod sehr überzeugend :)
The best tod EVER
Uwe is only by a very thin margin, my favorite death, but Mate and Mark are easily tied as my second favorite.
he is the best TOD !!!!
MY OVARIES
Is this a German musical? I LOVE his voice!! ❤❤❤❤
Technically, I guess it's Austrian as its world premiere happened in Vienna. But yeah, a German-language musical nonetheless, written by a German and a Hungarian. And yes, Máté is phenomenal!
Actually...I think Junsu is a good singer. He just doesn't have the lower register. They should've taken it up about a third to fit his voice better.
Der Tod]
Es ist ein altes Thema, doch neu für mich.
Zwei, die dieselbe lieben, - nämlich dich.
Du hast dich entschieden, ich hab dich verpasst,
bin auf deiner Hochzeit nur der Gast.
Du hast dich abgewendet, doch nur zum Schein.
Du willst ihm treu sein, doch du lädst mich ein.
Noch in seinen Armen lächelst du mir zu.
Und wohin das führ'n wird, weißt auch du.
Der letzte Tanz, der letzte Tanz
Gehört allein nur mir!
Den letzten Tanz, den letzten Tanz
Tanz ich allein mit dir!
Die Zeit wird alt und müde, der Wein wird schal.
Die Luft ist schwül und stickig im Spiegelsaal.
Unsichtbare Augen seh'n uns beiden zu.
Alle warten auf das Rendezvous.
Der letzte Tanz, der letzte Tanz
Gehört allein nur mir!
Den letzten Tanz, den letzten Tanz
Tanz ich allein mit dir!
Und so wart' ich im Dunkeln und schau zu dir hin
Als der große Verlierer, doch ich weiß, ich gewinn!
Der letzte Tanz, der letzte Tanz
Gehört allein nur mir!
Den letzten Tanz, den letzten Tanz
Tanz ich nur mit dir!
Der letzte Tanz, der letzte Tanz
Gehört allein nur mir!
Den letzten Tanz, den letzten Tanz
Tanz ich nur mit dir!
[Ensemble]
Wien am Ende
(gleichzeitig) Zeitenwende
Alle Fragen sind gestellt.
[Der Tod & Ensemble]
Der letzte Tanz, der letzte Tanz
Gehört allein nur mir (dir)!
Den letzten Tanz, den letzten Tanz
Tanz(t) ich (er) nur mit dir (i
If I may put in my own two cents. I will applaud both versions. Junsu had a better voice and more control in his voice. However Máté and the woman were more into it. She actually moved around whereas in the Korean version she didn't. This version is more rough, but with Junsu's version you can tell he isn't trying to hurt the woman, it was just a choreograph. And the fact that Junsu was more showy with his theatrics. And also the design and budget for both shows were different is a big influence
Well, I think those differences come from Korean culture. I'm a Korean and in Korea, it has been kind of taboo to show physical interactions between women and men on stage. It might seem as a form of 'acting' in other countries, but it is kind of unnatural and sometimes scandalous in Korea. There are other singers and performers who don't care about it that much, but there still exist some people who are uncomfortable with these things.
My ovaries are very confused......
why people saying he cant sing him and junsu have two different voices his voice is good also just a different range thats all
Keine Ahnung ob "die andern" das auch machen ;) Ich weiß nur, dass Uwe in meiner Aufnahme von 92 ganz definitif auch gegen die Wand rennt bzw er hüpft da so dran hoch eben, stand wohl in der choreografie oder so...
Und Harry Potter rennt im 2. Teil gegen die Wand bei King's Cross, nocheinmal sehr schön herausgearbeitet von Coldmirror in ihrer Synchro mit folgenden Worten "Ey, lass mal voll gegen die Wand rennen."
ich habe mir vor dem video das mit uwe angeguckt und ich muss sagen mate ist besser er hat viel mehr kraft in der stimme
Besteeeeesss Lied evaaaa :D der tod kann schon sexy sein ;) aber nur mates :)
Mate самый лучший
Junsu take me here :3
Und naja, überschminkt würd ich nicht sagen... Bühnenmakeup eben, damit man auch in der letzten Reihe noch die Mimik sieht ^^ Ok, vielleicht auch nicht... Vielleicht ist es einfach ein bisschen viel Rouge und Lippenstift, aber ich mag dieses Androgyne irgendwie ;)
I like this version very much, but prefer PARK HYO SHIN's version
what are the names of these actors? i adore them, but have no idea who they are!
Elisabeth: Maya Hakvoort
Der Tod (death): Maté Kámarás
Franz Joseph: André Bauer
:)
Thank you so much!
But I like them both. I don't really wanna compare, but maybe it's because I knew what he was saying in this one that makes me like the German version, but Junsu has better voice control. I would say they are about equal
why compare they are all great...-.- im a cassie btw ...
Well to be honest junsu outdo them so ..
But yes they're good
Especillsy when he performed the shadows grow longer
He was literally a deceiving god of death there
@@Alaqammarj And that’s your opinion. They’re all great in their own ways.
@@Alaqammarj I really don't care for Korean version. It is pretty boring and the acting is very cardboard. Japanese one at least has some interesting finds. Frankly speaking I prefer Mark Seibert as Der Tod. I think he has both - acting skills and singing voice. And that's only my personal opinion. Nothing more, nothing less. So is yours. If you prefer one singer over another it does not mean he is somehow better. It just means one person likes one over the other.
Unbewusste Seelenkampf
토드 정말 섹시하고 귀엽고 섬뜩하다
Der Tod is so much better staged for Mate Kamaras in the Hungarian production. Costuming and makeup too!
Fand den Sänger am besten.
Who care who sang it better. -.- it always ends in a war anyway so why bother making such a comment ...
Rawr feisty
이거 어느 나라 버전인가요? 독일 버전인가요??
Ich finde diesen Teil schreit er meistens nur, schade eigentlich.
just to join the discussion.. I think annemike is a better elisabeth. maybe it's because I've seen her in november, I don't know
После просмотра номеров Тода Камараша всегда остаются смешанные чувства. Исполнение качественное, но преследует чувство что тебя как будто изнасиловали… Наверное поэтому мой любимый Тод - это Тод Мате
@pinkpuffl naja, mit dem dialekt hat es gar nicht so viel zu tun, eher mit diesem... rausgepressten... kanns schlecht beschreiben... soll dem ganzen denk ich power geben oder so... und das gegen-die-wand-rennen das kann uwe ja auch (jetzt wissen wir wo harry potter das abgeguckt hat ^^) ich find diese quasi-vergewaltigung bei 4:02 viel schlimmer!
joa kann sein, dass die neuen aufnahmen besser sind, haben ja da auch genug übung gehabt. aber ich find uwe sah damals einfach so super aus als tod ;)
you are rite reana kwon
Korean version is not bad, but Junsu`s voice is not that strong. He looks good as an actor, but sings very poorly.
need
Im Korean, but Kim Junsu WAS LAME SO MUCH. He was just a tool for the company making money by attracting bunch of teenage girls. If you people seriously think this person was no much better than Junsu, you are going to burst into tears when you hear the other cast 'Ryu Jung Han' singing as death though he does not have any clip on the web for no fuking reason.
マテ・カマラス様🎉
Nr 1 uwe, nr 2 martin markert, 3 mate
I watched all the German, Japanese, and Korean version of Elisabeth. But for me, Junsu is the best for Death. Not that I'm biased but I found him the scariest and loveleable Death. Let's not talk about those make-up they were wearing on him (Junsu's outfit was the most gothic for all Death), but his gesture and sing ability was the best. He could expressed the anger and love so good. Mate Kamaras is a really good musical actor, but he as Death,I'm not sure. This Death has only one expression.
German, 2005
I actually liked Junsu better as Death. And it's not because the fangirl in me said so. I'm judging based on the however little expertise I have in theatre (I'm from drama)
To me, Junsu held more attention because of his exaggerated body movements and those looks in his expression. I don't know, but when he sang to Elisabeth, I felt as though as he was spreading his anger and twisted thoughts to me. He portrayed a really sensual and enticing Death that almost got his lover.
Great! But I prefer Korean version!!!
Junsu felt like a better Death to me. He really captured my attention with his almost-maniac attitude when Elisabeth got married.
This Death looked like he was trying to seduce the audience instead. LOOK AT YOUR ELISABETH. YOU'RE SUPPOSED TO BE ANGRY AND FRUSTRATED. You look at the audience too much.
The Elisabeth here was better though. The Korean Elisabeth was nothing more than a block of wood.
I agree with you, Junsu's voice is more powerful. The performance though was a little more on the passive side, but I guess that comes with the Korean culture. On singing I think Junsu did best, but on acting not so much.
Тод хорош, но Элизабет подкачала(
1:25
Nee willemein je was te oud voor die rol
Ich weiß, dass Maté immer gefeiert wird. Kann das überhaupt nicht verstehen. Sorry, Leute, aber er ist ein schwacher Sänger. Kreischen macht es nicht besser. Und er legt den Tod zu sexy an. Das macht das Ganze oberflächlich. Habe ihn mal in Frankfurt als Tod gesehen, da war Elisabeth auf Tour. Wie gesagt: Kreischen und auf sexy Loverboy machen reicht für diese Rolle nicht. Aber Geschmäcker sind ja bekanntlich verschieden, deswegen sei ihm seine Fanbase gegönnt.
he can't sing ~ oh yeah he can't sing ! the best singer can't sing -_-
hater gonna hate!
juneu is not better
lost
I'm sorry to say but you are so wrong... Junsu nailed it like a pro. His singing was awesome, much much much more powerful than his guy here, not to mention his body movements, his facial expressions, the whole character just got to LIVE. Junsu worked very hard to prove that he is not just a 'tool' and he did it. He proved that he is a capable musical ACTOR. And boy he can dance in this scene. This Tod is like a statue. Where is the anger, where is frustration? THIS is Death: watch?v=riScXjdWXDw
Ona jest taka brzydka że nie mogę na to patrzeć
Ok, moje komentarze dodawane po pijaku śmieszą nawet po 5 miesiącach.
I never understood this musical.
They made a story about a real character as talking with death angel andt this whole romantic stuff with him....
Also, Elisabeth was 14 years old when she got married. I know the actors are adults but they at least would chose a younger actress for her role. This woman looks like above 40...
The death angel or actually just death is actually Elisabeth's own twisted thoughts. He never exists in real life as some hot guy in a cowboy outfit. He's rather just a presence of death coming after the empress slowly and unexpectedly.
Also joke on you, Maya at that time was 39. They obviously picked her because she had an experience being one of the original Elisabeths in the original production and not because of her age. Age hardly matters at all when she can convince the audience with her outstanding performance.
Well, Elisabeth died at 60. Musical covers her life from 14 to 60. So 35-40 is a good average age for this character. Besides young actresses would not be able to provide depth to the older character. Not enough true life experience )
No, she wasn't, if you actually liked history or even a simple Google search you'll know that she was 16 not 14
He didn't bring anything better to the table other than his body, compared to Junsu's.
I prefered the Korean version after watching the two. If I were to be entranced by Todd, it would be the Todd of Junsu not this Todd. Maybe it's the language, I don't feel this as much.
was zur hölle tun die beiden da??? sie guckt die ganze zeit wie ne kuh wenns donnert und er bewegts sich wie nen möchte-gern-callboy und singt als würd er grad k*cken! sorry aber wirklich! wenn man das mit dem vidoe von pia und uwe 92 vergleicht geht das echt gar nich!
sie guckt so dämmlich
I disagree in my opinion, Junsu's voice is way more powerful than his