Dude, this video is still hitting. I just got my c-stand and this is awesome. Subscribed. I hope your still making videos because you are literally helping me achieve my dreams.
Good Stuff. 38 years in the industry. This kind of practical knowledge is invaluable. On set, G/E is the one for which proper employment of equipment is usually bound to safety for everyone, failure to deploy equipment correctly can result in injury. Thank you for sharing.
Another good tip is to bag the stand with the handles down, that way the handle is up when you kick the bag off. Also, it's less of a tripping hazard when people step over the stand.
I love this kind of detail. I've been a full time recording engineer since 1983. I teach at the university level in my old alma mater one day a week. Discussing microphone stands and cable winding often starts out with eye-rolling from some of the students. And then they realize the practical necessity of getting this kind of thing right. It's one thing to put up a single vocal mic, and it's a radically different thing to do a film score and have to mic a large orchestra with 40 channels of audio coming in. If every microphone cable is wound haphazardly, then every one you pull off the hook is like a Boy Scout project dramatically wasting your time. The same thing goes for the use of stands. And microphone stands get beat on and frequently fail. You have to know right away if something is going to drift and deal with it before it's an issue. And again, the same goes for C-Stands and other equipment like it. Practical usage, speed, and safety. Looks like Adam has it all handled! Hey all you starting out - LISTEN CLOSELY !!!!
Ive been on sets for about 10 years (including film school) Ive worked in every department on set, but mainly camera and G&E. I have never seen the 1 C-Stand light bounce. Mind Blown!!!!!
My office is pretty cramped and my boss has smacked his face more than once on the end of my C-Stands because our offices have a combined doorway that I often need to stick my stands partially into just like you showed hah. We mostly avoid it now by either doing what you showed moving it up or just flagging it with some red safety headphones and a yellow microfiber cloth, same concept as the tennis ball but tennis ball is prob a little easier. Love it. Great stuff on this channel especially for people who are working on smaller sets and may need to fill many roles.
Awesome Pascal! I’m lookin to gettin back to releasing a lot more frequently than I have and these kind of comments definitely help motivate me . So for that, I thank you as well ☺️ cheers
Thanks so much for making these videos, Dave. Really informative and you guys covered just about all aspects related to C-stands. I hope you guys can do a future episode on different equipment carts to safely & efficiently transport G&E gear. Light Bulb & Grip in Brooklyn rocks and thanks for allowing these videos to be made! ps From a guy who has smacked his dong far too many times closing C-stands, I'm comforted knowing there are others out there that feel my pain.
I love/hate working with C-Stands. They're so useful but so annoying ergonomically. Great video, tonnes of solid advice and I love the inky + bounce idea, definitely gotta use that one some time!
Liked for showing how to stack sticks pointed towards the set. I try to drill that into my guys. On another note, we call the rule the Right Hand Rule where I'm from.
I really liked the look of that screen cu-cu-loris. I've seen videos about cookies before but they were always solid ones. Another good idea for the ol' Christmas list.
I've never seen a putty knife stuck into the gobo as you showed, but I was shown that space was for the ears on speedrail silks, etc. I think I also saw someone stick a small foamboard bounce in there out of necessity once (it was indoors, so wind wasn't an issue)...
Live and learn... When I took my scissor/boom lift certification, the instructor said "The great thing about this country is our 'get it done' attitude. The bad thing, is our 'get it done' attitude.". Then he showed us a picture of a scissor lift being lifted on the forks of a forklift. "That shouldn't be...".
knew a lot of this already, but that arri light setup with the bounce and flag blew me away. coming from an ex travel shooter, that is a lot of punch for just one stand
Thank you for not taking bad what I wrote, I really didn't want to be rude or mean but I got so frustrated that it was so difficult to follow you, that I decided to comment. I'm glad you understand, it's a learning process for sure for you and for me too. Stay safe.
When you said that the reason you put the big leg in front is because the bogo will be weighing down the back so it works against the big leg is huge to me. I haven’t seen anyone give a reason to putting a sandbag under whatever you’re lifting so knowing that it’s because the heaviest part is opposite of the leg makes sense. Now let’s say you operate on a smaller set where you have a c-stand with a cross bar completely extended out and doesn’t have a counterweight working against the big leg, would it make sense to place that big leg opposite to the cross bar (which will carry the weight) so that is working against it? Will you always place the big leg against which ever side carries the most weight? Or do you always have the c-stand setup the same and make sure the heaviest part works against the big leg? (Sorry if this was confusing)
Hello Dave! I hope somehow you will make a give away game not just for the people who live in the US but for who live in Europe. Your episodes are awesome and thanks so much for your videos. I really appreciate it!
ahahah i image this. I know sundy rent in Italy but i don't know any direct distributors. In these days i can ask to my key grips, if i have any information i will tell you
If you watch 10 videos on C-stands, you'll hear 10 different ways it got its name. I'm willing to bet that the company that originally made them was named Century.
Nice video! I am debating on getting a C stands for outdoor portraits. I do have a stainless steel tripod with the normal legs but I’ve been thinking about picking up a c stand to mount my heavy flashpoint ad600 . I paid a lot of money for this flash so I think I should upgrade the light stand to secure it better.
@@GripTips thanks for the quick response. Quick question. I do a lot of outdoor photo shoots and half the time I am never on flat ground. Do you think I should get the c stand with the adjustable height 3rd leg or the normal legs. I am on kind of a tight budget right now cuz this stupid pandemic. But I got to realize I've been using a normal tripod Everywhere I Go do over I need the adjustable third leg? What's your opinion thank you again
truckin3030 yes, absolutely get the Rocky Mountain leg version first and for that reason. Don’t get me wrong, I love turtle bases for the ease but for a starter C-stand. Get the Rocky Mountain leg first. Buy like three of them, then get the turtle bases.
James Griffith I grew up in my career using matthews, so I’m comfortable there. I don’t really like the riser knobs on Americans but their ergonomics for the heads themselves are great. Both brands are great overall. But really on the day it’s gonna be whatever is in front of me first. I’m not gonna debate a brand when it’s time to work
Dude, this video is still hitting. I just got my c-stand and this is awesome. Subscribed.
I hope your still making videos because you are literally helping me achieve my dreams.
Big Mistakes In Real Estate helping you achieve your dreams... yea dude I’m not gonna lie, that just kind of made my day, glad I could help ☺️
Good Stuff. 38 years in the industry. This kind of practical knowledge is invaluable. On set, G/E is the one for which proper employment of equipment is usually bound to safety for everyone, failure to deploy equipment correctly can result in injury. Thank you for sharing.
That double gobo trick is fantastic.
Another good tip is to bag the stand with the handles down, that way the handle is up when you kick the bag off. Also, it's less of a tripping hazard when people step over the stand.
I love this kind of detail. I've been a full time recording engineer since 1983. I teach at the university level in my old alma mater one day a week. Discussing microphone stands and cable winding often starts out with eye-rolling from some of the students. And then they realize the practical necessity of getting this kind of thing right.
It's one thing to put up a single vocal mic, and it's a radically different thing to do a film score and have to mic a large orchestra with 40 channels of audio coming in. If every microphone cable is wound haphazardly, then every one you pull off the hook is like a Boy Scout project dramatically wasting your time.
The same thing goes for the use of stands. And microphone stands get beat on and frequently fail. You have to know right away if something is going to drift and deal with it before it's an issue.
And again, the same goes for C-Stands and other equipment like it.
Practical usage, speed, and safety. Looks like Adam has it all handled!
Hey all you starting out - LISTEN CLOSELY !!!!
Fantastic lecture and tips
My mind is blown. You are wise.
Ive been on sets for about 10 years (including film school) Ive worked in every department on set, but mainly camera and G&E. I have never seen the 1 C-Stand light bounce. Mind Blown!!!!!
Jon Carson it's rare but it does happen
Actually I know why I might have never seen it. I work with Mole lights a lot. The Arri lights have 2 baby pin holes.
subscribed even five years after you posted this video on c-stands!
Solid AF, keep it up
Cinematography Database thanks matt ☺
Boosh! Agreed!
Cinematography Database celebrity appearance
Yeah the auto focus in this was top notch. 👌
Agreed, autofocus is 10/10!
My office is pretty cramped and my boss has smacked his face more than once on the end of my C-Stands because our offices have a combined doorway that I often need to stick my stands partially into just like you showed hah. We mostly avoid it now by either doing what you showed moving it up or just flagging it with some red safety headphones and a yellow microfiber cloth, same concept as the tennis ball but tennis ball is prob a little easier. Love it. Great stuff on this channel especially for people who are working on smaller sets and may need to fill many roles.
As an instructor, thank you for covering all of the different terminology and styles. A lot of people don't cover them enough.
I just got my first c-stand and this video was very informative and timely. Thanks for posting.. I did suscribe for other Grip Tips.
Sir, can you do a tutorial on a few common ways of car rigging and the tools needed for it? Thank you so much for these vidz! Love them!
I like the inner-knee method. Keeps you alert.
Good stuff! Appreciate the little details and Pro tips.
Amazing video. I am new to cinematography and I’ve learned so much from your videos. THANKS A MILLION
Awesome Pascal! I’m lookin to gettin back to releasing a lot more frequently than I have and these kind of comments definitely help motivate me . So for that, I thank you as well ☺️ cheers
Really appreciate the work that has gone into this! Thanks!
Checking in from '22, still hits.
That tip about using the same c-stand for the light and the bounce was brilliant 👏
This is one of the best videos I've seen a long time. Thank you for all the tips!
Thank you, great video!
Fantastic. "Everything You Wanted To Know About C-Stands (But Were Afraid to Ask)". Thank you so much, man.
Brandon Plantz not a problem ☺️
Thanks man ❣️🙏👏
Uuuuum WHAT?!?!?! How am I just finding your channel now? This is absolutely amazing!
Came from theatre school to the film set because of your videos, thanks for the knots, tips, and jokes.
great video, Dave!
This is a well done tutorial. Thanks.
I watched four c-stand video today and this is the most informative and accurate video about c-stands, thank you
Thanks so much for making these videos, Dave. Really informative and you guys covered just about all aspects related to C-stands. I hope you guys can do a future episode on different equipment carts to safely & efficiently transport G&E gear.
Light Bulb & Grip in Brooklyn rocks and thanks for allowing these videos to be made!
ps
From a guy who has smacked his dong far too many times closing C-stands, I'm comforted knowing there are others out there that feel my pain.
I love/hate working with C-Stands. They're so useful but so annoying ergonomically.
Great video, tonnes of solid advice and I love the inky + bounce idea, definitely gotta use that one some time!
Thanks for sharing very helpful
awesome video just what I needed to learn thanks
Thank you great video!
Thanks
This video autoplayed after another I watched on light stands. I don't even shoot film and I just watched this whole video. Well done. lol
awesome tips!! I really appreciate it.
Exactly what I was looking for. Thanks!
Liked for showing how to stack sticks pointed towards the set. I try to drill that into my guys. On another note, we call the rule the Right Hand Rule where I'm from.
I really liked the look of that screen cu-cu-loris. I've seen videos about cookies before but they were always solid ones. Another good idea for the ol' Christmas list.
Thanks so much for the tutorial...will definitely have me a little less green on my second day. 😎
Great episode
This is awesome
Excellent!! Thanks so much!! Greetings from Bay Area, California!
This video is awesome. Thank you for sharing your knowledge and experience!
I've never seen a putty knife stuck into the gobo as you showed, but I was shown that space was for the ears on speedrail silks, etc. I think I also saw someone stick a small foamboard bounce in there out of necessity once (it was indoors, so wind wasn't an issue)...
Madness by Design though I’ve done it, ears for speedrail for a butterfly frame should absolutely, never be inside of a gobo or knuckle.
Live and learn... When I took my scissor/boom lift certification, the instructor said "The great thing about this country is our 'get it done' attitude. The bad thing, is our 'get it done' attitude.". Then he showed us a picture of a scissor lift being lifted on the forks of a forklift. "That shouldn't be...".
WTF. Such an underrated channel. Holy shiz. Who needs film school? haha
Boosh! Dude, you rock!
This is pretty entertaining... and I did learn something... :)
Great video!
Great video
This was great man! Learnt a couple things... SOLID TUT
Thanks - this is so helpful 👏👏👏👏 subbed.
Thanks man
Sure thing!
knew a lot of this already, but that arri light setup with the bounce and flag blew me away. coming from an ex travel shooter, that is a lot of punch for just one stand
Some great tips here, thanks man!
"BOOSH!"
Great job. Thanks!
Haha! First time I’ve seen a video of yours. Man, it was funny and entertaining!
Subscribed straight!
BOOSH!
Love that Alt-j in the background at the end :p
AWESOME episode. Love your vids.
Noël Ramos thanks dude!
Love your videos Dave. Learn something new every time.
this is great
Great info Matt! Happily shared for your contest.
really well done mate thanks. info packed
This is great, I learn better than at the class. Awesome!
This videos shouldnt have that little views!!! ALL GRIPS SHOULD WATCH!!!
SUPER!!!! GREAT JOB!!!
I appreciate the extra tips!!
Thank you for not taking bad what I wrote, I really didn't want to be rude or mean but I got so frustrated that it was so difficult to follow you, that I decided to comment. I'm glad you understand, it's a learning process for sure for you and for me too. Stay safe.
brilliant
The story I heard is that they are named after Century Studios in Century City
Cinematogrphy database brought me here. very nice vid. thx - liked -
This is so awesome!
The effort you put into this amazing, much appreciated thank you
Great video! Made me laugh and lots of good info.
Okay. I fucking LEARNED SOMETHING. Thanks, Mr. Tips!
God I love C-Stands!
Love it! Nice job!
your best episode!
4 week film school class in 10 minutes - nice!
When you said that the reason you put the big leg in front is because the bogo will be weighing down the back so it works against the big leg is huge to me. I haven’t seen anyone give a reason to putting a sandbag under whatever you’re lifting so knowing that it’s because the heaviest part is opposite of the leg makes sense. Now let’s say you operate on a smaller set where you have a c-stand with a cross bar completely extended out and doesn’t have a counterweight working against the big leg, would it make sense to place that big leg opposite to the cross bar (which will carry the weight) so that is working against it? Will you always place the big leg against which ever side carries the most weight? Or do you always have the c-stand setup the same and make sure the heaviest part works against the big leg? (Sorry if this was confusing)
Yeah... for some reason I didn't see this. Thank you I apologise, great video man
Alejandro Escalas haha no worries, for a second I thought it was a joke cause I've been asked to do it so much haha
never seen that way to extend an arm. that's definitely going to help on this next shoot
Awsome bro. Good work
righty tighty, lefty loosy
Hello Dave!
I hope somehow you will make a give away game not just for the people who live in the US but for who live in Europe.
Your episodes are awesome and thanks so much for your videos. I really appreciate it!
oh wow that light bounce trick
Wonderful episode man but we want your gifts also in Italy! You have grip fans here! lol
Generico Larvis do you know some distributors? I would love to expand the contest but shipping from the US is murder
ahahah i image this. I know sundy rent in Italy but i don't know any direct distributors. In these days i can ask to my key grips, if i have any information i will tell you
Generico Larvis would love that, thank you
I'm italian too!
Century Lighting NYC and Strand Lighting is what Wikipedia attributes the name "Century Stand" to.
If you watch 10 videos on C-stands, you'll hear 10 different ways it got its name. I'm willing to bet that the company that originally made them was named Century.
I got that same Music poster! (3:44)
Nice
Liked. Subscribed. Boosh!
Sweet shoes.. 😄.
Ikr?! I miss them so much, haven’t worn those in a minute
Capo!!
El estudiante de Praga does that mean boss? Or....?
Grip Tips You are the master
Nice video! I am debating on getting a C stands for outdoor portraits. I do have a stainless steel tripod with the normal legs but I’ve been thinking about picking up a c stand to mount my heavy flashpoint ad600 . I paid a lot of money for this flash so I think I should upgrade the light stand to secure it better.
truckin3030 can’t go wrong with Matthews or American. They’re built for the abuse. If you can’t do those, avenger is not bad.
@@GripTips thanks for the quick response. Quick question. I do a lot of outdoor photo shoots and half the time I am never on flat ground. Do you think I should get the c stand with the adjustable height 3rd leg or the normal legs. I am on kind of a tight budget right now cuz this stupid pandemic. But I got to realize I've been using a normal tripod Everywhere I Go do over I need the adjustable third leg? What's your opinion thank you again
truckin3030 yes, absolutely get the Rocky Mountain leg version first and for that reason. Don’t get me wrong, I love turtle bases for the ease but for a starter C-stand. Get the Rocky Mountain leg first. Buy like three of them, then get the turtle bases.
What are your thoughts on Mathews vs. American C-Stands?
James Griffith I grew up in my career using matthews, so I’m comfortable there. I don’t really like the riser knobs on Americans but their ergonomics for the heads themselves are great. Both brands are great overall. But really on the day it’s gonna be whatever is in front of me first. I’m not gonna debate a brand when it’s time to work
"Right hand rule" Here in Vancouver BC.
Hey, Marty, I said that too.
Ill have to admit I was shocked by the clunky skate shoes....took me back many years.
They were my favorite
@@GripTips Its interesting how much better they were constructed vs shoes today haha
Skip Brewer well, I mean they are skate shoes. I didn’t even know how to hahaha. Roller blades is about all I can do... in a circle...repetitively