grazie Federico - una domanda, ho notato che sui gradi minori suoni la triade allargando su 5 tasti, in pratica suoni sempre la tonica con il medio, la terza con indice e la quinta con il mignolo invece che suonare solo le triadi maggiori con quella diteggiatura, e le minori con indice su tonica, mignolo su terza e anulare su quinta - tra l'altro sulla tab viene proprio indicata questa ultima diteggiatura sulle triadi minori... Immaginavo fosse l'approccio giusto per economizzare spostamenti ed essere più rapidi, invece non cambi diteggiarture nemmeno per raggiungere la velocità segreta 🙂 quale approccio consigli a chi come me fa fatica ad andare veloce?
Your lessons are amazing!!! I discovered them yesterday. I'm subscribing immediately! I will buy the whole course on Monday. Warm greetings from Poland :)
Ciao Fede, fenomeno come al solito… potresti fare un video più specifico sulla mano dx, in particolare sull’appoggio dell’avambraccio sul corpo e sullo skip del pollice sui salti di corda, soprattutto quando si suona sul E nel caso del 4 o sul B del 5… thanx!
Ciao Sergio...abbastanza...bisognerebbe poi suonare cose del genere anche nella vita musicale, tipo un repertorio abbastanza Fusion-Jazz, altrimenti poi si rischia di studiare senza applicare.
This is a message from the National Emergency Funk Alert Broadcast station. Immediately go to a place where you can continuously tap your foot and or clap your hands and or bob your head! Repeat previous message x 5. I would love to see a similar straight ahead 16th note exercise over a minor and flat 7 scale. Just say'n dude! Keep it fawnkeeeeee!!!!
So cool…I am in Franklin TN USA…and you are in Italy somewhere??? Music truly is the universal language and creates a bond regardless of race, creed, gender and so on…that’s power!!!
Federico, you are Numero Uno in my books. But, at the risk of sounding pedantic, whoever does the PDF sheets for you is doing you an injustice because at various places throughout the PDF the notes you are playing do not match the notes as printed! For example bars 5, 7, 9, 10, 13 and 14. Still love seeing and hearing you play, and getting these exercises as they are a great way of re-imagining the scales and it keeps us on our toes..... in more ways than one!!! Cheers, Fred Jansohn
Hello Fred...U mean the tabs (it's why I hate the Tabs)...The Tabs are only a "sugestion" to how to do it, but you can choose the position that you prefer :-) I do in a different way from tabs & it works, so, it's up to you: u can follow my fingers on the screen or the tabs in the Pdf :-)
@@FedericoMalamanBass Hello Federico, my apologies. You are right. The major errors are in the tabs. While I can read music I tend to get lazy and use the notation only for note duration and the tabs for finger positioning on the fret board. Nevertheless you would think that even if the tabs don't show the fingering that you use they would at least show the correct notes. But there is one error I can see in the musical notation and that is the absence of a sharp accidental (#) where F# should be played. Okay, enough from me; thanks for doing this; and thanks for being such an amazing teacher and performer. Cheers, Fred
You played a Bm triad on the video while in the transcription it's a Bdiminshed triad, righ?
U right. It’s f#…. The pdf will be ok in a few days
Sir please teach salsa ,Reggoeton ,R&B,Hip-hop....
:-)
Really love the tone at 138 bpm, went from bass to funky key bass 😂👌
It's a combination of my bass + clavi :-)
grazie Federico - una domanda, ho notato che sui gradi minori suoni la triade allargando su 5 tasti, in pratica suoni sempre la tonica con il medio, la terza con indice e la quinta con il mignolo invece che suonare solo le triadi maggiori con quella diteggiatura, e le minori con indice su tonica, mignolo su terza e anulare su quinta - tra l'altro sulla tab viene proprio indicata questa ultima diteggiatura sulle triadi minori...
Immaginavo fosse l'approccio giusto per economizzare spostamenti ed essere più rapidi, invece non cambi diteggiarture nemmeno per raggiungere la velocità segreta 🙂
quale approccio consigli a chi come me fa fatica ad andare veloce?
Your lessons are amazing!!! I discovered them yesterday. I'm subscribing immediately! I will buy the whole course on Monday. Warm greetings from Poland :)
Thanks 🙏 a lot
*yassss
Yo bro!
Tasssss
Tesssss:-)
Grazie, sei un grande! E' normale che dopo un po', con tutti questi passaggi dalla quinta all'ottava, ho il mignolo da buttare via? :D
Certo! ahahahah ;-) Se fa male, fermati ;-)
Ima waiting for others gruvy exercices with modes after dorian and mixolydian vid's :o :o
Yep
muy bueno Federico me gustaría un video sobre licks y como aplicarlos
Ok Walter
Great lesson on how to mute the low B on 5 string while slapping and fingerstyle would be great ;)
Hi George :-) I did Malaslap1 & 2 for this :-) en.federicomalaman.com/videocourses/ ;-)
Ciao Fede, fenomeno come al solito… potresti fare un video più specifico sulla mano dx, in particolare sull’appoggio dell’avambraccio sul corpo e sullo skip del pollice sui salti di corda, soprattutto quando si suona sul E nel caso del 4 o sul B del 5… thanx!
Ciao Claudio e grazie...è un po' complicato da fare questo tipo di video..ci penso :-) Grazie
Muy bueno me tremenda explicación, como puedo descargar las partituras para empezar hacer los ejercicios . Muchas gracias
Here bro ;-) bit.ly/3AcyjtP
una domanda: ci vuole molto tempo ed esercizio per interiorizzare questa tecnica e far sì che emerga istintivamente nel proprio modo di suonare, vero?
Ciao Sergio...abbastanza...bisognerebbe poi suonare cose del genere anche nella vita musicale, tipo un repertorio abbastanza Fusion-Jazz, altrimenti poi si rischia di studiare senza applicare.
Bien hecho amigo. Ánimo y sigue así. Un saludo desde España!!!
Saludos! ;-) Thanks
It's always like watching a movie then speeding it up.
:-)
Gold!
grande Federico! sei sempre il mio preferito!!!! grazie mille per questi utilissimi esercizi!😊😊
Grazie Sergio!
I hit the first like! Just saying.
Thanks Donal the 1st ;-)
Crampiiii !!! Sono sulla buona strada? :D Ottimo esercizio grazie mille Federico!
Fermati!!! :-) Crampi, ok, ma fermati appena fa male
@@FedericoMalamanBass ma no tranquillo niente di grave eh… era solo da troppo che non ci davo dentro a queste velocità :)
@@PolPollau Giusto :-)
This is so cool, and so very helpful. Thank you!
Thanks!
HI again Federico, my comment below was referring only to the Fingerstyle Bass guitar sheet. I can't speak for the rest. Cheers, Fred Jansohn
Thanks
Grande Federico...Buenísimo !!
Thanks!
thank you Big Time
Thanks!
Incredible awesome!!
Mr. Malaman ‘Number One’
Grazie!
@@FedericoMalamanBass a te grandissimo!
Malaman the Man! 👏🏼
Thanks! ;-)
This is a message from the National Emergency Funk Alert Broadcast station. Immediately go to a place where you can continuously tap your foot and or clap your hands and or bob your head! Repeat previous message x 5. I would love to see a similar straight ahead 16th note exercise over a minor and flat 7 scale. Just say'n dude! Keep it fawnkeeeeee!!!!
Yes! :-)
So cool…I am in Franklin TN USA…and you are in Italy somewhere??? Music truly is the universal language and creates a bond regardless of race, creed, gender and so on…that’s power!!!
Figata, grazie delle lezioni
De nada Simone ;-)
Federico, you are Numero Uno in my books. But, at the risk of sounding pedantic, whoever does the PDF sheets for you is doing you an injustice because at various places throughout the PDF the notes you are playing do not match the notes as printed! For example bars 5, 7, 9, 10, 13 and 14. Still love seeing and hearing you play, and getting these exercises as they are a great way of re-imagining the scales and it keeps us on our toes..... in more ways than one!!! Cheers, Fred Jansohn
Hello Fred...U mean the tabs (it's why I hate the Tabs)...The Tabs are only a "sugestion" to how to do it, but you can choose the position that you prefer :-) I do in a different way from tabs & it works, so, it's up to you: u can follow my fingers on the screen or the tabs in the Pdf :-)
@@FedericoMalamanBass Hello Federico, my apologies. You are right. The major errors are in the tabs. While I can read music I tend to get lazy and use the notation only for note duration and the tabs for finger positioning on the fret board. Nevertheless you would think that even if the tabs don't show the fingering that you use they would at least show the correct notes. But there is one error I can see in the musical notation and that is the absence of a sharp accidental (#) where F# should be played. Okay, enough from me; thanks for doing this; and thanks for being such an amazing teacher and performer. Cheers, Fred
@@fredjansohn8888 Cheers ;-)
Gracias!!!
Thanks
HELL YEAH!!
Yo!
Maestro!
Thank you
GOLD!!!!
Thanks!
bellissimo
Ooooo grazie caro :-) Tocca farlo questo
👍👍👍👍
Yo! ;-)
👏🏾🇭🇹
Thanks!
Deserve it.you really inspired me🙏🏾