Human vs Kuka Robots Immersive Experience

HUMACHINE v.02 is a 'Robotic Arm Enhanced Immersive Experience' based upon the human-machine interaction for the celebration of 60 years of MESS, the path they've taken along those years and their vision of future. This evolution throughout 60 years is told in a 6 minutes long unique 3d animation on 200 square-meters of led canvas, 3 performers and 6 led panels carried and moved by giant robotic arms.
The project aimed to reflect the human machine interaction in the age of transformation. As industry 5.0 approaching it was extremely important to show the process of blue collar workers' adaptation to work alongside the smart machines. In order to reflect this process in the best manner, the robotic arms were accompanied by performers.
Though the robotic arms' movement and speed are designed for industrial use only, we needed them to move against their nature. To achieve this, we ought to be following a more diverse route for the pipeline rather than our conventional ways. The robotic arms' characteristics for maneuver and the movement has made us to come up with 20 different versions of 3D choreography using different engines in order to meet at a common plane both for our concept and the Kukas' capabilities.
To introduce the 3D choreography to the robotic arms with a minimum latency and maximum efficiency needed hundreds of hours of work and multiple programming softwares but one of the best part of the projects was to have 6 giant Kukas in our studio and having the chance to work on them directly.
It was a sheer pleasure and a challenge at the same time to code the giant robotic arms in a way to make six of them work perfectly synchronized. Tens of hours of conceptual design, 2 months of robotic coding and 3d animation, greenbox shootings, countless rehearsals has paid of with this breathtaking exhibit.
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Yakın gelecekte insan emeğinin yerini büyük oranda robotların alacağı ileri sürülür ve dünya endüstri 5.0’ı konuşurken, robotlar ve mavi-yakalı çalışanların etkileşimi önemli bir tartışma konusu.
Biz de, Illusionist Digital Arts Studio olarak, Türkiye Metal Sanayicileri Sendikası’nın (MESS) 60. yılını ve bu 60 yılda aldığı mesafeyi kutlamak için 6 robot kol kullanarak, insan-makine etkileşimine odaklanan özel bir gösteri hazırladık.
Robotların manevra ve hızı endüstriyel kullanım amacıyla tasarlandığından, hazırlanan 3 boyutlu deneyime uygun 20 farklı koreografi çalışıldı. 3 boyutlu koreografiyi robot kollara başarıyla aktarmak için yüzlerce saatlik çalışma ve çok sayıda programlama yazılımı kullanıldı. Saatlerce süren konsept çalışması, 2 ay süren kodlama ve 3 boyutlu animasyon çalışmaları, yeşilde yapılan çekilmler ve sayısız prova sayesinde nefes kesici bir gösteriye ulaştık.
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CREDITS
Content & Production Design By ILLUSIONIST DIGITAL ARTS STUDIO
Client: MESS / 60th Year Celebration
Organization: A46 & Setur
Executive Director: Ahmet GÜRBÜZ
Creative Director: Serdar KORKMAZ
Content Creator: Emre BARCA
Choreography: Can GÖKDOĞAN
Project Coordinator: Tuğçe DEĞİRMENCİ
Copywriter: Güney ONGUN
Lead Compositing Artist: Furkan ALABAŞ
Lead FX Artist: Kutbettin ECEVİT
Multimedia Coordinator: Selay KARASU
Sound Design / Composer: İbrahim ÖZMEN
CG Artists & Compositing Artists :Selçuk KAYA, Taha Celal YILDIRIM, Pırıl SİLİ, Yasin SINIK, Tolga BOSTANCI
Illustration & Conceptual Visualisations: Serhan GÜNEŞ, İrem YÖRÜKOĞLU, Beren TEKİN
Scenography Specialists: Çisil OĞUZ, Lara DURMUŞ
Coordination Asistant: Ecem AKÇA
Lighting Design: Adilcan ALUÇ
Performer: Can GÖKDOĞAN, Yasemin SANCAKLI, Mert ÖZTEKİN
Robotic Animations: Selçuk KAYA, Yasin SINIK
Robotic Integration : Eurobotik (Evren BUĞDAYCIOĞLU, Hakan İRHAN, Oğuzhan ALTUN)
Robotic Integration Coordination: Zafer ŞEKERCİ, Mustafa YILMAZ
Technical Management: Sedat GÜNDÜZ
Greenbox Video Production: Egemen TOKAT, Uğur EKEN
Visual Systems & Projection Technology By DISPLAY TEAM (Mahmut GÜRBÜZ, İlker Kerem ÜSTÜNDAĞ)
Video Documentation : Osman ÇETİNKAYA, Uğur EKEN / Umedya, Recep ÖZAYDIN
Photo Documentation: Rezzan ALTÜRK
Technical Provider : Staras

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